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Showing 342 similar quotes for quote #569 from The Corrections by Jonathan Franzen

Author: Ivan Illich
Publisher: Marion Boyars Publishers Ltd (2009)

I here submit the concept of a multidimensional balance of human life which can serve as a framework for evaluating man's relation to his tools. In each of several dimensions of this balance it is possible to identify a natural scale. When an enterprise grows beyond a certain point on this scale, it first frustrates the end for which it was originally designed, and then rapidly becomes a threat to society itself. These scales must be identified and the parameters of human endeavors within which human life remains viable must be explored.



Society can be destroyed when further growth of mass production renders the milieu hostile, when it extinguishes the free use of the natural abilities of society's members, when it isolates people from each other and locks them into a man-made shell, when it undermines the texture of community by promoting extreme social polarization and splintering specialization, or when cancerous acceleration enforces social change at a rate that rules out legal, cultural and political precedents as formal guidelines to present behavior. Corporate endeavors which thus threaten society cannot be tolerated. At this point it becomes irrelevant whether an enterprise is nominally owned by individuals, corporations or the state, because no form of management can make such fundamental destruction serve a social purpose.


Author: Lorenzo Hagerty
Publisher: self-published (2015)

I think I know why corporate life is so screwed up. I noticed the other day that my administrative assistant has an URGENT! stamp that's never been used. Ink has never touched those virgin rubber letters. And do you know why? It's because we treat everything as urgent. That's the trouble with this whole vicious circle we're all in. Everything we do seems urgent, but the truth is that most of what we do at work isn't really all that important in the grand scheme of things. And so we spend the best hours of our lives doing things that are urgent but not important. In the meantime, we never get around to doing those things that are important but not urgent. We've got our priorities all screwed up.


It was a feeling akin to what Huxley described as 'an unspeakable sense of gratitude for the privilege of being born in the universe,' citing Blake's observation that 'gratitude is heaven itself.' In my life, there has been nothing so comforting as this state, rocked by LSD or MDA, in which I felt immensely grateful to the Lord for the breath in my body and the gift of life. The sense of belonging was consummate. It was as though I'd attainted the deceptively modest goal that Huxley ascribes to all of us: 'to discover that we have always been where we ought to be.


Author: Julius Evola
Publisher: Inner Traditions International (2003)

But the problem of responsibility is seen under a different light when one refers to the traditional doctrine that we saw to have been more or less confusedly shadowed by existentialism itself: if one holds on to the idea that whatever one is as a person in the human condition proceeds from an original, prenatal, and pretemporal choice, wherein one willed, in terms of an 'original project' (as Sartre calls it), everything that would define the contents of one's existence. In this case, it is no longer a matter of answering to a Creator, but to something referring to the very dimension of being or transcendence in oneself. The course of existence, though not attributable to the more exterior and already human will of the individual (the person), follows, in principle, a line that has significance for the I, even though still latent or concealed: as an entirety of experiences important not in themselves but for the reactions that they provoke in us, reactions through which that being that one wished to be can be realized. In that case, life in this world cannot be considered as something that one can arbitrarily throw away, nor can it be considered simply as a bad situation in which the only choice is faith or fatalistic resignation (we have seen that, at best, the horizons of modern existentialism end there), or else being locked into a continuous trial of resistance (as happens along the lines of a dark Stoicism, devoid of the background of transcendence). As in an adventure, a mission, a trial, an election, or an experiment, earthly life appears to be something to which one committed oneself before finding oneself in the human condition, accepting in anticipation whatever difficult, miserable, or dramatic aspects it might bring, aspects that are especially likely in an epoch like the present.


It is no wonder that today's man feels a need for physical reintegration, relaxation of nerves, and invigoration of the body away from the environment of large, modern cities. For this reason, natural living, the culture of the body, and even certain types of individual sport may be useful. Things appear otherwise, however, when people start to claim that some kind of spiritual factor is involved; that is, when it is thought that natural surroundings and physical strength make a man feel closer to himself than in the experiences and tensions of civilized life, and above all when it is supposed that physical sensations of well- being and comfort have any profound significance, or anything to do with human integrity considered from a higher point of view. \nApart from that position, which leads to the 'animal ideal' and modern naturalism, I deplore the general confusion of a 'return to origins' with a return to Mother Earth and even to Nature. Although it has often been misapplied, that theological doctrine that holds that a purely natural state for man has never existed is still legitimate; at the beginning he was placed in a supranatural state from which he has now fallen. In fact, for the true type of man, it can never be a question of those origins and that 'mother' wherein the individual cannot differentiate himself from his fellow men, or even from the animals. Every return to nature is a regressive phenomenon, including any protest in the name of instinctual rights, the unconscious, the flesh, life uninhibited by the intellect, and so forth. The man who becomes 'natural' in this way has in reality become denatured.


Naturally, we are not dealing here with normal existence, but with those possible forms of it that are already differentiated, that have a certain intensity, while still being defined in a chaotic ambiance, in the domain of pure contingency. They are not infrequent today, and in the times to come they will surely proliferate. The state in question is that of the man who is self-confident through having as the essential center of his personality not life, but Being. He can encounter everything, abandon himself to everything, and open himself to everything without losing himself. He accepts every experience, no longer in order to prove and know himself, but to unfold all his possibilities in view of the transformations that they can work in him, and of the new contents that offer and reveal themselves on this path.\n


Publisher: Founders House (2015)

Consider, as one example out of many, the way that protecting children turned from a reasonable human concern to an obsessive-compulsive fixation. Raised under the frantic surveillance of helicopter moms, forbidden from playing outside or even visiting another child's home except on the basis of a prearranged and parentally approved play date, a generation of American children were held hostage by a galaxy of parental terrors that have only the most distorted relationship to reality, but serve to distract attention from the fact that the lifestyles chose by these same parents were condemning their children to a troubled and dangerous life in a depleted, polluted and impoverished world. \n The irony reached a dizzying intensity as tens of thousands of American parents rushed out to buy SUVs to transport their children to places every previous generation of American children proved perfectly capable of reaching by themselves on foot or on bike. It became the conventional wisdom, during the peak of the SUV craze, that the safety provided to young passengers by these massive rolling fortresses justified their purchase. No one wanted to deal with the fact that it was precisely the lifestyle exemplified by the SUV that was, and remains, the single most pressing threat to children's long-term safety and welfare. \n A great many of the flailings and posturings that have defined American culture from the Eighties to the present, in other words, unfolded from what Jean-Paul Sartre called 'bad faith' - the unspoken awareness, however frantically denied or repressed, that the things that actually mattered were not things anyone was willing to talk about, and that the solutions everyone wanted to discuss were not actually aimed at their putative targets. The lie at the heart of that bad faith was the desperate attempt to avoid facing the implications of the plain and utterly unwelcome fact that there is no way to make a middle class American lifestyle sustainable. \n Let's repeat that, just for the sake of emphasis: there is no way to make a middle class American lifestyle sustainable.


It seems almost as if to be is to quarrel, or at least to differ, to be in contrast with something else. If so, whoever does not put up a fight has no identity; whoever is not selfish has no self. Nothing unites a community so much as common cause against an external enemy, yet, in the same moment, that enemy becomes the essential support of social unity. Therefore larger societies require larger enemies, bringing us in due course to the perilous point of our present situation, where the world is virtually divided into two huge camps. But if high officers on both sides have any intelligence at all, they make a secret agreement to contain the conflict: to call each other the worst names, but to refrain from dropping bombs. Or, if they insist that there must be some fighting to keep armies in trim, they restrict it to local conflicts in 'unimportant' countries. Voltaire should have said that if the Devil did not exist, it would be necessary to invent him. Nevertheless, the more it becomes clear that to be is to quarrel and to pursue self-interest, the more you are compelled to recognize your need for enemies to support you. In the same way, the more resolutely you plumb the question 'Who or what am I?'—the more unavoidable is the realization that you are nothing at all apart from everything else. Yet again, the more you strive for some kind of perfection or mastery—in morals, in art or in spirituality—the more you see that you are playing a rarified and lofty form of the old ego-game, and that your attainment of any height is apparent to yourself and to others only by contrast with someone else's depth or failure. This understanding is at first paralyzing. You are in a trap—in the worst of all double-binds—seeing that any direction you may take will imply, and so evoke, its opposite. Decide to be a Christ, and there will be a Judas to betray you and a mob to crucify you. Decide to be a devil, and men will unite against you in the closest brotherly love. Your first reaction may be simply, 'To hell with it!' The only course may seem to be to forget the whole effort and become absorbed in trivialities, or to check out of the game by suicide or psychosis, and spend the rest of your days blabbering in an asylum. But there is another possibility. Instead of checking out, let us ask what the trap means. What is implied in finding yourself paralyzed, unable to escape from a game in which all the rules are double-binds and all moves self-defeating? Surely this is a deep and intense experience of the same double-bind that was placed upon you in infancy, when the community told you that you must be free, responsible, and loving, and when you were helplessly defined as an independent agent. The sense of paralysis is therefore the dawning realization that this is nonsense and that your independent ego is a fiction. It simply isn't there, either to do anything or to be pushed around by external forces, to change things or to submit to change. The sense of 'I,' which should have been identified with the whole universe of your experience, was instead cut off and isolated as a detached observer of that universe. In the preceding chapter we saw that this unity of organism and environment is a physical fact. But when you know for sure that your separate ego is a fiction, you actually feel yourself as the whole process and pattern of life. Experience and experiencer become one experiencing, known and knower one knowing. Each organism experiences this from a different standpoint and in a different way, for each organism is the universe experiencing itself in endless variety. One need not, then, fall into the trap which this experience holds for believers in an external, all-powerful God—the temptation to feel 'I am God' in that sense, and to expect to be worshipped and obeyed by all other organisms. Remember, above all, that an experience of this kind cannot be forced or made to happen by any act of your fictitious 'will,' except insofar as repeated efforts to be one-up on the universe may eventually reveal their futility. Don't try to get rid of the ego-sensation. Take it, so long as it lasts, as a feature or play of the total process—like a cloud or wave, or like feeling warm or cold, or anything else that happens of itself. Getting rid of one's ego is the last resort of invincible egoism! It simply confirms and strengthens the reality of the feeling. But when this feeling of separateness is approached and accepted like any other sensation, it evaporates like the mirage that it is. This is why I am not overly enthusiastic about the various 'spiritual exercises' in meditation or yoga which some consider essential for release from the ego. For when practiced in order to 'get' some kind of spiritual illumination or awakening, they strengthen the fallacy that the ego can toss itself away by a tug at its own bootstraps. But there is nothing wrong with meditating just to meditate, in the same way that you listen to music just for the music. If you go to concerts to 'get culture' or to improve your mind, you will sit there as deaf as a doorpost. If, then, you ask me how to get beyond the ego-feeling, I shall ask you why you want to get there. If you give me the honest answer, which is that your ego will feel better in the 'higher spiritual status' of self-transcendence, you will thus realize that you—as ego—are a fake. You will feel like an onion: skin after skin, subterfuge after subterfuge, is pulled off to find no kernel at the center. Which is the whole point: to find out that the ego is indeed a fake—a wall of defense around a wall of defense ... around nothing. You can't even want to get rid of it, nor yet want to want to. Understanding this, you will see that the ego is exactly what it pretends it isn't. Far from being the free center of personality, it is an automatic mechanism implanted since childhood by social authority, with—perhaps—a touch of heredity thrown in. This may give you the temporary feeling of being a zombie or a puppet dancing irresponsibly on strings that lead away to unknown forces. At this point, the ego may reassert itself with the insidious 'I-can't-help-myself' play in which the ego splits itself in two and pretends that it is its own victim. 'See, I'm only a bundle of conditioned reflexes, so you mustn't get angry with me for acting just as I feel.' (To which the answer could be, 'Well, we're just zombies too, so you shouldn't complain if we get angry.') But who is it that mustn't get angry or shouldn't complain, as if there were still some choice in the matter? The ego is still surviving as the 'I' which must passively endure the automatic behavior of 'myself' and others—again, as if there were some choice which the witnessing self can make between putting up with things and attacking them violently. What has happened is that the frustrated ego has withdrawn into its last stronghold of independence, retaining its identity as a mere watcher, or sufferer, of all that goes on. Here it pities itself or consoles itself as a puppet of fate. But if this is seen as yet another subterfuge, we are close to the final showdown. A line of separation is now drawn between everything that happens to me, including my own feelings, on the one side, and on the other, I myself as the conscious witness. Isn't it easy to see that this line is imaginary, and that it, and the witness behind it, are the same old faking process automatically learned in childhood? The same old cleft between the knower and the known? The same old split between the organism/environment and the organism's feedback, or self-conscious mechanism? If, then, there is no choice in what happens to me, on one side of the line, there is equally no choice on the other, on the witnessing side, as to whether I should accept what happens or reject it. I accept, I reject, I witness just as automatically as things happen or as my emotions reflect my physiological chemistry. Yet in this moment when one seems about to become a really total zombie, the whole thing blows up. For there is not fate unless there is someone or something to be fated. There is no trap without someone to be caught. There is, indeed, no compulsion unless there is also freedom of choice, for the sensation of behaving involuntarily is known only by contrast with that of behaving voluntarily. Thus when the line between myself and what happens to me is dissolved and there is no stronghold left for an ego even as a passive witness, I find myself not in a world but as a world which is neither compulsive nor capricious. What happens is neither automatic nor arbitrary: it just happens, and all happenings are mutually interdependent in a way that seems unbelievably harmonious.


If a description of the human body must include the description of what it, and all its 'parts,' are doing—that is, of its behavior—this behavior will be one thing in the open air but quite another in a vacuum, in a furnace, or under water. Blood in a test-tube is not the same thing as blood in the veins because it is not behaving in the same way. Its behaviour has changed because its environment or context has changed, just as the meaning of one and the same word may change according to the kind of sentence in which it is used. There is a vast difference between the bark of a tree and the bark of a dog. It is not enough, therefore, to describe, define, and try to understand things or events by analysis alone, by taking them to pieces to find out 'how they are made.' This tells us much, but probably rather less than half the story. Today, scientists are more and more aware that what things are, and what they are doing, depends on where and when they are doing it. If, then, the definition of a thing or event must include definition of its environment, we realize that any given thing goes with a given environment so intimately and inseparably that it is more and more difficult to draw a clear boundary between the thing and its surroundings. This was the grain of truth in the primitive and unreliable science of astrology—as there were also grains of truth in alchemy, herbal medicine, and other primitive sciences. For when the astrologer draws a picture of a person's, character or soul, he draws a horoscope—that is, a very rough and incomplete picture of the whole universe as it stood at the moment of that person's birth. But this is at the same time a vivid way of saying that your soul, or rather your essential Self, is the whole cosmos as it is centered around the particular time, place, and activity called John Doe. Thus the soul is not in the body, but the body in the soul, and the soul is the entire network of relationships and processes which make up your environment, and apart from which you are nothing. A scientific astrology, if it could ever be worked out, would have to be a thorough description of the individual's total environment—social, biological, botanical, meteorological, and astronomical—throughout every moment of his life.


Just as sight is something more than all things seen, the foundation or 'ground' of our existence and our awareness cannot be understood in terms of things that are known. We are forced, therefore, to speak of it through myth—that is, through special metaphors, analogies, and images which say what it is like as distinct from what it is. At one extreme of its meaning, 'myth' is fable, falsehood, or superstition. But at another, 'myth' is a useful and fruitful image by which we make sense of life in somewhat the same way that we can explain electrical forces by comparing them with the behavior of water or air. Yet 'myth,' in this second sense, is not to be taken literally, just as electricity is not to be confused with air or water. Thus in using myth one must take care not to confuse image with fact, which would be like climbing up the signpost instead of following the road. \n\nMyth, then, is the form in which I try to answer when children ask me those fundamental metaphysical questions which come so readily to their minds: 'Where did the world come from?' 'Why did God make the world?' 'Where was I before I was born?' 'Where do people go when they die?' Again and again I have found that they seem to be satisfied with a simple and very ancient story, which goes something like this: \n\n>There was never a time when the world began, because it goes round and round like a circle, and there is no place on a circle where it begins. Look at my watch, which tells the time; it goes round, and so the world repeats itself again and again. But just as the hour-hand of the watch goes up to twelve and down to six, so, too, there is day and night, waking and sleeping, living and dying, summer and winter. You can't have any one of these without the other, because you wouldn't be able to know what black is unless you had seen it side-by-side with white, or white unless side-by-side with black. \n\n>In the same way, there are times when the world is, and times when it isn't, for if the world went on and on without rest for ever and ever, it would get horribly tired of itself. It comes and it goes. Now you see it; now you don't. So because it doesn't get tired of itself, it always comes back again after it disappears. It's like your breath: it goes in and out, in and out, and if you try to hold it in all the time you feel terrible. It's also like the game of hide-and-seek, because it's always fun to find new ways of hiding, and to seek for someone who doesn't always hide in the same place. \n\n>God also likes to play hide-and-seek, but because there is nothing outside God, he has no one but himself to play with. But he gets over this difficulty by pretending that he is not himself. This is his way of hiding from himself. He pretends that he is you and I and all the people in the world, all the animals, all the plants, all the rocks, and all the stars. In this way he has strange and wonderful adventures, some of which are terrible and frightening. But these are just like bad dreams, for when he wakes up they will disappear. \n\n>Now when God plays hide and pretends that he is you and I, he does it so well that it takes him a long time to remember where and how he hid himself. But that's the whole fun of it—just what he wanted to do. He doesn't want to find himself too quickly, for that would spoil the game. That is why it is so difficult for you and me to find out that we are God in disguise, pretending not to be himself. But when the game has gone on long enough, all of us will wake up, stop pretending, and remember that we are all one single Self—the God who is all that there is and who lives for ever and ever. \n\n>Of course, you must remember that God isn't shaped like a person. People have skins and there is always something outside our skins. If there weren't, we wouldn't know the difference between what is inside and outside our bodies. But God has no skin and no shape because there isn't any outside to him. [With a sufficiently intelligent child, I illustrate this with a Möbius strip—a ring of paper tape twisted once in such a way that it has only one side and one edge.] The inside and the outside of God are the same. And though I have been talking about God as 'he' and not 'she,' God isn't a man or a woman. I didn't say 'it' because we usually say 'it' for things that aren't alive. \n\n>God is the Self of the world, but you can't see God for the same reason that, without a mirror, you can't see your own eyes, and you certainly can't bite your own teeth or look inside your head. Your self is that cleverly hidden because it is God hiding. \n\n>You may ask why God sometimes hides in the form of horrible people, or pretends to be people who suffer great disease and pain. Remember, first, that he isn't really doing this to anyone but himself. Remember, too, that in almost all the stories you enjoy there have to be bad people as well as good people, for the thrill of the tale is to find out how the good people will get the better of the bad. It's the same as when we play cards. At the beginning of the game we shuffle them all into a mess, which is like the bad things in the world, but the point of the game is to put the mess into good order, and the one who does it best is the winner. Then we shuffle the cards once more and play again, and so it goes with the world.


The people we are tempted to call clods and boors are just those who seem to find nothing fascinating in being human; their humanity is incomplete, for it has never astonished them. There is also something incomplete about those who find nothing fascinating in being. You may say that this is a philosopher's professional prejudice—that people are defective who lack a sense of the metaphysical. But anyone who thinks at all must be a philosopher—a good one or a bad one—because it is impossible to think without premises, without basic (and in this sense, metaphysical) assumptions about what is sensible, what is the good life, what is beauty, and what is pleasure. To hold such assumptions, consciously or unconsciously, is to philosophize. The self-styled practical man of affairs who pooh-poohs philosophy as a lot of windy notions is himself a pragmatist or a positivist, and a bad one at that, since he has given no thought to his position.


Obviously, it takes discipline to make any radical change in one's own behavior patterns, and psychotherapy can drag on for years and years. But this is not my suggestion. Does it really take any considerable time or effort just to understand that you depend on enemies and outsiders to define yourself, and that without some opposition you would be lost? To see this is to acquire, almost instantly, the virtue of humor, and humor and self-righteousness are mutually exclusive. Humor is the twinkle in the eye of a just judge, who knows that he is also the felon in the dock. How could he be sitting there in stately judgment, being addressed as 'Your Honor' or 'Mi Lud,' without those poor bastards being dragged before him day after day? It does not undermine his work and his function to recognize this. He plays the role of judge all the better for realizing that on the next turn of the Wheel of Fortune he may be the accused, and that if all the truth were known, he would be standing there now. If this is cynicism, it is at least loving cynicism—an attitude and an atmosphere that cools off human conflicts more effectively than any amount of physical or moral violence. For it recognizes that the real goodness of human nature is its peculiar balance of love and selfishness, reason and passion, spirituality and sensuality, mysticism and materialism, in which the positive pole has always a slight edge over the negative. (Were it otherwise, and the two were equally balanced, life would come to a total stalemate and standstill.) Thus when the two poles, good and bad, forget their interdependence and try to obliterate each other, man becomes subhuman—the implacable crusader or the cold, sadistic thug. It is not for man to be either an angel or a devil, and the would-be angels should realize that, as their ambition succeeds, they evoke hordes of devils to keep the balance. This was the lesson of Prohibition, as of all other attempts to enforce purely angelic behavior, or to pluck out evil root and branch.


I have never yet met a saint or sage who did not have some human frailties. For so long as you manifest yourself in human or animal form, you must eat at the expense of other life and accept the limitations of your particular organism, which fire will still burn and wherein danger will still secrete adrenalin. The morality that goes with this understanding is, above all, the frank recognition of your dependence upon enemies, underlings, out-groups, and, indeed, upon all other forms of life whatsoever. Involved as you may be in the conflicts and competitive games of practical life, you will never again be able to indulge in the illusion that the 'offensive other' is all in the wrong, and could or should be wiped out. This will give you the priceless ability of being able to contain conflicts so that they do not get out-of-hand, of being willing to compromise and adapt, of playing, yes, but playing it cool. This is what is called 'honor among thieves,' for the really dangerous people are those who do not recognize that they are thieves— the unfortunates who play the role of the 'good guys' with such blind zeal that they are unconscious of any indebtedness to the 'bad guys' who support their status.


the difficulty of understanding the organism/environment polarity is psychological. The history and the geographical distribution of the myth are uncertain, but for several thousand years we have been obsessed with a false humility—on the one hand, putting ourselves down as mere 'creatures' who came into this world by the whim of God or the fluke of blind forces, and on the other, conceiving ourselves as separate personal egos fighting to control the physical world. We have lacked the real humility of recognizing that we are members of the biosphere, the 'harmony of contained conflicts' in which we cannot exist at all without the cooperation of plants, insects, fish, cattle, and bacteria. In the same measure, we have lacked the proper self-respect of recognizing that I, the individual organism, am a structure of such fabulous ingenuity that it calls the whole universe into being. In the act of putting everything at a distance so as to describe and control it, we have orphaned ourselves both from the surrounding world and from our own bodies—leaving 'I' as a dis content ed and alienated spook, anxious, guilty, unrelated, and alone. We have attained a view of the world and a type of sanity which is dried-out like a rusty beer-can on the beach. It is a world of objects, of nothing-buts as ordinary as a formica table with chromium fittings. We find it immensely reassuring—except that it won't stay put, and must therefore be defended even at the cost of scouring the whole planet back to a nice clean rock. For life is, after all, a rather messy and gooey accident in our basically geological universe. 'If a man's son ask for bread, will he give him a stone?' The answer is probably, 'Yes.


Ecologists often speak of the 'evolution of environments' over and above the evolution of organisms. For man did not appear on earth until the earth itself, together with all its biological forms, had evolved to a certain degree of balance and complexity. At this point of evolution the earth 'implied' man, just as the existence of man implies that sort of a planet at that stage of evolution. The balance of nature, the 'harmony of contained conflicts,' in which man thrives is a network of mutually interdependent organisms of the most astounding subtlety and complexity. Teilhard de Chardin has called it the 'biosphere,' the film of living organisms which covers the original 'geosphere,' the mineral planet. Lack of knowledge about the evolution of the organic from the 'inorganic,' coupled with misleading myths about life coming 'into' this world from somewhere 'outside,' has made it difficult for us to see that the biosphere arises, or goeswith, a certain degree of geological and astronomical evolution. But, as Douglas E. Harding has pointed out, we tend to think of this planet as a life-infested rock, which is as absurd as thinking of the human body as a cell-infested skeleton. Surely all forms of life, including man, must be understood as 'symptoms' of the earth, the solar system, and the galaxy—in which case we cannot escape the conclusion that the galaxy is intelligent.


In times past, recognition of the impermanence of the world usually led to withdrawal. On the one hand, ascetics, monks, and hermits tried to exorcise their desires so as to regard the world with benign resignation, or to draw back and back into the depths of consciousness to become one with the Self in its unmanifest state of eternal serenity. On the other hand, others felt that the world was a state of probation where material goods were to be used in a spirit of stewardship, as loans from the Almighty, and where the main work of life is loving devotion to God and to man. Yet both these responses are based on the initial supposition that the individual is the separate ego, and because this supposition is the work of a double-bind any task undertaken on this basis—including religion—will be self-defeating. Just because it is a hoax from the beginning, the personal ego can make only a phony response to life. For the world is an ever-elusive and ever-disappointing mirage only from the standpoint of someone standing aside from it—as if it were quite other than himself—and then trying to grasp it. Without birth and death, and without the perpetual transmutation of all forms of life, the world would be static, rhythmless, undancing, mummified. But a third response is possible. Not withdrawal, not stewardship on the hypothesis of a future reward, but the fullest collaboration with the world as a harmonious system of contained conflicts—based on the realization that the only real 'I' is the whole endless process. This realization is already in us in the sense that our bodies know it, our bones and nerves and sense-organs. We do not know it only in the sense that the thin ray of conscious attention has been taught to ignore it, and taught so thoroughly that we are very genuine fakes indeed.


Living, loving, being natural or sincere—all these are spontaneous forms of behavior: they happen 'of themselves' like digesting food or growing hair. As soon as they are forced they acquire that unnatural, contrived, and phony atmosphere which everyone deplores—weak and scentless like forced flowers and tasteless like forced fruit. Life and love generate effort, but effort will not generate them. Faith—in life, in other people, and in oneself—is the attitude of allowing the spontaneous to be spontaneous, in its own way and in its own time. This is, of course, risky because life and other people do not always respond to faith as we might wish. Faith is always a gamble because life itself is a gambling game with what must appear, in the hiding aspect of the game, to be colossal stakes. But to take the gamble out of the game, to try to make winning a dead certainty, is to achieve a certainty which is indeed dead.


The image of God as a personal Being, somehow 'outside' or other than the world, had the merit of letting us feel that life is based on intelligence, that the laws of nature are everywhere consistent in that they proceed from one ruler, and that we could let our imaginations go to the limit in conceiving the sublime qualities of this supreme and perfect Being. The image also gave everyone a sense of importance and meaning. For this God is directly aware of every tiniest fragment of dust and vibration of energy, since it is just his awareness of it that enables it to be. This awareness is also love and, for angels and men at least, he has planned an everlasting life of the purest bliss which is to begin at the end of mortal time. But of course there are strings attached to this reward, and those who purposely and relentlessly deny or disobey the divine will must spend eternity in agonies as intense as the bliss of good and faithful subjects. The problem of this image of God was that it became too much of a good thing. Children working at their desks in school are almost always put off when even a kindly and respected teacher watches over their shoulders. How much more disconcerting to realize that each single deed, thought, and feeling is watched by the Teacher of teachers, that nowhere on earth or in heaven is there any hiding-place from that Eye which sees all and judges all. To many people it was therefore an immense relief when Western thinkers began to question this image and to assert that the hypothesis of God was of no help in describing or predicting the course of nature. If everything, they said, was the creation and the operation of God, the statement had no more logic than 'Everything is up.' But, as, so often happens, when one tyrant is dethroned, a worse takes his place. The Crackpot Myth was retained without the Potter. The world was still understood as an artifact, but on the model of an automatic machine. The laws of nature were still there, but no lawmaker. According to the deists, the Lord had made this machine and set it going, but then went to sleep or off on a vacation. But according to the atheists, naturalists, and agnostics, the world was fully automatic. It had constructed itself, though not on purpose. The stuff of matter was supposed to consist of atoms like minute billiard balls, so small as to permit no further division or analysis. Allow these atoms to wiggle around in various permutations and combinations for an indefinitely long time, and at some time in virtually infinite time they will fall into the arrangement that we now have as the world. The old story of the monkeys and typewriters. In this fully Automatic Model of the universe shape and stuff survived as energy and matter. Human beings, mind and body included, were parts of the system, and thus they were possessed of intelligence and feeling as a consequence of the same interminable gyrations of atoms. But the trouble about the monkeys with typewriters is that when at last they get around to typing the Encyclopaedia Britannica, they may at any moment relapse into gibberish. Therefore, if human beings want to maintain their fluky status and order, they must work with full fury to defeat the merely random processes of nature. It is most strongly emphasized in this myth that matter is brute and energy blind, that all nature outside human, and some animal, skins is a profoundly stupid and insensitive mechanism. Those who continued to believe in Someone-Up-There-Who-Cares were ridiculed as woolly-minded wishful thinkers, poor weaklings unable to face man's grim predicament in a heartless universe where survival is the sole privilege of the tough guys. If the all-too-intelligent God was disconcerting, relief in getting rid of him was short-lived. He was replaced by the Cosmic Idiot, and people began to feel more estranged from the universe than ever. This situation merely reinforced the illusion of the loneliness and separateness of the ego (now a 'mental mechanism') and people calling themselves naturalists began the biggest war on nature ever waged. In one form or another, the myth of the Fully Automatic Model has become extremely plausible, and in some scientific and academic disciplines it is as much a sacrosanct dogma as any theological doctrine of the past—despite contrary trends in physics and biology. For there are fashions in myth, and the world-conquering West of the nineteenth century needed a philosophy of life in which realpolitik— victory for the tough people who face the bleak facts—was the guiding principle. Thus the bleaker the facts you face, the tougher you seem to be. So we vied with each other to make the Fully Automatic Model of the universe as bleak as possible. Nevertheless it remains a myth, with all the positive and negative features of myth as an image used for making sense of the world. It is doubtful whether Western science and technology would have been possible unless we had tried to understand nature in terms of mechanical models.


Although memory records are much more fluid and elusive than photographic film or magnetic tape, the accumulation of memories is an essential part of the ego-sensation. It gives the impression of oneself, the officer, as something that remains while life goes by—as if the conscious self were a stable mirror reflecting a passing procession. This further exaggerates the feeling of separateness, of oneself changing at a pace so much slower than outside events and inside thoughts that you seem to stand aside from them as an independent observer. But memories persist as the whirlpool persists. Conscious attention seems to scan them as computers scan their ever-cycling tapes or other storage mechanisms. Memory is an enduring pattern of motion, like the whirlpool, rather than an enduring substance, like a mirror, a wax tablet, or a sheet of paper. If memories are stored in neurons, there is no standing aside from the stream of events, for neurons flow along in the same stream as events outside the skull. After all, your neurons are part of my external world, and mine of yours! All our insides are outside, there in the physical world. But, conversely, the outside world has no color, shape, weight, heat, or motion without 'inside' brains. It has these qualities only in relation to brains, which are, in turn, members of itself.


We really feel that this world is indeed an assemblage of separate things that have somehow come together or, perhaps, fallen apart, and that we are each only one of them. We see them all alone—born alone, dying alone—maybe as bits and fragments of a universal whole, or expendable parts of a big machine. Rarely do we see all so-called things and events 'going together,' like the head and tail of the cat, or as the tones and inflections—rising and falling, coming and going—of a single singing voice. In other words, we do not play the Game of Black-and-White—the universal game of up/down, on/off, solid/space, and each/all. Instead, we play the game of Black-versus-White or, more usually, White-versus-Black. For, especially when rates of vibration are slow as with day and night or life and death, we are forced to be aware of the black or negative aspect of the world. Then, not realizing the inseparability of the positive and negative poles of the rhythm, we are afraid that Black may win the game. But the game 'White must win' is no longer a game. It is a fight—a fight haunted by a sense of chronic frustration, because we are doing something as crazy as trying to keep the mountains and get rid of the valleys.


Another Hindu myth says that as time goes on, life in the world gets worse and worse, until at last the destructive aspect of the Self, the god Shiva, dances a terrible dance which consumes everything in fire. There follow, says the myth, 4,320,000 years of total peace during which the Self is just itself and does not play hide. And then the game begins again, starting off as a universe of perfect splendor which begins to deteriorate only after 1,728,000 years, and every round of the game is so designed that the forces of darkness present themselves for only one third of the time, enjoying at the end a brief but quite illusory triumph. Today we calculate the life of this planet alone in much vaster periods, but of all ancient civilizations the Hindus had the most imaginative vision of cosmic time. Yet remember, this story of the cycles of the world's appearance and disappearance is myth, not science, parable rather than prophecy. It is a way of illustrating the idea that the universe is like the game of hide-and-seek.


I believe,' said Tertullian of Christianity, 'because it is absurd.' People who think for themselves do not accept ideas on this kind of authority. They don't feel commanded to believe in miracles or strange doctrines as Abraham felt commanded by God to sacrifice his son Isaac. As T. George Harris put it: The social hierarchies of the past, where some boss above you always punished any error, conditioned men to feel a chain of harsh authority reaching all the way 'up there.' We don't feel this bond in today's egalitarian freedom. We don't even have, since Dr. Spock, many Jehovah-like fathers in the human family. So the average unconscious no longer learns to seek forgiveness from a wrathful God above. But, he continues— Our generation knows a cold hell, solitary confinement in this life, without a God to damn or save it. Until man figures out the trap and hunts... 'the Ultimate Ground of Being,' he has no reason at all for his existence. Empty, finite, he knows only that he will soon die. Since this life has no meaning, and he sees no future life, he is not really a person but a victim of self-extinction. (2) 'The Ultimate Ground of Being' is Paul Tillich's decontaminated term for 'God' and would also do for 'the Self of the world' as I put it in my story for children. But the secret which my story slips over to the child is that the Ultimate Ground of Being is you. Not, of course, the everyday you which the Ground is assuming, or 'pretending' to be, but that inmost Self which escapes inspection because it's always the inspector. This, then, is the taboo of taboos: you're IT! Yet in our culture this is the touchstone of insanity, the blackest of blasphemies, and the wildest of delusions. This, we believe, is the ultimate in megalomania—an inflation of the ego to complete absurdity.


Just as sight is something more than all things seen, the foundation or 'ground' of our existence and our awareness cannot be understood in terms of things that are known. We are forced, therefore, to speak of it through myth—that is, through special metaphors, analogies, and images which say what it is like as distinct from what it is. At one extreme of its meaning, 'myth' is fable, falsehood, or superstition. But at another, 'myth' is a useful and fruitful image by which we make sense of life in somewhat the same way that we can explain electrical forces by comparing them with the behavior of water or air. Yet 'myth,' in this second sense, is not to be taken literally, just as electricity is not to be confused with air or water. Thus in using myth one must take care not to confuse image with fact, which would be like climbing up the signpost instead of following the road.


The sensation of 'I' as a lonely and isolated center of being is so powerful and commonsensical, and so fundamental to our modes of speech and thought, to our laws and social institutions, that we cannot experience selfhood except as something superficial in the scheme of the universe. I seem to be a brief light that flashes but once in all the aeons of time—a rare, complicated, and all-too-delicate organism on the fringe of biological evolution, where the wave of life bursts into individual, sparkling, and multicolored drops that gleam for a moment only to vanish forever. Under such conditioning it seems impossible and even absurd to realize that myself does not reside in the drop alone, but in the whole surge of energy which ranges from the galaxies to the nuclear fields in my body. At this level of existence 'I' am immeasurably old; my forms are infinite and their comings and goings are simply the pulses or vibrations of a single and eternal flow of energy.


Author: Guy Debord
Publisher: kindle import (0)

Leninism was the highest voluntaristic expression of revolutionary ideology—a coherence of the separate governing a reality that resisted it. With the advent of Stalinism, revolutionary ideology returned to its fundamental incoherence. At that point, ideology was no longer a weapon, it had become an end in itself. But a lie that can no longer be challenged becomes insane. The totalitarian ideological pronouncement obliterates reality as well as purpose; nothing exists but what it says exists. Although this crude form of the spectacle has been confined to certain underdeveloped regions, it has nevertheless played an essential role in the spectacle’s global development. This particular materialization of ideology did not transform the world economically, as did advanced capitalism; it simply used police-state methods to transform people’s perception of the world. \n\nThe ruling totalitarian-ideological class is the ruler of a world turned upside down. The more powerful the class, the more it claims not to exist, and its power is employed above all to enforce this claim. It is modest only on this one point, however, because this officially nonexistent bureaucracy simultaneously attributes the crowning achievements of history to its own infallible leadership. Though its existence is everywhere in evidence, the bureaucracy must be invisible as a class. As a result, all social life becomes insane. The social organization of total falsehood stems from this fundamental contradiction. \n\nStalinism was also a reign of terror within the bureaucratic class. The terrorism on which this class’s power was based inevitably came to strike the class itself, because this class has no juridical legitimacy, no legally recognized status as an owning class which could be extended to each of its members. Its ownership has to be masked because it is based on false consciousness. This false consciousness can maintain its total power only by means of a total reign of terror in which all real motives are ultimately obscured. The members of the ruling bureaucratic class have the right of ownership over society only collectively, as participants in a fundamental lie: they have to play the role of the proletariat governing a socialist society; they have to be actors faithful to a script of ideological betrayal. Yet they cannot actually participate in this counterfeit entity unless their legitimacy is validated. No bureaucrat can individually assert his right to power, because to prove himself a socialist proletarian he would have to demonstrate that he was the opposite of a bureaucrat, while to prove himself a bureaucrat is impossible because the bureaucracy’s official line is that there is no bureaucracy. Each bureaucrat is thus totally dependent on the central seal of legitimacy provided by the ruling ideology, which validates the collective participation in its “socialist regime” of all the bureaucrats it does not liquidate. Although the bureaucrats are collectively empowered to make all social decisions, the cohesion of their own class can be ensured only by the concentration of their terrorist power in a single person. In this person resides the only practical truth of the ruling lie: the power to determine an unchallengeable boundary line which is nevertheless constantly being adjusted. Stalin decides without appeal who is and who is not a member of the ruling bureaucracy—who should be considered a “proletarian in power” and who branded “a traitor in the pay of Wall Street and the Mikado.” The atomized bureaucrats can find their collective legitimacy only in the person of Stalin—the lord of the world who thus comes to see himself as the absolute person, for whom no superior spirit exists. “The lord of the world recognizes his own nature—omnipresent power—through the destructive violence he exerts against the contrastingly powerless selfhood of his subjects.” He is the power that defines the terrain of domination, and he is also “the power that ravages that terrain.”


The parallel between ideology and schizophrenia demonstrated in Gabel’s False Consciousness should be considered in the context of this economic materialization of ideology. Society has become what ideology already was. The repression of practice and the antidialectical false consciousness that results from that repression are imposed at every moment of everyday life subjected to the spectacle—a subjection that systematically destroys the “faculty of encounter” and replaces it with a social hallucination: a false consciousness of encounter, an “illusion of encounter.” In a society where no one can any longer be recognized by others, each individual becomes incapable of recognizing his own reality. Ideology is at home; separation has built its own world.


The spectacle is the acme of ideology because it fully exposes and manifests the essence of all ideological systems: the impoverishment, enslavement and negation of real life. The spectacle is the material “expression of the separation and estrangement between man and man.” The “new power of deception” concentrated in it is based on the production system in which “as the mass of objects increases, so do the alien powers to which man is subjected.” This is the supreme stage of an expansion that has turned need against life. “The need for money is thus the real need created by the modern economic system, and the only need it creates” (Economic and Philosophical Manuscripts). Hegel’s characterization of money as “the self-moving life of what is dead” (Jenenser Realphilosophie) has now been extended by the spectacle to all social life.


The natural basis of time, the concrete experience of its passage, becomes human and social by existing for humanity. The limitations of human practice imposed by the various stages of labor have humanized time and also dehumanized it, in the forms of cyclical time and of the separated irreversible time of economic production. The revolutionary project of a classless society, of an all-embracing historical life, implies the withering away of the social measurement of time in favor of a federation of independent times—a federation of playful individual and collective forms of irreversible time that are simultaneously present. This would be the temporal realization of authentic communism, which “abolishes everything that exists independently of individuals.” The world already dreams of such a time. In order to actually live it, it only needs to become fully conscious of it.


The unavoidable biological limitations of the work force—evident both in its dependence on the natural cycle of sleeping and waking and in the debilitating effects of irreversible time over each individual’s lifetime—are treated by the modern production system as strictly secondary considerations. As such, they are ignored in that system’s official proclamations and in the consumable trophies that embody its relentless triumphant progress. Fixated on the delusory center around which his world seems to move, the spectator no longer experiences life as a journey toward fulfillment and toward death. Once he has given up on really living he can no longer acknowledge his own death. Life insurance ads merely insinuate that he may be guilty of dying without having provided for the smooth continuation of the system following the resultant economic loss, while the promoters of the “American way of death” stress his capacity to preserve most of the appearances of life in his post-mortem state. On all the other fronts of advertising bombardment it is strictly forbidden to grow old. Everybody is urged to economize on their “youth-capital,” though such capital, however carefully managed, has little prospect of attaining the durable and cumulative properties of economic capital. This social absence of death coincides with the social absence of life.


The lack of general historical life also means that individual life as yet has no history. The pseudo-events that vie for attention in spectacular dramatizations have not been lived by those who are informed about them; and in any case they are soon forgotten due to their increasingly frenetic replacement at every pulsation of the spectacular machinery. Conversely, what is really lived has no relation to the society’s official version of irreversible time, and conflicts with the pseudocyclical rhythm of that time’s consumable by-products. This individual experience of a disconnected everyday life remains without language, without concepts, and without critical access to its own past, which has nowhere been recorded. Uncommunicated, misunderstood and forgotten, it is smothered by the spectacle’s false memory of the unmemorable.


Although the present age presents itself as a series of frequently recurring festivities, it is an age that knows nothing of real festivals. The moments within cyclical time when members of a community joined together in a luxurious expenditure of life are impossible for a society that lacks both community and luxury. Its vulgarized pseudofestivals are parodies of real dialogue and gift-giving; they may incite waves of excessive economic spending, but they lead to nothing but disillusionments, which can be compensated only by the promise of some new disillusion to come. The less use value is present in the time of modern survival, the more highly it is exalted in the spectacle.


Consumable pseudocyclical time is spectacular time, both in the narrow sense as time spent consuming images and in the broader sense as image of the consumption of time. The time spent consuming images (images which in turn serve to publicize all the other commodities) is both the particular terrain where the spectacle’s mechanisms are most fully implemented and the general goal that those mechanisms present, the focus and epitome of all particular consumptions. Thus, the time that modern society is constantly seeking to “save” by increasing transportation speeds or using packaged soups ends up being spent by the average American in watching television three to six hours a day. As for the social image of the consumption of time, it is exclusively dominated by leisure time and vacations—moments portrayed, like all spectacular commodities, at a distance and as desirable by definition. These commodified moments are explicitly presented as moments of real life whose cyclical return we are supposed to look forward to. But all that is really happening is that the spectacle is displaying and reproducing itself at a higher level of intensity. What is presented as true life turns out to be merely a more truly spectacular life.


The triumph of irreversible time is also its metamorphosis into a time of things, because the weapon that brought about its victory was the mass production of objects in accordance with the laws of the commodity. The main product that economic development has transformed from a luxurious rarity to a commonly consumed item is thus history itself—but only in the form of the history of the abstract movement of things that dominates all qualitative aspects of life. While the earlier cyclical time had supported an increasing degree of historical time lived by individuals and groups, the irreversible time of production tends to socially eliminate such lived time.


The Renaissance was a joyous break with eternity. Though seeking its heritage and legitimacy in the ancient world, it represented a new form of historical life. Its irreversible time was that of a never-ending accumulation of knowledge, and the historical consciousness engendered by the experience of democratic communities and of the forces that destroy them now took up once again, with Machiavelli, the analysis of secularized power, saying the previously unsayable about the state. In the exuberant life of the Italian cities, in the creation of festivals, life is experienced as an enjoyment of the passage of time. But this enjoyment of transience is itself transient. The song of Lorenzo de’ Medici, which Burckhardt considered “the very spirit of the Renaissance,” is the eulogy this fragile historical festival delivers on itself: “How beautiful the spring of life—and how quickly it vanishes.”


The Middle Ages, an incomplete mythical world whose consummation lay outside itself, is the period when cyclical time, though still governing the major part of production, really begins to be undermined by history. An element of irreversible time is recognized in the successive stages of each individual’s life. Life is seen as a one-way journey through a world whose meaning lies elsewhere: the pilgrim is the person who leaves cyclical time behind and actually becomes the traveler that everyone else is symbolically. Personal historical life still finds its fulfillment within the sphere of power, whether in struggles waged by power or in struggles over disputed power; but power’s irreversible time is now shared to an unlimited degree due to the general unity brought about by the oriented time of the Christian Era—a world of armed faith, where the adventures of the masters revolve around fealty and disputes over who owes fealty to whom. Feudal society was born from the merging of “the organizational structures of the conquering armies that developed in the process of conquest” with “the productive forces found in the conquered regions” (The German Ideology), and the factors contributing to the organization of those productive forces include the religious language in which they were expressed. Social domination was divided between the Church and the state, the latter power being in turn subdivided in the complex relations of suzerainty and vassalage within and between rural domains and urban communities. This diversification of potential historical life reflected the gradual emergence (following the failure of that great official enterprise of the medieval world, the Crusades) of the era’s unnoticed innovation: the irreversible time that was silently undermining the society, the time experienced by the bourgeoisie in the production of commodities, the foundation and expansion of cities, and the commercial discovery of the planet—a practical experimentation that destroyed every mythical organization of the cosmos once and for all.


Examining history amounts to examining the nature of power. Greece was the moment when power and changes in power were first debated and understood. It was a democracy of the masters of society—a total contrast to the despotic state, where power settles accounts only with itself, within the impenetrable obscurity of its inner sanctum, by means of palace revolutions, which are beyond the pale of discussion whether they fail or succeed. But the shared power in the Greek communities was limited to the consumption of a social life whose production remained the separate and static domain of the servile class. The only people who lived were those who did not work.


The social appropriation of time and the production of man by human labor develop within a society divided into classes. The power that establishes itself above the poverty of the society of cyclical time, the class that organizes this social labor and appropriates its limited surplus value, simultaneously appropriates the temporal surplus value resulting from its organization of social time: it alone possesses the irreversible time of the living. The wealth that can only be concentrated in the hands of the rulers and spent in extravagant festivities amounts to a squandering of historical time at the surface of society. The owners of this historical surplus value are the only ones in a position to know and enjoy real events. Separated from the collective organization of time associated with the repetitive production at the base of social life, this historical time flows independently above its own static community. This is the time of adventure and war, the time in which the masters of cyclical society pursue their personal histories; it is also the time that emerges in the clashes with foreign communities that disrupt the unchanging social order. History thus arises as something alien to people, as something they never sought and from which they had thought themselves protected. But it also revives the negative human restlessness that had been at the very origin of this whole (temporarily suspended) development.


A revolutionary organization must constitute an integral critique of society, that is, it must make a comprehensive critique of all aspects of alienated social life while refusing to compromise with any form of separate power anywhere in the world. In the organization’s struggle with class society, the combattants themselves are the fundamental weapons: a revolutionary organization must thus see to it that the dominant society’s conditions of separation and hierarchy are not reproduced within itself. It must constantly struggle against its deformation by the ruling spectacle. The only limit to participation in its total democracy is that each of its members must have recognized and appropriated the coherence of the organization’s critique—a coherence that must be demonstrated both in the critical theory as such and in the relation between that theory and practical activity.


New signs of negation are proliferating in the most economically advanced countries. Although these signs are misunderstood and falsified by the spectacle, they are sufficient proof that a new period has begun. We have already seen the failure of the first proletarian assault against capitalism; now we are witnessing the failure of capitalist abundance. On one hand, anti-union struggles of Western workers are being repressed first of all by the unions; on the other, rebellious youth are raising new protests, protests which are still vague and confused but which clearly imply a rejection of art, of everyday life, and of the old specialized politics. These are two sides of a new spontaneous struggle that is at first taking on a criminal appearance. They foreshadow a second proletarian assault against class society. As the lost children of this as yet immobile army reappear on this battleground—a battleground which has changed and yet remains the same—they are following a new “General Ludd” who, this time, urges them to attack the machinery of permitted consumption.


In the course of this complex and terrible evolution which has brought the era of class struggles to a new set of conditions, the proletariat of the industrial countries has lost its ability to assert its own independent perspective. In a fundamental sense, it has also lost its illusions. But it has not lost its being. The proletariat has not been eliminated. It remains irreducibly present within the intensified alienation of modern capitalism. It consists of that vast majority of workers who have lost all power over their lives and who, once they become aware of this, redefine themselves as the proletariat, the force working to negate this society from within. This proletariat is being objectively reinforced by the virtual elimination of the peasantry and by the increasing degree to which the “service” sectors and intellectual professions are being subjected to factorylike working conditions. Subjectively, however, this proletariat is still far removed from any practical class consciousness, and this goes not only for white-collar workers but also for blue-collar workers, who have yet to become aware of any perspective beyond the impotence and mystifications of the old politics. But when the proletariat discovers that its own externalized power contributes to the constant reinforcement of capitalist society, no longer only in the form of its alienated labor but also in the form of the trade unions, political parties, and state powers that it had created in the effort to liberate itself, it also discovers through concrete historical experience that it is the class that must totally oppose all rigidified externalizations and all specializations of power. It bears a revolution that cannot leave anything outside itself, a revolution embodying the permanent domination of the present over the past and a total critique of separation; and it must discover the appropriate forms of action to carry out this revolution. No quantitative amelioration of its impoverishment, no illusory participation in a hierarchized system, can provide a lasting cure for its dissatisfaction, because the proletariat cannot truly recognize itself in any particular wrong it has suffered, nor in the righting of any particular wrong. It cannot recognize itself even in the righting of many such wrongs, but only in the righting of the absolute wrong of being excluded from any real life.


The fact that anarchists have seen the goal of proletarian revolution as immediately present represents both the strength and the weakness of collectivist anarchist struggles (the only forms of anarchism that can be taken seriously—the pretensions of the individualist forms of anarchism have always been ludicrous). From the historical thought of modern class struggles collectivist anarchism retains only the conclusion, and its constant harping on this conclusion is accompanied by a deliberate indifference to any consideration of methods. Its critique of political struggle has thus remained abstract, while its commitment to economic struggle has been channeled toward the mirage of a definitive solution that will supposedly be achieved by a single blow on this terrain, on the day of the general strike or the insurrection. The anarchists have saddled themselves with fulfilling an ideal. Anarchism remains a merely ideological negation of the state and of class society—the very social conditions which in their turn foster separate ideologies. It is the ideology of pure freedom, an ideology that puts everything on the same level and loses any conception of the “historical evil” (the negation at work within history). This fusion of all partial demands into a single all-encompassing demand has given anarchism the merit of representing the rejection of existing conditions in the name of the whole of life rather than from the standpoint of some particular critical specialization; but the fact that this fusion has been envisaged only in the absolute, in accordance with individual whim and in advance of any practical actualization, has doomed anarchism to an all too obvious incoherence. Anarchism responds to each particular struggle by repeating and reapplying the same simple and all-embracing lesson, because this lesson has from the beginning been considered the be-all and end-all of the movement. This is reflected in Bakunin’s 1873 letter of resignation from the Jura Federation: “During the past nine years the International has developed more than enough ideas to save the world, if ideas alone could save it, and I challenge anyone to come up with a new one. It’s no longer the time for ideas, it’s time for actions.” This perspective undoubtedly retains proletarian historical thought’s recognition that ideas must be put into practice, but it abandons the historical terrain by assuming that the appropriate forms for this transition to practice have already been discovered and will never change.


As early as the Communist Manifesto, Marx’s effort to demonstrate the legitimacy of proletarian power by citing a repetitive sequence of precedents led him to oversimplify his historical analysis into a linear model of the development of modes of production, in which class struggles invariably resulted “either in a revolutionary transformation of the entire society or in the mutual ruin of the contending classes.” The plain facts of history, however, are that the “Asiatic mode of production” (as Marx himself acknowledged elsewhere) maintained its immobility despite all its class conflicts; that no serf uprising ever overthrew the feudal lords; and that none of the slave revolts in the ancient world ended the rule of the freemen. The linear schema loses sight of the fact that the bourgeoisie is the only revolutionary class that has ever won; and that it is also the only class for which the development of the economy was both the cause and the consequence of its taking control of society. The same oversimplification led Marx to neglect the economic role of the state in the management of class society. If the rising bourgeoisie seemed to liberate the economy from the state, this was true only to the extent that the previous state was an instrument of class oppression within a static economy. The bourgeoisie originally developed its independent economic power during the medieval period when the state had been weakened and feudalism was breaking up the stable equilibrium between different powers. In contrast, the modern state—which began to support the bourgeoisie’s development through its mercantile policies and which developed into the bourgeoisie’s own state during the laissez-faire era—was eventually to emerge as a central power in the planned management of the economic process. Marx was nevertheless able to describe the “Bonapartist” prototype of modern statist bureaucracy, the fusion of capital and state to create a “national power of capital over labor, a public force designed to maintain social servitude”—a form of social order in which the bourgeoisie renounces all historical life apart from what has been reduced to the economic history of things, and would like to be “condemned to the same political nothingness as all the other classes.” The sociopolitical foundations of the modern spectacle are already discernable here, and these foundations negatively imply that the proletariat is the only pretender to historical life.


Stars—spectacular representations of living human beings—project this general banality into images of permitted roles. As specialists of apparent life, stars serve as superficial objects that people can identify with in order to compensate for the fragmented productive specializations that they actually live. The function of these celebrities is to act out various lifestyles or sociopolitical viewpoints in a full, totally free manner. They embody the inaccessible results of social labor by dramatizing the by-products of that labor which are magically projected above it as its ultimate goals: power and vacations—the decision making and consumption that are at the beginning and the end of a process that is never questioned. On one hand, a governmental power may personalize itself as a pseudostar; on the other, a star of consumption may campaign for recognition as a pseudopower over life. But the activities of these stars are not really free, and they offer no real choices. \n\nThe agent of the spectacle who is put on stage as a star is the opposite of an individual; he is as clearly the enemy of his own individuality as of the individuality of others. Entering the spectacle as a model to be identified with, he renounces all autonomous qualities in order to identify himself with the general law of obedience to the succession of things. The stars of consumption, though outwardly representing different personality types, actually show each of these types enjoying equal access to, and deriving equal happiness from, the entire realm of consumption. The stars of decision making must possess the full range of admired human qualities: official differences between them are thus canceled out by the official similarity implied by their supposed excellence in every field of endeavor. As head of state, Khrushchev retrospectively became a general so as to take credit for the victory of the battle of Kursk twenty years after it happened. And Kennedy survived as an orator to the point of delivering his own funeral oration, since Theodore Sorenson continued to write speeches for his successor in the same style that had contributed so much toward the dead man’s public persona. The admirable people who personify the system are well known for not being what they seem; they attain greatness by stooping below the reality of the most insignificant individual life, and everyone knows it.


Behind the glitter of spectacular distractions, a tendency toward banalization dominates modern society the world over, even where the more advanced forms of commodity consumption have seemingly multiplied the variety of roles and objects to choose from. The vestiges of religion and of the family (the latter is still the primary mechanism for transferring class power from one generation to the next), along with the vestiges of moral repression imposed by those two institutions, can be blended with ostentatious pretensions of worldly gratification precisely because life in this particular world remains repressive and offers nothing but pseudo-gratifications. Complacent acceptance of the status quo may also coexist with purely spectacular rebelliousness—dissatisfaction itself becomes a commodity as soon as the economy of abundance develops the capacity to process that particular raw material.


The spectacle is the stage at which the commodity has succeeded in totally colonizing social life. Commodification is not only visible, we no longer see anything else; the world we see is the world of the commodity. Modern economic production extends its dictatorship both extensively and intensively. In the less industrialized regions, its reign is already manifested by the presence of a few star commodities and by the imperialist domination imposed by the more industrially advanced regions. In the latter, social space is blanketed with ever-new layers of commodities. With the “second industrial revolution,” alienated consumption has become just as much a duty for the masses as alienated production.


The spectacle is the material reconstruction of the religious illusion. Spectacular technology has not dispersed the religious mists into which human beings had projected their own alienated powers, it has merely brought those mists down to earth, to the point that even the most mundane aspects of life have become impenetrable and unbreathable. The illusory paradise that represented a total denial of earthly life is no longer projected into the heavens, it is embedded in earthly life itself.


The first stage of the economy’s domination of social life brought about an evident degradation of being into having—human fulfillment was no longer equated with what one was, but with what one possessed. The present stage, in which social life has become completely dominated by the accumulated productions of the economy, is bringing about a general shift from having to appearing—all “having” must now derive its immediate prestige and its ultimate purpose from appearances. At the same time all individual reality has become social, in the sense that it is shaped by social forces and is directly dependent on them. Individual reality is allowed to appear only if it is not actually real.


the fundamental experience that in earlier societies was associated with people’s primary work is in the process of being replaced (in sectors near the cutting edge of the system’s evolution) by an identification of life with nonworking time, with inactivity. But such inactivity is in no way liberated from productive activity. It remains dependent on it, in an uneasy and admiring submission to the requirements and consequences of the production system. It is itself one of the consequences of that system. There can be no freedom apart from activity, and within the spectacle activity is nullified—all real activity having been forcibly channeled into the global construction of the spectacle. Thus, what is referred to as a “liberation from work,” namely the modern increase in leisure time, is neither a liberation of work itself nor a liberation from the world shaped by this kind of work. None of the activity stolen by work can be regained by submitting to what that work has produced.


The alienation of the spectator, which reinforces the contemplated objects that result from his own unconscious activity, works like this: The more he contemplates, the less he lives; the more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own; they are the gestures of someone else who represents them to him. The spectator does not feel at home anywhere, because the spectacle is everywhere.


The spectacular consumption that preserves past culture in congealed form, including coopted rehashes of its negative manifestations, gives overt expression in its cultural sector to what it implicitly is in its totality: the communication of the incommunicable. The most extreme destruction of language can be officially welcomed as a positive development because it amounts to yet one more way of flaunting one’s acceptance of a status quo where all communication has been smugly declared absent. The critical truth of this destruction—the real life of modern poetry and art—is obviously concealed, since the spectacle, whose function is to use culture to bury all historical memory, applies its own essential strategy in its promotion of modernistic pseudoinnovations. Thus a school of neoliterature that baldly admits that it does nothing but contemplate the written word for its own sake can pass itself off as something new. Meanwhile, alongside the simple claim that the death of communication has a sufficient beauty of its own, the most modern tendency of spectacular culture—which is also the one most closely linked to the repressive practice of the general organization of society—seeks by means of “collective projects” to construct complex neoartistic environments out of decomposed elements, as can be seen in urbanism’s attempts to incorporate scraps of art or hybrid aesthetico-technical forms. This is an expression, in the domain of spectacular pseudoculture, of advanced capitalism’s general project of remolding the fragmented worker into a “socially integrated personality,” a tendency that has been described by recent American sociologists (Riesman, Whyte, etc.). In all these areas the goal remains the same: to restructure society without community.


Author: John M. Allegro
Publisher: Paperjacks (1971)

Quite simply, the reasoning of the early theologians seems to have been as follows: since rain makes the crops grow it must contain within it the seed of life. In human beings this is spermatozoa that is ejected from the penis at orgasm. Therefore it followed that rain is simply heavenly semen, the all-powerful creator, God. \r\nThe most forceful spurting of this 'seed' is accompanied by thunder and the shrieking wind. This is the 'voice' of God. Somewhere above the sky a mighty penis reaches an orgasm that shakes the heavens. The 'lips' of the penis-tip, the glans, open and the divine seed shoots forth and is borne by the wind to the earth. As saliva can be seen mixed with breath during forceful human speech, so the 'speaking' of the divine penis is accompanied by a powerful blast of wind, the holy, creative spirit, bearing the 'spittle' of semen. \r\nThis 'spittle' is the visible 'speech' of God; it is his 'Son' in New Testament terms, the 'Word' which 'was with God, and was God, and was in the beginning with God; through whom all things were made, and without him was not anything made that was made. In him was life ...' (John 1:1-4). In the words of the Psalmists: 'By the word of the Lord the heavens were made, and all their host by the breath of his mouth' (Ps 33:6); or, 'when you send forth your breath they are created, and the face of the earth is restored' (Ps 104:30). \r\nThis idea of the creative Word of God came to have a profound philosophical and religious importance and was, and still is, the subject of much metaphysical debate. But originally it was not an abstract notion; you could see the 'Word of God', feel it as rain on your face, see it seeping into the furrows of mother earth, the 'labia' of the womb of creation. Within burns an eternal fire which every now and then demonstrates its presence dramatically, by bursting to the surface in a volcano, or by heating spring water to boiling point where the earth's crust is thinnest. It was this uterine heat which made generation possible, and which later theologians identified with the place and means of eternal punishment. \r\nAlso beneath the earth's surface, lay a great ocean whose waters, like those of the seas around and above the firmament (Gen 1:7) were the primeval reservoirs of the god's spermatozoa, the Word. They were therefore 'seas of knowledge' as the Sumerians called them, and could be tapped by seekers of truth, whether they looked 'to the heavens or to the earth beneath' (Isa 51:6), that is, by means of astrology or necromancy, 'divination from the dead'. This notion that mortals could discover the secrets of the past, present, and future by somehow projecting themselves to the 'seventh heaven' or down into the underworld gave rise to much mythology and some curious magical practices. Since common observation showed that dead and decaying matter melted back into the earth, it was thought that the imperishable part of man, his 'soul' or spirit, the creative breath that gave him life in the womb, must either float off into the ether or return through the terrestrial vagina into the generative furnace. In either case he was more likely to have access to the fount of all wisdom than when his spirit was imprisoned in mortal flesh. \r\nSince it was given to few men to be able to visit heaven or hell and return to tell what they had seen and heard, there arose the ideas of 'messengers', or angels, those 'workers of miracles' as their name in Greek and Hebrew means. These demigods, or heroes, had access to both worlds and play an important part in ancient mythology. They could come from above in various guises or be conjured up from the ground, like the ghost of Samuel drawn to the surface by the witch of Endor for consultation by King Saul (I Sam 28). One important aspect of this idea of heavenly and subterranean founds of knowledge is that since plants and trees had their roots beneath the soil and derived their nourishment from the water above and beneath the earth, it was thought possible that some varieties of vegetation could give their mortal consumers access to this wisdom. Herein lies the philosophical justification for believing that hallucinatory drugs distilled from such plants imparted divine secrets, or 'prophecies'. \r\nSuch very special kinds of vegetation were, then, 'angels' and to know their names was to have power over them. A large part of magical folk-lore was devoted to maintaining this vital knowledge of the names of the angels. It was not sufficient simply to know what drug could be expected to have certain effects; it was important to be able to call upon its name at the very moment of plucking and eating it. Not only was its rape from the womb of mother earth thus safely accomplished, but its powers could be secured by the prophet for his 'revelations' without incurring the heavy penalties so often suffered by those misusing the drug plants.


In any study of the sources and development of a particular religion, ideas are the vital factor. History takes second place. Event time is relatively unimportant. This is not to underestimate the importance of political and sociological influences in the fashioning of a cult and its ideology; but the prime materials of the philosophy stem from a fundamental conception of the universe and the source of life.


Author: Paul John Eakin
Publisher: Cornell University Press (1999)

Jeffery H. Reiman argues that privacy is 'a precondition of personhood,' 'a social ritual by means of which an individual's moral title to his existence is conferred' (310). Moreover, theorists of privacy seem to agree that space or social distance is a precondition of privacy. If we accept this hypotheses, ethical problems will arise in life writing when space is transgressed, when privacy is abridged, with the result that the integrity of the person is breached or violated. I investigate this link between privacy and personhood first in the philosophical and juridical literature and then in various kinds of life writing. \r\n\r\nThe American press seized upon the death of the late Jacqueline Kennedy Onassis in 1994 to mourn the passing of an ideal of privacy that this beloved public figure had, paradoxically, come to represent. No one needs reminding that we live in an age of intrusiveness, where each innovation in communications technology seems to create some new threat to the possibility of being left alone: we read daily about eavesdropping on the eaveless virtual space of cellular phones, about call screening, caller identification, and scrambling devices. It is surely a sign on the times that access is newly empowered as a transitive verb. The hunger of the public for the private lives of the rich and famous has spawned a breed of professional privacy-busters - gossip columnists and paparazzi - and Onassis became the chosen prey of self-styled paparazzo Ronald E. Galella. Photographer Galella's single-minded pursuit of Onassis resulted in more than a decade of litigation, culminating in a Federal Superior Court judgement in 1982 that upheld Onassis's 'constitutional right of privacy' (Galella 1106)... \r\n\r\n The legal history of the right to privacy invoked in this case dates from the publication in 1890 of a celebrated article by Samuel D. Warren and Louis D. Brandeis titled, precisely, 'The Right to Privacy.' The article was occasioned by Warren's exasperation with intrusive coverage of his family's social life by the popular press of the period; revolutions in printing technology and photography exposed anyone deemed to be a celebrity - the Warrens were socially prominent Bostonians - to the gaze of a mass-circulation audience. Brandeis and Warren argued for 'a general right to privacy for thoughts, emotions and sensations...whether expressed in writing, or in conduct, in conversation, in attitudes, or in facial expression' (82), a right so comprehensive and fundamental, in fact, that we might call it the right to personhood. Their own formulation, however, as we shall see, has proved peculiarly memorable, 'the right to an inviolate personality' (85). \r\n\r\nThe subsequent legal history of privacy is rich and complex, turning especially on challenges to Brandeis and Warren's positing of a single, all-embracing right. William Prosser, for example, reviewing seventy years of cases in 1960, found that 'the law of privacy comprises four distinct kinds of invasion of four different interests of the plaintiff.' I quote his description of these four torts to suggest something of the complex of issues with which the right to privacy has been associated in the law: \r\n\r\n1. Intrusion upon the plaintiff's seclusion or solitude, or into his private affairs. \r\n2. Public disclosure of embarrassing private facts about the plaintiff. \r\n3. Publicity which places the plaintiff in a false light in the public eye. \r\n4. Appropriation, for the defendant's advantage, of the plaintiff's name or likeness. (107) \r\n\r\nCountering the apparent reductiveness of Prosser's four-part analysis, however, is Edward J. Bloustein's 'Privacy as an Aspect of Human Dignity: An Answer to Dean Prosser' (1964), a defense of the distinctiveness of the right to privacy claimed by Brandeis and Warren. Bloustein discerns in all of the manifold transgressions against the right to privacy 'an interference with individuality, an interference with the right of the individual to do what he will.' His portrait of the person deprived of privacy, moreover, is chilling: 'Such a being, although sentient, is fungible; he is not an individual' (188). \r\n\r\n*Galella*: Galella v. Onassis. 533 F.Supp.1076 (1982)


In 'The Shameless World of Phil, Sally and Oprah,' Vicki Abt and Mel Seesholtz argue that 'television is rewriting our cultural scripts' (172), undermining the traditional foundations of moral behavior in both the 'guests' and the viewing audience. 'The talk show ideology' trains those who confess to see themselves as ''victims' rather than possibly...irresponsible, weak people,' with the result that 'traditional boundaries between very private matters and public discussions are continuously breached' (178). For Abt and Seesholtz, the talk show confessional is socially, because morally, dangerous: 'The split between the televised action and the concomitant social effects in real life situations must be eroding our collective ability to make causal connections between actions and consequences' (187-188).


From time to time, in a spirit of formal innovation, critics have south to free autobiography from its perennial allegiance to biography's concern with narrative chronology, as though narrative's primacy in self-accounting were merely a matter of literary convention. As I have shown in this chapter, however, narrative's role in self-representation extends well beyond the literary; it is not merely one form among many in which to express identity, but rather an integral part of a primary mode of identity experience, that of the extended self, the self in time. If my reading of narrative's place in life writing is correct, to move beyond narrative would involve not merely a shift in literary form but a more fundamental change in the culturally sanctioned narrative practices that function as the medium in which the extended self and autobiographical memory emerge.


...Patterns of Childhood is indeed [Christa] Wolf's self-narration, an *intra*relational life which works steadily, as we shall see, to reforge the link between selves past and present. Wolf recognizes continuous identity not only as a fiction of memory but also as an existential fact, necessary for our psychological survival amid the flux of experience. \r\n\r\nLooking back some twenty-five years after the end of World War II, the German novelist seeks to understand her own participation in the pernicious ideology of the Third Reich: as a teenager, she had been an ardent member of a Hitler youth group. But how, the narrator asks, can she connect with an earlier self she has repudiated and repressed? How to begin when at least three distinct stories claim her attention? In this intricately layered narrative, Wolf tracks all three chronologies of her inquiry into the past simultaneously: Nelly's childhood in the 1930's through World War II up to 1946, the narrator's trip to Poland to revisit Nelly's childhood home in July 1971, and the narrator's writing of Nelly's story from November 1972 to 1975. What, Wolf would have us ask, can possibly bind these periods of personal history together? Memory? Narrative? Identity? The use of the first person? 'We would suffer continuous estrangement from ourselves,' she observes, 'if it weren't for our memory of the things we have done, of the things that have happened to us. If it weren't for the memory of ourselves' (4). \r\n\r\nDoes memory indeed provide a basis for continuous identity, uniting us to our acts, our experiences, our earlier selves?


[Mary Gordon] was the daughter of a doting father who treated her to lavish displays of affection. So central is the father's love to he child's sense of her own identity that his early death when she is seven creates a profound sense of lack, of want, that Gordon in her forties - successful novelist, happily married, with a child of her own - is still trying to fill. [Paul] Auster could be speaking for Gordon when he observes, wisely, 'You do not stop hungering for your father's love, even after you are grown up' (19)1. Now, in midlife, however, when Gordon sets out to recover her father and his story, she discovers that she wasn't the central figure in his life. Archival research in Washington, in Providence, and in Lorain, Ohio, turns in a painful process of disconfirmation in which everything she thought she knew about her father turns out to have been a lie: reinventing himself (like Fitzgerald's Jay Gatsby), David Gordon had edited his siblings, his working-class childhood, and an earlier marriage out of his story, passing himself off as a Harvard graduate, who had converted later on to Catholicism. The records disclose an unattractive stranger, a disreputable man-on-the-make, an Eastern European Jew who wrote for pornographic magazines in which he indulged in anti-Semetic jokes. Struggling to reconcile the idealized image of childhood memory with the stubborn truth of the biographical record, Gordon even attempts briefly to assume her father's identity in order to understand it, conjuring up the immigrant Jewish child's oppressive sense of being burdened with the 'wrong' identity to succeed in the American culture of his day. \r\n \r\nThe turning point in her quest comes when she concludes that 'David Gordon is a man I cannot know.' Refusing to be merely an episode in his story, she appropriates him for her own: 'The man I know is a man I gave birth to. His name is not David. ...It is My Father' (194).2 Her act of possession is as total as she can make it. Not only does she 'give birth to' her father in this narrative, but she literally revises his death as well: in the final section of The Shadow Man Gordon has her father's body exhumed from its place in her mother's family's plot and reburied in Calvary, a cemetery of her own choosing. This is certainly extravagant stuff, as Gordon is certainly aware. ...Gordon and Auster conclude that the story of the proximate other is ultimately unknowable. For Gordon, moreover, it proves to be a story she would prefer not to know, for it can't be integrated into her own identity narrative.\r\n \r\n \r\n1 /publication/70 \r\n2 /publication/71


...the most common form of the relational life, the self's story viewed through the lens of its relations with some key other person, sometimes a sibling, friend or lover, but most often a parent - we might call such an individual the proximate other to signify the intimate tie to the relational autobiographer.


The contemporary debate about the nature of the self portrayed in autobiography was launched forty years ago in a remarkably influential essay written by the French critic Georges Gusdorf, 'Conditions and Limits of Autobiography' (1956). The model Gusdorf posited for the identity that autobiographies presuppose - let us call it the Gusdorf model - was emphatically individualistic, featuring a 'separate and unique selfhood' (Friedman 34). In a similar vein, writing in the 1970's, Phillippe Lejeune (L'Autobiographie) and Karl J. Weintraub traced the rise of modern autobiography to Rousseau and Enlightenment individualism. Then, in 1980, Mary Mason became the first of a long line of feminist critics to repudiate the universalizing claims of this model and question its place in the history of the genre. The model might suitably describe the experience of Augustine and Rousseau, she conceded, but it did not fit the contours of women's lives. Correcting this gender bias, she proposed an alternative model for women: 'identity through relation to the chosen other' (210). \r\n \r\n A few years later, Domna Stanton asked, 'Is the [female] subject different?' and by implication, 'Is women's autobiography different from men's?' Answering yes to these questions, subsequent scholars - and I am thinking especially of Susan Stanford Friedman, Bella Brodzki, and Celeste Schenck - have returned most often to Mason's notion of relational identity as the distinguishing mark of women's lives. Thus, in her essay 'Individuation and Autobiography,' and indictment of 'the conflation of autobiography with male life-writing' and 'the conflation of male experience with critical ideologies' (60), Joy Hooton observes, 'The presentation of the self as related rather than single and isolate is...the most distinctive and consistent difference between male and female life-writing' (70). Following Friedman, Hooton cites research in developmental psychology and sociology, by Carol Gilligan and especially Nancy Chodorow, to support this view that individuation is decisively inflected by gender. The female subject, then, is different, and so is her life story. \r\n \r\n... \r\n \r\nThe understandable pressure to settle on reliable criteria for identifying difference in autobiography, together with the rarity of comparative analysis, has promoted the myth of autonomy that governs our vision of male lives. I hasten to add that men are hardly the victims alone of critical misdescription; like women, men also are constructed by patriarchal ideology. Consolidating the gains of feminist scholarship, and emulating what Sidonie Smith and others have achieved for women's autobiography , we need to liberate men's autobiography from the inadequate model that has guided our reading to date. As Chris McCandless's story demonstrates, the Gusdorf model is potentially a killer. \r\n \r\nWhy, it is fair to ask, didn't critics pick up on the implications for male identity of Mary Mason's early critique of the Gusdorf model? Part of the answer, I believe, is that Mason, Friedman, and other feminist critics helped to keep the old Gusdorf model in place - paradoxically - by attacking it: it didn't apply to women, they argued, but it did to men, leaving men stuck with a model of identity that seems in retrospect rather like a two-dimensional caricature: so-called traditional autobiography became the province of the Marlboro Man.


Models of identity are centrally implicated in the way we live and write about our lives. As Paul Smith puts it, 'None of us lives without reference to an imaginative singularity which we call our self' (6).1 ... In forming our sustaining sense of self, we draw on models of identity provided by the cultures we inhabit. Some of these models are life enhancing, some not. \r\n\r\n1 /publication/66


The body image - here specifically proprioception - emerges as the lifeline of identity, and Sacks invokes a metaphor of property and possession to conceptualize it: \r\n\r\n>One may be said to 'own' or 'possess' one's body - at least its limbs and movable parts - by virtue of a constant flow of incoming information, arising ceaselessly, throughout life, from the muscles, joints and tendons. One has oneself, one is oneself, because the body knows itself, confirms itself, at all times, by this sixth sense [proprioception].1 \r\n\r\nAre bodies and selves something we 'have' or something we 'are'? Interestingly, Sacks use the two formulations interchangeably to express his sense that bodies and selves are intertwined and inseparable. Identity turns on the question of the organism acknowledging or 'owning' what is proper to it; it is this sense of ownership that Sacks invokes when he speaks of the body 'knowing' itself. This bodily knowledge is the basis of selfhood in organisms endowed with consciousness.\r\n\r\n\r\n1 /publication/64


In a remarkable paper titled 'Five Kinds of Self-knowledge' (1988), [Ulric] Neisser attempts to distinguish 'among several kinds of self-specifying information, each establishing a different aspect of the self.' Although he speaks of 'these aspects' as 'so distinct that they are essentially different selves' with different 'origins and developmental histories' (35), he argues that these selves 'are not generally experienced as separate and distinct' (36). Self or selves? Although Neisser occasionally speaks of the self, he seems ultimately less interested in affirming the self as a single, unified entity than he is in stressing the variety of self-knowledge, the 'self-specifying information' (35) that constitutes our experience. His fivefold modeling counters the tendency toward an oversimplifying reification that is one of the principal drawbacks of self as a term, a reification that obscures the multiple registers of self-experience he seeks to display. \r\nNeisser's selves include the following: \r\n\r\n1. The ecological self: 'the self as perceived with respect to the physical environment; I am the person here in this place, engaged in this particular activity' (36). Present in infancy. \r\n2. The interpersonal self: 'the self as engaged in immediate unreflective social interaction with another person' (41); 'I am the person who is engaged, here, in this particular human interchange' (36). Present in infancy. \r\n3. The extended self: the self of memory and anticipation, the self existing outside the present moment; 'I am the person who had certain specific experiences, who regularly engages in certain specific and familiar routines' (36). By the age of three, children are aware of themselves 'as existing outside the present moment, and hence of the extended self' (47). \r\n4. The private self: the self of 'conscious experiences that are not available to anyone else' (50); 'I am, in principle, the only person who can feel this unique and particular pain' (36). Although experts differ as to the emergence of this sense of privacy in developmental chronology, many studies show as 'aware of the privacy of mental life before the age of 5' (50). \r\n5. The conceptual self: the extremely diverse forms of self-information - social roles, personal traits, theories of body and mind, of subject and person - that posit the self as a category, either explicitly or implicitly. (Neisser's discrimination of five primary kinds of self-information, of course, is one such conceptual model.)\r\n


...when we look at life history from the perspective of neural Darwinism, it is fair to say that we are all becoming different persons all the time, we are not what we were; self and memory are emergent, in process, constantly evolving, and both are grounded in the body and the body image. Responding to the flux of self-experience, we instinctively gravitate to identity-support-structures: the notion of identity as continuous over time and the use of autobiographical discourse to record its history.


The self-concept and memories of past experiences develop dialectically and begin to form a life history. The life history, in turn, helps organize both memories of past experiences and the self-concept. The life history is essentially what Barsalou calls the extended time lines, or the person's 'story line.' It is only with the construction of the life history that we have true autobiographical memory.


Jung loved to repeat a story about a Chinese rainmaker which his friend Richard Wilhelm, the translator of the I Ching and The Secret of the Golden Flower, told him was a personal experience. Wilhelm was visiting a village devastated by a drought at a time when they sent for a rainmaker. When the rainmaker - who, as was normal in China at the time, was a Buddhist priest - arrived, he was asked what he would require. He asked only for a small hut to live in at the edge of the village. He then retired to that hut. \r\nAt the end of three days, he came out of the hut and it began to rain. While the people of the village scampered in delight, Wilhelm asked the priest how he had brought the rain. The priest said that when he came to the village, he could feel that it was 'out of Tao'; that is, emotionally disturbed. That made him feel 'out of Tao' as well. So he withdrew to the hut until he was once more 'in Tao'. When he did so, the rain came. \r\nThe goal is to experience life simultaneously as both a personal experience and a symbolic act. This is hard to describe, but it can become normal to look at every action in the day, every person we come into contact with, every event we hear about in the world as symbolic. Outer events seem to speak to our inner needs. Personal experience seems to speak to outer events. Out lives seem synchronous with those around us, for better or worse.


As animals, we have natural urges...but we are taught that we can only satisfy those needs under conditions allowable by our parents (initially), then later by other authorities (teachers, ministers, scout leaders, coaches, etc.), still later by society itself in all its personified forms, and eventually only if those needs satisfy some abstract moral code that we carry inside us. \r\nThese psychic prohibitions create an inner conflict between the needs of society and the needs of our body. Because of that conflict, our body generates emotions that have no acceptable outlet. We conceal not only the initial urge - the lust, the hunger - but also the emotion generated within us by the conflict between the unfulfilled urge and the prohibition of morality: our anger, sadness, frustration. We turn those emotions inward upon ourselves. When the emotion needs to come out badly enough, we get mental illness as an attempt to resolve the impasse. \r\nIn a depth analysis, these conflicts emerge a little bit at a time, and hopefully are resolved. A patient discovers that his parents need no longer dominate his life; as an adult he can choose actions that satisfy his needs despite the fact that his parents punished him for those same actions as a child. He learns to develop a broadened morality that better fits his adult personality. \r\nBut there are many levels to the human psyche. After resolving the conflicts with parents and other external authority figures, much still remains; in fact, most still remains. Jung found that, stripped of the personal experiences which we all accumulate over the course of our development, there are deeper impersonal levels to the psyche. These levels are aspects of the collective unconscious.


Each church has a particular sin, each a a characteristic flaw in a time of transition to a new belief system, a new level of consciousness. In one town, Ephesus (2:1-7), the people no longer cling to a central belief; 'thou has left thy first love.' But to those who overcome their fears and return to their deeper beliefs, 'to him that overcometh will I give to eat of the tree of life, which is in the midst of the paradise of God' (2:7). \r\n\r\nAnother church, Pergamos (2:12-17), is composed of those who may hold to their beliefs inwardly, but are content to sit silently and watch as others do evil. The people of still another city, Thyatira (2:8-29), have listened to a false prophet (Jezebel) and followed her teachings instead of God's. The congregation of another church, Sardis (3:1-6), with no hope for the future, choose to live only for the day and turned to dissolution. Another city, Laodicea (3:14-22), in some ways the most condemned by the alpha and omega, is composed of the wishy-washy, the lukewarm, neither accepting nor rejecting anything anymore, content merely to go whichever way the wind blows. \r\n\r\nAnother church, Smyrna (2:8-11), is composed of those who are suffering greatly in these times, but manage to hold to their faith, even though others persecute them. They are already suffering martyrdom for their beliefs because of the sins of others in their midst: 'the blasphemy of them which say they are Jews, and are not, but are the synagogue of Satan' (2:9). The alpha and omega reassures the faithful of Smyrna: Fear none of those things which thou shalt suffer...be thou faithful unto death, and I will give thee a crown of life (2:10). \r\n\r\nHowever, only one city, Philadelphia (3:7-13), has fully satisfied God. The people there have never deserted their faith; nor have they yielded to dissolution. They have seen the new way opening before them and have already started to make a transition to the new. Therefore, alone among the cities, their people will not suffer and will not be exposed to temptation.


The late Mircea Eliade, the 20th century's greatest religious historian, saw the world of myths and prophecies much as did Jung, but with a difference in emphasis. The great moments in the life of a person or a nation are all existential crises, times when no solution based solely on reason or tradition will do. These watersheds generate incredible energy because of our nearly total involvement in the issue, our inability to escape from the problem . At such times, this energy enables us to transcend our normal world and pass into the world of religion; we are forced by our desperate need to advance into a new relationship with divinity. Eliade argues that religion comes into existence at these 'limit-points' of human experience.


...in life we are each limited by self-definition. To the extent that we say who we are, what and where we are, we have precluded being able to see beyond that definition.


Publisher: Ronin Publishing, Inc (1980)

If there is one proposition which currently wins the assent of nearly everybody, it is that we need more jobs. 'A cure for unemployment' is promised, or earnestly sought, by every Heavy Thinker from Jimmy Carter to the Communist Party USA, from Ronald Reagan to the head of the economics department at the local university, from the Birchers to the New Left. \r\n \r\nI would like to challenge that idea. I don't think there is, or ever again can be, a cure for unemployment. I propose that unemployment is not a disease, but the natural, healthy functioning of an advanced technological society. \r\n \r\nThe inevitable direction of any technology, and of any rational species such as Homo sap., is toward what Buckminster Fuller calls ephemeralization, or doing-more-with-less. For instance, a modern computer does more (handles more bits of information) with less hardware than the proto-computers of the late '40's and '50's. One worker with a modern teletype machine does more in an hour than a thousand medieval monks painstakingly copying scrolls for a century. Atomic fission does more with a cubic centimeter of matter than all the engineers of the 19th Century could do with a million tons, and fusion does even more. \r\n \r\n*Unemployment is not a disease; so it has no 'cure.'* \r\n \r\nThis tendency toward ephemeralization or doing more-with-less is based on two principal factors, viz: \r\n \r\nThe increment-of-association, a term coined by engineer C.H. Douglas, a meaning simply that when we combine our efforts we can do more than the sum of what each of us could do separately. Five people acting synergetically together can lift a small modern car, but if each of the five tries separately, the car will not budge. As society evolved from tiny bands, to larger tribes, to federations of tribes, to city-states, to nations, to multinational alliances, the increment-of-association increased exponentially. A stone-age hunting band could not build the Parthenon; a Renaissance city-state could not put Neil Armstrong on the Moon. When the increment-of-association increases, through larger social units, doing-more-with-less becomes increasingly possible. \r\n\r\nKnowledge itself is inherently self-augmenting. Every discovery 'suggests' further discoveries; every innovation provokes further innovations. This can be seen concretely, in the records of the U.S. Patent Office, where you will find more patents granted every year than were granted the year before, in a rising curve that seems to be headed toward infinity. If Inventor A can make a Whatsit out of 20 moving parts, Inventor B will come along and build a Whatsit out of 10 moving parts. If the technology of 1900 can get 100 ergs out of a Whatchamacallum, the technology of 1950 can get 1,000 ergs. Again, the tendency is always toward doing-more-with-less. \r\n \r\nUnemployment is directly caused by this technological capacity to do more-with-less. Thousands of monks were technologically unemployed by Gutenberg. Thousands of blacksmiths were technologically unemployed by Ford's Model T. Each device that does-more-with-less makes human labor that much less necessary. \r\n \r\nAristotle said that slavery could only be abolished when machines were built that could operate themselves. Working for wages, the modern equivalent of slavery -- very accurately called 'wage slavery' by social critics -- is in the process of being abolished by just such self-programming machines. In fact, Norbert Wiener, one of the creators of cybernetics, foresaw this as early as 1947 and warned that we would have massive unemployment once the computer revolution really got moving. \r\n \r\nIt is arguable, and I for one would argue, that the only reason Wiener's prediction has not totally been realized yet -- although we do have ever-increasing unemployment -- is that big unions, the corporations, and government have all tacitly agreed to slow down the pace of cybernation, to drag their feet and run the economy with the brakes on. This is because they all, still, regard unemployment as a 'disease' and cannot imagine a 'cure' for the nearly total unemployment that full cybernation will create. \r\n \r\nSuppose, for a moment, we challenge this Calvinistic mind-set. Let us regard wage-work -- as most people do, in fact, regard it -- as a curse, a drag, a nuisance, a barrier that stands between us and what we really want to do. In that case, your job is the disease, and unemployment is the cure. \r\n \r\n'But without working for wages we'll all starve to death!?! Won't we?' \r\n \r\nNot at all. Many farseeing social thinkers have suggested intelligent and plausible plans for adapting to a society of rising unemployment. Here are some examples. \r\n \r\nThe National Dividend. This was invented by engineer C. H. Douglas and has been revived with some modifications by poet Ezra Pound and designer Buckminster Fuller. The basic idea (although Douglas, Pound, and Fuller differ on the details) is that every citizen should be declared a shareholder in the nation, and should receive dividends on the Gross National Product for the year. Estimates differ as to how much this would be for each citizen, but at the current level of the GNP it is conservative to say that a share would be worth several times as much, per year, as a welfare recipient receives -- at least five times more. Critics complain that this would be inflationary. Supporters of the National Dividend reply that it would only be inflationary if the dividends distributed were more than the GNP; and they are proposing only to issue dividends equal to the GNP. \r\n\r\nThe Guaranteed Annual Income. This has been urged by economist Robert Theobald and others. The government would simply establish an income level above the poverty line and guarantee that no citizen would receive less; if your wages fall below that level, or you have no wages, the government makes up the difference. This plan would definitely cost the government less than the present welfare system, with all its bureaucratic red tape and redundancy: a point worth considering for those conservatives who are always complaining about the high cost of welfare. It would also spare the recipients the humiliation, degradation and dehumanization built into the present welfare system: a point for liberals to consider. A system that is less expensive than welfare and also less debasing to the poor, it seems to me, should not be objectionable to anybody but hardcore sadists. \r\n \r\nThe Negative Income Tax. This was first devised by Nobel economist Milton Friedman and is a less radical variation on the above ideas. The Negative Income Tax would establish a minimum income for every citizen; anyone whose income fell below that level would receive the amount necessary to bring them up to that standard. Friedman, who is sometimes called a conservative but prefers to title himself a libertarian, points out that this would cost 'the government' (i.e. the taxpayers) less than the present welfare system, like Theobald's Guaranteed Annual Income. It would also dispense with the last tinge of humiliation associated with government 'charity,' since when you cashed a check from IRS nobody (not even your banker) would know if it was supplementary income due to poverty or a refund due to overpayment of last year's taxes. \r\n \r\nThe RICH Economy. This was devised by inventor L. Wayne Benner (co-author with Timothy Leary of Terra II) in collaboration with the present author. It's a four-stage program to retool society for the cybernetic and space-age future we are rapidly entering. RICH means Rising Income through Cybernetic Homeostasis.\r\n \r\n*Stage I* is to recognize that cybernation and massive unemployment are inevitable and to encourage them. This can be done by offering a $100,000 reward to any worker who can design a machine that will replace him or her, and all others doing the same work. In other words, instead of being dragged into the cybernetic age kicking and screaming, we should charge ahead bravely, regarding the Toilless Society as the Utopian goal humanity has always sought. \r\n \r\n*Stage II* is to establish either the Negative Income Tax or the Guaranteed Annual Income, so that the massive unemployment caused by Stage I will not throw hordes of people into the degradation of the present welfare system.\r\n \r\n*Stage III* is to gradually, experimentally, raise the Guaranteed Annual Income to the level of the National Dividend suggested by Douglas, Bucky Fuller, and Ezra Pound, which would give every citizen the approximate living standard of the comfortable middle class. The reason for doing this gradually is to pacify those conservative economists who claim that the National Dividend is 'inflationary' or would be practically wrecking the banking business by lowering the interest rate to near-zero. It is our claim that this would not happen as long as the total dividends distributed to the populace equaled the Gross National Product. but since this is a revolutionary and controversial idea, it would be prudent, we allow, to approach it in slow steps, raising the minimum income perhaps 5 per cent per year for the first ten years. And, after the massive cybernation caused by Stage I has produced a glut of consumer goods, experimentally raise it further and faster toward the level of a true National Dividend. \r\n \r\n*Stage IV* is a massive investment in adult education, for two reasons.\r\n\r\nPeople can spend only so much time fucking, smoking dope, and watching TV; after a while they get bored. This is the main psychological objection to the workless society, and the answer to it is to educate people for functions more cerebral than fucking, smoking dope, watching TV, or the idiot jobs most are currently toiling at. \r\n \r\nThere are vast challenges and opportunities confronting us in the next three or four decades, of which the most notable are those highlighted in Tim Leary's SMI2LE slogan -- Space Migration, Intelligence Increase, Life Extension. Humanity is about to enter an entirely new evolutionary relationship to space, time, and consciousness. We will no longer be limited to one planet, to a brief, less-than-a-century lifespan, and to the stereotyped and robotic mental processes by which most people currently govern their lives. Everybody deserves the chance, if they want it, to participate in the evolutionary leap to what Leary calls 'more space, more time, and more intelligence to enjoy space and time.'\r\n \r\nWhat I am proposing, in brief, is that the Work Ethic (find a Master to employ you for wages, or live in squalid poverty) is obsolete. A Work Esthetic will have to arise to replace this old Stone Age syndrome of the slave, the peasant, the serf, the prole, the wage-worker -- the human labor-machine who is not fully a person but, as Marx said, ' a tool, an automaton.' Delivered from the role of things and robots, people will learn to become fully developed persons, in the sense of the Human Potential movement. They will not seek work out of economic necessity, but out of psychological necessity -- as an outlet for their creative potential.\r\n \r\n ('Creative potential' is not a panchreston. It refers to the inborn drive to play, to tinker, to explore, and to experiment, shown by every child before his or her mental processes are stunted by authoritarian education and operant-conditioned wage-robotry.)\r\n \r\nAs Bucky Fuller says, the first thought of people, once they are delivered from wage slavery, will be, 'What was it that I was so interested in as a youth, before I was told I had to earn a living?' The answer to that question, coming from millions and then billions of persons liberated from mechanical toil, will make the Renaissance look like a high school science fair or a Greenwich Village art show.


Author: Terence McKenna
Publisher: Bantam Books (1993)

The ecstatic and orgiastic, visionary and boundary‑dissolving experiences, the central mysteries of the mushroom religion, were the very factors in the human situation acting to keep our ancestors human. The commonality of feeling generated by the mushroom held the community together. The divine, inspiring power of the mushroom spoke through the bards and singers. The indwelling spirit of the mushroom moved the hand that carved bone and painted stone. Such things were a commonplace of the Edenic world of the Goddess. Life was lived not as we have chosen to imagine it, on the edge of mute bestiality, but rather, close to a dimension of spontaneous magical and linguistic expression that now shines only briefly in each of us at the pinnacle of experimental intoxication but that then was the empowered and enveloping reality: the presence of the Great Goddess.   History is the story of our unfocused agony over the loss of this perfect human world, and then of our forgetting it altogether, denying it and in so doing, denying a part of ourselves. It is a story of relationships, quasi‑symbiotic compacts, with plants that were made and broken. The consequence of not seeing ourselves as a part of the green engine of vegetable nature is the alienation and despair that surrounds us and threatens to make the future un­bearable.


THE   MYTH   OF   GLAUKOS \r\n\r\nWhile Glaukos, the son of Minos and Pasiphae, was still a small child, he died from falling into a jar, a pithos, filled with honey, while he was pursuing a rat, or a fly; the manuscripts are uncertain. Upon his disappearance his father Minos made many attempts to find him, and finally went to diviners for advice on how he should go about his search. The Kouretes answered that Minos had among his herds a cow of three different colors and that the man who could offer the best simile for this phenomenon would also be the one to know how to restore the boy to life. The diviners gathered together for this task, and finally Polyidos, son of Koiranos, compared the cow's colors to the fruit of the bramble. Compelled thereupon to search for the boy, he eventually found him by means of his powers of divination, but Minos next insisted that Polyidos must restore the boy to life. He was therefore shut up in a tomb with the dead body. While in this great perplexity, he saw a snake approach the corpse. Fearing for his own life should any harm befall the boy's body, Polyidos threw a stone at the serpent and killed it. Then a second snake crept forth, and when it saw its mate lying dead it disappeared, only to return with an herb which it placed on the dead snake, immediately restoring it to life. After Polyidos has seen this with great surprise, he took the same herb and applied it to the body of Glaukos, thereby raising him from the dead. Now although Minos had his son restored to life again, he would not allow Polyidos to depart home to Argos until he had taught Glaukos the art of divination. Under this compulsion Polyidos instructed the youth in the art. But when Polyidos was about to sail away, he bade Glaukos spit into his mouth. This Glaukos did, and thereby unwittingly lost the power of divination.


The linguistic depth women attained as gatherers eventually led to a momentous discovery: the discovery of agriculture. I call it momentous because of its consequences. Women realized that they could simply grow a restricted number of plants. As a result, they learned the needs of only those few plants, embraced a sedentary lifestyle, and began to forget the rest of nature they had once known so well. At that point the retreat from the natural world began, and the dualism of humanity versus nature was born. As we will soon see, one of the places where the old goddess culture died, fatal Huyuk, in present‑day Anatolian Turkey, is the very place where agriculture may have first arisen. At places like fatal Huyuk and Jericho, humans and their domesticated plants and animals became for the first time physically and psychologically separate from the life of untamed nature and the howling unknown. Use of hallucinogens can only be sanctioned in hunting and gathering societies. When agriculturists use these plants, they are unable to get up at dawn the morning after and go hoe the fields. At that point, corn and grain become gods‑gods that symbolize domesticity and hard labor. These replace the old goddesses of plant‑induced ecstasy. Agriculture brings with it the potential for overproduction, which leads to excess wealth, hoarding, and trade. Trade leads to cities; cities isolate their inhabitants from the natural world.


The indole families of compounds that are strong visionary hallucinogens and also occur in plants are four in number: \r\n\r\n1. The LSD‑type compounds. Found in several related genera of morning glories and ergot, the LSD hallucinogens are rare in nature. That they are the best known of the hallucinogens is undoubtedly due to the fact that millions of doses of LSD were manufactured and sold during the 1960s. LSD is a psychedelic, but rather large doses are necessary to elicit the hallucinogenic paradise artificially, of vivid and utterly transmundane hallucinations, that is produced by DMT and psilocybin at quite traditional doses. Nevertheless, many researchers have stressed the importance of the non-hallucinogenic effects of LSD and other psychedelics. These other effects include a sense of mind expansion and increased speed of thought; the ability to understand and to relate to complex issues of behavior, life patterning, and complex, decision‑making networks of connective linkage. LSD continues to be manufactured and sold in larger amounts than any other hallucinogen. It has been shown to aid in psychotherapy and the treatment of chronic alcoholism: 'Wherever it has been tried, all over the world, it has proved to be an interesting treatment for a very old disease. No other drug so far has been able to match its record in salvaging tormented lives from the alcoholic scrap heap, directly, as a treatment, or indirectly, as a means of yielding valuable information.'' Yet, as a consequence of media hysteria its potential may never be known. \r\n\r\n2. The tryptamine hallucinogens, especially DMT, psilocin, and psilocybin. Tryptamine hallucinogens are found throughout the higher plant families, for example, in legumes, and psilocin and psilocybin occur in mushrooms. DMT also occurs endogenously in the human brain. For this reason, perhaps DMT should not be thought of as a drug at all, but DMT intoxication is the most profound and visually spectacular of the visionary hallucinogens, remarkable for its brevity, intensity, and nontoxicity. \r\n\r\n3. The beta ‑carbolines. Beta‑carbolines, such as harmine and harmaline, can be hallucinogenic at close to toxic levels. They are important for visionary shamanism because they can inhibit enzyme systems in the body that would otherwise depotentiate hallucinogens of the DMT type. Hence beta‑carbolines can be used in conjunction with DMT to prolong and intensify visual hallucinations. This combination is the basis of the hallucinogenic brew ayahuasca or yage, in use in Amazonian South America. Beta‑carbolines are legal and until very recently were virtually unknown to the general public. \r\n\r\n4. The ibogaine family of substances. These substances occur in two related African and South American tree genera, Tabernanthe and Tabernamontana. Taber nanthe iboga is a small, yellow flowered bush which has a history of usage as a hallucinogen in tropical West Africa. Its active compounds bear a structural relationship to beta‑carbolines. Ibogaine is known more as a powerful aphrodisiac than as a hallucinogen. Nevertheless, in sufficient doses it is capable of inducing a powerful visionary and emotional experience.


Thinking about human evolution ultimately means thinking about the evolution of human consciousness. What, then, are the origins of the human mind? In their explanations, some investigators have adopted a primarily cultural emphasis. They point to our unique linguistic and symbolical capabilities, our use of tools, and our ability to store information epigenetically as songs, art, books, computers, thereby creating not only culture, but also history. Others, taking a somewhat more biological approach, have emphasized our physiological and neurological peculiarities, including the exceptionally large size and complexity of the human neocortex, a great proportion of which is devoted to complex linguistic processing, storage, and retrieval of information, as well as being associated with motor systems governing activities like speech and writing. More recently the feedback interactions between cultural influence and biological ontogeny have been recognized and seen to be involved in certain human developmental oddities, such as prolonged childhood and adolescence, the delayed onset of sexual maturity, and the persistence of many essentially neonatal characteristics through adult life. Unfortunately the union of these points of view has not yet led to the recognition of the genome‑shaping power of psychoactive and physioactive dietary constituents.


From the point of view of the psychedelic shaman, the world appears to be more in the nature of an utterance or a tale than in any way related to the leptons and baryons or charge and spin that our high priests, the physicists, speak of. For the shaman, the cosmos is a tale that becomes true as it is told, and as it tells itself. This perspective implies that human imagination can seize the tiller of being in the world. Freedom, personal responsibility, and a humbling awareness of the true size and intelligence of the world combine in this point of view to make it a fitting basis for living an authentic neo‑Archaic life. A reverence for and an immersion in the powers of language and communication are the basis of the shamanic path.


suppression of shamanic gnosis, with its reliance and insistence on ecstatic dissolution of the ego, has robbed us of life's meaning and made us enemies of the planet, of ourselves, and our grandchildren. We are killing the planet in order to keep intact the wrongheaded assumptions of the ego‑dominator cultural style. It is time for change.


Publisher: Mariner Books (1999)

Many that live deserve death. And some that die deserve life. Can you give it to them? Then do not be too eager to deal out death in judgement.


No one before 1000 B.C. ever felt guilt, even while shame was the way groups and societies were held together. To indicate the evidence that guilt as opposed to shame is a new emotion at this time, I would cite a single bit of evidence, and one that is well known1. This is the story of Oedipus. It is referred to in two lines of the Iliad and two lines in the Odyssey which I think we can take as indicating the true story, as it came down from bicameral times. The story seems to be about a man who killed his father and then unwittingly married his mother and so became King of Thebes, proceeding to have several children - siblings by his mother, then discovering what he had done, certainly feeling shame since incest had always been a taboo, but evidently recovering from that shame, living a happy life thereafter with his wife-mother, and dying with royal honors sometime later. This was written down around 800 B.C., but the story comes from several centuries before that. And then, only four hundred years later, we have the great trilogy of Sophocles on the subject, a play about unknown guilt, guilt so extreme that a whole city is in famine because of it, so convulsive that the culprit when he discovers his guilt is not worthy to look upon the world again and stabs his eyes into darkness with the brooches clutched from his mother-wife’s breasts, and is led away by his sister-daughters into a mystical death at Colonus. And again, there is no biological mechanism for getting rid of guilt. How to get rid of guilt is a problem which a host of learned social rituals of reacceptance are now developed: scapegoat ceremonies among the Hebrews (the word for sending away translates now as “forgiveness”), the similar pharmakos among the Greeks (again the word aphesis for sending the pharmakos away becomes the Greek for “forgiveness”), “purification” ceremonies of many sorts, baptism, the taurobolium, the haj, confession, the tashlik, the mass, and of course the Christian cross, which takes away the sins of the world (note the metaphors and analogies in all this). Even changing the nature of God to a forgiving father. \r\n \r\n1 E. R. Dodds, The Greeks and the Irrational (Berkeley: University of California Press, 1951).


In the medical sciences, the most prominent scientism, I think, has been psychoanalysis. Its central superstition is repressed childhood sexuality. The handful of early cases of hysteria which could be so interpreted become the metaphiers by which to understand all personality and art, all civilization and its discontents. And it too, like Marxism, demands total commitment, initiation procedures, a worshipful relation to its canonical texts, and gives in return that same assistance in decision and direction in life which a few centuries ago was the province of religion.


The decay of religious collective cognitive imperatives under the pressures of rationalist science, provoking, as it does, revision after revision of traditional theological concepts, cannot sustain the metaphoric meaning behind ritual. Rituals are behavioral metaphors, belief acted, divination foretold, exopsychic thinking. Rituals are mnemonic devices for the great narratizations at the heart of church life. And when they are emptied out into cults of spontaneity and drained of their high seriousness, when they are acted unfelt and reasoned at with irresponsible objectivity, the center is gone and the widening gyres begin.


We do not ordinarily think of learning a new unconscious mentality, perhaps a whole new relationship between our cerebral hemispheres, as we think of learning to ride a bicycle. Since this is the learning of a now difficult neurological state, so different from ordinary life, it is not surprising that the cues of the induction had to be wildly distinctive and have an extreme difference from ordinary life. And they certainly were different: anything odd, anything strange: bathing in smoke or sacred water, dressing in enchanted chitons with magical girdles, wearing weird garlands or mysterious symbols, standing in a charmed magic circle as medieval magicians did, or upon charakteres as Faust did to hallucinate Mephistopheles, or smearing the eyes with strychnine to procure visions as was done in Egypt, or washing in brimstone (sulphur) and seawater, a very old method which began in Greece, as Porphyry said in the second century A.D., to prepare the anima sfiritalis for the reception of a higher being. All these of course did nothing except as they were believed to do something — just as we in this latter age have no 'free wil' unless we believe we have.


All this curious development of the sixth century B.C. is extremely important for psychology. For with this wrenching of psyche = life over to psyche = soul, there came other changes to balance it as the enormous inner tensions of a lexicon always do. The word soma had meant corpse or deadness, the opposite of psyche as livingness. So now, as psyche becomes soul, so soma remains as its opposite, becoming body. And dualism, the supposed separation of soul and body, has begun. But the matter does not stop there. In Pindar, Heraclitus, and others around 500 B.C., psyche and nous begin to coalesce. It is now the conscious subjective mind-space and its self that is opposed to the material body. Cults spring up about this new wonder-provoking division between psyche and soma. It both excites and seems to explain the new conscious experience, thus reinforcing its very existence. The conscious psyche is imprisoned in the body as in a tomb. It becomes an object of wide-eyed controversy. Where is it? And the locations in the body or outside it vary. What is it made of? Water (Thales), blood, air (Anaximenes), breath (Xenophanes), fire (Heraclitus), and so on, as the science of it all begins in a morass of pseudoquestions. So dualism, that central difficulty in this problem of consciousness, begins its huge haunted career through history, to be firmly set in the firmament of thought by Plato, moving through Gnosticism into the great religions, up through the arrogant assurances of Descartes to become one of the great spurious quandaries of modern psychology.


...in Achilles' dream at the beginning of Book 23 of the Iliad, the psyche of the dead Patroclus visits him, and when he tries to hug it in his arms, it sinks gibbering into the earth. The grizzly scenes in Hades in Books 11 and 24 of the Odyssey use psyche in a similar way. The term in these instances has an almost opposite sense from its meaning in the rest of both Iliad and Odyssey. Not life, but that which exists after life has ceased. Not what is bled out of one's veins in battle, but the soul or ghost that goes to Hades, a concept that is otherwise unheard of in Greek literature until Pindar, around 500 B.C. In all the intervening writers we have been looking at through the eighth and seventh centuries B.C., psyche is never the ghost-soul, but always has its original meaning of life or livingness. Now, no amount of twisting about in semantic origins can reconcile these two gratingly different significations for psyche, one relating to life and the other to death. The obvious suggestion here is that these alien incongruities in Homer are interpolations of a period much later than the ostensible period of the poems. And indeed this is what the majority of scholars are sure of on much more ample grounds than we can go into here. Since this meaning of psyche does not appear until Pindar, we may be fairly confident that these passages about Hades and the souls of the dead abiding there in its shades were added into the Homeric poems shortly before Pindar, sometime in the sixth century B.C. The problem then is how and why did this dramatically different concept of psyche come about? And let us be clear here that the only thing we are talking about is the application of the old word for life to what survives after death and its separability from the body. The actual survival, as we have seen in previous chapters, is not in doubt. According to the theory of the bicameral mind, hallucinations of a person in some authority could continue after death as an everyday matter.


T H E I N V E N T I O N O F T H E S O U L Psyche is the last of these words to come to have 'space' inside it. This is due, I think, to the fact that psyche or livingness did not lend itself to a container-type metaphor until the conscious spatialization of time had so far developed that a man had a life in the sense of a time span, rather than just in the sense of breath and blood. But the progress of psyche toward the concept of soul is not that clear at all.


The most primitive, clumsy, but enduring method of discovering the will of silent gods is the simple recording of sequences of unusual or important events. In contrast to all other types of divination, it is entirely passive. It is simply an extension of something common to all mammalian nervous systems, namely, that if an organism experiences B after A, he will have a tendency to expect B the next time that A occurs. Since omens are really a particular example of this when expressed in language, we can say that the origin of omens is simply in animal nature rather than in civilized culture per se. Omens or sequences of events that might be expected to recur were probably present in a trivial way throughout bicameral times. But they had little importance. Nor was there any necessity to study such sequences, since the hallucinated voices of gods made all the decisions in novel situations. There are, for example, no Sumerian omen texts whatever. While the first traces of omens occur among the Semitic Akkadians, it is really only after the loss of the bicameral mind toward the end of the second millennium B.C. that such omen texts proliferate everywhere and swell out to touch almost every aspect of life imaginable. By the first millennium B.C., huge collections of them are made. In the library of King Ashurbanipal at Nineveh about 650 B.C., at least 30 percent of the twenty to thirty thousand tablets come into the category of omen literature. Each entry in these tedious irrational collections consists of an if-clause or protasis followed by a then-clause or apodosis. And there were many classes of omens, terrestrial omens dealing with everyday life: If a town is set on a hill, it will not be good for the dweller within that town. If black ants are seen on the foundations which have been laid, that house will get built; the owner of that house will live to grow old. If a horse enters a man's house, and bites either an ass or a man, the owner of the house will die and his household will be scattered. If a fox runs into the public square, that town will be devastated. If a man unwittingly treads on a lizard and kills it, he will prevail over his adversary. And so on endlessly, bearing on all those aspects of life that in a previous age would have been under the guidance of gods. They can be construed as a kind of first approach to narratization, doing by verbal formulae what consciousness does in a more complex way.


So far, all our analysis has been about how and why the bicameral mind collapsed. It could indeed be asked at this point why man did not simply revert to his previous condition. Sometimes he did. But the inertia of the more complex cultures prevented the return to tribal life. Man was trapped in his own civilization. Huge cities simply are there, and their ponderous habits of working keep going even as their divine control lapses away. Language too is a brake upon social change. The bicameral mind was an offshoot of the acquisition of language, and language by this time had a vocabulary demanding such attention to a civilized environment as to make a reversion to something of at least 5000 years earlier almost impossible.


The Causes of Consciousness AN OLD SUMERIAN PROVERB has been translated as “Act promptly, make your god happy.”1 If we forget for a moment that these rich English words are but a probing approximation of some more unknowable Sumerian thing, we may say that this curious exaction arches over into our subjective mentality as saying, “Don’t think: let there be no time space between hearing your bicameral voice and doing what it tells you.” This was fine in a stable hierarchical organization, where the voices were the always correct and essential parts of that hierarchy, where the divine orders of life were trussed and girdered with unversatile ritual, untouched by major social disturbance. But the second millennium B.C. was not to last that way. Wars, catastrophes, national migrations became its central themes. Chaos darkened the holy brightnesses of the unconscious world. Hierarchies crumpled. And between the act and its divine source came the shadow, the pause that profaned, the dreadful loosening that made the gods unhappy, recriminatory, jealous. Until, finally, the screening off of their tyranny was effected by the invention on the basis of language of an analog space with an analog ‘I’. The careful elaborate structures of the bicameral mind had been shaken into consciousness.


Now here is a very significant change in human affairs. Instead of a nomadic tribe of about twenty hunters living in the mouths of caves, we have a town with a population of at least 200 persons. It was the advent of agriculture, as attested by the abundance of sickle blades, pounders and pestles, querns and mortars, recessed in the floor of each house, for the reaping and preparation of cereals and legumes, that made such permanence and population possible. Agriculture at this time was exceedingly 17 See J. Perrot, 'Excavations at Eynan, 1959 season,' Israel Exploration Journal} 1961, 10: ij James Mellaart, Earliest Civilizations of the Near East (New York: McGraw-Hill, 1965), Ch. 2; Clark and Piggott, p. 15 off. 140 The Mind of Man primitive and only a supplement to the wide variety of animal fauna — wild goats, gazelles, boars, fox, hare, rodents, birds, fish, tortoises, crustaceans, mussels, and snails — which, as carbon-dated remains show, were the significant part of the diet. The Hallucinogenic King A town! Of course it is not impossible that one chief could dominate a few hundred people. But it would be a consuming task if such domination had to be through face-to-face encounters repeated every so often with each individual, as occurs in those primate groups that maintain strict hierarchies. I beg you to recall, as we try to picture the social life of Eynan, that these Natufians were not conscious. They could not narratize and had no analog selves to 'see' themselves in relation to others. They were what we could call signal-bound, that is, responding each minute to cues in a stimulus-response manner, and controlled by those cues. And what were the cues for a social organization this large? What signals were the social control over its two or three hundred inhabitants? I have suggested that auditory hallucinations may have evolved as a side effect of language and operated to keep individuals persisting at the longer tasks of tribal life. Such hallucinations began in the individual's hearing a command from himself or from his chief. There is thus a very simple continuity between such a condition and the more complex auditory hallucinations which I suggest were the cues of social control in Eynan and which originated in the commands and speech of the king.


In driving a car, I am not sitting like a back-seat driver directing myself, but rather find myself committed and engaged with little consciousness. In fact my consciousness will usually be involved in something else, in a conversation with you if you happen to be my passenger, or in thinking about the origin of consciousness perhaps. My hand, foot, and head behavior, however, are almost in a different world. In touching something, I am touch; in turning my head, the world turns to me; in seeing, I am related to a world I immediately obey in the sense of driving on the road and not on the sidewalk. And I am not conscious of any of this. And certainly not logical about it. I am caught up, unconsciously enthralled, if you will, in a total interacting reciprocity of stimulation that may be constantly threatening or comforting, appealing or repelling, responding to the changes in traffic and particular aspects of it with trepidation or confidence, trust or distrust, while my consciousness is still off on other topics.\n\n Now simply subtract that consciousness and you have what a bicameral man would be like. The world would happen to him and his action would be an inextricable part of that happening with no consciousness whatever. And now let some brand-new situation occur, an accident up ahead, a blocked road, a flat tire, a stalled engine, and behold, our bicameral man would not do what you and I would do, that is, quickly and efficiently swivel our consciousness over to the matter and narratize out what to do. He would have to wait for his bicameral voice which with the stored-up admonitory wisdom of his life would tell him nonconsciously what to do.


Consciousness is a much smaller part of our mental life than we are conscious of, because we cannot be conscious of what we are not conscious of. How simple that is to say; how difficult to appreciate! It is like asking a flashlight in a dark room to search around for something that does not have any light shining upon it. The flashlight, since there is light in whatever direction it turns, would have to conclude that there is light everywhere. And so consciousness can seem to pervade all mentality when actually it does not.\n\n The timing of consciousness is also an interesting question. When we are awake, are we conscious all the time? We think so. In fact, we are sure so! I shut my eyes and even if I try not to think, consciousness still streams on, a great river of contents in a succession of different conditions which I have been taught to call thoughts, images, memories, interior dialogues, regrets, wishes, resolves, all interweaving with the constantly changing pageant of exterior sensations of which I am selectively aware. Always the continuity. Certainly this is the feeling. And whatever we're doing, we feel that our very self, our deepest of deep identity is indeed this continuing flow that only ceases in sleep between remembered dreams. This is our experience. And many thinkers have taken this spirit of continuity to be the place to start from in philosophy, the very ground of certainty which no one can doubt. Cogito, ergo sum.\n\n It is much more probable that the seeming continuity of consciousness is really an illusion, just as most of the other metaphors about consciousness are. In our flashlight analogy, the flashlight would be conscious of being on only when it is on. Though huge gaps of time occurred, providing things were generally the same, it would seem to the flashlight itself that the light had been continuously on. We are thus conscious less of the time than we think, because we cannot be conscious of when we are not conscious.


...In the first instance we should say that the person suffering a severe blow on the head loses both consciousness and what I am calling reactivity, and they are therefore different things.\n\n This distinction is also important in normal everday life. We are constantly reacting to things without being conscious of them at the time. Sitting against a tree, I am always reacting to the tree and to the ground and to my own posture, since if I wish to walk, I will quite unconsciously stand up from the ground to do so.\n\n Immersed in the ideas of this first chapter, I am rarely conscious even of where I am. In writing, I am reacting to a pencil in my hand since I hold on to it, and am reacting to my writing pad since I hold it on my knees, and to its lines since I write upon them, but I am only conscious of what I am trying to say and whther or not I am being clear to you.\n\n If a bird bursts up from the copse nearby and flies crying to the horizon, I may turn and watch it and hear it, and then turn back to this page without being conscious that I have done so.\n\n In other words, reactivity covers all stimuli my behavior takes account of in any way, while consciousness is something quite distinct and a far less ubiquitous phenomenon. We are conscious of what we are reacting to only from time to time. And whereas reactivity can be definded behaviorally and neuologically, consciousness at the present state of knowledge cannot.


Is this consciousness...this enormous influence of ideas, principles, beliefs over our lives and actions, really derivable from animal behavior? Alone of species, all alone! we try to understand ourselves and the world. We become rebels or patriots or martyrs on the basis of ideas. We build Chartres and computres, write poems and tensor equations, play chess and quartets, sail ships to other planets and listen in to other galaxies - what have these to do with rats in mazes or the threat displays of baboons? The continuity hypothesis of Darwin for the evolution of mind is a very suspicious totem of evolutionary mythology. The yearning for certainty which grails the scientist, the aching beauty which harasses the artist, the sweet thorn of justice which fierces the rebel from the eases of life, or the thrill of exultation with which we hear of true acts of that now difficult virtue of courage, of cheerful endurance of hopeless suffering - are these really derivable from matter? Or even continuous with the idiot hierarchies of speechless apes?\n\n The chasm is awesome. The emotional lives of men and of other mammals are indeed marvelously similar. But to focus upon the similarity unduly is to forget that such a chasm exists at all. The intellectual life of man, his culture and history and religion and science, is different from anything else we know of in the universe. That is fact. It is as if all life evolved to a certain point, and then in ourselves turned at a right angle and simply exploded in a different direction.


Author: Karl Marx
Publisher: Progress Publishers (1977)

In the social production of their existence, men inevitably enter into definite relations, which are independent of their will, namely relations of production appropriate to a given stage in the development of their material forces of production. The totality of these relations of production constitutes the economic structure of society, the real foundation, on which arises a legal and political superstructure and to which correspond definite forms of social consciousness. The mode of production of material life conditions the general process of social, political and intellectual life. It is not the consciousness of men that determines their existence, but their social existence that determines their consciousness.


Publisher: Fine Communications (1998)

Listen: the chaos you experience under LSD is not an illusion. The orderly world you imagine you experience, under the artificial and poisonous diet which the Illuminati have forced on all civilized nations, is the real illusion. I am not saying what you are hearing. The only good fnord is a dead fnord. Never whistle while you're pissing. An obscure but highly significant contribution to sociology and epistemology occurs in Malignowski's study 'Retroactive Reality,' printed in Wieczny Kwiat Wtadza, the journal of the Polish Orthopsychiatric Psociety, for Autumn 1959. 'All affirmations are true in some sense, false in some sense, meaningless in some sense, true and false in some sense, true and meaningless in some sense, false and meaningless in some sense, and true and false and meaningless in some sense. Do you follow me?' (In some sense, Joe mutters. . . .) The author, Dr. Malignowski, was assisted by three graduate students named Korzybski-1, Korzybski-2, and Korzybski-3 (Siamese triplets born to a mathematician and, hence, indexed rather than named). Malignowski and his students interviewed 1,700 married couples, questioning husband and wife separately in each case, and asked 100 key questions about their first meeting, first sexual experience, marriage ceremony, honeymoon, economic standing during the first year of marriage, and similar subjects which should have left permanent impressions on the memory. Not one couple in the 1,700 gave exactly the same answers to 100 questions, and the highest single score was made by a couple who gave the same answers to 43 of the questions. 'This study demonstrated graphically what many psychologists have long suspected: the life-history which most of us carry around in our skulls is more our own creation (at least seven percent more) than it is an accurate recording of realities. As Malignowski concludes, 'Reality is retroactive, retrospective and illusory.' 'Under these circumstances, things not personally experienced but recounted by others are even more likely to be distorted, and after a tale passes through five tellers it is virtually one hundred percent pure myth: another example of the Law of Fives.


You know the old saying, 'different strokes for different folks'?' she asked over her shoulder. 'Hagbard and FUCKUP have classified sixty-four thousand personality types, depending on which strokes, or gambits, they use most often in relating to others.' She found the book and carefully walked back to her chair. 'For instance,' she said slowly. 'Right now, you can intersect my life line in a number of ways, from kissing my hand to slitting my throat. Between those extremes, you can, let's say, carry on an intellectual conversation with sexual flirtation underneath it, or an intellectual conversation with sexual flirtation and also with kinesic signals indicating that the flirtation is only a game and you don't really want me to respond, and on an even deeper level you can be sending other signals indicating that actually you do want me to respond after all but you're not ready to admit that to yourself. In authoritarian society, as we know it, people are usually sending either very simple dominance signals— 'I'm going to master you, and you better accept it before I get really nasty'— or submissive signals— 'You're going to master me, and I'm reconciled to it.' 'Lord in Heaven,' Harry Coin said softly. 'That was what my first session with him was all about. I tried dominance signals to bluff him, and it didn't work. So I tried submissive signals, which is the only other gimmick I ever knew, and that didn't work either. So I just gave up.' 'Your brain gave up,' Stella corrected. 'The strategy center, for dealing with human relations in authoritarian society, was exhausted. It had nothing left to try. Then the Robot took over. The biogram. You acted from the heart.' 'But what has redundance got to do with this?' George asked. 'Here's the passage,' Stella said. She began to read aloud: People exist on a spectrum from the most redundant to the most flexible. The latter, unless they are thoroughly trained in psychodynamics, are always at a disadvantage to the former in social interactions. The redundant do not change their script; the flexible continually keep changing, trying to find a way of relating constructively. Eventually, the flexible ones find the 'proper' gambit, and communication, of a sort, is possible. They are now on the set created by the redundant person, and they act out his or her script. The steady exponential growth of bureaucracy is not due to Parkinson's Law alone. The State, by making itself ever more redundant, incorporates more people into its set and forces them to follow its script.


The usual pacifist complaint about war, that young men are led to death by old men who sit at home manning bureaucrat's desks and taking no risks themselves, misses the point entirely. Demands that the old should be drafted to fight their own wars, or that the leaders of the waning nations should be sent to the front lines on the first day of battle, etc., are aimed at an assumed 'sense of justice' that simply does not exist. To the typical submissive citizen of authoritarian society, it is normal, obvious, and 'natural' that he should obey older and more dominant males, even at the risk of his life, even against his own kindred, and even in causes that are unjust or absurd. 'The Charge of the Light Brigade'— the story of a group of young males led to their death in a palpably idiotic situation and only because they obeyed a senseless order without stopping to think—has been, and remains, a popular poem, because unthinking obedience by young males to older males is the most highly prized of all conditioned reflexes within human, and hominid, societies. The mechanism by which authority and submission are implanted in the human mind is coding of perception. That which fits into the code is accepted; all else is Damned. It is Damned to being ignored, brushed aside, unnoticed, and— if these fail— it is Damned to being forgotten.


APPENDIX LAMED: THE TACTICS OF MAGICK \r\n \r\n>The human brain evidently operates on some variation of the famous principle enunciated in The Hunting of the Snark: 'What I tell you three times is true.' \r\n>—NORBERT WEINER, Cybernetics \r\n \r\nThe most important idea in the Book of Sacred Magic of Abra-Melin the Mage is the simple-looking formula 'Invoke often.' \r\n\r\nThe most successful form of treatment for so-called mental disorders, the Behavior Therapy of Pavlov, Skinner, Wolpe, et al., could well be summarized in two similar words: 'Reinforce often.' ('Reinforcement,' for all practical purposes, means the same as the layman's term 'reward.' The essence of Behavior Therapy is rewarding desired behavior; the behavior 'as if by magic' begins to occur more and more often as the rewards continue.) Advertising, as everybody knows, is based on the axiom 'Repeat often.' Those who think they are 'materialists' and think that 'materialism' requires them to deny all facts which do not square with their definition of 'matter' are loath to admit the well-documented and extensive list of individuals who have been cured of serious maladies by that very vulgar and absurd form of magick known as Christian Science. Nonetheless, the reader who wants to understand this classic work of immortal literature will have to analyze its deepest meanings, guided by an awareness that there is no essential difference between magick, Behavior Therapy, advertising, and Christian Science. All of them can be condensed into Abra-Melin's simple 'Invoke often.' Reality, as Simon Moon says, is thermoplastic, not thermosetting. It is not quite Silly-Putty, as Mr. Paul Krassner once claimed, but is much closer to Silly-Putty than we generally realize. \r\n\r\nIf you are told often enough that 'Budweiser is the king of beers,' Budweiser will eventually taste somewhat better— perhaps a great deal better— than it tasted before this magick spell was cast. If a behavior therapist in the pay of the communists rewards you every time you repeat a communist slogan, you will repeat it more often, and begin to slide imperceptibly toward the same kind of belief that Christian Scientists have for their mantras. And if a Christian Scientist tells himself every day that his ulcer is going away, the ulcer will disappear more rapidly than it would have had he not subjected himself to this homemade advertising campaign. Finally, if a magician invokes the Great God Pan often enough, the Great God Pan will appear just as certainly as heterosexual behavior appears in homosexuals who are being handled (or manhandled) by Behavior Therapy. The opposite and reciprocal of 'Invoke often' is 'Banish often.' The magician wishing for a manifestation of Pan will not only invoke Pan directly and verbally, create Panlike conditions in his temple, reinforce Pan associations in every gesture and every article of furniture, use the colors and perfumes associated with Pan, etc.; he will also banish other gods verbally, banish them by removing their associated furnitures and colors and perfumes, and banish them in every other way. The Behavior Therapist calls this 'negative reinforcement,' and in treating a patient who is afraid of elevators he will not only reinforce (reward) every instance in which the patient rides an elevator without terror, but will also negatively reinforce (punish) each indication of terror shown by the patient. The Christian Scientist, of course, uses a mantra or spell which both reinforces health and negatively reinforces (banishes) illness.* Similarly, a commercial not only motivates the listener toward the sponsor's product but discourages interest in all 'false gods'- by subsuming them under the rubric of the despised and contemptible Brand X. * The basic Christian Science mantra, known as 'The Scientific Statement of Being,' no less, is as follows: 'There is no life, truth, intelligence nor substance in matter. All is infinite mind and its infinite manifestation, for God is all in all, Spirit is immortal truth: matter is mortal error. Spirit is the real and eternal; matter is the unreal and temporal. Spirit is God and man is His image and likeness. Therefore man is not material, he is spiritual.' The fact that these statements are, in terms of the scientific criteria, 'meaningless,' 'non-operational,' and 'footless' is actually totally irrelevant. They work. Try them and see. As Aleister Crowley, no friend of Mrs. Eddy's, wrote, 'Enough of Because! May he be damned for a dog!' Hypnotism, debate, and countless other games have the same mechanism: Invoke often and Banish often. \r\n\r\nThe reader who seeks a deeper understanding of this argument can obtain it by putting these principles to the test. If you are afraid that you might, in this Christian environment, fall into taking the Christian Science mantra too seriously, try instead the following simple experiment. For forty days and forty nights, begin each day by invoking and praising the world in itself as an expression of the Egyptian deities. Recite at dawn: I bless Ra, the fierce sun burning bright, I bless Isis-Luna in the night, I bless the air, the Horus-hawk, I bless the earth on which I walk. Repeat at moonrise. Continue for the full forty days and forty nights. We say without any reservations that, at a minimum, you will feel happier and more at home in this part of the galaxy (and will also understand better Uncle John Feather's attitude toward our planet); at maximum, you may find rewards beyond your expectations, and will be converted to using this mantra for the rest of your life. (If the results are exceptionally good, you just might start believing in ancient Egyptian gods.) \r\n\r\nA selection of magick techniques which will offend the reason of no materialist can be found in Laura Archera Huxley's You Are Not the Target (a powerful mantra, the title!), in Gestalt Therapy, by Peris, Heferline, and Goodman, and in Mind Games, by Masters and Houston. All this, of course, is programming your own trip by manipulating appropriate clusters of word, sound, image, and emotional (prajna) energy. The aspect of magick which puzzles, perplexes, and provokes the modern mentality is that in which the operator programs somebody else's trip, acting at a distance. It is incredible and insulting, to this type of person, if one asserts that our Mr. Nkrumah Fubar could program a headache for the President of the United States. He might grant that such manipulating of energy is possible if the President was told about Mr. Fubar's spells, but he will not accept that it works just as well when the subject has no conscious knowledge of the curse. The magical theory that 5 = 6 has no conviction for such a skeptic, and magicians have not yet proposed a better theory. The materialist then asserts that all cases where magic did appear to work under this handicap are illusions, delusions, hallucinations, 'coincidences,'* misapprehensions, 'luck,' accident, or downright hoax. * Look up the etymology of that word some time and see if it means anything. He does not seem to realize that asserting this is equivalent to asserting that reality is, after all, thermoplastic— for he is admitting that many people live in a different reality than his own. Rather than leave him to grapple as best he can with this self-contradiction, we suggest that he consult Psychic Discoveries Behind the Iron Curtain, by Ostrander and Schroder—especially Chapter 11, 'From Animals to Cybernetics: The Search for a Theory of Psi.' He might realize that when 'matter' is fully understood, there is nothing a materialist need reject in magick action at a distance, which has been well explored by scientists committed to the rigid Marxist form of dialectical materialism. \r\n\r\nThose who have kept alive the ancient traditions of magick, such as the Ordo Templi Orientalis, will realize that the essential secret is sexual (as Saul tries to explain in the Sixth Trip) and that more light can be found in the writings of Wilhelm Reich, M. D., than in the current Soviet research. But Dr. Reich was jailed as a quack by the U.S. Government, and we would not ask our readers to consider the possibility that the U.S. Government could ever be Wrong about anything. Any psychoanalyst will guess at once the most probable symbolic meanings of the Rose and the Cross; but no psychologist engaged in psi research has applied this key to the deciphering of traditional magic texts. The earliest reference to freemasonry in English occurs in Andersen's 'Muses Threnody,' 1638: \r\n\r\n>For we be brethren of the Rosey Cross \r\n>We have the Mason Word and second sight \r\n\r\nbut no parapsychologist has followed up the obvious clue contained in this conjunction of the vaginal rose, the phallic cross, the word of invocation, and the phenomenon of thought projection. That the taboos against sexuality are still latent in our culture explains part of this blindness; fear of opening the door to the most insidious and subtle forms of paranoia is another part. (If the magick can work at a distance, the repressed thought goes, which of its is safe?) A close and objective study of the anti-LSD hysteria in America will shed further light on the mechanisms of avoidance here discussed. Of course, there are further offenses and affronts to the rationalist in the deeper study of magick. We all know, for instance, that words are only arbitrary conventions with no intrinsic connection to the things they symbolize, yet magick involves the use of words in a manner that seems to imply that some such connection, or even identity, actually exists. The reader might analyze some powerful bits of language not generally considered magical, and he will find something of the key. For instance, the 2 + 3 pattern in 'Hail Eris'/'All hail Discordia' is not unlike the 2 + 3 in 'Holy Mary, Mother of God,' or that in the 'L.S./M.F.T.' which once sold many cartons of cigarettes to our parents; and the 2 + 3 in Crowley's 'Io Pan! Io Pan Pan!' is a relative of these. Thus, when a magician says that you must shout 'Abrahadabra,' and no other word, at the most intensely emotional moment in an invocation, he exaggerates; you may substitute other words; but you will abort the result if you depart too far from the five-beat pattern of 'Abrahadabra.' A glance at the end of Appendix Beth will save the reader from misunderstanding the true tenor of these remarks. \r\n\r\nBut this brings us to the magical theory of reality. Mahatma Guru Sri Paramahansa Shivaji (Aleister Crowley again, under another pen-name) writes in Yoga for Yahoos: \r\n\r\n>Let us consider a piece of cheese. We say that this has certain qualities, shape, structure, color, solidity, weight, taste, smell, consistency and the rest; but investigation has shown that this is all illusory. Where are these qualities? Not in the cheese, for different observers give quite different accounts of it. Not in ourselves, for we do not perceive them in the absence of the cheese . . . What then are these qualities of which we are so sure? They would not exist without our brains; they would not exist without the cheese. They are the results of the union, that is of the Yoga, of the seer and seen, of subject and object... \r\n\r\nThere is nothing here with which a modern physicist could quarrel; and this is the magical theory of the universe. The magician assumes that sensed reality - the panorama of impressions monitored by the senses and collated by the brain— is radically different from so-called objective reality.1 About the latter 'reality' we can only form speculations or theories which, if we are very careful and subtle, will not contradict either logic or the reports of the senses. This lack of contradiction is rare; some conflicts between theory and logic, or between theory and sense-data, are not discovered for centuries (for example, the wandering of Mercury away from the Newtonian calculation of its orbit). And even when achieved, lack of contradiction is proof only that the theory is not totally false. It is never, in any case, proof that the theory is totally true— for an indefinite number of such theories can be constructed from the known data at any time. For instance, the geometries of Euclid, of Gauss and Reimann, of Lobachevski, and of Fuller all work well enough on the surface of the earth, and it not yet clear whether the Gauss-Reimann or the Fuller system works better in interstellar space. \r\n\r\nIf we have this much freedom in choosing our theories about 'objective reality,' we have even more liberty in deciphering the 'given' or transactional sensed reality. The ordinary person senses as he or she has been taught to sense —that is, as they have been programmed by their society. The magician is a self-programmer. Using invocation and evocation— which are functionally identical with self-conditioning, auto-suggestion, and hypnosis, as shown above— he or she edits or orchestrates sensed reality like an artist.2\r\n\r\nThis book, being part of the only serious conspiracy it describes— that is, part of Operation Mindfuck— has programmed the reader in ways that he or she will not understand for a period of months (or perhaps years). When that understanding is achieved, the real import of this appendix (and of the equation 5 = 6) will be clearer. Officials at Harvard thought Dr. Timothy Leary was joking when he warned that students should not be allowed to indiscriminately remove dangerous, habit-forming books from the library unless each student proves a definite need for each volume. (For instance, you have lost track of Joe Malik's mysterious dogs by now.) It is strange that one can make the clearest possible statements and yet be understood by many to have said the opposite. \r\n\r\nThe Rite of Shiva, as performed by Joe Malik during the SSS Black Mass, contains the central secret of all magick, very explicitly, yet most people can reread that section a dozen, or a hundred times, and never understand what the secret is. For instance, Miss Portinari was a typical Catholic girl in every way— except for an unusual tendency to take Catholicism seriously— until she began menstruating and performing spiritual meditations every day.3 One morning, during her meditation period, she visualized the Sacred Heart of Jesus with unusual clarity; immediately another image, distinctly shocking to her, came to mind with equal vividness. She recounted this experience to her confessor the next Saturday, and he warned her, gravely, that meditation was not healthy for a young girl, unless she intended to take the oath of seclusion and enter a convent. She had no intention of doing that, but rebelliously (and guiltily) continued her meditations anyway. The disturbing second image persisted whenever she thought of the Sacred Heart; she began to suspect that this was sent by the Devil to distract her from meditation. \r\n\r\nOne weekend, when she was home from convent school on vacation, her parents decided she was the right age to be introduced to Roman society. (Actually, they, like most well-off Italian families, had already chosen which daughter would be given to the church— and it wasn't her. Hence, this early introduction to la dolce vita.) One of the outstanding ornaments of Rome at that time was the 'eccentric international businessman' Mr. Hagbard Celine, and he was at the party to which Miss Portinari was taken that evening. It was around eleven, and she had consumed perhaps a little too much Piper Heidseck, when she happened to find herself standing near a small group who were listening rapt-ly to a story the strange Celine was telling. Miss Portinari wondered what this creature might be saying—he was reputedly even more cynical and materialistic than other international money-grubbers, and Miss Portinari was, at that time, the kind of conservative Catholic idealist who finds capitalists even more dreadful than socialists. She idly tuned in on his words; he was talking English, but she understood that language adequately. \r\n' 'Son, son,' Hagbbard recited, ' 'with two beautiful women throwing themselves at you, why are you sitting alone in your room jacking off?' Miss Portinari blushed furiously and drank some more champagne to conceal it. She hated the man already, knowing that she would surrender her virginity to him at the earliest opportunity; of such complexities are intellectual Catholic adolescents capable. \r\n'And the boy replied,' Hagbard went on, ' 'I guess you just answered your own question, Ma.' ' There was a shocked silence. \r\n'The case is quite typical,' Hagbard added blandly, obviously finished. 'Professor Freud recounts even more startling family dramas.' \r\n'I don't see ...' a celebrated French auto racer began, frowning. Then he smiled. 'Oh,' he said, 'was the boy an American?' \r\nMiss Portinari left the group perhaps a bit too hurriedly (she felt a few eyes following her) and quickly refilled her champagne glass. A half-hour later she was standing on the veranda, trying to clear her head in the night air, when a shadow moved near her and Celine appeared amid a cloud of cigar smoke. \r\n'The moon has a fat jaw tonight,' he said in Italian. 'Looks like somebody punched her in the mouth.' \r\n'Are you a poet in addition to your other accomplishments?' she asked coolly. 'That sounds as if it might be American verse.' \r\nHe laughed— a clear peal, like a stallion whinnying. 'Quite so,' he said. 'I just came from Rapallo, where I was talking to America's major poet of this century. How old are you?' he asked suddenly. \r\n'Almost sixteen,' she said fumbling the words. \r\n'Almost fifteen,' he corrected ungallantly. \r\n'If it's any affair of yours—' \r\n'It might be,' he replied easily. 'I need a girl your age for something I have in mind.' \r\n'I can imagine. Something foul.' He stepped further out of the shadows and closer. \r\n'Child,' he said, 'are you religious?' \r\n'I suppose you regard that as old-fashioned,' she replied, imagining his mouth on her breast and thinking of paintings of Mary nursing the Infant. \r\n'At this point in history,' he said simply, 'it's the only thing that isn't old-fashioned. What was your birthdate? Never mind— you must be a Virgo.' \r\n'I am,' she said. (His teeth would bite her nipple, but very gently. He would know enough to do that.) 'But that is superstition, not religion.' \r\n'I wish I could draw a precise line between religion, superstition, and science.' He smiled. 'I find that they keep running together. You are Catholic, of course?' His persistence was maddening. \r\n'I am too proud to believe an absurdity, and therefore I am not a Protestant,' she replied— immediately fearing that he would recognize the plagiarism. \r\n'What symbol means the most to you?' he asked, with the blandness of a prosecuting attorney setting a trap. \r\n'The cross,' she said quickly. She didn't want him to know the truth. \r\n'No.' He again corrected her ungallantly. 'The Sacred Heart.' \r\nThen she knew he was of Satan's party. \r\n'I must go,' she said. \r\n'Meditate further on the Sacred Heart,' he said, his eyes blazing like a hypnotist's (a cornball gimmick, he was thinking privately, but it might work). 'Meditate on it deeply, child. You will find in it the essential of Catholicism — and the essential of all other religion.' \r\n'I think you are mad,' she responded, leaving the veranda with undignified haste. But two weeks later, during her morning meditation, she suddenly understood the Sacred Heart. At lunchtime she disappeared—leaving behind a note to the Mother Superior of the convent school and another note for her parents— and went in search of Hagbard. She had even more potential than he realized, and (as elsewhere recorded) within two years he abdicated in her favor. They never became lovers.4 \r\n\r\nThe importance of symbols— images— as the link between word and primordial energy demonstrates the unity between magick and yoga. Both magick and yoga— we reiterate—are methods of self-programming employing synchronistically connected chains of word, image, and bio-energy. Thus, rationalists, who are all puritans, have never considered the fact that disbelief in magick is found only in puritanical societies. The reason for this is simple: Puritans are incapable of guessing what magick is essentially all about. It can even be surely ventured that only those who have experienced true love, in the classic Albigensian or troubadour sense of that expression, are equipped to understand even the most clear-cut exposition of the mysteries.5 \r\n\r\nThe eye in the triangle; for instance, is not primarily a symbol of the Christian Trinity, as the gullible assume— except insofar as the Christian Trinity is itself a visual (or verbal) elaboration on a much older meaning. Nor is this symbol representative of the Eye of Osiris or even of the Eye of Horus, as some have ventured; it is venerated, for instance, among the Cao Dai sect in Vietnam, who never heard of Osiris or Horus. The eye's meaning can be found quite simply by meditating on Tarot Trump XV, the Devil, which corresponds, on the Tree of Life, to the Hebrew letter ayin, the eye. The reader who realizes that 'The Devil' is only a late rendering of the Great God Pan has already solved the mystery of the eye, and the triangle has its usual meaning. The two together are the union of Yod, the father, with He, the Mother, as in Yod-He-Vau-He, the holy unspeakable name of God. Vau, the Holy Ghost, is the result of their union, and final He is the divine ecstasy which follows. One might even venture that one who contemplates this key to the identities of Pan, the Devil, the Great Father, and the Great Mother will eventually come to a new, more complete understanding of the Christian Trinity itself, and especially of its most mysterious member, Vau, the elusive Holy Ghost. \r\n\r\nThe pentagram comes in two forms but always represents the fullest extension of the human psyche— the male human psyche in particular. The pentagram with one horn exalted is, quite naturally, associated with the right-hand path; and the two-horned pentagram with the left-hand path. (The Knights Templar, very appropriately, inscribed the head of Baphomet, the goat-headed deity who was their equivalent of Pan or the Devil, within the left-handed pentagram in such wise that each 'horn' contained one of Baphomet's horns.) It is to be observed that the traditionally sinister7 left-hand pentagram contains an internal pentagon with one point upward, whereas the right-hand pentagram contains an internal pentagon with one point downward; this nicely illustrates the Law of Opposites.8 The pentagon in the Sacred Chao is tilted from the perpendicular so that it cannot be said to have any points directly upward or directly downward—or perhaps can be said to have 1 ½ points up and 1 ½ points down9 — thereby illustrating the Reconciliation of Opposites. All that can be said against the method of the left-hand pentagram, without prejudice, is that this form of the sacrament is always destructive of the Holy Spirit, in a certain sense. It should be remembered that the right-hand pentagram method is also destructive in most cases, especially by those practitioners so roundly condemned in Chapter 14 of Joyce's Ulysses— and this group is certainly the majority these days. In view of the ecological crisis, it might even be wise to encourage the left-hand method and discourage the right-hand method at this time, to balance the Sacred Numbers. \r\n\r\nVery few readers of the Golden Bough have pierced Sir Prof. Dr. Frazer's veil of euphemism and surmised the exact method used by Isis in restoring life to Osiris, although this is shown quite clearly in extant Egyptian frescoes. Those who are acquainted with this simple technique of resurrecting the dead (which is at least partially successful in all cases and totally successful in most) will have no trouble in skrying the esoteric connotations of the Sacred Chao— or of the Taoist yin-yang or the astrological sign of cancer. The method almost completely reverses that of the pentagrams, right or left, and it can even be said that in a certain sense it was not Osiris himself but his brother, Set, symbolically understood, who was the object of Isis's magical workings. In every case, without exception, a magical or mystical symbol always refers to one of the very few10 variations of the same, very special variety of human sacrifice: the 'one eye opening' or the 'one hand clapping'; and this sacrifice cannot be partial— it must culminate in death if it is to be efficacious. The literal-mindedness of the Saures, in the novel, caused them to become a menace to life on earth; the reader should bear this in mind. The sacrifice is not simple. It is a species of cowardice, epidemic in Anglo-Saxon nations for more than three centuries, which causes most who seek success in this field to stop short before the death of the victim. Anything less than death—that is, complete oblivion—simply will not work.11 (One will find more clarity on this crucial point in the poetry of John Donne than in most treatises alleging to explain the secrets of magick.) \r\n\r\nThe symbolism of the swastika is quite adequately explained in Wilhelm Reich's Mass Psychology of Fascism. Ouroboros, the serpent eating its own tail, is chiefly emblematic of the Mass of the Holy Ghost.12 The Roman Catholic symbolism of the Sacred Heart is strikingly overt, especially to readers of Frazer and Payne-Knight. In essence, it is the same notion conveyed by the cartoonist's conventional rendering of Cupid shooting his arrow into a red pulsating heart. This is the basic meaning of the Dying God and the Resurrection. The identification of Christ with the pelican who stabs its own heart with its beak (to feed its young) is an analogous rendering of the same motif. We repeat that it was only because the Saure family so misread these simple symbols that they became cruel and sadistic. In essence, then, the basic symbols, of magic, mythology, and religion—whether Eastern or Western, ancient or modern, 'right-hand' or 'left-hand'—are so simple that only the pernicious habit of looking for alleged 'profundities' and 'mysteries' prevents people from automatically understanding them almost without thinking. The meaning of the hexagram— the female equivalent of the male pentagram— was explicated by Freud himself, but most students, convinced that the answer could not be so elementary and down-to-earth, continue to look into the clouds. \r\n\r\n1 See the anthology Perception, edited by Robert Blake, Ph.D., and especially the chapter by psychologist Carl Rogers, which demonstrates that people's perceptions change while they are in psychotherapy. As William Blake noted, 'The fool sees not the same tree that the wise man sees.' \r\n2 Everybody, of course, does this unconsciously; see the paragraph about the cheese. The magician, doing it consciously, controls it. \r\n3 These two signs of growth often appear at the same time, being DNA-triggered openings of the fourth neural circuit. \r\n4 They were quite good friends, though, and he did fuck her occasionally. \r\n5 This book has stated it as clearly as possible in a number of places, but some readers are still wondering what we are holding back. \r\n6 This being has more in common with the ordinary nocturnal visitor, sometimes called a 'ghost,' than is immediately evident to the uninitiated. Cf. the well-documented association of poltergeist disturbances with adolescents. \r\n7 This association, attributing diabolism to the left-hand path, is oversimplified, prejudiced, and superstitious. In general, it can be said that the left-hand pentagram is suitable for both invocations and evocations, whereas the right-hand pentagram is suitable only for evocations, and mat is the only important difference. (It is assumed that the reader understands the pentagram as an exclusively male symbol.) \r\n8 Cf. the Tarot trumps II and III—the Magus, holding one arm upward and one downward, and the High Priestess, sitting between the pillars of Day and Night. (The Priestess is also associated with the Hebrew letter gimmel, the camel, and part of the meaning of this symbolism is contained in the shapes of the camel's back and the Hebrew letter.) \r\n9 This makes it quite useless for summoning werewolves. The Sacred Chao, however, is intended to teach a philosophical lesson, not to attract individuals with dubious pastimes. \r\n10 Fewer than seventy, according to a classical enumeration. \r\n11 The magician must always identify fully with the victim, and share every agonized contortion to the utmost. Any attitude of standing aside and watching, as in a theatrical performance, or any intellectualization during the moments when the sword is doing its brutal but necessary work, or any squeamishness or guilt or revulsion, creates the two-mindedness against which Hagbard so vehemently warns in Never Whistle While You're Pissing. In a sense, only the mind dies. \r\n12 See Israel Regardie, The Tree of Life.\r\n


There's no Granddaddy in the clouds to pass a last judgment— there's only a few airplanes up there, learning more and more about how to carry bombs. They court-martialed General Mitchell for saying it, but it's the truth. The next time around they'll really bomb the hell out of civilian populations. And the universe won't know or care about that either. Don't tell me that my flight from Death leads back to Death; I'm not a child, and I know that all paths lead back to Death eventually. The only question is: Do you cower before him all your life or do you spit in his eye?' 'You can transcend abject fear and rebellious hatred both. You can see that he is only part of the Great Wheel and, like all other parts, necessary to the whole. Then you can accept him.' 'Next you'll be telling me to love him.' 'That too.' 'Yes, and I can learn to see the great and glorious Whole Picture. I can see all the men defecating and urinating in their trousers before they died at Chateau-Thierry, watching their own guts fall out into their laps and screaming out of a hole that isn't even a mouth any more, as manifestations of that sublime harmony and balance which is ineffable and holy and beyond all speech and reason. Sure. I can see that, if I knock half of my brain out of commission and hypnotize myself into thinking that the view from that weird perspective is deeper and wider and more truly true than the view from an unclouded mind. Go to the quadruple-amputee ward and try to tell them that. You speak of death as a personified being. Very well: Then I must regard him as any other entity that gets in my way. Love is a myth invented by poets and other people who couldn't face the world and crept off into corners to create fantasies to console themselves. The fact is that when you meet another entity, either it makes way for you or you make way for it. Either it dominates and you submit, or you dominate and it submits. Take me into any club in Boston and I'll tell you which millionaire has the most millions, by the way the others treat him. Take me into any workingman's bar and I'll tell you who has the best punch in a fistfight, by the way the others treat him. Take me into any house and I'll tell you in a minute whether the husband or the wife is dominant. Love? Equality? Reconciliation? Acceptance? Those are the excuses of the losers, to persuade themselves that they choose their condition and weren't beaten down into it. Find a dutiful wife, who truly loves her husband. I'll have her in my bed in three days, maximum. Because I'm so damned attractive? No, because I understand men and women. I'll make her understand, without saying it aloud and shocking her, that the adultery will, way or another, hurt her husband, whether he knows about it or not. Show me the most servile colored waiter in the best restaurant in town, and after he's through explaining Christianity and humility and all the rest of it, count how many times a day he steps into the kitchen to spit in his handerchief. The other employess will tell you he has a 'chest condition.' The condition he has is chronic rage. The mother and the child? An endless power struggle. Listen to the infant's cry change in pitch when Mother doesn't come at once. Is that fear you hear? It's rage— insane fury at not having total dominance. As for the mother herself, I'd wager that ninety percent of the married women in the psychiatrists' care are there because they can't admit to themselves, can't escape the lie of love long enough to admit to themselves, how often they want to strangle that monster in the nursery. Love of country? Another lie; the truth is fear of cops and prisons. Love of art? Another lie; the truth is fear of the naked truth without ornaments and false faces on it. Love of truth itself? The biggest lie of all: fear of the unknown. People learn acceptance of all this and achieve wisdom? They surrender to superior force and call their cowardice maturity. It still comes down to one question: Are you kneeling at the altar, or are you on the altar watching the others kneel to you?


And what the hell does it mean to say that life shouldn't change too rapidly? How fast is evolution? Do you measure it in terms of lifetime? A year is more than a lifetime to many kinds of animals, while seventy years is an hour in the lifetime of a sequoia. And the universe is only ten billion years old. How fast do ten billion years go? To a god they might go very fast indeed. They might all happen at once. Suppose the lifetime of your typical basic god was a hundred quintillion years. The whole lifetime of this universe would be to him no more than the amount of time it takes us to watch a movie. So, from the point of view of a god or of the universe, things evolve very quickly. It's like one of those Walt Disney films where you watch a plant growing before your eyes and the whole cycle from bud to fruit takes about two minutes. To a god, life is a single organism proliferating in all directions all over the earth, and now on the moon and Mars, and the whole process from the first of the protobionts to George Dorn and fellow humans takes no longer than...


In Chicago, Simon Moon was listening to the birds begin to sing and waiting for the first cinnamon rays of dawn, as Mary Lou Servix slept beside him; his mind was active, thinking about pyramids and rain-gods and sexual yoga and fifth-dimensional geometries, but thinking mostly about the Ingolstadt Rock Festival and wondering if it would all happen as Hagbard Celine had predicted. (Two blocks north in space and over forty years back in time, Simon's mother heard pistol shots as she left Wobbly Hall-Simon was a second-generation anarchist-and followed the crowd to gather in front of the Biograph Theatre where a man lay bleeding to death in the alley. \r\n\r\nAnd the next morning-July 23, 1934-Billie Freschette, in her cell at Cook County Jail, got the news from a matron. In this White Man's Country, I am the lowliest of the lowly, subjugated because I am not white, and subjugated again because I am not male. I am the embodiment of all that is rejected and scorned-the female, the colored, the tribe, the earth-all that has no place in this world of white male technology. I am the tree that is cut down to make room for the factory that poisons the air. I am the river filled with sewage. I am the Body that the Mind despises. I am the lowliest of the lowly, the mud beneath your feet. And yet of all the world John Dillinger picked me to be his bride. He plunged within me, into the very depths of me. I was his bride, not as your Wise Men and Churches and Governments know marriage, but we were truly wed. As the tree is wed to the earth, the mountain to the sky, the sun to the moon. I held his head to my breast, and tousled his hair as if it were sweet as fresh grass, and I called him 'Johnnie.' He was more than a man. He was mad but not mad, not as a man may go mad when he leaves his tribe and lives among hostile strangers and is mistreated and scorned. He was not mad as all other white men are mad because they have never known a tribe. He was mad as a god might be mad. And now they tell me he is dead. 'Well,' the matron asked finally, 'aren't you going to say anything? Aren't you Indians human?' She had a real evil shine in her eye, like the eye of the rattlesnake. She wants to see me cry. She stands there and waits, watching me through the bars. 'Don't you have any feelings at all? Are you some kind of animal?' I say nothing. I keep my face immobile. No white shall ever see the tears of a Menominee. At the Biograph Theatre, Molly Moon turns away in disgust as souvenir hunters dip their handkerchiefs in the blood. \r\n\r\nI turn away from the matron and look up, out the barred window, to the stars, and the spaces between them seem bigger than ever. Bigger and emptier. Inside me there is a space like that now, big and empty, and it will never be filled again. When the tree is torn out by its roots, the earth must feel that way. The earth must scream silently, as I screamed silently.) But she understood the sacramental meaning of the handkerchiefs dipped in blood; as Simon understands it. Simon, in fact, had what can only be called a funky education. I mean, man, when your parents are both anarchists the Chicago public school system is going to do your head absolutely no good at all. Feature me in a 1956 classroom with Eisenhower's Moby Dick face on one wall and Nixon's Captain Ahab glare on the other, and in between, standing in front of the inevitable American rag, Miss Doris Day or her older sister telling the class to take home a leaflet explaining to their parents why it's important for them to vote. 'My parents don't vote,' I say. 'Well, this leaflet will explain to them why they should,' she tells me with the real authentic Doris Day sunshine and Kansas cornball smile. It's early in the term and she hasn't heard about me from the last-semester teacher. 'I really don't think so,' I say politely. 'They don't think it makes any difference whether Eisenhower or Stevenson is in the White House. They say the orders will still come from Wall Street.' It's like a thundercloud. All the sunshine goes away. They never prepared her for this in the school where they turn out all these Doris Day replicas. The wisdom of the Fathers is being questioned. She opens her mouth and closes it and opens and closes it and finally takes such a deep breath that every boy in the room (we're all on the cusp of puberty) gets a hard-on from watching her breasts heave up and slide down again. I mean, they're all praying (except me, I'm an atheist, of course) that they won't get called on to stand up; if it wouldn't attract attention, they'd be clubbing their dicks down with their geography books. 'That's the wonderful thing about this country,' she finally gets out, 'even people with opinions like that can say what they want without going to jail.' \r\n\r\n'You must be nuts,' I say. 'My dad's been in and out of jail so many times they should put in a special revolving door just for him: My mom, too. You oughta go out with subversive leaflets in this town and see what happens.' Then, of course, after school, a gang of patriots, with the odds around seven-to-one, beat the shit out of me and make me kiss their red-white-and-blue totem. It's no better at home. Mom's an anarcho-pacifist, Tolstoy and all that, and she wants me to say I didn't fight back. Dad's a Wobbly and wants to be sure that I hurt some of them at least as bad as they hurt me. After they yell at me for a half hour, they yell at each other for two. Bakunin said this and Kropotkin said that and Gandhi said the other and Martin Luther King is the savior of America and Martin Luther King is a bloody fool selling his people an opium Utopia and all that jive. Go down to Wobbly Hall or Solidarity Bookstore and you'll still hear the same debate, doubled, redoubled, in spades, and vulnerable. So naturally I start hanging out on Wall Street and smoking dope and pretty soon I'm the youngest living member of what they called the Beat Generation. Which does not improve my relations with school authorities, but at least it's a relief from all that patriotism and anarchism. By the time I'm seventeen and they shot Kennedy and the country starts coming apart at the seams, we're not beatniks anymore, we're hippies, and the thing to do is go to Mississippi. Did you ever go to Mississippi? You know what Dr. Johnson said about Scotland-'The best thing you can say for it is that God created it for some purpose, but the same is true of Hell.' Blot Mississippi; it's not part of this story anyway. The next stop was Antioch in dear old Yellow Springs where I majored in mathematics for reasons you will soon guess. The pot there grows wild in acres and acres of beautiful nature preserve kept up by the college. You can go out there at night, pick your own grass for the week from the female of the hemp species and sleep under the stars with a female of your own species, then wake up in the morning with birds and rabbits and the whole lost Thomas Wolfe America scene, a stone, a leaf, and unfound door and all of it, then make it to class really feeling good and ready for an education. Once I woke up with a spider running across my face, and I thought, 'So a spider is running across my face,' and brushed him off gently, 'it's his world, too.' In the city, I would have killed him. What I mean is Antioch is a stone groove but that life is no preparation for coming back to Chicago and Chemical Warfare. Not that I ever got maced before '68, but I could read the signs; don't let anybody tell you it's pollution, brothers and sisters. It's Chemical Warfare. They'll kill us all to make a buck. I got stoned one night and went home to see what it would be like relating to Mom and Dad in that condition. It was the same but different. Tolstoy coming out of her mouth, Bakunin out of his. And it was suddenly all weird and super-freaky, like Goddard shooting a Kafka scene: two dead Russians debating with each other, long after they were dead and buried, out of the mouths of a pair of Chicago Irish radicals. The young frontal-lobe-type anarchists in the city were in their first surrealist revival just then and I had been reading some of their stuff and it clicked. 'You're both wrong,' I said. 'Freedom won't come through Love, and it won't come through Force. It will come through the Imagination.' I put in all the capital letters and I was so stoned that they got contact-high and heard them, too. Their mouths dropped open and I felt like William Blake telling Tom Paine where it was really at. A Knight of Magic waving my wand and dispersing the shadows of Maya. Dad was the first to recover. 'Imagination,' he said, his big red face crinkling in that grin that always drove the cops crazy when they were arresting him. 'That's what comes of sending good working-class boys to rich people's colleges. Words and books get all mixed up with reality in their heads. When you were in that jail in Mississippi you imagined yourself through the walls, didn't you? How many times an hour did you imagine yourself through the walls? I can guess. The first time I was arrested, during the GE strike of thirty-three, I walked through those walls a million times. But every time I opened my eyes, the walls and the bars were still there. What got me out finally? What got you out of Biloxi finally? Organization. If you want big words to talk to intellectuals with, that's a fine big word, son, just as many syllables as imagination, and it has a lot more realism in it.' That's what I remember best about him, that one speech, and the strange clear blue of his eyes. He died that year, and I found out that there was more to the Imagination than I had known, for he didn't die at all. He's still around, in the back of my skull somewhere, arguing with me, and that's the truth. It's also the truth that he's dead, really dead, and part of me was buried with him. It's uncool to love your father these days, so I didn't even know that I loved him until they closed the coffin and I heard myself sobbing, and it comes back again, that same emptiness, whenever I hear 'Joe Hill': 'The copper bosses lulled you, Joe.' 'I never died,' said he. Both lines are true, and mourning never ends. They didn't shoot Dad the clean way, like Joe Hill, but they ground him down, year after year, burning out his Wob fires (and he was Aries, a real fire sign) with their cops, their courts, their jails, and their taxes, their corporations, their cages for the spirit and cemeteries for the soul, their plastic liberalism and murderous Marxism, and even as I say that I have to pay a debt to Lenin for he gave me the words to express how I felt when Dad was gone. 'Revolutionaries,' he said, 'are dead men on furlough.' \r\n\r\nThe Democratic Convention of '68 was coming and I knew that my own furlough might be much shorter than Dad's because I was ready to fight them in the streets. All spring Mom was busy at the Women for Peace center and I was busy conspiring with surrealists and Yippies. Then I met Mao Tsu-hsi. It was April 30, Walpurgasnacht (pause for thunder on the soundtrack), and I was rapping with some of the crowd at the Friendly Stranger. H.P. Lovecraft (the rock group, not the writer) was conducting services in the back room, pounding away at the door to Acid Land in the gallant effort, new and striking that year, to break in on waves of sound without any chemical skeleton key at all and I am in no position to evaluate their success objectively since I was, as is often the case with me, 99 and 44/100ths percent stoned out of my gourd before they began operations. I kept catching this uniquely pensive Oriental face at the next table, but my own gang, including the weird faggot-priest we nicknamed Padre Pederastia, had most of my attention. I was laying it on them heavy. It was my Donatien Alphonse Francois de Sade period. 'The head-trip anarchists are as constipated as the Marxists,' I was giving forth; you recognize the style by now. 'Who speaks for the thalamus, the glands, the cells of the organism? Who sees the organism? We cover it with clothes to hide its apehood. We won't have liberated ourselves from servitude until people throw all their clothes in the closet in spring and don't take them out again winter. We won't be human beings, the way apes are apes and dogs are dogs, until we fuck where and when we want to, like any other mammal. Fucking in the streets isn't just a tactic to blow minds; it's recapturing our own bodies. Anything less and we're still robots possessing the wisdom of the straight line but not the understanding of the organic curve.' And so on. And so forth. I think I found a few good arguments for rape and murder while I was at it. \r\n\r\n'The next step beyond anarchy,' somebody said cynically. 'Real chaos.' \r\n\r\n'Why not?' I demanded. 'Who works at a straight job here?' None of them did, of course; I deal dope myself. 'Will you work at a straight job for something that calls itself an anarchist syndicate? Will you run an engine lathe eight unfucking hours a day because the syndicate tells you the people need what the lathe produces? If you will, the people just becomes a new tyrant.' \r\n\r\n'To hell with machines,' Kevin McCool, the poet, said enthusiastically. 'Back to the caves!' He was as stoned as me. The Oriental face leaned over: she was wearing a strange headband with a golden apple inside a pentagon. Her black eyes somehow reminded me of my father's blue eyes. 'What you want is an organization of the imagination?' she asked politely. I flipped. It was too much, hearing those words just then. 'A man at the Vedanta Society told me that John Dillinger walked through the walls when he made his escape from Crown Point Jail,' Miss Mao went on in a level tone. 'Do you think that is possible?' You know how dark coffee houses are. The Friendly Stranger was murkier than most. I had to get out. Blake talked to the Archangel Gabriel every morning at breakfast, but I wasn't that heavy yet. 'Hey, where you going, Simon?' somebody called. Miss Mao didn't say anything, and I didn't look back at that polite and pensive face-it would have been much easier if she looked sinister and inscrutable. But when I hit Lincoln and started toward Fullerton, I heard steps behind me. I turned and Padre Pederastia touched my arm gently. 'I asked her to come and listen to you,' he said. 'She was to give a signal if she thought you were ready. The signal was more dramatic than I expected, it seems. A conversation out of your past that had some heavy emotional meaning to you?' \r\n\r\n'She's a medium?' I asked numbly. \r\n\r\n'You can name it that.' I looked at him in the light from the Biograph marquee and I remembered Mom's story about the people dipping their handkerchiefs in Dillinger's blood and I heard the old hymn start in my head ARE YOU WASHED are you washed ARE you WASHED in the BLOOD of the Lamb and I remembered how we all thought he hung out with us freaks in the hope of leading us back to the church holy Roman Catholic and apostolic as Dad called it when he was drunk and bitter. It was obvious that whatever the Padre was recruiting for had little to do with that particular theological trade union. 'What is this?' I asked. 'And who is that woman?' \r\n\r\n'She's the daughter of Fu Manchu,' he said. Suddenly, he threw his head back and laughed like a rooster crowing. Just as suddenly, he stopped and looked at me. Just looked at me. 'Somehow,' I said slowly, 'I've qualified for a small demonstration of whatever you and she are selling. But I don't qualify for any more until I make the right move?' He gave the faintest hint of a nod and went on watching me. Well, I was young and ignorant of everything outside ten million books I'd gobbled and guilty-unsure about my imaginative flights away from my father's realism and of course stoned of course but I finally understood why he was watching me that way, it was (this part of it) pure Zen, there was nothing I could do consciously or by volition that would satisfy him and I had to do exactly that which I could not not do, namely be Simon Moon. Which led to deciding then and there without any time to mull it over and rationalize it just what the hell being Simon Moon or, more precisely SimonMooning, consisted of, and it seemed to be a matter of wandering through room after room of my brain looking for the owner and not finding him anywhere, sweat broke out on my forehead, it was becoming desperate because I was running out of rooms and the Padre was still watching me. 'Nobody home,' I said finally, sure that the answer wasn't good enough. \r\n\r\n'That's odd,' he said. 'Who's conducting the search?' And I walked through the walls and into the Fire. Which was the beginning of the larger and funkier part of my (Simon's) education, and where we cannot, as yet, follow him. He sleeps now, a teacher rather than a learner, while Mary Lou Servix awakes beside him and tries to decide whether it was just the pot or if something really spooky happened last night.


The usual pacifist complaint about war, that young men are led to death by old men who sit at home manning bureaucrat's desks and taking no risks themselves, misses the point entirely. Demands that the old should be drafted to fight their own wars, or that the leaders of the warring nations should be sent to the front lines on the first day of battle, etc., are aimed at an assumed 'sense of justice' that simply does not exist. To the typical submissive citizen of authoritarian society, it is normal, obvious, and 'natural' that he should obey older and more dominant males, even at the risk of his life, even against his own kindred, and even in causes that are unjust or absurd. 'The Charge of the Light Brigade'— the story of a group of young males led to their death in a palpably idiotic situation and only because they obeyed a senseless order without stopping to think—has been, and remains, a popular poem, because unthinking obedience by young males to older males is the most highly prized of all conditioned reflexes within human, and hominid, societies. The mechanism by which authority and submission are implanted in the human mind is coding of perception. That which fits into the code is accepted; all else is Damned. It is Damned to being ignored, brushed aside, unnoticed, and— if these fail— it is Damned to being forgotten.


There's no Granddaddy in the clouds to pass a last judgment— there's only a few airplanes up there, learning more and more about how to carry bombs. They court-martialed General Mitchell for saying it, but it's the truth. The next time around they'll really bomb the hell out of civilian populations. And the universe won't know or care about that either. Don't tell me that my flight from Death leads back to Death; I'm not a child, and I know that all paths lead back to Death eventually. The only question is: Do you cower before him all your life or do you spit in his eye?'\n\n 'You can transcend abject fear and rebellious hatred both. You can see that he is only part of the Great Wheel and, like all other parts, necessary to the whole. Then you can accept him.'\n\n 'Next you'll be telling me to love him.'\n\n 'That too.'\n\n 'Yes, and I can learn to see the great and glorious Whole Picture. I can see all the men defecating and urinating in their trousers before they died at Chateau-Thierry, watching their own guts fall out into their laps and screaming out of a hole that isn't even a mouth any more, as manifestations of that sublime harmony and balance which is ineffable and holy and beyond all speech and reason. Sure. I can see that, if I knock half of my brain out of commission and hypnotize myself into thinking that the view from that weird perspective is deeper and wider and more truly true than the view from an unclouded mind. Go to the quadruple-amputee ward and try to tell them that. You speak of death as a personified being. Very well: Then I must regard him as any other entity that gets in my way. Love is a myth invented by poets and other people who couldn't face the world and crept off into corners to create fantasies to console themselves. The fact is that when you meet another entity, either it makes way for you or you make way for it. Either it dominates and you submit, or you dominate and it submits. Take me into any club in Boston and I'll tell you which millionaire has the most millions, by the way the others treat him. Take me into any workingman's bar and I'll tell you who has the best punch in a fistfight, by the way the others treat him. Take me into any house and I'll tell you in a minute whether the husband or the wife is dominant. Love? Equality? Reconciliation? Acceptance? Those are the excuses of the losers, to persuade themselves that they choose their condition and weren't beaten down into it. Find a dutiful wife, who truly loves her husband. I'll have her in my bed in three days, maximum. Because I'm so damned attractive? No, because I understand men and women. I'll make her understand, without saying it aloud and shocking her, that the adultery will, way or another, hurt her husband, whether he knows about it or not. Show me the most servile colored waiter in the best restaurant in town, and after he's through explaining Christianity and humility and all the rest of it, count how many times a day he steps into the kitchen to spit in his handerchief. The other employess will tell you he has a 'chest condition.' The condition he has is chronic rage. The mother and the child? An endless power struggle. Listen to the infant's cry change in pitch when Mother doesn't come at once. Is that fear you hear? It's rage— insane fury at not having total dominance. As for the mother herself, I'd wager that ninety percent of the married women in the psychiatrists' care are there because they can't admit to themselves, can't escape the lie of love long enough to admit to themselves, how often they want to strangle that monster in the nursery. Love of country? Another lie; the truth is fear of cops and prisons. Love of art? Another lie; the truth is fear of the naked truth without ornaments and false faces on it. Love of truth itself? The biggest lie of all: fear of the unknown. People learn acceptance of all this and achieve wisdom? They surrender to superior force and call their cowardice maturity. It still comes down to one question: Are you kneeling at the altar, or are you on the altar watching the others kneel to you?


Author: Samael Aun Weor
Publisher: Glorian Publishing (2008)

Finally, the sage Theodorus Fechner wrote a book entitled Nanna Oder Uher Das Lenleben der Pflansen, within which he sufficiently proves that plants have souls.


Author: Ernest Becker
Publisher: Free Press (1975)

We can conclude that a project as grand as the scientific-mythical construction of victory over human limitation is not something that can be programmed by science. Even more, it comes from the vital energies of masses of men sweating within the nightmare of creation—and it is not even in man’s hands to program. Who knows what form the forward momentum of life will take in the time ahead or what use it will make of our anguished searching. The most that any one of us can seem to do is to fashion something—an object or ourselves—and drop it into the confusion, make an offering of it, so to speak, to the life force.


I think that taking life seriously means something such as this: that whatever man does on this planet has to be done in the lived truth of the terror of creation, of the grotesque, of the rumble of panic underneath everything. Otherwise it is false. Whatever is achieved must be achieved from within the subjective energies of creatures, without deadening, with the full exercise of passion, of vision, of pain, of fear, and of sorrow. How do we know—with Rilke—that our part of the meaning of the universe might not be a rhythm in sorrow? Manipulative, utopian science, by deadening human sensitivity, would also deprive men of the heroic in their urge to victory. And we know that in some very important way this falsifies our struggle by emptying us, by preventing us from incorporating the maximum of experience.


As a being, as an extension of all of Being, man has an organismic impulsion: to take into his own organization the maximum amount of the problematic of life. His daily life, then, becomes truly a duty of cosmic proportions, and his courage to face the anxiety of meaninglessness becomes a true cosmic heroism. No longer does one do as God wills, set over against some imaginary figure in heaven. Rather, in one’s own person he tries to achieve what the creative powers of emergent Being have themselves so far achieved with lower forms of life: the overcoming of that which would negate life. The problem of meaninglessness is the form in which nonbeing poses itself in our time; then, says Tillich, the task of conscious beings at the height of their evolutionary destiny is to meet and vanquish this new emergent obstacle to sentient life. In this kind of ontology of immanence of the New Being, what we are describing is not a creature who is transformed and who transforms the world in turn in some miraculous ways, but rather a creature who takes more of the world into himself and develops new forms of courage and endurance. It is not very different from the Athenian ideal as expressed in Oedipus or from what it meant to Kant to be a man. At least, this is the ideal for a new kind of man; it shows why Tillich’s myth of being “truly centered” on one’s own energies is a radical one. It points to all the evasions of centeredness in man: always being part of something or someone else, sheltering oneself in alien powers. Transference, even after we admit its necessary and ideal dimensions, reflects some universal betrayal of man’s own powers, which is why he is always submerged by the large structures of society. He contributes to the very things that enslave him. The critique of guru therapies also comes to rest here: you can’t talk about an ideal of freedom in the same breath that you willingly give it up.


I think the whole question of what is possible for the inner life of man was nicely summed up by Suzanne Langer in the phrase “the myth of the inner life.”37 She used this term in reference to the experience of music, but it seems to apply to the whole metaphysic of the unconscious, of the emergence of new energies from the heart of nature. But let us quickly add that this use of the term “myth” is not meant to be disparaging or to reflect simple “illusion.” As Langer explained, some myths are vegetative, they generate real conceptual power, real apprehension of a dim truth, some kind of global adumbration of what we miss by sharp, analytic reason. Most of all, as William James and Tillich have argued, beliefs about reality affect people’s real actions: they help introduce the new into the world. Especially is this true for beliefs about man, about human nature, and about what man may yet become. If something influences our efforts to change the world, then to some extent it must change that world.


Psychotherapy can allow people to affirm themselves, to smash idols that constrict the self-esteem, to lift the load of neurotic guilt—the extra guilt piled on top of natural existential guilt. It can clear away neurotic despair—the despair that comes from a too-constricted focus for one’s safety and satisfactions. When a person becomes less fragmented, less blocked and bottled up, he does experience real joy: the joy of finding more of himself, of the release from armor and binding reflexes, of throwing off the chains of uncritical and self-defeating dependency, of controlling his own energies, of discovering aspects of the world, intense experience in the present moment that is now freer of prefixed perceptions, new possibilities of choice and action, and so on. Yes, psychotherapy can do all these things, but there are many things it cannot do, and they have not been aired widely enough. Often psychotherapy seems to promise the moon: a more constant joy, delight, celebration of life, perfect love, and perfect freedom. It seems to promise that these things are easy to come by, once self-knowledge is achieved, that they are things that should and could characterize one’s whole waking awareness. As one patient said, who had just undergone a course in “primal scream” therapy: “I feel so fantastic and wonderful, but this is only a beginning—wait till you see me in five years, it’ll be tremendous!” We can only hope that she won’t be too unhappy. Not everyone is as honest as Freud was when he said that he cured the miseries of the neurotic only to open him up to the normal misery of life. Only angels know unrelieved joy—or are able to stand it. Yet we see the books by the mind-healers with their garish titles: “Joy!” “Awakening,” and the like; we see them in person in lecture halls or in groups, beaming their peculiar brand of inward, confident well-being, so that it communicates its unmistakable message: we can do this for you, too, if you will only let us. I have never seen or heard them communicate the dangers of the total liberation that they claim to offer; say, to put up a small sign next to the one advertising joy, carrying some inscription like “Danger: real probability of the awakening of terror and dread, from which there is no turning back.” It would be honest and would also relieve them of some of the guilt of the occasional suicide that takes place in therapy. But it would also be most difficult to take the straightforward prescription for paradise on earth and make it ambiguous; one cannot be a functioning prophet with a message that he half takes back, especially if he needs paying customers and devoted admirers. The psychotherapists are caught up in contemporary culture and are forced to be a part of it. Commercial industrialism promised Western man a paradise on earth, described in great detail by the Hollywood Myth, that replaced the paradise in heaven of the Christian myth. And now psychology must replace them both with the myth of paradise through self-knowledge. This is the promise of psychology, and for the most part the psychotherapists are obliged to live it and embody it. But it was Rank who saw how false this claim is. “Psychology as self-knowledge is self-deception,” he said, because it does not give what men want, which is immortality. Nothing could be plainer. When the patient emerges from his protective cocoon he gives up the reflexive immortality ideology that he has lived under—both in its personal-parental form (living in the protective powers of the parents or their surrogates) and in its cultural causa-sui form (living by the opinions of others and in the symbolic role-dramatization of the society). What new immortality ideology can the self-knowledge of psychotherapy provide to replace this? Obviously, none from psychology—unless, said Rank, psychology itself becomes the new belief system.


No organismic life can be straightforwardly self-expansive in all directions; each one must draw back into himself in some areas, pay some penalty of a severe kind for his natural fears and limitations. It is all right to say, with Adler, that mental illness is due to “problems in living,”—but we must remember that life itself is the insurmountable problem.


Once you accept the truly desperate situation that man is in, you come to see not only that neurosis is normal, but that even psychotic failure represents only a little additional push in the routine stumbling along life’s way. If repression makes an untenable life liveable, self-knowledge can entirely destroy it for some people. Rank was very sensitive to this problem and talked about it intimately. I would like to quote him at length here in an unusually mature and sober psychoanalytic reflection that sums up the best of Freud’s own stoical world-picture: A woman comes for consultation; what’s the matter with her? She suffers from some kind of intestinal symptoms, painful attacks of some kind of intestinal trouble. She had been sick for eight years, and has tried every kind of physical treatment… . She came to the conclusion it must be some emotional trouble. She is unmarried, she is thirty-five. She appears to me (and admits it herself) as being fairly well adjusted. She lives with a sister who is married; they get along well. She enjoys life, goes to the country in the summer. She has a little stomach trouble; why not keep it, I tell her, because if we are able to take away those attacks that come once in a fortnight or so, we do not know what problem we shall discover beneath it. Probably this defense mechanism is her adjustment, probably that is the price she has to pay. She never married, she never loved, and so never fulfilled her role. One cannot ever have everything, probably she has to pay. After all, what difference does it make if she occasionally gets these attacks of indigestion? I get it occasionally, you do too, probably, and not for physical reasons, as you may know. One gets headaches. In other words, it is not so much a question as to whether we are able to cure a patient, whether we can or not, but whether we should or not.28


We saw that there really was no way to overcome the real dilemma of existence, the one of the mortal animal who at the same time is conscious of his mortality. A person spends years coming into his own, developing his talent, his unique gifts, perfecting his discriminations about the world, broadening and sharpening his appetite, learning to bear the disappointments of life, becoming mature, seasoned—finally a unique creature in nature, standing with some dignity and nobility and transcending the animal condition; no longer driven, no longer a complete reflex, not stamped out of any mold. And then the real tragedy, as André Malraux wrote in The Human Condition: that it takes sixty years of incredible suffering and effort to make such an individual, and then he is good only for dying. This painful paradox is not lost on the person himself—least of all himself. He feels agonizingly unique, and yet he knows that this doesn’t make any difference as far as ultimates are concerned.


Rieff’s point is the classical one: that in order to have a truly human existence there must be limits; and what we call culture or the superego sets such limits. Culture is a compromise with life that makes human life possible. He quotes Marx’s defiant revolutionary phrase: “I am nothing and should be everything.” For Rieff this is the undiluted infantile unconscious speaking. Or, as I would prefer to say with Rank, the neurotic consciousness—the “all or nothing” of the person who cannot “partialize” his world. One bursts out in boundless megalomania, transcending all limits, or bogs down into wormhood like a truly worthless sinner. There is no secure ego balance to limit the intake of reality or to fashion the output of one’s own powers.


...in the game of life and death no one stands taller than any other, unless it be a true saint, and only to conclude that sainthood itself is a matter of grace and not of human effort. My point is that for man not everything is possible. What is there to choose between religious creatureliness and scientific creatureliness? The most one can achieve is a certain relaxedness, an openness to experience that makes him less of a driven burden on others.


Kierkegaard had his own formula for what it means to be a man. He put it forth in those superb pages wherein he describes what he calls “the knight of faith.”4 This figure is the man who lives in faith, who has given over the meaning of life to his Creator, and who lives centered on the energies of his Maker. He accepts whatever happens in this visible dimension without complaint, lives his life as a duty, faces his death without a qualm. No pettiness is so petty that it threatens his meanings; no task is too frightening to be beyond his courage. He is fully in the world on its terms and wholly beyond the world in his trust in the invisible dimension. It is very much the old Pietistic ideal that was lived by Kant’s parents. The great strength of such an ideal is that it allows one to be open, generous, courageous, to touch others’ lives and enrich them and open them in turn. As the knight of faith has no fear-of-life-and-death trip to lay onto others, he does not cause them to shrink back upon themselves, he does not coerce or manipulate them. The knight of faith, then, represents what we might call an ideal of mental health, the continuing openness of life out of the death throes of dread.


When we are young we are often puzzled by the fact that each person we admire seems to have a different version of what life ought to be, what a good man is, how to live, and so on. If we are especially sensitive it seems more than puzzling, it is disheartening. What most people usually do is to follow one person’s ideas and then another’s, depending on who looms largest on one’s horizon at the time. The one with the deepest voice, the strongest appearance, the most authority and success, is usually the one who gets our momentary allegiance; and we try to pattern our ideals after him. But as life goes on we get a perspective on this, and all these different versions of truth become a little pathetic. Each person thinks that he has the formula for triumphing over life’s limitations and knows with authority what it means to be a man, and he usually tries to win a following for his particular patent. Today we know that people try so hard to win converts for their point of view because it is more than merely an outlook on life: it is an immortality formula. Not everyone, of course, has the authority of Kant speaking the words we have used in our epigraph to this chapter, but in matters of immortality everyone has the same self-righteous conviction.


Do we wonder, for example, that rape is on the increase in today’s confused world? People feel more and more powerless. How can they express their energies, get things more in balance between overwhelming input and feeble output? Rape gives a feeling of personal power in the ability to cause pain, to totally manipulate and dominate another creature. The autocratic ruler, as Canetti so well observes, gets the ultimate in the experience of domination and control by turning all persons into animals and treating them as chattels. The rapist gets the same kind of satisfaction in what seems a perfectly natural way; there are very few situations in life in which people can get a sense of the perfect appropriateness of their energies: the quickened vitality that comes when we prove that our animal bodies have the requisite power to secure their dominion in this world—or at least a living segment of it.‡


The secret, in other words, is man’s illusion par excellence, the denial of the bodily reality of his destiny. No wonder man has always been in search of fountains of youth, holy grails, buried treasures—some kind of omnipotent power that would instantly reverse his fate and change the natural order of things. Greenacre recalls, too, with brilliant appositeness, that Hermann Goering hid capsules of poison in his anus, using them to take his own life in a final gesture of defiant power. This is the reversal of things with a vengeance: using the locus of animal fallibility as the source of transcendence, the container for the secret amulet that will cheat destiny. And yet this, after all, is the quintessential meaning of anality: it is the protest of all of man’s cultural contrivances as anal magic to prove that of all animals he alone leads a charmed life because of the splendor of what he can imagine and fashion, what he can symbolically spin out of his anus.


The problem of self-perpetuation thus presents itself in two distinct forms. One, the body, is standardized and given; the other, the self, is personalized and achieved. How is man going to succeed himself, how is he going to leave behind a replica of himself or a part of himself to live on? Is he going to leave behind a replica of his body or of his spirit? If he procreates bodily he satisfies the problem of succession, but in a more or less standardized species form. Although he perpetuates himself in his offspring, who may resemble him and may carry some of his “blood” and the mystical quality of his family ancestors, he may not feel that he is truly perpetuating his own inner self, his distinctive personality, his spirit, as it were. He wants to achieve something more than a mere animal succession. The distinctive human problem from time immemorial has been the need to spiritualize human life, to lift it onto a special immortal plane, beyond the cycles of life and death that characterize all other organisms. This is one of the reasons that sexuality has from the beginning been under taboos; it had to be lifted from the plane of physical fertilization to a spiritual one.



  • We might interject here that from this point of view, one of the crucial projects of a person’s life, of true maturity, is to resign oneself to the process of aging. It is important for the person gradually to assimilate his true age, to stop protesting his youth, pretending that there is no end to his life. Eliot Jacques, in his truly superb little essay “Death and the Mid-Life Crisis,” in H. M. Ruitenbeek, ed., Death: Interpretations (New York: Delta Books, 1969), Chapter 13, beautifully develops the idea of the need for “self-mourning,” the mourning of one’s own eventual death, and thus the working of it out of one’s unconscious where it blocks one’s emotional maturity. One must, so to speak, work himself out of his own system.


The fact is that the woman’s experience of a repetition of castration at menopause is a real one—not in the narrow focus that Freud used, but rather in the broader sense of Rank, the existentialists, and Brown. As Boss so well said, “castration fear” is only an inroad or an aperture whereby the anxiety inherent in all existence may break into one’s world.10 It will be easy for us to understand at this point that menopause simply reawakens the horror of the body, the utter bankruptcy of the body as a viable causa-sui project—the exact experience that brings on the early Oedipal castration anxiety. The woman is reminded in the most forceful way that she is an animal thing; menopause is a sort of “animal birthday” that specifically marks the physical career of degeneration. It is like nature imposing a definite physical milestone on the person, putting up a wall and saying “You are not going any further into life now, you are going toward the end, to the absolute determinism of death.” As men don’t have such animal birthdays, such specific markers of a physical kind, they don’t usually experience another stark discrediting of the body as a causa-sui project. Once has been enough, and they bury the problem with the symbolic powers of the cultural world-view. But the woman is less fortunate; she is put in the position of having all at once to catch up psychologically with the physical facts of life. To paraphrase Goethe’s aphorism, death doesn’t keep knocking on her door only to be ignored (as men ignore their aging), but kicks it in to show himself full in the face.*


The depressed person uses guilt to hold onto his objects and to keep his situation unchanged. Otherwise he would have to analyze it or be able to move out of it and transcend it. Better guilt than the terrible burden of freedom and responsibility, especially when the choice comes too late in life for one to be able to start over again. Better guilt and self-punishment when you cannot punish the other—when you cannot even dare to accuse him, as he represents the immortality ideology with which you have identified. If your god is discredited, you yourself die; the evil must be in yourself and not in your god, so that you may live. With guilt you lose some of your life but avoid the greater evil of death.7 The depressed person exaggerates his guilt because it unblocks his dilemma in the safest and easiest way.8 He also, as Adler pointed out, gets the people around him to respond to him, to pity him, and to value him and take care of him. He controls them and heightens his own personality by his very self-pity and self-hatred.9 All these things, then, make obsessive guilt prominent in the depression syndrome.


Boss says that the terrible guilt feelings of the depressed person are existential, that is, they represent the failure to live one’s own life, to fulfill one’s own potential because of the twisting and turning to be “good” in the eyes of the other. The other calls the tune to one’s eligibility for immortality, and so the other takes up one’s unlived life. Relationship is thus always slavery of a kind, which leaves a residue of guilt.


We said at the end of Chapter Six that Freud couldn’t take the step from scientific to religious creatureliness. As Jung understood only too well, that would have meant Freud’s abandoning of his own peculiar passion as a genius. Jung must have understood it from within his own experience: he himself could never bring himself to visit Rome because—as he admitted—Rome raised questions “which were beyond my powers to handle. In my old age—in 1949—I wished to repair this omission, but was stricken with a faint while I was buying tickets. After that, the plans for a trip to Rome were once and for all laid aside.”58 What are we to make of all these giants fainting at the prospect of what to us seems simple tourism? Freud, too, had not been able to visit Rome until later in life and turned back each time he approached the city.


If there are no ready-made traditional world-views into which to fit oneself with dependency and trust, religion becomes a very personal matter—so personal that faith itself seems neurotic, like a private fantasy and a decision taken out of weakness. The one thing modern man cannot do is what Kierkegaard prescribed: the lonely leap into faith, the naïve personal trust in some kind of transcendental support for one’s life. This support is now independent of living external rituals and customs: the church and the community do not exist, or do not carry much conviction. This situation is what helps make faith fantastic. In order for something to seem true to man, it has to be visibly supported in some way—lived, external, compelling. Men need pageants, crowds, panoplies, special days marked off on calendars—an objective focus for obsession, something to give form and body to internal fantasy, something external to yield oneself to. Otherwise the neurotic is brought back to the point of his departure: how is he to believe in his lonely, inner sense of specialness? §


Beyond a given point man is not helped by more “knowing,” but only by living and doing in a partly self-forgetful way. As Goethe put it, we must plunge into experience and then reflect on the meaning of it. All reflection and no plunging drives us mad; all plunging and no reflection, and we are brutes. Goethe wrote maxims like these precisely at the time when the individual lost the protective cover of traditional society and daily life became a problem for him. He no longer knew what were the proper doses of experience. This safe dosage of life is exactly what is prescribed by traditional custom, wherein all the important decisions of life and even its daily events are ritually marked out. Neurosis is the contriving of private obsessional ritual to replace the socially-agreed one now lost by the demise of traditional society. The customs and myths of traditional society provided a whole interpretation of the meaning of life, ready-made for the individual; all he had to do was to accept living it as true.


Beyond a given point man is not helped by more “knowing,” but only by living and doing in a partly self-forgetful way. As Goethe put it, we must plunge into experience and then reflect on the meaning of it. All reflection and no plunging drives us mad; all plunging and no reflection, and we are brutes. Goethe wrote maxims like these precisely at the time when the individual lost the protective cover of traditional society and daily life became a problem for him. He no longer knew what were the proper doses of experience. This safe dosage of life is exactly what is prescribed by traditional custom, wherein all the important decisions of life and even its daily events are ritually marked out. Neurosis is the contriving of private obsessional ritual to replace the socially-agreed one now lost by the demise of traditional society. The customs and myths of traditional society provided a whole interpretation of the meaning of life, ready-made for the individual; all he had to do was to accept living it as true.


This is Rank’s devastating Kierkegaardian conclusion: if neurosis is sin, and not disease, then the only thing which can “cure” it is a world-view, some kind of affirmative collective ideology in which the person can perform the living drama of his acceptance as a creature. Only in this way can the neurotic come out of his isolation to become part of such a larger and higher wholeness as religion has always represented. In anthropology we called these the myth-ritual complexes of traditional society. Does the neurotic lack something outside him to absorb his need for perfection? Does he eat himself up with obsessions? The myth-ritual complex is a social form for the channelling of obsessions. We might say that it places creative obsession within the reach of everyman, which is precisely the function of ritual. This function is what Freud saw when he talked about the obsessive quality of primitive religion and compared it to neurotic obsession. But he didn’t see how natural this was, how all social life is the obsessive ritualization of control in one way or another. It automatically engineers safety and banishes despair by keeping people focussed on the noses in front of their faces.


Psychology narrows the cause for personal unhappiness down to the person himself, and then he is stuck with himself. But we know that the universal and general cause for personal badness, guilt, and inferiority is the natural world and the person’s relationship to it as a symbolic animal who must find a secure place in it. All the analysis in the world doesn’t allow the person to find out who he is and why he is here on earth, why he has to die, and how he can make his life a triumph. It is when psychology pretends to do this, when it offers itself as a full explanation of human unhappiness, that it becomes a fraud that makes the situation of modern man in impasse from which he cannot escape. Or, put another way, psychology has limited its understanding of human unhappiness to the personal life-history of the individual and has not understood how much individual unhappiness is itself a historical problem in the larger sense, a problem of the eclipse of secure communal ideologies of redemption.


If history is a succession of immortality ideologies, then the problems of men can be read directly against those ideologies—how embracing they are, how convincing, how easy they make it for men to be confident and secure in their personal heroism. What characterizes modern life is the failure of all traditional immortality ideologies to absorb and quicken man’s hunger for self-perpetuation and heroism. Neurosis is today a widespread problem because of the disappearance of convincing dramas of heroic apotheosis of man.27 The subject is summed up succinctly in Pinel’s famous observation on how the Salpêtrière mental hospital got cleared out at the time of the French Revolution. All the neurotics found a ready-made drama of self-transcending action and heroic identity. It was as simple as that.


If history is a succession of immortality ideologies, then the problems of men can be read directly against those ideologies—how embracing they are, how convincing, how easy they make it for men to be confident and secure in their personal heroism. What characterizes modern life is the failure of all traditional immortality ideologies to absorb and quicken man’s hunger for self-perpetuation and heroism. Neurosis is today a widespread problem because of the disappearance of convincing dramas of heroic apotheosis of man.27


And so, the question for the science of mental health must become an absolutely new and revolutionary one, yet one that reflects the essence of the human condition: On what level of illusion does one live? We will see the import of this at the close of this chapter, but right now we must remind ourselves that when we talk about the need for illusion we are not being cynical. True, there is a great deal of falseness and self-deception in the cultural causa-sui project, but there is also the necessity of this project. Man needs a “second” world, a world of humanly created meaning, a new reality that he can live, dramatize, nourish himself in. “Illusion” means creative play at its highest level. Cultural illusion is a necessary ideology of self-justification, a heroic dimension that is life itself to the symbolic animal.


And so, the question for the science of mental health must become an absolutely new and revolutionary one, yet one that reflects the essence of the human condition: On what level of illusion does one live?25 We will see the import of this at the close of this chapter, but right now we must remind ourselves that when we talk about the need for illusion we are not being cynical. True, there is a great deal of falseness and self-deception in the cultural causa-sui project, but there is also the necessity of this project. Man needs a “second” world, a world of humanly created meaning, a new reality that he can live, dramatize, nourish himself in. “Illusion” means creative play at its highest level. Cultural illusion is a necessary ideology of self-justification, a heroic dimension that is life itself to the symbolic animal.


Some people are more sensitive to the lie of cultural life, to the illusions of the causa-sui project that others are so thoughtlessly and trustingly caught up in. The neurotic is having trouble with the balance of cultural illusion and natural reality; the possible horrible truth about himself and the world is seeping into his consciousness. The average man is at least secure that the cultural game is the truth, the unshakable, durable truth. He can earn his immortality in and under the dominant immortality ideology, period. It is all so simple and clear-cut. But now the neurotic: [He] perceives himself as unreal and reality as unbearable, because with him the mechanisms of illusion are known and destroyed by self consciousness. He can no longer deceive himself about himself and disillusions even his own ideal of personality. He perceives himself as bad, guilt laden, inferior, as a small, weak, helpless creature, which is the truth about mankind, as Oedipus also discovered in the crash of his heroic fate. All other is illusion, deception, but necessary deception in order to be able to bear one’s self and thereby life.20 In other words, the neurotic isolates himself from others, cannot engage freely in their partialization of the world, and so cannot live by their deceptions about the human condition. He lifts himself out of the “natural therapy” of everyday life, the active, self-forgetful engagement in it; and so the illusions that others share seem unreal to him.


it is very risky to try to be hard and fast about types of personality; there are all kinds of blends and combinations that defy precise compartmentalization. After all, one of the reasons we narrow down too much is that we must sense on some level of awareness that life is too big and threatening a problem. And if we say that the average man narrows down “just about right,” we have to ask who this average man is. He may avoid the psychiatric clinic, but somebody around has to pay for it. We are reminded of those Roman portrait-busts that stuff our museums: to live in this tight-lipped style as an average good citizen must have created some daily hell. Of course we are not talking only about daily pettinesses and the small sadisms that are practised on family and friends. Even if the average man lives in a kind of obliviousness of anxiety, it is because he has erected a massive wall of repressions to hide the problem of life and death. His anality may protect him, but all through history it is the “normal, average men” who, like locusts, have laid waste to the world in order to forget themselves.


the more totally one takes in the world as a problem, the more inferior or “bad” one is going to feel inside oneself. He can try to work out this “badness” by striving for perfection, and then the neurotic symptom becomes his “creative” work; or he can try to make himself perfect by means of his partner. But it is obvious to us that the only way to work on perfection is in the form of an objective work that is fully under your control and is perfectible in some real ways. Either you eat up yourself and others around you, trying for perfection; or you objectify that imperfection in a work, on which you then unleash your creative powers. In this sense, some kind of objective creativity is the only answer man has to the problem of life. In this way he satisfies nature, which asks that he live and act objectively as a vital animal plunging into the world; but he also satisfies his own distinctive human nature because he plunges in on his own symbolic terms and not as a reflex of the world as given to mere physical sense experience. He takes in the world, makes a total problem out of it, and then gives out a fashioned, human answer to that problem. This, as Goethe saw in Faust, is the highest that man can achieve.


What is the “best” illusion under which to live? Or, what is the most legitimate foolishness? If you are going to talk about life-enhancing illusion, then you can truly try to answer the question of which is “best.” You will have to define “best” in terms that are directly meaningful to man, related to his basic condition and his needs. I think the whole question would be answered in terms of how much freedom, dignity, and hope a given illusion provides. These three things absorb the problem of natural neurosis and turn it to creative living.


We can see that neurosis is par excellence the danger of a symbolic animal whose body is a problem to him. Instead of living biologically, then, he lives symbolically. Instead of living in the partway that nature provided for he lives in the total way made possible by symbols. One substitutes the magical, all-inclusive world of the self for the real, fragmentary world of experience. Again, in this sense, everyone is neurotic, as everyone holds back from life in some ways and lets his symbolic world-view arrange things: this is what cultural morality is for.16 In this sense, too, the artist is the most neurotic because he too takes the world as a totality and makes a largely symbolic problem out of it.


There are those who shrink back from experience out of greater life-and-death anxieties. They grow up not giving themselves freely to the cultural roles available to them. They can’t lose themselves thoughtlessly in the games that others play. One reason is that they have trouble relating to others; they haven’t been able to develop the necessary interpersonal skills. Playing the game of society with automatic ease means playing with others without anxiety. If you are not involved in what others take for granted as the nourishment of their lives, then your own life becomes a total problem.


the problem of neurosis can be laid out along the lines of the twin ontological motives: on the one hand, one merges with the world around him and becomes too much a part of it and so loses his own claim to life. On the other hand, one cuts oneself off from the world in order to make one’s own complete claim and so loses the ability to live and act in the world on its terms. As Rank put it, some individuals are unable to separate and others are unable to unite.


There is a type of person who has difficulty fetishizing and narrowing-down; he has a vivid imagination, takes in too much experience, too large a chunk of the world—and this too must be called neurotic.11 We introduced this type in the last chapter where we talked about the creative person. We saw that these people feel their isolation, their individuality. They stick out, are less built-into normal society, less securely programmed for automatic cultural action. To have difficulty partializing experience is to have difficulty living. Not to be able to fetishize makes one susceptible to the world as a total problem—with all the living hell that this exposure raises. We said that partializing the world is biting off what an animal can chew. Not to have this talent means constantly biting off more than one can chew. Rank puts it this way: The neurotic type … makes the reality surrounding him a part of his ego, which explains his painful relation to it. For all outside processes, however unmeaningful they may be in themselves, finally concern him … he is bound up in a kind of magic unity with the wholeness of life around him much more than the adjusted type who can be satisfied with the role of a part within the whole. The neurotic type has taken into himself potentially the whole of reality.12


Guilt results from unused life, from “the unlived in us.”6


When we say neurosis represents the truth of life we again mean that life is an overwhelming problem for an animal free of instinct. The individual has to protect himself against the world, and he can do this only as any other animal would: by narrowing down the world, shutting off experience, developing an obliviousness both to the terrors of the world and to his own anxieties. Otherwise he would be crippled for action. We cannot repeat too often the great lesson of Freudian psychology: that repression is normal self-protection and creative self-restriction—in a real sense, man’s natural substitute for instinct. Rank has a perfect, key term for this natural human talent: he calls it “partialization” and very rightly sees that life is impossible without it. What we call the well-adjusted man has just this capacity to partialize the world for comfortable action.2 I have used the term “fetishization,” which is exactly the same idea: the “normal” man bites off what he can chew and digest of life, and no more. In other words, men aren’t built to be gods, to take in the whole world; they are built like other creatures, to take in the piece of ground in front of their noses.


When we say neurosis represents the truth of life we again mean that life is an overwhelming problem for an animal free of instinct. The individual has to protect himself against the world, and he can do this only as any other animal would: by narrowing down the world, shutting off experience, developing an obliviousness both to the terrors of the world and to his own anxieties. Otherwise he would be crippled for action. We cannot repeat too often the great lesson of Freudian psychology: that repression is normal self-protection and creative self-restriction—in a real sense, man’s natural substitute for instinct. Rank has a perfect, key term for this natural human talent: he calls it “partialization” and very rightly sees that life is impossible without it.


Neurosis has three interdependent aspects. In the first place it refers to people who are having trouble living with the truth of existence; it is universal in this sense because everybody has some trouble living with the truth of life and pays some vital ransom to that truth. In the second place, neurosis is private because each person fashions his own peculiar stylistic reaction to life. Finally, beyond both of these is perhaps the unique gift of Rank’s work: that neurosis is also historical to a large extent, because all the traditional ideologies that disguised and absorbed it have fallen away and modern ideologies are just too thin to contain it.


Only in this way, says Rank, only by surrendering to the bigness of nature on the highest, least-fetishized level, can man conquer death. In other words, the true heroic validation of one’s life lies beyond sex, beyond the other, beyond the private religion—all these are makeshifts that pull man down or that hem him in, leaving him torn with ambiguity. Man feels inferior precisely when he lacks “true inner values in the personality,” when he is merely a reflex of something next to him and has no steadying inner gyroscope, no centering in himself. And in order to get such centering man has to look beyond the “thou,” beyond the consolations of others and of the things of this world.36


You can look at the whole problem of a human life in this way. You can ask the question: What kind of beyond does this person try to expand in; and how much individuation does he achieve in it? Most people play it safe: they choose the beyond of standard transference objects like parents, the boss, or the leader; they accept the cultural definition of heroism and try to be a “good provider” or a “solid” citizen. In this way they earn their species immortality as an agent of procreation, or a collective or cultural immortality as part of a social group of some kind. Most people live this way, and I am hardly implying that there is anything false or unheroic about the standard cultural solution to the problems of men. It represents both the truth and the tragedy of man’s condition: the problem of the consecration of one’s life, the meaning of it, the natural surrender to something larger—these driving needs that inevitably are resolved by what is nearest at hand.


The great lesson of Rank’s depreciation of sexuality was not that he played down physical love and sensuality, but that he saw—like Augustine and Kierkegaard—that man cannot fashion an absolute from within his condition, that cosmic heroism must transcend human relationships.26 What is at stake in all this is, of course, the question of freedom, the quality of one’s life and one’s individuality.


But now the rub for man. If sex is a fulfillment of his role as an animal in the species, it reminds him that he is nothing himself but a link in the chain of being, exchangeable with any other and completely expendable in himself. Sex represents, then, species consciousness and, as such, the defeat of individuality, of personality. But it is just this personality that man wants to develop: the idea of himself as a special cosmic hero with special gifts for the universe. He doesn’t want to be a mere fornicating animal like any other—this is not a truly human meaning, a truly distinctive contribution to world life. From the very beginning, then, the sexual act represents a double negation: by physical death and of distinctive personal gifts. This point is crucial because it explains why sexual taboos have been at the heart of human society since the very beginning. They affirm the triumph of human personality over animal sameness. With the complex codes for sexual self-denial, man was able to impose the cultural map for personal immortality over the animal body. He brought sexual taboos into being because he needed to triumph over the body, and he sacrificed the pleasures of the body to the highest pleasure of all: self-perpetuation as a spiritual being through all eternity. This is the substitution that Roheim was really describing when he made his penetrating observation on the Australian aborigines: “The repression and sublimation of the primal scene is at the bottom of totemistic ritual and religion,”11 that is, the denial of the body as the transmitter of peculiarly human life. This explains why people chafe at sex, why they resent being reduced to the body, why sex to some degree terrifies them: it represents two levels of the negation of oneself. Resistance to sex is a resistance to fatality.


Is one oppressed by the burden of his life? Then he can lay it at his divine partner’s feet. Is self-consciousness too painful, the sense of being a separate individual, trying to make some kind of meaning out of who one is, what life is, and the like? Then one can wipe it away in the emotional yielding to the partner, forget oneself in the delirium of sex, and still be marvellously quickened in the experience. Is one weighed down by the guilt of his body, the drag of his animality that haunts his victory over decay and death? But this is just what the comfortable sex relationship is for: in sex the body and the consciousness of it are no longer separated; the body is no longer something we look at as alien to ourselves. As soon as it is fully accepted as a body by the partner, our self-consciousness vanishes; it merges with the body and with the self-consciousness and body of the partner. Four fragments of existence melt into one unity and things are no longer disjointed and grotesque: everything is “natural,” functional, expressed as it should be—and so it is stilled and justified. All the more is guilt wiped away when the body finds its natural usage in the production of a child. Nature herself then proclaims one’s innocence,


People create the reality they need in order to discover themselves. The implications of these remarks are perhaps not immediately evident, but they are immense for a theory of the transference. If transference represents the natural heroic striving for a “beyond” that gives self-validation and if people need this validation in order to live, then the psychoanalytic view of transference as simply unreal projection is destroyed.66 Projection is necessary and desirable for self-fulfillment. Otherwise man is overwhelmed by his loneliness and separation and negated by the very burden of his own life. As Rank so wisely saw, projection is a necessary unburdening of the individual; man cannot live closed upon himself and for himself. He must project the meaning of his life outward, the reason for it, even the blame for it.


Rank understood that the idea of God has never been a simple reflex of superstitious and selfish fear, as cynics and “realists” have claimed. Instead it is an outgrowth of genuine life-longing, a reaching-out for a plenitude of meaning—as James taught us.57 It seems that the yielding element in heroic belongingness is inherent in the life force itself, one of the truly sublime mysteries of created life. It seems that the life force reaches naturally even beyond the earth itself, which is one reason why man has always placed God in the heavens.


In some complex ways the child has to fight against the power of the parents in their awesome miraculousness. They are just as overwhelming as the background of nature from which they emerge. The child learns to naturalize them by techniques of accommodation and manipulation. At the same time, however, he has to focus on them the whole problem of terror and power, making them the center of it in order to cut down and naturalize the world around them. Now we see why the transference object poses so many problems. The child does partly control his larger fate by it, but it becomes his new fate. He binds himself to one person to automatically control terror, to mediate wonder, and to defeat death by that person’s strength. But then he experiences “transference terror”; the terror of losing the object, of displeasing it, of not being able to live without it. The terror of his own finitude and impotence still haunts him, but now in the precise form of the transference object. How implacably ironic is human life. The transference object always looms larger than life size because it represents all of life and hence all of one’s fate. The transference object becomes the focus of the problem of one’s freedom because one is compulsively dependent on it it sums up all other natural dependencies and emotions.42 This quality is true of either positive or negative transference objects. In the negative transference the object becomes the focalization of terror, but now experienced as evil and constraint. It is the source, too, of much of the bitter memories of childhood and of our accusations of our parents. We try to make them the sole repositories of our own unhappiness in a fundamentally demonic world. We seem to be pretending that the world does not contain terror and evil but only our parents. In the negative transference, too, then, we see an attempt to control our fate in an automatic way. No wonder Freud could say that transference was a “universal phenomenon of the human mind” that “dominates the whole of each person’s relation to his human environment.”43 Or that Ferenczi could talk about the “neurotic passion for transference,” the “stimulus-hungry affects of neurotics.”44 We don’t have to talk only about neurotics but about the hunger and passion of everyone for a localized stimulus that takes the place of the whole world. We might better say that transference proves that everyone is neurotic, as it is a universal distortion of reality by the artificial fixation of it. It follows, of course, that the less ego power one has and the more fear, the stronger the transference.


transference is a form of fetishism, a form of narrow control that anchors our own problems. We take our helplessness, our guilt, our conflicts, and we fix them to a spot in the environment. We can create any locus at all for projecting our cares onto the world, even the locus of our own arms and legs. Our own cares are the thing; and if we look at the basic problems of human slavishness it is always them that we see. As Jung put it in some beautiful words: “… unless we prefer to be made fools of by our illusions, we shall, by carefully analysing every fascination, extract from it a portion of our own personality, like a quintessence, and slowly come to recognize that we meet ourselves time and again in a thousand disguises on the path of life.”37


Here was a group of young men and women who had identified with Charles Manson and who lived in masochistic submission to him. They gave him their total devotion and looked upon him as a human god of some kind. In fact he filled the description of Freud’s “primal father”: he was authoritarian, very demanding of his followers, and a great believer in discipline. His eyes were intense, and for those who came under his spell there is no doubt that he projected a hypnotic aura. He was a very self-assured figure. He even had his own “truth,” his megalomanic vision for taking over the world. To his followers his vision seemed like a heroic mission in which they were privileged to participate. He had convinced them that only by following out his plan could they be saved. The “family” was very close, sexual inhibitions were nonexistent, and members had free access to each other. They even used sex freely for the purpose of attracting outsiders into the family. It seems obvious from all this that Manson combined the “fascinating effect of the narcissistic personality” with the “infectiousness of the unconflicted personality.” Everyone could freely drop his repressions under Manson’s example and command, not only in sex but in murder. The members of the “family” didn’t seem to show any remorse, guilt, or shame for their crimes. People were astonished by this ostensible “lack of human feeling.” But from the dynamics that we have been surveying, we are faced with the even more astonishing conclusion that homicidal communities like the Manson “family” are not really devoid of basic humanness. What makes them so terrible is that they exaggerate the dispositions present in us all. Why should they feel guilt or remorse? The leader takes responsibility for the destructive act, and those who destroy on his command are no longer murderers, but “holy heroes.” They crave to serve in the powerful aura that he projects and to carry out the illusion that he provides them, an illusion that allows them to heroically transform the world. Under his hypnotic spell and with the full force of their own urges for heroic self-expansion, they need have no fear; they can kill with equanimity. In fact they seemed to feel that they were doing their victims “a favor,” which seems to mean that they sanctified them by including them in their own “holy mission.” As we have learned from the anthropological literature, the victim who is sacrificed becomes a holy offering to the gods, to nature, or to fate. The community gets more life by means of the victim’s death, and so the victim has the privilege of serving the world in the highest possible way by means of his own sacrificial death. One direct way, then, of understanding homicidal communities like the Manson family is to view them as magical transformations, wherein passive and empty people, torn with conflicts and guilt, earn their cheap heroism, really feeling that they can control fate and influence life and death. “Cheap” because not in their command, not with their own daring, and not in the grip of their own fears: everything is done with the leader’s image stamped on their psyche.


There is no way to experience all of life; each person must close off large portions of it, must “partialize,” as Rank put it, in order to avoid being overwhelmed. There is no way to surely avoid and transcend death, for all organisms perish. The biggest, warmest, most secure, courageous spirits can still only bite off pieces of the world; the smallest, meanest, most frightened ones merely bite off the smallest possible pieces.


As the highest ambition of the child is to obey the all-powerful parent, to believe in him, and to imitate him, what is more natural than an instant, imaginary return to childhood via the hypnotic trance? The explanation of the ease of hypnosis, said Ferenczi, is that “In our innermost soul we are still children, and we remain so throughout life.”11 And so, in one theoretical sweep Ferenczi could destroy the mystery of hypnosis by showing that the subject carries in himself the predisposition to it: … there is no such thing as a “hypnotising,” a “giving of ideas” in the sense of psychical incorporating of something quite foreign from without, but only procedures that are able to set going unconscious, pre-existing, auto-suggestive mechanisms… . According to this conception, the application of suggestion and hypnosis consists in the deliberate establishment of conditions under which the tendency to blind belief and uncritical obedience present in everyone, but usually kept repressed … may unconsciously be transferred to the person hypnotising or suggesting.12


Rank was the one who showed that the true genius has an immense problem that other men do not. He has to earn his value as a person from his work, which means that his work has to carry the burden of justifying him. What does “justifying” mean for man? It means transcending death by qualifying for immortality. The genius repeats the narcissistic inflation of the child; he lives the fantasy of the control of life and death, of destiny, in the “body” of his work.


Man breaks through the bounds of merely cultural heroism; he destroys the character lie that had him perform as a hero in the everyday social scheme of things; and by doing so he opens himself up to infinity, to the possibility of cosmic heroism, to the very service of God. His life thereby acquires ultimate value in place of merely social and cultural, historical value. He links his secret inner self, his authentic talent, his deepest feelings of uniqueness, his inner yearning for absolute significance, to the very ground of creation. Out of the ruins of the broken cultural self there remains the mystery of the private, invisible, inner self which yearned for ultimate significance, for cosmic heroism. This invisible mystery at the heart of every creature now attains cosmic significance by affirming its connection with the invisible mystery at the heart of creation. This is the meaning of faith. At the same time it is the meaning of the merger of psychology and religion in Kierkegaard’s thought.


That great spirit, Ortega, has given us a particularly powerful phrasing of it. His statement reads almost exactly like Kierkegaard: The man with the clear head is the man who frees himself from those fantastic “ideas” [the characterological lie about reality] and looks life in the face, realizes that everything in it is problematic, and feels himself lost. And this is the simple truth—that to live is to feel oneself lost—he who accepts it has already begun to find himself, to be on firm ground. Instinctively, as do the shipwrecked, he will look round for something to which to cling, and that tragic, ruthless glance, absolutely sincere, because it is a question of his salvation, will cause him to bring order into the chaos of his life. These are the only genuine ideas; the ideas of the shipwrecked. All the rest is rhetoric, posturing, farce. He who does not really feel himself lost, is without remission; that is to say, he never finds himself, never comes up against his own reality.45


the only secure truth men have is that which they themselves create and dramatize; to live is to play at the meaning of life. The upshot of this whole tradition of thought is that it teaches us once and for all that childlike foolishness is the calling of mature men. Just this way Rank prescribed the cure for neurosis: as the “need for legitimate foolishness.”47


Kierkegaard’s torment was the direct result of seeing the world as it really is in relation to his situation as a creature. The prison of one’s character is painstakingly built to deny one thing and one thing alone: one’s creatureliness. The creatureliness is the terror. Once admit that you are a defecating creature and you invite the primeval ocean of creature anxiety to flood over you. But it is more than creature anxiety, it is also man’s anxiety, the anxiety that results from the human paradox that man is an animal who is conscious of his animal limitation. Anxiety is the result of the perception of the truth of one’s condition. What does it mean to be a self-conscious animal? The idea is ludicrous, if it is not monstrous. It means to know that one is food for worms. This is the terror: to have emerged from nothing, to have a name, consciousness of self, deep inner feelings, an excruciating inner yearning for life and selfexpression—and with all this yet to die.


Why would a person prefer the accusations of guilt, unworthiness, ineptitude—even dishonor and betrayal—to real possibility? This may not seem to be the choice, but it is: complete self-effacement, surrender to the “others,” disavowal of any personal dignity or freedom—on the one hand; and freedom and independence, movement away from the others, extrication of oneself from the binding links of family and social duties—on the other hand. This is the choice that the depressed person actually faces and that he avoids partly by his guilty self-accusation. The answer is not far to seek: the depressed person avoids the possibility of independence and more life precisely because these are what threaten him with destruction and death. He holds on to the people who have enslaved him in a network of crushing obligations, belittling interaction, precisely because these people are his shelter, his strength, his protection against the world. Like most everyone else the depressed person is a coward who will not stand alone on his own center, who cannot draw from within himself the necessary strength to face up to life. So he embeds himself in others; he is sheltered by the necessary and willingly accepts it. But now his tragedy is plain to see: his necessity has become trivial, and so his slavish, dependent, depersonalized life has lost its meaning. It is frightening to be in such a bind. One chooses slavery because it is safe and meaningful; then one loses the meaning of it, but fears to move out of it. One has literally died to life but must remain physically in this world. And thus the torture of depressive psychosis: to remain steeped in one’s failure and yet to justify it, to continue to draw a sense of worthwhileness out of it.‡


If schizophrenic psychosis is on a continuum of a kind of normal inflation of inner fantasy, of symbolic possibility, then something similar should be true of depressive psychosis. And so it is in the portrait that Kierkegaard paints. Depressive psychosis is the extreme on the continuum of too much necessity, that is, too much finitude, too much limitation by the body and the behaviors of the person in the real world, and not enough freedom of the inner self, of inner symbolic possibility. This is how we understand depressive psychosis today: as a bogging down in the demands of others—family, job, the narrow horizon of daily duties. In such a bogging down the individual does not feel or see that he has alternatives, cannot imagine any choices or alternate ways of life, cannot release himself from the network of obligations even though these obligations no longer give him a sense of self-esteem, of primary value, of being a heroic contributor to world life even by doing his daily family and job duties. As I once speculated,28 the schizophrenic is not enough built into his world—what Kierkegaard has called the sickness of infinitude; the depressive, on the other hand, is built into his world too solidly, too overwhelmingly.


The tragedy of life that Searles is referring to is the one we have been discussing: man’s finitude, his dread of death and of the overwhelmingness of life. The schizophrenic feels these more than anyone else because he has not been able to build the confident defenses that a person normally uses to deny them. The schizophrenic’s misfortune is that he has been burdened with extra anxieties, extra guilt, extra helplessness, an even more unpredictable and unsupportive environment. He is not surely seated in his body, has no secure base from which to negotiate a defiance of and a denial of the real nature of the world. The parents have made him massively inept as an organism. He has to contrive extra-ingenious and extra-desperate ways of living in the world that will keep him from being torn apart by experience, since he is already almost apart. We see again confirmed the point of view that a person’s character is a defense against despair, an attempt to avoid insanity because of the real nature of the world. Searles looks at schizophrenia precisely as the result of the inability to shut out terror, as a desperate style of living with terror. Frankly I don’t know anything more cogent that needs to be said about this syndrome: it is a failure in humanization, which means a failure to confidently deny man’s real situation on this planet. Schizophrenia is the limiting test case for the theory of character and reality that we have been expounding here: the failure to build dependable character defenses allows the true nature of reality to appear to man. It is scientifically apodictic. The creativity of people on the schizophrenic end of the human continuum is a creativity that springs from the inability to accept the standardized cultural denials of the real nature of experience. And the price of this kind of almost “ extra human” creativity is to live on the brink of madness, as men have long known. The schizophrenic is supremely creative in an almost extra-human sense because he is furthest from the animal: he lacks the secure instinctive programming of lower organisms; and he lacks the secure cultural programming of average men. No wonder he appears to average men as “crazy”: he is not in anything’s world.


The tragedy of life that Searles is referring to is the one we have been discussing: man’s finitude, his dread of death and of the overwhelmingness of life. The schizophrenic feels these more than anyone else because he has not been able to build the confident defenses that a person normally uses to deny them. The schizophrenic’s misfortune is that he has been burdened with extra anxieties, extra guilt, extra helplessness, an even more unpredictable and unsupportive environment. He is not surely seated in his body, has no secure base from which to negotiate a defiance of and a denial of the real nature of the world. The parents have made him massively inept as an organism. He has to contrive extra-ingenious and extra-desperate ways of living in the world that will keep him from being torn apart by experience, since he is already almost apart. We see again confirmed the point of view that a person’s character is a defense against despair, an attempt to avoid insanity because of the real nature of the world. Searles looks at schizophrenia precisely as the result of the inability to shut out terror, as a desperate style of living with terror. Frankly I don’t know anything more cogent that needs to be said about this syndrome: it is a failure in humanization, which means a failure to confidently deny man’s real situation on this planet. Schizophrenia is the limiting test case for the theory of character and reality that we have been expounding here: the failure to build dependable character defenses allows the true nature of reality to appear to man. It is scientifically apodictic. The creativity of people on the schizophrenic end of the human continuum is a creativity that springs from the inability to accept the standardized cultural denials of the real nature of experience. And the price of this kind of almost “ extra human” creativity is to live on the brink of madness, as men have long known. The schizophrenic is supremely creative in an almost extra-human sense because he is furthest from the animal: he lacks the secure instinctive programming of lower organisms; and he lacks the secure cultural programming of average men. No wonder he appears to average men as “crazy”: he is not in anything’s world.


I like the way Perls conceived the neurotic structure as a thick edifice built up of four layers. The first two layers are the everyday layers, the tactics that the child learns to get along in society by the facile use of words to win ready approval and to placate others and move them along with him: these are the glib, empty talk, “cliché,” and role-playing layers. Many people live out their lives never getting underneath them. The third layer is a stiff one to penetrate: it is the “impasse” that covers our feeling of being empty and lost, the very feeling that we try to banish in building up our character defenses. Underneath this layer is the fourth and most baffling one: the “death” or fear-of-death layer; and this, as we have seen, is the layer of our true and basic animal anxieties, the terror that we carry around in our secret heart. Only when we explode this fourth layer, says Perls, do we get to the layer of what we might call our “authentic self”: what we really are without sham, without disguise, without defenses against fear.12 From this sketch of the complex rings of defense that compose our character, our neurotic shield that protects our pulsating vitality from the dread of truth, we can get some idea of the difficult and excruciatingly painful, all-or-nothing process that psychological rebirth is. And when it is through psychologically, it only begins humanly: the worst is not the death, but the rebirth itself—there’s the rub. What does it mean “to be born again” for man? It means for the first time to be subjected to the terrifying paradox of the human condition, since one must be born not as a god, but as a man, or as a god-worm, or a god who shits. Only this time without the neurotic shield that hides the full ambiguity of one’s life.


The questions about sex that the child asks are thus not—at a fundamental level—about sex at all. They are about the meaning of the body, the terror of living with a body. When the parents give a straightforward biological answer to sexual questions, they do not answer the child’s question at all. He wants to know why he has a body, where it came from, and what it means for a self-conscious creature to be limited by it. He is asking about the ultimate mystery of life, not about the mechanics of sex. As Rank says, this explains why the adults suffer as much from the sexual problem as the child: the “biological solution of the problem of humanity is also ungratifying and inadequate for the adult as for the child.”12


We called one’s life style a vital lie, and now we can understand better why we said it was vital: it is a necessary and basic dishonesty about oneself and one’s whole situation. This revelation is what the Freudian revolution in thought really ends up in and is the basic reason that we still strain against Freud. We don’t want to admit that we are fundamentally dishonest about reality, that we do not really control our own lives. We don’t want to admit that we do not stand alone, that we always rely on something that transcends us, some system of ideas and powers in which we are embedded and which support us. This power is not always obvious. It need not be overtly a god or openly a stronger person, but it can be the power of an all-absorbing activity, a passion, a dedication to a game, a way of life, that like a comfortable web keeps a person buoyed up and ignorant of himself, of the fact that he does not rest on his own center. All of us are driven to be supported in a self-forgetful way, ignorant of what energies we really draw on, of the kind of lie we have fashioned in order to live securely and serenely. Augustine was a master analyst of this, as were Kierkegaard, Scheler, and Tillich in our day. They saw that man could strut and boast all he wanted, but that he really drew his “courage to be” from a god, a string of sexual conquests, a Big Brother, a flag, the proletariat, and the fetish of money and the size of a bank balance. The defenses that form a person’s character support a grand illusion, and when we grasp this we can understand the full drivenness of man. He is driven away from himself, from self-knowledge, self-reflection. He is driven toward things that support the lie of his character, his automatic equanimity. But he is also drawn precisely toward those things that make him anxious, as a way of skirting them masterfully, testing himself against them, controlling them by defying them. As Kierkegaard taught us, anxiety lures us on, becomes the spur to much of our energetic activity: we flirt with our own growth, but also dishonestly. This explains much of the friction in our lives. We enter symbiotic relationships in order to get the security we need, in order to get relief from our anxieties, our aloneness and helplessness; but these relationships also bind us, they enslave us even further because they support the lie we have fashioned. So we strain against them in order to be more free. The irony is that we do this straining uncritically, in a struggle within our own armor, as it were; and so we increase our drivenness, the second-hand quality of our struggle for freedom. Even in our flirtations with anxiety we are unconscious of our motives. We seek stress, we push our own limits, but we do it with our screen against despair and not with despair itself. We do it with the stock market, with sports cars, with atomic missiles, with the success ladder in the corporation or the competition in the university. We do it in the prison of a dialogue with our own little family, by marrying against their wishes or choosing a way of life because they frown on it, and so on. Hence the complicated and second-hand quality of our entire drivenness. Even in our passions we are nursery children playing with toys that represent the real world. Even when these toys crash and cost us our lives or our sanity, we are cheated of the consolation that we were in the real world instead of the playpen of our fantasies. We still did not meet our doom on our own manly terms, in contest with objective reality. It is fateful and ironic how the lie we need in order to live dooms us to a life that is never really ours.


At about the same time that Rank wrote, Heidegger brought these fears to the center of existential philosophy. He argued that the basic anxiety of man is anxiety about being-in-the-world, as well as anxiety of being-in-the-world. That is, both fear of death and fear of life, of experience and individuation. Man is reluctant to move out into the overwhelmingness of his world, the real dangers of it; he shrinks back from losing himself in the all-consuming appetites of others, from spinning out of control in the clutchings and clawings of men, beasts and machines. As an animal organism man senses the kind of planet he has been put down on, the nightmarish, demonic frenzy in which nature has unleashed billions of individual organismic appetites of all kinds—not to mention earthquakes, meteors, and hurricanes, which seem to have their own hellish appetites. Each thing, in order to deliciously expand, is forever gobbling up others.


At about the same time that Rank wrote, Heidegger brought these fears to the center of existential philosophy. He argued that the basic anxiety of man is anxiety about being-in-the-world, as well as anxiety of being-in-the-world. That is, both fear of death and fear of life, of experience and individuation.11 Man is reluctant to move out into the overwhelmingness of his world, the real dangers of it; he shrinks back from losing himself in the all-consuming appetites of others, from spinning out of control in the clutchings and clawings of men, beasts and machines. As an animal organism man senses the kind of planet he has been put down on, the nightmarish, demonic frenzy in which nature has unleashed billions of individual organismic appetites of all kinds—not to mention earthquakes, meteors, and hurricanes, which seem to have their own hellish appetites. Each thing, in order to deliciously expand, is forever gobbling up others.


The body, then, is one’s animal fate that has to be struggled against in some ways. At the same time, it offers experiences and sensations, concrete pleasure that the inner symbolic world lacks. No wonder man is impaled on the horns of sexual problems, why Freud saw that sex was so prominent in human life—especially in the neurotic conflicts of his patients. Sex is an inevitable component of man’s confusion over the meaning of his life, a meaning split hopelessly into two realms—symbols (freedom) and body (fate). No wonder, too, that most of us never abandon entirely the early attempts of the child to use the body and its appendages as a fortress or a machine to magically coerce the world. We try to get metaphysical answers out of the body that the body—as a material thing—cannot possibly give. We try to answer the transcendent mystery of creation by experiences in one, partial, physical product of that creation. This is why the mystique of sex is so widely practiced—say, in traditional France—and at the same time is so disillusioning. It is comfortingly infantile in its indulgence and its pleasure, yet so self-defeating of real awareness and growth, if the person is using it to try to answer metaphysical questions. It then becomes a lie about reality, a screen against full consciousness.24 If the adult reduces the problem of life to the area of sexuality, he repeats the fetishization of the child who focusses the problem of the mother upon her genitals. Sex then becomes a screen for terror, a fetishization of full consciousness about the real problem of life.


At each stage in the unfolding discovery of his world and the problems that it poses, the child is intent on shaping that world to his own aggrandizement. He has to keep the feeling that he has absolute power and control, and in order to do that he has to cultivate independence of some kind, the conviction that he is shaping his own life. That is why Brown, like Rank, could say that the Oedipal project is “inevitably self-generated in the child and is directed against the parents, irrespective of how the parents behave.” To put it paradoxically, “children toilet train themselves.”12 The profound meaning of this is that there is no “perfect” way to bring up a child, since he “brings himself up” by trying to shape himself into an absolute controller of his own destiny. As this aim is impossible, each character is, deeply and in some way, fantastically unreal, fundamentally imperfect.


The Oedipal project is the flight from passivity, from obliteration, from contingency: the child wants to conquer death by becoming the father of himself, the creator and sustainer of his own life.


Psychoanalysts have been preoccupied since the turn of the century with the experiences of childhood; but, strangely enough, it is only since “just yesterday” that we are able to put together a fairly complete and plausible commonsensical picture of why childhood is such a crucial period for man. We owe this picture to many people, including especially the neglected Rank, but it is Norman O. Brown who has summed it up more pointedly and definitively than anyone else, I think. As he argued in his own reorientation of Freud, the Oedipus complex is not the narrowly sexual problem of lust and competitiveness that Freud made out in his early work. Rather, the Oedipus complex is the Oedipal project, a project that sums up the basic problem of the child’s life: whether he will be a passive object of fate, an appendage of others, a plaything of the world or whether he will be an active center within himself—whether he will control his own destiny with his own powers or not. As Brown put it: The Oedipal project is not, as Freud’s earlier formulations suggest, a natural love of the mother, but as his later writings recognize, a product of the conflict of ambivalence and an attempt to overcome that conflict by narcissistic inflation. The essence of the Oedipal complex is the project of becoming God—in Spinoza’s formula, causa sui… .


I don’t want to seem to make an exact picture of processes that are still unclear to us or to make out that all children live in the same world and have the same problems; also, I wouldn’t want to make the child’s world seem more lurid than it really is most of the time; but I think it is important to show the painful contradictions that must be present in it at least some of the time and to show how fantastic a world it surely is for the first few years of the child’s life. Perhaps then we could understand better why Zilboorg said that the fear of death “undergoes most complex elaborations and manifests itself in many indirect ways.” Or, as Wahl so perfectly put it, death is a complex symbol and not any particular, sharply defined thing to the child: … the child’s concept of death is not a single thing, but it is rather a composite of mutually contradictory paradoxes—death itself is not only a state, but a complex symbol, the significance of which will vary from one person to another and from one culture to another.27 We could understand, too, why children have their recurrent nightmares, their universal phobias of insects and mean dogs. In their tortured interiors radiate complex symbols of many inadmissible realities—terror of the world, the horror of one’s own wishes, the fear of vengeance by the parents, the disappearance of things, one’s lack of control over anything, really. It is too much for any animal to take, but the child has to take it, and so he wakes up screaming with almost punctual regularity during the period when his weak ego is in the process of consolidating things.


The crisis of modern society is precisely that the youth no longer feel heroic in the plan for action that their culture has set up. They don’t believe it is empirically true to the problems of their lives and times. We are living a crisis of heroism that reaches into every aspect of our social life: the dropouts of university heroism, of business and career heroism, of political-action heroism; the rise of anti-heroes, those who would be heroic each in his own way or like Charles Manson with his special “family”, those whose tormented heroics lash out at the system that itself has ceased to represent agreed heroism. The great perplexity of our time, the churning of our age, is that the youth have sensed—for better or for worse—a great social-historical truth: that just as there are useless self-sacrifices in unjust wars, so too is there an ignoble heroics of whole societies: it can be the viciously destructive heroics of Hitler’s Germany or the plain debasing and silly heroics of the acquisition and display of consumer goods, the piling up of money and privileges that now characterizes whole ways of life, capitalist and Soviet.


If we were to peel away this massive disguise, the blocks of repression over human techniques for earning glory, we would arrive at the potentially most liberating question of all, the main problem of human life: How empirically true is the cultural hero system that sustains and drives men?


to become conscious of what one is doing to earn his feeling of heroism is the main self-analytic problem of life. Everything painful and sobering in what psychoanalytic genius and religious genius have discovered about man revolves around the terror of admitting what one is doing to earn his self-esteem.


Sibling rivalry is a critical problem that reflects the basic human condition: it is not that children are vicious, selfish, or domineering. It is that they so openly express man’s tragic destiny: he must desperately justify himself as an object of primary value in the universe; he must stand out, be a hero, make the biggest possible contribution to world life, show that he counts more than anything or anyone else.


In childhood we see the struggle for self-esteem at its least disguised. The child is unashamed about what he needs and wants most. His whole organism shouts the claims of his natural narcissism. And this claim can make childhood hellish for the adults concerned, especially when there are several children competing at once for the prerogatives of limitless self-extension, what we might call “cosmic significance.” The term is not meant to be taken lightly, because this is where our discussion is leading. We like to speak casually about “sibling rivalry,” as though it were some kind of byproduct of growing up, a bit of competitiveness and selfishness of children who have been spoiled, who haven’t yet grown into a generous social nature. But it is too all-absorbing and relentless to be an aberration, it expresses the heart of the creature: the desire to stand out, to be the one in creation. When you combine natural narcissism with the basic need for self-esteem, you create a creature who has to feel himself an object of primary value: first in the universe, representing in himself all of life.


Author: Aslı Biricik
Publisher: İzmir Institute of Technology (2006)

Today, products and people are living their lives through brands; brands give consumers identity, and enrich their life experiences. Brands have become an aura, an invisible layer of meaning that surrounds the product through emotional connection.


Publisher: Bantam Books (1982)

ANTEATER: Ant colonies have been subjected to the rigors of evolution for billions of years. A few mechanisms were selected for, and most were selected against. The end result was a set of mechanisms which make ant colonies work as we have been describing. If you could watch the whole process in a movie-running a billion or so times faster than life, of course-the emergence of various mechanisms would be seen as natural responses to external pressures, just as bubbles in boiling water are natural responses to an external heat source. I don't suppose you see 'meaning' and 'purpose' in the bubbles in boiling water-or do you? Prelude . . . Ant Fugue 174 CRAB: No, but -- ANTEATER: Now that's my point. No matter how big a bubble is, it owes its existence to processes on the molecular level, and you can forget about any 'higher-level laws.' The same goes for ant colonies and their teams. By looking at things from the vast perspective of evolution, you can drain the whole colony of meaning and purpose. They become superfluous notions.


If a cleverly designed robot could (seem to) tell us of its inner life, (could utter all the appropriate noises in the appropriate contexts), would we be right to admit it to the charmed circle? We might be, but how could we ever tell we were not being fooled? Here the question seems to be; is that special inner light really turned on, or is there nothing but darkness inside? And this question looks unanswerable. So perhaps we have taken a misstep already.


From the inside, our Own consciousness seems obvious and pervasive, we know that much goes on around us and even inside our bodies of which we are entirely unaware or unconscious, but nothing could be more intimately know to us than those things of which we are, individually, conscious. Those things of which I am conscious, and the ways in which I am conscious of them, determine what it is like to be me. I know in a way no other could know what it is like to be me. From the inside, consciousness seems to be an all-or-nothing phenomenon – an inner light that is either on or off. We grant that we are sometimes drowsy or inattentive, or asleep, and on occasion we even enjoy abnormally heightened consciousness, but when we are conscious, that we are conscious is not a fact that admits of degrees. There is a perspective, then, from which consciousness seems to be a feature that sunders the universe into two strikingly different kinds of things, those that have it and those that don’t. Those that have it are subjects, beings to whom things can be one way or another, beings it is like something to be. It is not like anything at all to be a brick or a pocket calculator or an apple. These things have insides, but not the right sort of insides – no inner life, no point of view. It is certainly like something to be me (Something I know “from the inside”) and almost certainly like something to be you (for you have told me, most convincingly, that it is the same with you), and probably like something to be a dog or a dolphin (if only they could tell us!) and maybe even like something to be a spider.


Author: Joseph Campbell
Publisher: Joseph Campbell Foundation (2011)

Father Thomas Merton, in a brief but perspicacious article entitled Symbolism: Communication or Communion?\n \n'But when one comes to a better understanding of those religions, and when one sees that the experiences which are the fulfillment of religious belief and practice are most clearly expressed in symbols, one may come to recognize that often the symbols of different religions may have more in common than have the abstractly formulated official doctrines.' \n \n'The true symbol,' he states again, 'does not merely point to something else. It contains in itself a structure which awakens our consciousness to a new awareness of the inner meaning of life and of reality itself. A true symbol takes us to the center of the circle, not to another point on the circumference. It is by symbolism that man enters affectively and consciously into contact with his own deepest self, with other men, and with God.


One of the great problems, I would say, of our own variously troubled society is just this, that youths brought up to function in the protected fields of peacefully domestic life, when suddenly tapped to play the warrior role, are provided with little or no psychological induction.


By and large, hunting people are warrior people; and not only that, but many are exhilarated by battle and turn warfare into exercises in bravura. The rites and mythologies of such tribesmen are based generally on the idea that there is actually no such thing as death. If the blood of an animal slain is returned to the soil, it will carry the life principle back to Mother Earth for rebirth, and the same beast will return next season to yield its temporal body again. The animals of the hunt are regarded in this way as willing victims who give their bodies to mankind with the understanding that adequate rites are to be performed to return the life principle to its source. Likewise, after episodes of battle special rituals are enacted to assuage and release to the land of spirits the ghosts of those that have been slain.\r\n\r\nSuch ceremonies may also include rites for toning down the war mania and battle heat of those who have done the killing. For this whole business of killing, whether killing beasts or killing men, is supposed to be fraught with danger. On one hand, there is the danger of revenge from the person or animal killed; and on the other hand, there is an equal danger of the killer himself becoming infected by a killing mania and running berserk. Along with the rites to honor and appease ghosts, accordingly, there may be also special rites enacted to reattune returning warriors to the manners of life at home.


In the religious lore of India there is a formulation of five degrees of love through which a worshiper is increased in the service and knowledge of his God --  which is to say, in the Indian sense, in the realization of his own identity with that Being of all beings who in the beginning said 'I' and then realized, 'I am all this world!' The first degree of such love is of servant to master: 'O Lord, you are the Master; I am thy servant. Command, and I shall obey!' This, according to the Indian teaching, is the appropriate spiritual attitude for most worshipers of divinities, no matter where in the world. The second order of love, then, is that of friend to friend, which in the Christian tradition is typified in the relationship of Jesus and his apostles. They were friends. They could discuss and even argue questions. But such a love implies a deeper readiness of understanding, a higher spiritual development than the first. In the Hindu scriptures it is represented in the great conversation of the Bhagavad Gita between the Pandava prince Arjuna and his divine charioteer, the Lord Krishna. The next, or third, degree of love is that of parent for child, which in the Christian world is represented in the image of the Christmas Crib. One is here cultivating in one's heart the inward divine child of one's own awakened spiritual life -- in the sense of the mystic Meister Eckhart's words when he said to his congregation: 'It is more worth to God his being brought forth spiritually in the individual virgin or good soul than that he was born of Mary bodily.' And again: 'God's ultimate purpose is birth. He is not content until he brings his Son to birth in us.' In Hinduism, it is in the popular worship of the naughty little 'butter thief,' Krishna the infant among the cowherds by whom he was reared, that this theme is most charmingly illustrated. And in the modern period there is the instance of the troubled woman already mentioned, who came to the Indian saint and sage Ramakrishna, saying, 'O Master, I do not find that I love God.' And he asked, 'Is there nothing, then, that you love?' To which she answered, 'My little nephew.' And he said to her, 'There is your love and service to God, in your love and service to that child.' \r\n \r\nThe fourth degree of love is that of spouses for each other. The Catholic nun wears the wedding ring of her spiritual marriage to Christ. So too is every marriage in love spiritual. In the words attributed to Jesus, 'The two shall be one flesh.' For the 'precious thing' then is no longer oneself, one's individual life, but the duad of each as both and the living of life, self-transcended in that knowledge. In India the wife is to worship her husband as her lord; her service to him is the measure of her religion. (However, we do not hear there anything like as much of the duties of a husband to his wife.) \r\n \r\nAnd so now, finally, what is the fifth, the highest order of love, according to this Indian series? It is passionate, illicit love. In marriage, it is declared, one is still possessed of reason. One still enjoys the goods of this world and one's place in the world, wealth, social position, and the rest. Moreover, marriage in the Orient is a family-made arrangement, having nothing whatsoever to do with what in the West we now think of as love. The seizure of passionate love can be, in such a context, only illicit, breaking in upon the order of one's dutiful life in virtue as a devastating storm. And the aim of such a love can be only that of the moth in the image of Hallaj: to be annihilated in love's fire. In the legend of the Lord Krishna, the model is given of the passionate yearning of the young incarnate god for his mortal married mistress, Radha, and of her reciprocal yearning for him. To quote once again the mystic Ramakrishna, who in his devotion to the goddess Kali was himself, all his life, such a lover: when one has loved God in this way, sacrificing all for the vision of his face, 'O my Lord,' one can say, 'now reveal thyself!' and he will have to respond. \r\n \r\nThere is the figure also, in India, of the Lord Krishna playing his flute at night in the forest of Vrindavan, at the sound of whose irresistible strains young wives would slip from their husbands' beds and, stealing to the moonlit wood, dance the night through with their beautiful young god in transcendent bliss. \r\n \r\nThe underlying thought here is that in the rapture of love one is transported beyond temporal laws and relationships,


The ultimate nature of the experience of life is that toil and pleasure, sorrow and joy, are inseparably mixed in it.


let me recount now a really marvelous Hindu legend to this point, from the infinitely rich mythology of the god Shiva and his glorious world-goddess Parvati. The occasion was of a time when there came before this great divinity an audacious demon who had just overthrown the ruling gods of the world and now came to confront the highest of all with a non-negotiable demand, namely, that the god should hand over his goddess to the demon. Well, what Shiva did in reply was simply to open that mystic third eye in the middle of his forehead, and paff! a lightning bolt hit the earth, and there was suddenly there a second demon, even larger than the first. He was a great lean thing with a lionlike head, hair waving to the quarters of the world, and his nature was sheer hunger. He had been brought into being to eat up the first, and was clearly fit to do so. The first thought: 'So what do I do now?' and with a very fortunate decision threw himself upon Shiva's mercy.             Now it is a well-known theological rule that when you throw yourself on a god's mercy the god cannot refuse to protect you; and so Shiva had now to guard and protect the first demon from the second. Which left the second, however, without meat to quell his hunger and in anguish he asked Shiva, 'Whom, then, do I eat?' to which the god replied, 'Well, let's see: why not eat yourself?'             And with that, no sooner said than begun. Commencing with his feet, teeth chopping away, that grim phenomenon came right on up the line, through his own belly, on up through his chest and neck, until all that remained was a face. And the god, thereupon, was enchanted. For here at last was a perfect image of the monstrous thing that is life, which lives on itself. And to that sunlike mask, which was now all that was left of that lionlike vision of hunger, Shiva said, exulting, 'I shall call you 'Face of Glory,' Kirttimukha, and you shall shine above the doors to all my temples. No one who refuses to honor and worship you will come ever to knowledge of me.'10             The obvious lesson of all of which is that the first step to the knowledge of the highest divine symbol of the wonder and mystery of life is in the recognition of the monstrous nature of life and its glory in that character: the realization that this is just how it is and that it cannot and will not be changed. Those who think -- and their name is legion -- that they know how the universe could have been better than it is, how it would have been had they created it, without pain, without sorrow, without time, without life, are unfit for illumination. Or those who think -- as do many -- 'Let me first correct society, then get around to myself' are barred from even the outer gate of the mansion of God's peace. All societies are evil, sorrowful, inequitable; and so they will always be. So if you really want to help this world, what you will have to teach is how to live in it. And that no one can do who has not himself learned how to live in it in the joyful sorrow and sorrowful joy of the knowledge of life as it is.


The truth of the matter,' Dr. Watts proposed to his audience, 'is that you didn't come into this world at all. You came out of it, in just the same way that a leaf comes out of a tree or a baby from a womb. . . Just as Jesus said that one doesn't gather figs from thistles or grapes from thorns, so also you don't gather people from a world that isn't peopling. Our world is peopling, just as the apple tree apples, and just as the vine grapes.' We are a natural product of this earth, that is to say; and, as Dr. Watts observed in that same talk, if we are intelligent beings, it must be that we are the fruits of an intelligent earth, symptomatic of an intelligent energy system; for 'one doesn't gather grapes from thorns.


Next the Levantine, of about the same date, as preserved in the second chapter of Genesis: that melancholy tale, namely, of our simple ancestor, Adam, who had been fashioned of dust by his maker to till and to keep a garden. But the man was lonely, and his maker, hoping to please him, formed every beast of the field and every bird of the air, and brought them to the man to see what he would call them. None of them gave delight. 'And so the Lord,' as we read, 'caused a deep sleep to fall upon the man, and while he slept took one of his ribs. . .' And the man, when he beheld the woman, said, 'This at last is bone of my bones and flesh of my flesh.' We all know what next occurred -- and here we all are, in this vale of tears.             But now, please notice! In this second version of the shared legend it was not the god who was split in two, but his created servant. The god did not become male and female and then pour himself forth to become all this. He remained apart and of a different substance. We have thus one tale in two totally different versions. And their implications relevant to the ideals and disciplines of the religious life are, accordingly, different too. In the Orient the guiding ideal is that each should realize that he himself and all others are of the one substance of that universal Being of beings which is, in fact, the same Self in all. Hence the typical aim of an Oriental religion is that one should experience and realize in life one's identity with that Being; whereas in the West, following our Bible, the ideal is, rather, to become engaged in a relationship with that absolutely other Person who is one's Maker, apart and 'out there,' in no sense one's innermost Self.


A neurotic might be defined, in this light, as one who has failed to come altogether across the critical threshold of his adult 'second birth.' Stimuli that should evoke in him thoughts and acts of responsibility evoke those, instead, of flight to protection, fear of punishment, need for advice, and so on. He has continually to correct the spontaneity of his response patterns and, like a child, will tend to attribute his failures and troubles either to his parents or to that handy parent substitute, the state and the social order by which he is protected and supported. If the first requirement of an adult is that he should take to himself responsibility for his failures, for his life, and for his doing, within the context of the actual conditions of the world in which he dwells, then it is simply an elementary psychological fact that no one will ever develop to this state who is continually thinking of what a great thing he would have been had only the conditions of his life been different: his parents less indifferent to his needs, society less oppressive, or the universe otherwise arranged. The first requirement of any society is that its adult membership should realize and represent the fact that it is they who constitute its life and being. And the first function of the rites of puberty, accordingly, must be to establish in the individual a system of sentiments that will be appropriate to the society in which he is to live, and on which that society itself must depend for its existence.


If a differentiating feature is to be named, separating human from animal psychology, it is surely this of the subordination in the human sphere of even economics to mythology. And if one should ask why or how any such unsubstantial impulsion ever should have become dominant in the ordering of physical life, the answer is that, in this wonderful human brain of ours there has dawned a realization unknown to the other primates. It is that of the individual, conscious of himself as such, and aware that he, and all that he cares for, will one day die. This recognition of mortality and the requirement to transcend it is the first great impulse to mythology.


The sin of inadvertence, not being alert, not quite awake, is the sin of missing the moment of life; whereas the whole of the art of the nonaction that is action (wu-wei) is unremitting alertness. One is then fully conscious all the time, and since life is an expression of consciousness, life is then lived, as it were, of itself. There is no need to instruct it or direct it.


Author: Thomas Mann
Publisher: Vintage (1996)

Analysis as an instrument of enlightenment and civilization is good, in so far as it shatters absurd convictions, acts as a solvent upon natural prejudices, and undermines authority; good, in other words, in that it sets free, refines, humanizes, makes slaves ripe for freedom. But it is bad, very bad, in so far as it stands in the way of action, cannot shape the vital forces, maims life at its roots. Analysis can be a very unappetizing affair, as much so as death, with which it may well belong — allied to the grave and its unsavory anatomy.


the only sane, noble—and I will expressly add, the only religious way to think of death is as part and parcel of life; to regard it, with the understanding and with the emotions, as the inviolable condition of life. It is the very opposite of sane, noble, reasonable, or religious to divorce it in any way from life, or to play it off against it. The ancients adorned their sarcophagi with the emblems of life and procreation, and even with obscene symbols; in the religions of antiquity the sacred and the obscene often lay very close together. These men knew how to pay homage to death. For death is worthy of homage, as the cradle of life, as the womb of palingenesis. Severed from life, it becomes a spectre, a distortion, and worse. For death, as an independent power, is a lustful power, whose vicious attraction is strong indeed; to feel drawn to it, to feel sympathy with it, is without any doubt at all the most ghastly aberration to which the spirit of man is prone.”


“Bravo, Lieutenant! You are describing very well indeed an aspect of music which has indubitably a moral value: namely, that her peculiarly life-enhancing method of measuring time imparts a spiritual awareness and value to its passage. Music quickens time, she quickens us to the finest enjoyment of time; she quickens—and in so far she has moral value. Art has moral value, in so far as it quickens. But what if it does the opposite? What if it dulls us, sends us to sleep, works against action and progress? Music can do that too; she is an old hand at using opiates. But the opiate, my dear sirs, is a gift of the Devil; it makes for lethargy, inertia, slavish inaction, stagnation. There is something suspicious about music, gentlemen. I insist that she is, by her nature, equivocal. I shall not be going too far in saying at once that she is politically suspect.”


“But, Herr Settembrini, I—” “Permit me. I know what you would say: that the views you represent are not, of necessity, your own; that you have only chanced upon that one of all the possible ones there are, as it were, in the air, and you try it on, without personal responsibility. It befits your time of life, thus to avoid the settled convictions of the mature man, and to make experiments with a variety of points of view.


Author: T.H. White
Publisher: Berkley (1978)

It was the unfairness of the rape of their Cornish grandmother which was hurting Gareth—the picture of weak and innocent people victimized by a resistless tyranny—the old tyranny of the Gall—which was felt like a personal wrong by every crofter of the Islands. Gareth was a generous boy. He hated the idea of strength against weakness. It made his heart swell, as if he were going to suffocate. Gawaine, on the other hand, was angry because it had been against his family. He did not think it was wrong for strength to have its way, but only that it was intensely wrong for anything to succeed against his own clan. He was neither clever nor sensitive, but he was loyal—stubbornly sometimes, and even annoyingly and stupidly so in later life. For him it was then as it was always to be: Up Orkney, Right or Wrong. The third brother, Agravaine, was moved because it was a matter which concerned his mother. He had curious feelings about her, which he kept to himself. As for Gaheris, he did and felt what the others did.


There was just such a man when I was young - an Austrian who invented a new way of life and convinced himself that he was the chap to make it work.  He tried to impose his reformation by the sword, and plunged the civilized world into misery and chaos.  But the thing this fellow had overlooked, my friend, was that he had had a predecessor in the reformation business, called Jesus Christ.  Perhaps we may assume that Jesus knew as much as the Austrian did about saving people, but the odd thing is that Jesus did not turn the disciples into storm troopers, burn down the Temple at Jerusalem, and fix the blame on Pontius Pilate.  On the contrary, he made it clear that the business of the philosopher was to make ideas available, and not to impose them on people.


Sometimes, life does seem to be unfair.  Do you know the story of Elijah and the Rabbi Jachanan?  This Rabbi went on a journey with the prophet Elijah.  They walked all day, and at nightfall they came to the humble cottage of a poor man, whose only treasure was a cow.  The poor man ran out of his cottage and his wife ran too, to welcome the strangers for the night and to offer them all the simple hospitality which they were able to give in strained circumstances.  Elijah and the Rabbi were entertained with plenty of the cow's milk, sustained by home-made bread and butter, and they were put to sleep in the best bed while their kindly hosts lay down before the kitchen fire.  But in the morning, the poor man's cow was dead.\n\n 'They walked all the next day, and came that evening to the house of a very wealthy merchant, whose hospitality they craved.  The merchant was cold and proud and rich, and all that he would do for the prophet and his companion was to lodge them in a cowshed and feed them on bread and water.  In the morning, however, Elijah thanked him very much for what he had done, and sent for a mason to repair one of his walls, which happened to be falling down, as a return for his kindess.\n\n 'The Rabbi Jachanan, unable to keep silence any longer, begged the holy man to explain the meaning of his dealings with human beings.  'In regard to the poor man who received us so hospitably,' replied the prophet, 'it was decreed that his wife was to die that night, but in reward for his goodness God took the cow instead of the wife.  I repaired the wall of the rich miser because a chest of gold was concealed near the place, and if the miser had repaired the wall himself he would have discovered the treasure.  Say not therefore to the Lord: 'What doest thou?'  But say in thy heart: 'Must not the Lord of all the earth do right?


Author: P.D. Ouspensky
Publisher: Vintage (1971)

Q. From the point of view of recurrence, then, may it not be that some important actions we made in a previous life are responsible for our tendencies now? \r\n\r\nA. Quite possibly. Only, there is one thing: this work did not exist before. It may be that some other work did—there may be many different kinds— but not this. This work did not exist before, that I am perfectly sure of.


Q. What is it that wants recurrence so much and yet fears it? A. That I don't know—it is material for your own study. Certainly, one prefers the idea of recurrence to the ordinary idea of death. At the same time one fears it because, if one is really sincere with oneself, one realizes that things repeat themselves in this life. If one finds oneself, again and again, in the same position, making the same mistakes, one realizes that to be born again will not help if one continues to do the same things now. A change can only be the result of effort; no circumstances can produce a change. This is why all ordinary beliefs in the change of external circumstances never lead anywhere: circumstances may change, but you will be the same unless you work. It is the same in recurrence. People's lives may appear completely changed from the point of view of external circumstances, but the result will be the same—the relation of essence to personality will remain. Real change can happen only as a result of school work, or if for several successive lives one only grows the magnetic centre and does not meet a school, then change will be in the growth of magnetic centre.


What I want you to understand definitely is that as long as people are quite mechanical, things can repeat and repeat almost indefinitely. But if people become more conscious, or if the possibility of becoming conscious appears, their time becomes limited. They cannot expect an unlimited number of recurrences if they have already begun to know something or to learn something. The more they learn, the shorter becomes their time. People always forget that there is only a very limited number of chances for everybody, so if one loses a possibility in one life, then next life one will lose it more easily. The closer one comes to the possibility of change, the smaller the number of chances becomes, and if one finds a chance and does not use it, one may lose it altogether. It is the same principle as that which applies to one life. You remember, it was said that in the work, in relation to one life, time is counted, and the more seriously people work, the more strictly is their time counted. If you want to work for two months and sleep for ten months, it is counted that you worked for twelve months, even though you actually worked for only two. But the requirements or conditions are for twelve months, and the more one works the more those requirements grow. If one works very little, one may remain in the same relation to a certain idea for a year or two years; one may misunderstand something and not lose much through it because there is still a third year. But if a man has already begun to work in earnest he cannot have three years, because every day is an examination and he must pass one examination in order to come to another examination. That must be understood, and the same principle can be applied to recurrence


Our attitudes are like wires which connect us with events, and certain currents produced by the nature of these attitudes flow through these wires, and the nature of the current determines the kind of influence we receive from a given event. If a certain event produces an influence on us, this influence can be changed by our attitude. We must create a certain understanding of external things. This means we must judge them not by personal sympathies and antipathies but, as I said, from the point of view of their relation to possible evolution, that is, we must judge them from the point of view of a possible increase of the power of esotericism, because evolution of mankind means an increase of the power of esoteric circles over life. \r\n \r\nI said that at every moment one is surrounded by a great many big moving things which always affect one whether one is aware of it or not. They always affect one in one way or another. One may have very definite attitudes towards such things as wars, revolutions, events of social or political life and so on, or one may be indifferent, or negative, or positive towards them. In any case, being positive on one side means being negative on another, so it does not change anything. Right attitude includes understanding the quality of a thing from the point of view of evolution and of obstacles to evolution, meaning by 'evolution' conscious, voluntary and intentional development of an individual man on definite lines and in a definite direction during the period of his earthly life. Things that do not help are simply not considered, however big they may be externally—one does not 'see' them. And if one does not consider or see them, one can get rid of their influence. Only, again, it is necessary to understand that not considering wrong things does not mean indifference, because people who are indifferent do not consider things, but are affected by them all the same. \r\n \r\nI repeat again, it is necessary to think about things using the ordinary emotional and ordinary thinking faculty and to try to find in what relation they stand to what we call evolution, that is, increase of the influence of inner circles and growth of the possibility for the right kind of people to acquire the right kind of knowledge. We have to understand the weight of things. You remember, it was explained about words that they have different weight and it is necessary to feel their weight. It is the same with events. Just as in ourselves there are many imaginary, invented things, so there are also in life. Because people believe in them, they produce an effect. In this sense almost the whole of life is not real. People live in non-existent things and do not see the real things; they do not even bother to think about them, being completely satisfied with the imaginary.


Q. I find I become very negative when given advice and never agree with it. A. Again it is all based on your attitude: you admit that someone else can affect your emotional state. We should not admit an emotional power like that over us Now, even if you merely think about this advice you feel annoyed. You reconstruct it. But you should think in quite a different way; it is purely a matter of reasoning. Even if people give advice without thinking, even if you know better, there is no reason for you to lose your temper. You cannot get anything by being annoyed or irritated. You must stop justifying it in your mind. When one stops this justifying, one very often finds that the cause of all these negative emotions is some wrong idea. Everybody can find something wrong in one or another side of his life and generally one tends to put the responsibility on this thing. One thinks that if this thing were right, everything else would be right. Everybody has one, sometimes two or more combinations of circumstances which one blames for everything wrong one does and for all one's manifestations of weakness. But one must understand that absolutely anything in the world can produce this result. Suppose there is some definite thing that is wrong and I think: 'If it were right, I would be different'. But if it were right, I would be just the same. I speak from experience, because I know people who thought so, and when the particular thing they found wrong was changed, they remained the same and merely found another unpleasant thing instead of the first one


Q. I could see myself losing my temper the other day when I was talking to somebody, but I could not stop it. How can I control temper? A This is an example of mechanicalness. You cannot control your temper when it has already begun to appear—it is then too late Struggle must begin in your mind, you must find your way to think rightly about a definite difficulty. Suppose you have to meet a certain man who irritates you. Your temper shows itself, you do not like it. How can you stop it? You must begin with the study of your thinking. What do you think about this man—not what you feel when you are irritated, but what do you think about him at quiet moments? You may find that in your mind you argue with him, you prove to him that he is wrong, you tell him all his mistakes, you find that, generally, he behaves wrongly towards you. This is where you are wrong You must learn to think rightly Then, if you do, it will happen like this although emotion is much quicker than thought, emotion is a temporary thing, but thought can be made continuous, so whenever the emotion jumps out, it hits against this continuous thought and cannot go on and manifest itself So you can struggle with the expression of negative emotions, as in this example, only by creating continuous right thinking. To explain what right thinking is in a few words is impossible, it is necessary to study it. If you remember what I said about parts of centres you will come to that, because in most cases and most conditions in ordinary life people think only with the mechanical part of the intellectual centre, which is the formatory apparatus This is not sufficient It is necessary to use the intellectual part of the intellectual centre Identifying is the chief reason why we do not use it Trying to self-remember and trying not to identify is the best means of passing into higher parts of centres. But we always forget about identification and about self remembering


Q. Can people have a permanent influence on others? A. Yes, to a certain extent they can, as much as you permit them. If you let yourself go in this direction and let them influence you, they will have an influence. But if you say to yourself, 'I do not want to be influenced', they will have no influence. Remember, they are machines; can a machine influence you? Yes, if you allow it. Suppose you see a wonderful car and would give your life to have this car, it means that you are influenced by this car. It is just the same with people. You are open to the influence of other people as much as you identify or consider.


One of the most important things in every kind of school is the idea of rules. If there are no rules, there is no school. Not even an imitation school can exist without rules. If it is an imitation school there will be imitation rules, but there must be some kind of rules. One definition of a school is that it is a certain number of people who accept and follow certain rules. Rules are not for convenience, they are not for comfort— they are for inconvenience and discomfort, and in that way they help self remembering. You must understand that all rules are for self-remembering, although they also have a purpose in themselves. If there are no rules and the importance of rules is not understood, there is no work. The important thing to realize about rules is that there is really only one rule, or it is better to say one principle—that one must not do anything unnecessary. Now try to understand that Why cannot we 'do' in the right sense? Because we do so many unnecessary things Every moment of our life we do hundreds of unnecessary things, and because of that we cannot 'do' and must first learn not to do anything unnecessary. First we must learn not to do unnecessary things in relation to the work, and later in connection with our own lives. It may take a long time, but this is the way to learn. You must do this, you must not do that; this is all specifications, but there is only one rule. Until you understand this fundamental rule, you have to try to follow other rules which are given. Rules are particularly important in connection with organization of groups, because, since people come without knowing one another and without knowing what it is all about, certain rules have to be imposed. For instance, one of the rules that applies to new people is that they should not talk to people outside about what they hear at lectures. People begin to realize the importance of this rule only when this form of talk turns against them, when their friends insist on their talking and they no longer want to talk. This rule is to help people not to lie, because when they speak about things they do not know, they naturally begin to lie. So if, after listening to one or two lectures, people begin to talk about what they have heard and express their opinions, they begin to lie. Most people are too impatient, they do not give themselves enough time, they come to conclusions too soon and so cannot help lying. But the chief reason for this rule is that it is a principle of school-work not to give ideas but to keep them from people, and to give them only on certain conditions which safeguard them from being distorted. Otherwise they will be distorted the next day; we have had enough experience of that. It is very important to prevent these ideas from deteriorating, because it may be said that a school is something where people and ideas do not die. In life both people and ideas die, not at once, but die slowly. Another reason for this rule is that it is a test, an exercise of will, an exercise of memory and understanding. You come here on certain conditions; the first condition is that you must not talk, and you must remember it. This helps enormously to self remember, because it goes against all ordinary habits. Your ordinary habit is to talk without discrimination. But in relation to these ideas you must discriminate


One of the most important things in every kind of school is the idea of rules. If there are no rules, there is no school. Not even an imitation school can exist without rules. If it is an imitation school there will be imitation rules, but there must be some kind of rules. One definition of a school is that it is a certain number of people who accept and follow certain rules. Rules are not for convenience, they are not for comfort— they are for inconvenience and discomfort, and in that way they help self remembering. You must understand that all rules are for self-remembering, although they also have a purpose in themselves. If there are no rules and the importance of rules is not understood, there is no work. The important thing to realize about rules is that there is really only one rule, or it is better to say one principle—that one must not do anything unnecessary. Now try to understand that Why cannot we 'do' in the right sense? Because we do so many unnecessary things Every moment of our life we do hundreds of unnecessary things, and because of that we cannot 'do' and must first learn not to do anything unnecessary. First we must learn not to do unnecessary things in relation to the work, and later in connection with our own lives. It may take a long time, but this is the way to learn. You must do this, you must not do that; this is all specifications, but there is only one rule. Until you understand this fundamental rule, you have to try to follow other rules which are given


There is an expression in the system, 'to create moon in oneself. Let us talk about what it may mean. It is a symbolical expression, and symbols in the form of diagrams or symbolical expressions are used for very definite purposes. A symbol expresses many ideas at once. If it meant only one idea, the answer would be simple; but a symbol is used to avoid long descriptions and to put many ideas into one sentence. How to decipher a diagram or symbolical expression? In order to decipher a symbol, it is necessary to know the order of ideas included in it. \r\n\r\nNow, if we ask what it may mean to create moon in oneself, we must first ask ourselves, what is the moon's function in relation to organic life? The moon balances organic life—all external movements are balanced by the moon. What will happen if this function of the moon disappears? Will it be beneficial to an individual man or the opposite? We must realize that all this refers to being. What are the features of our being? The chief feature of our being is that we are many. If we want to work on our being, make it correspond more to our aim, we must try to become one. But this is a very far aim. \r\n\r\nWhat does it mean to become one? The first step, which is still very far, is to create a permanent centre of gravity. This is what creating moon in oneself means. The moon is a permanent centre of gravity which balances our physical life, but in ourselves we do not have such a balance, so, when we create this balance or centre of gravity in ourselves we do not need the moon. But first we must decide what the absence of permanent 'I' means. We have been told about many features of this, but they must be established definitely by observation, and in order to come nearer to the idea of creating moon in oneself we must distinguish what is important and what is unimportant. Then we must begin to struggle against the features which prevent us becoming one. We must struggle with imagination, negative emotions and self-will. Before this struggle can be successful, we must realize that the worst possible kind of imagination, from the point of view of obtaining a centre of gravity, is the belief that one can do anything by oneself. After that, we must find the negative emotions which prevent us doing what is suggested in connection with the system. For it is necessary to realize that self-will can only be broken by doing what one is told. It cannot be broken by what one decides oneself, for then it will still be self-will. \r\n\r\nLet me repeat. Work on being is always struggle—against what you like doing or dislike doing. Say you like roller-skating and you are told to remember yourself. Then you must struggle against your desire to go roller-skating. What is there more innocent than roller-skating? But you must struggle against it all the same. Every day and every hour there are things we cannot do, but there are also things we can do. So we must look at a day and see what we can do but do not do. There can be no rule 'You must remember yourself'. If you are told to do or not to do something, and you do not try, it means you do not want anything, you do not want to work. You have sufficient knowledge. Now it is necessary to push work on being. We always try to escape from doing what is suggested.


At moments of effort, or soon after, you may realize that it is a wrong effort, that you cannot get what you want with it. For every definite aim there is a corresponding effort. If you catch yourself using a wrong effort, it means it is a wrong triad. You may not be able to use the right triad, but you can stop using a wrong one. What is new about this idea of activities is that they are different in themselves. For us action is action. At present it is enough to understand that the results of actions we see in life—particularly if we do not like them or find fault with them—are often due to wrong triads used to attain a given aim. If we understand this we will understand that by a given activity we are bound to arrive only where we do arrive and nowhere else. To arrive at some other place we should use a different activity. But at present we cannot choose, because we do not know


All the absurdities of life depend on the fact that people do not understand that certain things can be done with only one kind of triad. They use a wrong triad, a wrong kind of action, and are surprised that the results are not what they wanted. For instance, it is no good trying to teach by beating, or trying to persuade with machine-guns. Find your own and better examples of the wrong use of triads and you will see that certain results can be obtained only by an appropriate action


We can 'do' some inner actions, for we have a certain control. For instance, we have a certain control of our thoughts: we can think about one thing or another. This is the beginning of the possibility. If we continue to keep our interests directed in a certain line, our thinking process acquires a certain power and, after some time, it can create at least moments of self-awareness which, when it comes more often and stays longer, can begin to change other things. So there are ways out of this absolute mechanicalness. But if one is in conditions of ordinary life, without knowing that everything happens, one can do nothing. The real possibility of changing these conditions begins with control of thoughts and control as far as possible of consciousness, that is, with inner work on ourselves. By doing this inner work, by trying to acquire control of oneself, one learns how to 'do'. It does not mean one can 'do', for one cannot; but if one begins, then, little by little, one learns how to 'do


There is one very important principle in the work—you never have to work in accordance with your force, but always beyond your force. This is a permanent principle. In the work you always have to do more than you can; only then can you change. If you do only what is possible you will remain where you are. One has to do the impossible. You must not take the word 'impossible' on too big a scale, but even a little means much. This is different from life—in life you only do what is possible. It is necessary to put more energy into things—into self study, self-observation, self-remembering and all that. And in order to put more energy into your work it is necessary to find where it is being spent. You awake every morning with a certain amount of energy. It may be spent in many different ways. A certain amount is necessary for self-remembering, study of the system and so on. But if you spend this energy on other things, nothing remains for that. This is really the chief point. Try to calculate every morning how much energy you intend to put into work in comparison with other things. You will see that even in elementary things, simply in relation to time, you give very little to the work, if you give any at all, and all the rest is given to quite useless things. It is good if they are pleasant things, but in most cases they are not even pleasant. Lack of calculation, lack of these elementary statistics is the reason we do not understand why, with all our best intentions and best decisions, in the end we do nothing. How can we do anything if we do not give any energy or time to it? If you want to learn a language, you must learn a certain number of words every day and give some time to the study of grammar and so on. If you want to learn Russian and begin by learning five words a day, I will guarantee that you will never learn it. But if you learn two hundred words a day, in a few months you will understand Russian. It all depends on elementary statistics. In every kind of work or study there is a certain standard. If you give it a certain amount of energy and time, but just not enough, you will have no results. You will only turn round and round and remain approximately in the same place.


You must remember that when it was said that things happen to all people and that people cannot 'do' anything, that referred to ordinary conditions in ordinary life—what is called normal life. But in this work we are trying to get out of this 'normal' life, so we already must 'do'. Only we must first learn what we can 'do', because in our present conditions many things will continue to happen; but in certain things we can already have choice, we can show our preference, our will, as much as we can have will. So 'us' cannot be used in the same way as before. But you must understand that at first, the difference is not between 'doing' and 'not doing', but between trying to 'do' and trying to understand, and at present all your energy must be concentrated on trying to understand. What you can try to 'do' has been explained. We are trying to find things we can control in ourselves, and if we work on them, we will acquire control. This is all the 'doing' that is possible at the moment. \r\n\r\nQ. Is the full realization that we cannot 'do' anything already a long step on the way to 'doing'? \r\n\r\nA. Sometimes the step is too long, because every idea prolonged too far becomes its own opposite. So if you persuade yourself too seriously that you can do nothing, you will find that you really can do nothing. It is a question of relativity. As I said, not being able to 'do' refers to people without any possibility of school-work.


If you help a poor person, it happens. If someone takes from this poor person what little remains to him, this also happens. One person will give him a penny, another will take away the last he has. It is first necessary to understand the principle that nobody can 'do' anything. If you think of life, not personal life but the life of humanity, wars, revolutions, you will see this clearly. You must try to find a right case for observation, because if you find something too small you will not see it. But if you find the right case, right conditions, right circumstances, you will very soon see whether you can do something or not. The simplest thing is to try and remember yourself. Can you do it or not? People think they can 'do' because sometimes they make certain plans and really get what they wanted. But this only means that they have got into a certain stream of events and things happened to coincide with their plan. When things happen like that we think that we did it, that we made a plan and did everything according to this plan. In reality it does not mean that we did it on purpose or knowingly and it does not mean that one can choose one stream of events or another stream; it is just accident. In every kind of work, in business, in travel and so on, it sometimes happens that things go successfully, but this only means that at a given moment, in a given place things went mechanically in a certain way—nothing more. It is difficult for us to realize, for example, that when people build a bridge, that is not 'doing'; it is only the result of all previous efforts. It is accidental. To understand this, you must think of the first bridge that Adam built and of all the evolution of bridge. At first it is accidental—a tree falls across a river, then man builds something like that, and so on. People are not 'doing'; one thing comes from another.


Energy created in the organism is kept in a certain big accumulator which is connected with two small accumulators placed near each centre. Supposing man begins to think and uses the energy of one of the small accumulators of the intellectual centre. The energy in the accumulator gets lower and lower, and when it is at its lowest he gets tired. Then he makes an effort, or has a short rest, or yawns, and becomes connected with the second small accumulator. It is very interesting that yawning is a special help provided by nature for passing from one accumulator to another. He goes on thinking and drawing energy from the second accumulator, is again tired, yawns, or lights a cigarette, and becomes connected again with the first small accumulator. But that accumulator may be only half filled and is quickly exhausted. He becomes connected once more with the second, which is only a quarter filled, and so it goes on until time may come when both accumulators are empty. If at that moment a man makes a special effort of the right kind he may become connected directly with the big accumulator. This is one explanation of miracles, for he will then have an enormous supply of energy. But this needs a very great effort—not an ordinary effort. If he exhausts the big accumulator he dies, but generally he falls asleep or becomes unconscious long before that, so there is no danger. In ordinary life this connection with the big accumulator sometimes happens in extraordinary circum stances, such as moments of extreme danger. This is why there is this system of small accumulators. If one could be easily connected with the big accumulator one might, for example, never stop being angry for a week, and then one would die. So generally one does not become connected with the big accumulator until one has control over negative emotions. Emotions are stronger than other functions, so if one were to get into a negative emotion and had unlimited energy it would be too dangerous


You cannot stop impressions altogether, but, as I said, you can keep off undesirable impressions and attract to yourself another kind of impressions, for we must already understand that certain impressions we must not admit. There are many wrong impressions which may spoil one's whole life if one admits them for a sufficiently long time, or if one has the habit of looking for certain bad impressions. For instance, people stand in the street looking at a street accident, and then talk about it until the next accident. These people collect wrong impressions. People who gather all kinds of scandal, people who see something wrong in everything—they also collect wrong impressions. You have to think not so much about choosing the right impressions as about isolating yourself from wrong impressions. Only by doing this will you have a certain control. If you try to choose right impressions, you will only deceive yourself. So, although you cannot bring desirable impressions to yourself, you can, even from the very beginning, learn to control them by isolating yourself from certain kinds of wrong impressions. Again you must remember that, in order to control impressions, you must already awake to a certain extent. If you are asleep, you cannot control anything. In order to control quite simple, obvious things you must awake and practise, because if you are accustomed to impressions of a certain kind which are wrong for you, it will take some time. One 'I' will know that it is necessary to isolate yourself, but maybe ten other 'I's will like these impressions


If we take the Ray of Creation, we must remember that the worlds are connected with one another and affect one another in accordance with the Law of Three. In other words, the first three worlds, taken together, produce the phenomenon which influences the following worlds, and so on. In the first three worlds the Absolute is the conductor of the active force. World 3 the conductor of the passive force, and World 6 the conductor of the neutralizing force. In other words, the Absolute is Carbon, World 3 is Oxygen and World 6 is Nitrogen. If we place the three forces in sequence, according to the order in which they unite, we will get the order 1, 2, 3; but the matters serving as conductors of these forces will, according to their density, stand in the order: carbon, nitrogen, oxygen. So when the triad begins to form, they stand in the order 1, 3, 2. When matters stand in this order, phenomena are produced. But for subsequent creation, for the formation of the next triad, nitrogen must, as it were, return once more to the third place, to the order 1, 2, 3, and in this way become carbon of the next triad, for the second triad comes from the neutralizing force of the first triad becoming active. This change of place of matters in the triad is a kind of cosmic dance which produces action. Let us now try to see how forces emerging from the Absolute in order to manifest themselves in World 3 must first pass through World 6. An analogy shows us quite plainly the necessity of this direction of force. As I said, man's will can influence a fragment of tissue in certain parts of his body. But a tissue is composed of cells. In order to affect the tissue man's will must first influence the cells composing the given fragment of tissue. The tissue is a different world from cells, but at the same time tissues do not exist apart from cells for they are composed of cells. World 3 is a separate world from World 6, and at the same time it is composed of Worlds 6, that is of worlds similar to our Milky Way. So in order to influence a part of World 3 (All Worlds) the Absolute must first influence a certain number of Worlds (All Suns) of which World 3 is composed. Thus, in the passage of forces. Worlds 1, 3, 6 stand, at first, in the order 1, 3, 6, then in the order 1, 6, 3, and then, for a further passage of forces, they must again resume the order 1, 3, 6. In the next triad the Milky Way is carbon, the sun oxygen and the planets nitrogen. Since nitrogen stands between carbon and oxygen, the force coming from the Milky Way, that is, from the stars, must first pass through the planets in order to reach the sun. This may look strange at the first glance, but if we visualize the structure of the solar system, we shall see quite clearly that it cannot be otherwise. No analogies are needed here. Imagine the sun surrounded by planets moving round it; in the distance, some group of stars from which influences go forth towards the sun. But the sun does not stand in one place; we know that it moves; the planets, rotating round it, move with it in space, forming, each of them by its motion, a spiral round the central rod of the sun, so that this central rod is entirely enclosed in the spirals of planets and no influence can reach it without first passing through the world of planets, that is, penetrating through the rings of the spirals. Further, planets becoming carbon of the third triad must find corresponding oxygen and nitrogen. In our Ray of Creation, oxygen is earth. But there is no nitrogen in the astronomical Ray of Creation. Therefore the planets cannot pass their influence direct to earth, and in order to make the passage of forces possible between the planets and the earth, a special contrivance was created which represents the sensitive organ of the earth—organic life on earth. Organic life on earth is nitrogen of the third triad. Forces coming from the planets fall first on organic life, which receives them and passes them on to the earth. If we remember the extremely complicated organization of the ends of sensitive nerves in our own organism, for instance the ends of the nerves of taste and smell, we shall not think it strange that man is defined as a sensitive nerve-end of the earth. Of course, a meadow covered with grass diners in many ways from man—it receives only some planetary influences, and very few of these. Man receives much more complex influences. But people differ greatly from one another in this respect. The majority of men are important only in the mass, and only the mass receives one or another influence. Others are capable of receiving influences individually— influences which masses cannot receive, for they are sensitive only to coarse influences. Organic life on earth, playing the role of nitrogen of the third triad, is by this very fact carbon of the fourth triad in the Ray. In other words, it conducts the active force which meets with corresponding oxygen and nitrogen. Earth is oxygen and moon is nitrogen through which the influences of organic life pass to earth. Now, if we take the Ray of Creation divided into four triads and bear in mind that the sum total of each triad is a definite hydrogen, we shall get four hydrogens or four definite densities of matter. These four hydrogens can be taken as corresponding to the four fundamental points of the universe. The first corresponds to the Absolute, the second to the sun, the third to the earth and the fourth to the moon. I said that the Ray of Creation can be taken as an octave. After re, represented by the moon, the octave has its do, which is also the Absolute. So there are, as it were, two Absolutes: one begins the Ray, the other ends it. One Absolute is All, the other is Nothing. But there can be no two Absolutes, for, by its very nature, the Absolute is one. Therefore All includes Nothing and Nothing includes All. Our dualistically constructed mind cannot take in the identity of opposites. We divide everything, even the Absolute. In reality, what we call the antithesis of opposites exists only in our conception, in our subjective perception of the world. But, even when we understand this, we are unable to express this understanding in words; our language has no words which can include simultaneously thesis and antithesis. Our mind cannot grasp them as one idea, just as it cannot grasp the images of some Hindu gods, combining complete opposites in themselves. Now we shall examine the passage of radiations between the four fundamental points of the cosmic octave. We take radiations between each two points in the form of an octave and thus obtain three octaves; Absolute—Sun; Sun—Earth; Earth—Moon. It should be noted that, although there are six intervals, only three of them require to be filled from without. The intervals between do and si are filled by the Will of the Absolute, by the influence of the sun's mass on the radiations passing through it, and by the influence of the mass of the earth on the radiations passing through it. All the hydrogens in this Table represent matters with which we have to do in studying man. It has been scaled down twice in order to include only the hydrogens that have relation to man, both to his outer life and the inner life of his organism.


The Ray of Creation is a help, an instrument or method for new thinking. We know about the division of man into seven categories, and everything else should be divided in the same way. Ordinary thinking is divided into thinking No. 1, 2 and 3. Thinking No. 1 is chiefly imitative; thinking No. 2 is more emotional, based on likes and dislikes; thinking No. 3 is theoretical, logical thinking, which is quite good in its place, but when it is applied to things that are beyond its power it becomes quite wrong. This is all we know in ordinary life. From the Ray of Creation begins thinking No. 4, and this you must try to understand. The Ray of Creation is not another theory, like other theories you know; it is a certain rearrangement of the material you have already. And thinking No. 4 is thinking which, little by little, disposes of all contradictions. In thinking No. 3, whatever line one takes, one immediately finds some other theory which will contradict that particular theory. In thinking No. 4, not at once but gradually, one comes to a certain understanding of the fact that it is possible, to think without contradictions, to understand that contradictions are not really contradictions


You must understand that you cannot even begin to work on the level you are; you have to change certain things first. You can find what to change only as a result of your observations. Sometimes it becomes very clear, and only then does the fight begin, because false personality begins to defend itself. You must know false personality first. All that we speak about now, refers to the first stage—understanding that we do not know false personality, that in order to know it we must study, that all the work we do is done at the expense of false personality, that all the work we can do on ourselves means diminishing the power of false personality, and that if we begin to try and work, leaving false personality without disturbing it, all the work will come to nothing. I repeat again—you must understand that false personality is a combination of all lies, features and 'I's that can never be useful in any sense, either in life or in the work—just like negative emotions. Yet false personality always says 'I' and always ascribes to itself many capacities, such as will, self-consciousness and so on, and if it is not checked it remains an obstacle to all the work. So one of the first and most important factors, in trying to change oneself, is this division of oneself into 'I' and whatever your name may be. If this division is not made, if one forgets it and continues to think of oneself in the usual way, or if one divides oneself in a wrong way, work stops. Work on oneself can only progress on the basis of this division, but it must be the right division. It often happens that people make a wrong division: what they like in themselves they call 'I' and what they dislike, or what in their opinion is weak or unimportant, they call false personality. This is quite a wrong division; it changes nothing and one remains as one was. This wrong division is simply lying, lying to oneself, which is worse than anything, because the moment one meets with the smallest difficulty it will show itself by inner arguing and wrong understanding. If one uses a wrong division, it will not be reliable and will fail one in a moment of need. To make a right division of oneself one must understand what is 'I' and what is 'Ouspensky', 'Brown' or 'Jones', in other words, what is lying and what is oneself. As I said, even if you admit this possibility of dividing yourself, you are bound to call what you like in yourself 'I' and what you dislike 'Not I', for the right division cannot be found at once; you must find some indications in connection with the work which will help. For instance, if you say that your aim is to be free, it is first of all necessary to understand that you are not free. If you understand to what extent you are not free and if you formulate your desire to be free, you will then see in yourself which part of you wants to be free and which part does not. This would be a beginning


All our life, all our habitual ways of thinking, have only one aim—to avoid shocks, unpleasant feelings, unpleasant realizations about ourselves. And this is the chief thing that keeps us asleep, because in order to awake we must not be afraid; we must be brave enough to see the contradictions. Even quite apart from the question of conscience, it is important to find in yourself that, when you have strong emotions (it does not refer to small emotions), when you feel strongly about some particular thing, you may be practically certain that at another moment you will have a different emotion about the same thing. If you cannot see it in yourself, see it in other people. When you realize the existence of these contradictory emotions, it will help you to understand your mechanicalness and your lack of understanding of yourself—lack of self-knowledge. So long as we feel different emotions at different times, what are we like? One moment we trust, another moment we are suspicious; one moment we like, another moment we dislike. So the aim is to bring those different emotions together, otherwise we will never know ourselves. If we always feel only one emotion at a time and do not remember other emotions, we are identified with it. When we have another emotion we forget the first; when we have a third, we forget the first and the second. Very early in life, by imitation and in different other ways, we learn to live in a kind of imaginary state to save ourselves from unpleasantness, so people develop in themselves this capacity to see only one emotion at a time. Remember to work. Remember yourself in one mood, then remember yourself in another mood. Try to connect them together and you will see


Conscience is a state in which one cannot hide anything from oneself, and it must be developed in man. This development is parallel and simultaneous with the development of consciousness. We cannot say that we do not have it, so it does not mean a special development of something that does not exist in us, only in our life it is behind the scenes, buried very deep down in us and asleep. It may awake for a moment in ordinary life, and when it does, particularly at first, it always brings suffering, for it is very unpleasant to face the truth about oneself


We must work on change of being, but if we work on that as we do everything in ordinary life, life will not be long enough. It is possible to get a durable change of being only if we use the perfected methods of school work, otherwise our attempts will be too scattered. The first condition of such work is not to believe anything, to verify everything one learns; and the second condition is not to do anything unless one understands why and for what purpose one is doing something. So it depends on understanding; all short-cuts depend on understanding


Q. Could you, please, say again which is internal and which external considering? A. External considering is a form of self-remembering in relation to people. You take other people into consideration and do, not what is pleasant to you, but what is pleasant to them. It means you must sacrifice yourself, but it does not mean self sacrifice. It means that in relation to people you must not act without thinking. You must think first, and then act. Your thinking will show you that, more often than not, if this person would prefer you to act in one manner and not in another, it is all the same to you, so why not do what he likes? So the idea of sacrifice does not enter into it. But if it is not the same to you, it is quite a different question. What is better for you, what is better for them, who those people are, what you want from them, what you want to do for them—all this must enter into it. But the idea is that in relation to people things must not happen mechanically, without thinking. You must decide your course of action. It means you do not walk over people without seeing them. And internal considering means that you walk over them without noticing. We have too much internal and not enough external considering. External considering is very important for self-remembering. If we have not got enough of it, we cannot remember ourselves. Q. Is it the same as understanding people? A. No, you can understand people only as much as you understand yourself. It is understanding their difficulties, understanding what they want, watching the impression you produce on people and trying not to produce a wrong impression. Q. Would you say that kindness is external considering? A. What you knew in life is not external considering. It is necessary to understand the principle and create standards for oneself. With the help of external considering you control the impression you wish to produce. With internal considering you wish to produce one impression and produce a different one. Q. External considering seems to me very far away. A. It must be here to-day. If it remains far away, you remain far away yourself. Q. Does external considering involve the ability to play a conscious role? A. Yes, but there are different degrees. External considering is only the beginning; to play a conscious role means much more. Q. And what is internal considering? A. Feeling that people do not pay you enough; making accounts; always feeling cheated, underpaid. Q. I find it very difficult to stop inner considering. Is there any special technique to be employed against it? A. No, there is no special technique—only understanding and right points of view. Observe more. Perhaps you will find moments free from considering and see how to begin struggling with it and studying it. It is mechanical, a mechanical attitude, the same as identification. Q. Is self-justification always a manifestation of internal considering? A. It is connected with it, but it is another thing. Internal considering does not need any justification. One must have a reason for justifying, but if one is in internal considering, one always justifies it. Internal considering means identification; external considering means struggle with identification. Internal considering is mechanical; external considering means at least attention. So by practising non-identifying, by trying to control attention, you find many opportunities of studying external considering and, if you find examples, perhaps you will find methods of struggling with internal considering and transforming it into the practice of external considering. For instance, you are talking to somebody from whom you want to get something. Say he knows something and you want him to tell you what he knows. Then you must speak in the way he would like, not argue, not oppose him. External considering is always practical. Q. Does inner considering mean considering oneself too much? A. It always takes the form of inner bargaining, of thinking that other people do not consider you enough. It is very important to understand inner considering. There are so many subtle forms of it we do not notice, and yet our life is filled with it. Q. Is desire to be noticed considering? A. Both desire to be and not to be noticed is considering. There are many psychological states that ordinary psychology cannot explain or describe which depend on identifying and considering. Q. How is it best to think of inner considering? A. You must try in free moments to have a right mind about it. When you are considering, it is too late. You must think of typical cases of considering, of what produces it, and then have a right point of view about it, realize how useless and ridiculous it is. Then compare it with external considering, and try not to forget it. If you do this you may remember it when a moment of considering comes, and perhaps it will not come. What is really important is to think about considering when you are free from it, and not justify or hide it from yourself. Q. The more I try to work, the more I seem to consider internally. It seems the most difficult thing to deal with. A. Considering cannot grow if you work, it only becomes more visible. And that means that it diminishes, for it cannot be seen without it diminishing. The fact that you notice it proves that it has become less strong. This is a natural illusion, the same as when one feels that one does not understand whereas before one understood. This means that one begins to understand. The first doubt about one's understanding already means a certain understanding.


Q. I think I have not got the right idea about identification. Does it mean that things control us and not that we control things? \nA. Identification is a very difficult thing to describe, because no definitions are possible. Such as we are we are never free from identifying. If we believe that we do not identify with something, we are identified with the idea that we are not identified. You cannot describe identification in logical terms. You have to find a moment of identification, catch it, and then compare things with that moment. Identification is everywhere, at every moment of ordinary life. When you begin self-observation, some forms of identification already become impossible. But in ordinary life almost everything is identification. It is a very important psychological feature that permeates the whole of our life, and we do not notice it because we are in it. The best way to understand it is to find some examples. For instance, if you see a cat with a rabbit or a mouse — this is identification. Then find analogies to this picture in yourself. Only, you must understand that it is there every moment, not only at exceptional moments. Identification is an almost permanent state in us. You must be able to see this state apart from yourself, separate it from yourself, and that can only be done by trying to become more conscious, trying to remember yourself, to be aware of yourself. Only when you become more aware of yourself are you able to struggle with manifestations like identification. \n\nQ. I find when I am identified it is nearly always with things inside me. \nA. Perhaps you are right; perhaps you are not right. You may think you are identified with one thing when in reality you are identified with quite a different thing. This does not matter at all; what matters is the state of identification. In the state of identification you cannot feel right, see right, judge right. But the subject of identification is not important: the result is the same. \n\nQ. So what is the way to overcome identification? \nA. That is another thing. It is different in different cases. First it is necessary to see; then it is necessary to put something against it. \n\nQ. What do you mean by 'put something against it'? \nA. Just turn your attention to something more important. You must learn to distinguish the important from the less important, and if you turn your attention to more important things you become less identified with unimportant things. You must realize that identification can never help you; it only makes things more confused and more difficult. If you realize even that—that alone may help in some cases. People think that to be identified helps them, they do not see that it only makes things more difficult. It has no useful energy at all, only destructive energy. \n\nQ. Is identification mainly emotion? \nA. It always has an emotional element—a kind of emotional disturbance, but sometimes it becomes a habit, so that one does not even notice the emotion. \n\nQ. I realize that it is important to be emotional in the right way, but when I feel something emotionally in the work, I soon destroy the whole thing. \nA. Only identification is destructive. Emotion can only give new energy, new understanding. You take identification for emotion. You do not know emotion without identification, so, in the beginning, you cannot visualize an emotion free from it. People often think they speak about an emotional function when in reality they speak about identification. \n\nQ. Is it possible for us, as we are now, to have any feeling at all without identifying? \nA. Very difficult, unless we begin to watch ourselves. Then easy kinds of identification—I mean easy individually—will respond to treatment. But everyone has his own specialties in identification. For instance, it is easy for me not to identify with music, for another it may be very difficult. \n\nQ. Is love without identification possible? \nA. I would say love is impossible with identification. Identification kills all emotions, except negative emotions. With identification only the unpleasant side remains. \n\nQ. Non-identifying does not mean aloofness? \nA. On the contrary, aloofness needs identification. Non-identifying is quite a different thing. \n\nQ. If you are identified with an idea, how can you stop it? \nA. First by understanding what identification means and then by trying to remember yourself. Begin with simple cases, then later you can deal with the more difficult. \n\nQ. As you develop self-remembering do you acquire a sort of detached attitude, more free from identification? \nA. Detached attitude in the sense that you know your attitudes better; you know what is useful to you and what is not useful. If you do not remember yourself it is easy to make a mistake about it. For instance, one can undertake some kind of study that is really quite useless. Self-remembering helps understanding, and understanding always means bringing everything to a certain centre. You must have a central point in all your work, in all your attitudes, and self-remembering is a necessary condition for that. We must talk more about identifying if it is not clear. It will become more clear when you find two or three good examples. It is a certain state in which you are in the power of things. \n\nQ. If I look closely and think deeply, does it mean I have become identified? \nA. No, identifying is a special thing, it means losing oneself. As I said, it is not so much a question of what one is identified with. Identification is a state. You must understand that many things you ascribe to things outside you are really in you. Take for instance fear. Fear is independent of things. If you are in a state of fear, you can be afraid of an ash-tray. This often happens in pathological states, and a pathological state is only an intensified ordinary state. You are afraid, and then you choose what to be afraid of. This fact makes it possible to struggle with these things, because they are in you. \n\nQ. Can we have any understanding with identification? \nA. How much can you understand in deep sleep, which is what identification is? If you remember your aim, realize your position and see the danger of sleep, it will help you to sleep less. \n\nQ. What is the difference between sympathy and identification? \nA. It is quite another thing; it is a normal and legitimate emotion and can exist without identification. There may be sympathy without identification and sympathy with identification. When sympathy is mixed with identification, it often ends in anger or another negative emotion. \n\nQ. You spoke of losing oneself in identification. Which self? \nA. All, everything. Identifying is a very interesting idea. There are two stages in the process of identifying. The first stage denotes the process of becoming identified, the second a state when identification is complete. \n\nQ. The first stage is quite harmless? \nA. If it attracts too much attention and occupies too much time, it leads to the second. \n\nQ. When you desire something, can you desire it without identification? \nA. Identification is not obligatory. But if you desire to hit someone, you cannot do it without identification; if identification disappears, you do not want to any longer. It is possible not to lose oneself; losing oneself is not a necessary element at all. \n\nQ. Is it possible to identify with two things at once? \nA With ten thousand! It is necessary to observe and observe. From one point of view struggling with identification is not so difficult, because, if we can see it, it becomes so ridiculous that we cannot remain identified. Other people's identification always seems ridiculous and ours may become so too. Laughter may be useful in this respect if we can turn it on ourselves. \n\nQ. I cannot see why identification is a bad thing. \nA. Identification is a bad thing if you want to awake, but if you want to sleep, then it is a good thing. \n\nQ. Would not everything we do suffer if we kept our minds on keeping awake instead of attending to what we are doing? \nA. I have already explained that it is quite the opposite. We can do well whatever we are doing only as much as we are awake. The more we are asleep, the worse we do the thing we are doing—there are no exceptions. You take it academically, simply as a word, but between deep sleep and complete awakening there are different degrees, and you pass from one degree to another. \n\nQ. If we feel more awake, we should not overtax these moments, should we? \nA. How can we overtax them? These moments are too short even if we have glimpses. We can only try not to forget them and act in accordance with these moments. This is all we can do. \n\nQ. Can you say that identification is being in the grip of something, not being able to shake off some idea in mind? \nA. Being in the grip of things is an extreme case. There are many small identifications which are very difficult to observe, and these are the most important because they keep us mechanical. We must realize that we always pass from one identification to another. If a man looks at a wall, he is identified with the wall. \n\nQ. How does identification diner from associations? \nA. Associations are quite another thing; they can be more controlled or less controlled, but they have nothing to do with identification. Different associations are a necessary part of thinking; we define things by associations and we do everything with the help of associations. \n\nQ. I cannot see why an 'I' changes. Can the cause always be seen in some identification? \nA. It is always by associations. A certain number of 'I's try to push their way to the front, so as soon as one loses oneself in one of them it is replaced by another. We think that 'I's are just passive, indifferent things, but emotions, associations, memories, always work. That is why it is useful to stop thinking, even occasionally, as an exercise. Then you will begin to see how difficult it is to do it. Your question simply shows that you have never tried, otherwise you would know. \n\nQ. Is concentration identification? \nA. Concentration is controlled action; identification controls you. \n\nQ. Is concentration possible for us? \nA. There are degrees. Intentional concentration for half an hour is impossible. If we could concentrate without external help, we would be conscious. But everything has degrees. \n\nQ. Is the beginning of a new observation identification with the object you observe? \nA. Identification happens when you are repelled or attracted by something. Study or observation does not necessarily produce identification, but attraction and repulsion always does. Also, we use too strong a language, and this automatically produces identification. We have many automatic appliances of this sort. \n\nQ. What can I do about identification? I feel that I always lose myself in whatever I do. It does not seem possible to be different. \nA. No, it is possible. If you have to do something, you have to do it, but you may identify more or identify less. There is nothing hopeless in it so long as you remember about it. Try to observe; you do not always identify to the same extent; sometimes you identify so that you can see nothing else, at other times you can see something. If things were always the same, there would be no chance for us, but they always vary in degree of intensity, and that gives a possibility of change. Everything we do, we have to learn in advance. If you want to drive a car, you have to learn beforehand. If you work now, in time you will have more control. \n\nQ. Why is it wrong to be completely absorbed in one's work? \nA. It will be bad work. If you are identified, you can never get good results. It is one of our illusions to think that we must lose ourselves to get good results, for in this way we only get poor results. When one is identified, one does not exist; only the thing exists with which one is identified. \n\nQ. Is the aim of non-identifying to free the mind from the object? \nA. The aim is to awake. Identifying is a feature of sleep; identified mind is asleep. Freedom from identifying is one of the sides of awakening. A state where identifying does not exist is quite possible, but we do not observe it in life and we do not notice that we are constantly identified. Identifying cannot disappear by itself; struggle is necessary. \n\nQ. How can anyone awake if identification is universal? \nA. One can only awake as a result of effort, of struggle against it. But first one must understand what to identify means. As in everything else, so in identification there are degrees. In observing oneself one finds when one is more identified, less identified or not identified at all. If one wants to awake, one must and can get free from identification. As we are, every moment of our life we are lost, we are never free, because we identify. \n\nQ. Can you give an example of identification? \nA. We identify all the time, that is why it is difficult to give an example. For instance, take likes and dislikes, they all mean identification, especially dislikes. They cannot exist without identification and generally they are nothing but identification. Usually people imagine that they have many more dislikes than they actually have. If they investigate and analyse them, they will probably find that they only dislike one or two things. When I studied it, there was only one real dislike that I could find in myself. But you must find your own examples; it must be verified by personal experience. If at a moment of a strong identification you try to stop it, you will see the idea. \n\nQ. But I still do not understand what it is! \nA. Let us try from the intellectual side. You realize that you do not remember yourself? Try to see why you cannot and you will find that identification prevents you. Then you will see what it is. All these things are connected. \n\nQ. Is non-identifying the only way to know what identifying is? \nA. No, as I explained, by observing it, because it is not always the same. We do not notice the temperature of our body except when it becomes a little higher or lower than normal. In the same way we can notice identification when it is stronger or weaker than usual. By comparing these degrees we can see what it is. \n\nQ. In struggling with identification is it necessary to know why one is identified? \nA. One is identified not for any particular reason or purpose, but in all cases because one cannot help it. How can you know why you identify? But you must know why you struggle. This is the thing. If you do not forget the reason why, you will be ten times more successful. Very often we begin struggling and then forget why. There are many forms of identification, but the first step is to see it; the second step is to struggle with it in order to become free from it. As I said, it is a process, not a moment; we are in it all the time. We spend our energy in the wrong way on identification and negative emotions; they are open taps from which our energy flows out. \n\nQ. Can one suddenly change the energy of anger into something else? One has tremendous energy at these moments. \nA. One has tremendous energy, and it works by itself, without control, and makes one act in a certain way. Why? What is the connecting link? Identification is the link. Stop identification and you will have this energy at your disposal. How can you do this? Not at once; it needs practice at easier moments. When emotion is very strong you cannot do it. It is necessary to know more, to be prepared. If you know how not to identify at the right moment, you will have great energy at your disposal. What you do with it is another thing; you may lose it again on something quite useless. But it needs practice. You cannot learn to swim when you fall into the sea during a storm— you must learn in calm water. Then, if you fall in, you may perhaps be able to swim. I repeat again: it is impossible to be conscious if you are identified. This is one of the difficulties that comes later, because people have some favourite identifications which they do not want to give up, and at the same time they say they want to be conscious. The two things cannot go together. There are many incompatible things in life, and identification and consciousness are two of the most incompatible. \n\nQ. How can one avoid the reaction which comes after feeling very enthusiastic? Is it due to identification? \nA. Yes, this reaction comes as a result of identification. Struggle with identification will prevent it from happening. It is not what you call enthusiasm that produces the reaction, but the identification. Identification is always followed by this reaction. \n\nQ. Is a bored man identified with nothing? \nA. Boredom is also identification—one of the biggest. It is identification with oneself, with something in oneself. \n\nQ. It seems to me I cannot study a person without losing myself in him or her, yet I understand that this is wrong? \nA. It is a wrong idea that one cannot study a person or anything else without losing oneself. If you lose yourself in anything, you cannot study it. Identifying is always a weakening element: the more you identify the worse your study is and the smaller the results. You may remember that in the first lecture I said that identifying with people takes the form of considering. There are two kinds of considering: internal and external. Internal considering is the same as identifying. External considering needs a certain amount of self-remembering; it means taking into account other people's weaknesses, putting oneself in their place. Often in life it is described by the word 'tact'; only tact may be educated or accidental. External considering means control. If we learn to use it consciously, it will give us a possibility of control. Internal considering is when we feel that people do not give us enough, do not appreciate us enough. If one considers internally one misses moments of external considering. External considering must be cultivated, internal considering must be eliminated. But first observe and see how often you miss moments of external considering and what an enormous role internal considering plays in life. Study of internal considering, of mechanicalness, of lying, of imagination, of identification shows that they all belong to us, that we are always in these states. When you see this, you realize the difficulty of work on oneself. Such as you are you cannot begin to get something new; you will see that first you must scrub the machine clean; it is too covered with rust. We think we are what we are. Unfortunately we are not what we are but what we have become; we are not natural beings. We are too asleep, we lie too much, we live too much in imagination, we identify too much. We think we have to do with real beings, but in reality we have to do with imaginary beings. Almost all we know about ourselves is imaginary. Beneath all this agglomeration man is quite different. We have many imaginary things we must throw off before we can come to real things. So long as we live in imaginary things, we cannot see the value of the real; and only when we come to real things in ourselves can we see what is real outside us. We have too much accidental growth in us. \n\nQ. If one retired from the world, surely one would overcome identification, considering and negative emotion? \nA. This question is often asked, but one cannot be at all sure that it would be easier. Besides you can find descriptions in literature of how people attained a very high degree of development in seclusion, but when they came in contact with other people they at once lost all they had gained. In schools of the Fourth Way it was found that the best conditions for study and work on oneself are a man's ordinary conditions of life, because from one point of view these conditions are easier and from another they are the most difficult. So if a man gets something in these conditions he will keep it in all conditions, whereas if he gets it in special conditions he will lose it in other conditions.


Q. I think I have not got the right idea about identification. Does it mean that things control us and not that we control things? A. Identification is a very difficult thing to describe, because no definitions are possible. Such as we are we are never free from identifying. If we believe that we do not identify with something, we are identified with the idea that we are not identified. You cannot describe identification in logical terms. You have to find a moment of identification, catch it, and then compare things with that moment. Identification is everywhere, at every moment of ordinary life. When you begin self-observation, some forms of identification already become impossible. But in ordinary life almost everything is identification. It is a very important psychological feature that permeates the whole of our life, and we do not notice it because we are in it. The best way to understand it is to find some examples. For instance, if you see a cat with a rabbit or a mouse—this is identification. Then find analogies to this picture in yourself. Only, you must understand that it is there every moment, not only at exceptional moments. Identifica tion is an almost permanent state in us. You must be able to see this state apart from yourself, separate it from yourself, and that can only be done by trying to become more conscious, trying to remember yourself, to be aware of yourself. Only when you become more aware of yourself are you able to struggle with manifestations like identification


Q. When do we cease to be under the law of accident? A. When we develop will. To be completely free from the law of accident is very far, but there are different stages between complete freedom and our present position. In ordinary conditions accident is opposed to plan. A man who in one or another case acts according to plan escapes in these actions from the law of accident. But actions conforming to plan are impossible in ordinary life except in conditions where the combination of accidental happenings chances to coincide with the plan. The reasons why it is impossible to fulfil a plan in life are, first of all,the absence of unity and constancy in man himself, and the new lines which continually enter man's line of actions and cross it. This can be easily verified if a man tries to follow a plan in anything that does not happen or is opposed to the general trend of momentums operating in his life; for instance, if a man tries to remember himself, to struggle with habits, to observe himself, and so on. He will see that his plan is not being fulfilled and the result is quite different from what he intended, or that everything stops altogether and even the initial impulse and the understanding of the necessity and usefulness of these attempts vanishes. But if he continues to study himself, to make efforts, to work, he will see that his relation to the law of accident gradually changes. Our being subject to the law of accident is a definite fact that cannot be changed completely. Such as we are we will always be under a certain possibility of accident. Yet little by little we can make accidental happenings less possible. The theory of accidents is very simple. They happen only when the place is empty; if the place is occupied, they cannot happen. Occupied by what? By conscious actions. If you cannot produce a conscious action, at least it must be filled by intentional actions. So when work and everything connected with it becomes in truth the centre of gravity of man's life, he becomes practically free from the law of accident.


Q. Can we have some rules or guidance to keep to in ordinary life conditions? A. Try to remember yourself, try not to identify. This will immediately produce an effect in ordinary life. What does life consist of? Negative emotions, identifying, considering, lying, sleep. The first point is: how to remember oneself, how to be more aware? And then you will find that negative emotions are one of the chief factors which make us unable to remember ourselves. So one thing cannot go without the other. You cannot struggle with negative emotions without remembering yourself more, and you cannot remember yourself more without struggling with negative emotions. If you remember these two things, you will understand everything better. Try to keep these two ideas, which are connected, in mind


Things happen in human life according to three laws: 1. The law of accident, when an event happens without any connection with the line of events we observe. 2. The law of fate. Fate refers only to things with which man is born: parents, brothers, sisters, physical capacities, health and things like that. It also refers to birth and death. Sometimes things can happen in our life under the law of fate, and at times they are very important things, but this is very rare. 3. The law of will. Will has two meanings: our own will, or somebody else’s will. We cannot speak of our own will, since, as we are, we have none. As regards another person's will, for the purposes of classification, every intentional action of another person may be called the result of this person's will. In studying human life it becomes clear that these definitions are not sufficient. It becomes necessary to introduce between accident and fate the law of cause and effect which controls a certain part of events in man's life, for the difference between events controlled by accident in the strict sense of the word and events resulting from cause and effect becomes abundantly clear. From this point of view we see a considerable difference between people in ordinary life. There are people in whose life the important events are the result of accident. And there are other people in whose case the important events of their life are always the result of their previous actions, that is, depend on cause and effect. Further observation shows that the first type of people, that is people depending on accident, never come near school work, or if they do, they leave very soon, for one accident can bring them and another can just as easily lead them away. Only those people can come to the work whose life is controlled by the law of cause and effect, that is who have liberated themselves to a considerable extent from the law of accident or who were never entirely under this law


Q. What is meant by the law of accident? \r\n \r\nA. The life of man-machine, of man who cannot 'do', who has no will or choice, is controlled by accident, for things in ordinary life happen mechanically, accidentally; there is no reason in them. And just as man's external life is controlled by accidental external influences, so is his inner life also controlled by both internal and external influences which are equally accidental. You will understand that, if you realize what it means that man is asleep, that he cannot 'do', cannot remember himself; when you think of the constant unconscious flow of thoughts in man, of day-dreaming, of identifying and considering, of mental conversations that go on in him, of his constant deviation towards the line of least resistance. People think that accidents are rare, but in actual fact most things that happen to them are accidental. What does accident mean? It means a combination of circumstances which is not dependent on the will of the man himself nor the will of another person, nor on fate, as do, for instance, conditions of birth and upbringing, nor on the preceding actions of the man himself. An accident happens when two lines of events cross one another. Suppose a man stands under the roof of a house, sheltering from rain, and a brick falls and hits him on the head. This would be an accident. There are two separate lines of cause and effect. Take the line of the man's movements and the fact that he happened to stop under the roof of that particular house; every small thing in it had a cause, but the brick did not enter into this line of cause and effect. Suppose the brick was negligently set and the rain made it loose and at a certain moment it fell. There is nothing in the life of the man or the life of the brick to connect them. The two lines of cause and effect meet accidentally.


Q. When you are in the middle of having a negative emotion such as bad temper, you cannot stop it just by thinking? A. No, but you can prepare the ground beforehand. If you can create a right attitude, then after some time it will help you to stop the negative emotion in the beginning. When you are in the middle of it you cannot stop it; then it is too late. You must not let yourself get into a bad temper; you must not justify it. Q. From what you say it seems to me you are presupposing an 'I' higher than others who can do this? A. Not higher, but some intellectual 'I's are free from the emotional centre and can see things impartially. They can say 'I had this negative emotion all my life. Did I get a penny? No. I only paid, and paid and paid. That means it is useless.


Every centre is adapted to work with a certain kind of energy, and it receives exactly what it needs; but all the centres steal from one another, and so a centre that needs a higher kind of energy is reduced to working with a lower kind, or a centre suited for working with a less potent energy uses a more potent, more explosive energy. This is how the machine works at present. Imagine several furnaces—one has to work on crude oil, another on wood, a third on petrol. Suppose the one designed for wood is given petrol: we can expect nothing but explosions. And then imagine a furnace designed for petrol and you will see that it cannot work properly on wood or coal. We must distinguish four energies working through us: physical or mechanical energy—for instance, moving this table; life energy which makes the body absorb food, reconstruct tissues, and so on; psychic or mental energy, with which the centres work, and most important of all, energy of consciousness. Energy of consciousness is not recognized by psychology and by scientific schools. Consciousness is regarded as part of psychic functions. Other schools deny consciousness altogether and regard everything as mechanical. Some schools deny the existence of life energy. But life energy is different from mechanical energy, and living matter can be created only from living matter. All growth proceeds with life energy. Psychic energy is the energy with which centres work. They can work with consciousness or without consciousness, but the results are different, although not so different that the difference can be easily distinguished in others. One can know consciousness only in oneself. For every thought, feeling or action, or for being conscious, we must have corresponding energy. If we have not got it, we go down and work with lower energy—lead merely an animal or vegetable life. Then again we accumulate energy, again have thoughts, can again be conscious for a short time. Even an enormous amount of physical energy cannot produce a thought. For thought a different, a stronger solution is necessary. And consciousness requires a still quicker, more explosive energy.


although a great many of our 'I's are disconnected and do not even know one another, they are divided into certain groups. This does not mean that they are divided consciously; they are divided by circumstances of life. These groups of 'I's manifest themselves as roles that a man plays in his life. Everybody has a certain number of roles: one corresponds to one set of conditions, another to another and so on. Man himself seldom notices these differences. For instance, he has one role for his work, another for his home, yet another among friends, another if he is interested in sport, and so on. These roles are easier to observe in other people than in oneself. People are often so different in different conditions that these roles become quite obvious and well defined; but sometimes they are better hidden or even played only inside without any external manifestations. All people, whether they know it or not, whether they wish it or not, have certain roles which they play. This acting is un conscious. If it could be conscious, it would be quite different, but one never notices how one passes from one role to another. Or if one notices it one persuades oneself that one is doing it on purpose, that it is a conscious action. In reality the change is always controlled by circumstances, it cannot be controlled by man himself, because he himself does not exist yet. Sometimes there are definite contradictions between one and another role. In one role one says one thing, has certain definite views and convictions; then one passes into another role and has absolutely different convictions and says absolutely different things, without noticing it, or else thinking that one does it on purpose. There are very definite causes which prevent man from seeing the difference between one role or mask and another. These causes are certain artificial formations called buffers. Buffer is a very good name for these appliances. Buffers between railway carriages prevent clashing, diminish the shock. It is the same with buffers between different roles and different groups of 'I's or personalities. People can live with different personalities without them clashing, and if these personalities have no external manifestation, they exist internally all the same. It is very useful to try to find what buffers are. Try to find how one lies to oneself with the help of buffers. Suppose one says 'I never argue'. Then, if one really has a good conviction that one never argues, one can argue as much as one likes and never notice it. This is the result of a buffer. If one has a certain number of good buffers, one is quite safe from unpleasant contradictions. Buffers are quite mechanical; a buffer is like a wooden thing, it does not adapt, but it plays its part very well: it prevents one seeing contradictions


Although a great many of our 'I's are disconnected and do not even know one another, they are divided into certain groups. This does not mean that they are divided consciously; they are divided by circumstances of life. These groups of 'I's manifest themselves as roles that a man plays in his life. Everybody has a certain number of roles: one corresponds to one set of conditions, another to another and so on. Man himself seldom notices these differences. For instance, he has one role for his work, another for his home, yet another among friends, another if he is interested in sport, and so on. These roles are easier to observe in other people than in oneself. People are often so different in different conditions that these roles become quite obvious and well defined; but sometimes they are better hidden or even played only inside without any external manifestations. All people, whether they know it or not, whether they wish it or not, have certain roles which they play. This acting is unconscious. If it could be conscious, it would be quite different, but one never notices how one passes from one role to another. Or if one notices it one persuades oneself that one is doing it on purpose, that it is a conscious action. In reality the change is always controlled by circumstances, it cannot be controlled by man himself, because he himself does not exist yet. Sometimes there are definite contradictions between one and another role. In one role one says one thing, has certain definite views and convictions; then one passes into another role and has absolutely different convictions and says absolutely different things, without noticing it, or else thinking that one does it on purpose. There are very definite causes which prevent man from seeing the difference between one role or mask and another. These causes are certain artificial formations called buffers. Buffer is a very good name for these appliances. Buffers between railway carriages prevent clashing, diminish the shock. It is the same with buffers between different roles and different groups of 'I's or personalities. People can live with different personalities without them clashing, and if these personalities have no external manifestation, they exist internally all the same. It is very useful to try to find what buffers are. Try to find how one lies to oneself with the help of buffers. Suppose one says 'I never argue'. Then, if one really has a good conviction that one never argues, one can argue as much as one likes and never notice it. This is the result of a buffer. If one has a certain number of good buffers, one is quite safe from unpleasant contradictions. Buffers are quite mechanical; a buffer is like a wooden thing, it does not adapt, but it plays its part very well: it prevents one seeing contradictions.


Author: Plato
Publisher: Penguin Classics (2003)

Following the birth of Aphrodite, the other gods were having a feast, including Resource, the son of Invention. When they'd had dinner, Poverty came to beg, as people do at feasts, and so she was by the gate. Resource was drunk with nectar (this was before wine was discovered), went into the garden of Zeus, and fell into drunken sleep. Poverty formed the plan of relieving her lack of resources by having a child by resource; she slept with him and became pregnant with love.\n\n 'Because he is the son of Resource and Poverty, Love's situation is like this. First of all, he's always poor; far from being sensitive and beautiful, as is commonly supposed, he's tough, with hardened skin, without shoes or home. He always sleeps rough, on the ground, with no bed, lying in doorways and by roads in the open air; sharing his mother's nature, he always lives in a state of need. On the other hand, taking after his father, he schemes to get hold of beautiful and good things. He's brave, impetuous and intense; a formidable hunter, always weaving tricks; he desires knowledge and is resourceful in getting it; a lifelong lover of wisdom; clever at using magic, drugs, and sophistry.\n\n 'By nature he is neither immortal nor mortal. Sometimes on a single day he shoots into life, when he's successful, and then dies, and then (taking after his father) comes back to life again. The resources he obtains keep on draining away, so that Love is neither wholly without resources nor rich. He is also in between wisdom and ignorance. The position is this. None of the gods loves wisdom or has the desire to become wise - because they already are; nor does anyone else who is already wise love wisdom. Nor do the ignorant love wisdom or have the desire to become wise. The problem with the ignorant person is precisely that, despite not being good or intelligent, he regards himself as satisfactory. If someone doesn't thing he's in need of something, he can't desire what he doesn't think he needs.


A bad man is the lover of the common type, who loves the body rather than the mind. He is not constant, because he loves something that is not constant: as soon as the bloom of the body fades, which is what attracted him, 'he flies away and is gone', bringing disgrace on all he said and promised. But the man who loves goodness of character is constant throughout his life, since he has become united with something constant.


Author: Thich Nhat Hanh
Publisher: Riverhead Trade (2007)

Our faith must be alive. It cannot be just a set of rigid beliefs and notions. Our faith must evolve every day and bring us joy, peace, freedom and love. Faith implies practice, living our daily life in mindfulness.


Publisher: Farrar Straus & Giroux (2008)

Hello, I'm Severn Suzuki speaking for E.C.O. - The Environmental Children's Organization.\n\n We are a group of twelve and thirteen-year-olds from Canada trying to make a difference:\n Vanessa Suttie, Morgan Geisler, Michelle Quigg and me. We raised all the money ourselves to come five thousand miles to tell you adults you must change your ways. Coming here today, I have no hidden agenda. I am fighting for my future.\n\n Losing my future is not like losing an election or a few points on the stock market. I am here to speak for all generations to come.\n\n I am here to speak on behalf of the starving children around the world whose cries go unheard.\n\n I am here to speak for the countless animals dying across this planet because they have nowhere left to go. We cannot afford to not be heard.\n\n I am afraid to go out in the sun now because of the holes in the ozone. I am afraid to breathe the air because I don't know what chemicals are in it.\n\n I used to go fishing in Vancouver with my dad until just a few years ago we found the fish full of cancers. And now we hear about animals and plants going exinct every day -- vanishing forever.\n\n In my life, I have dreamt of seeing the great herds of wild animals, jungles and rainforests full of birds and butterfilies, but now I wonder if they will even exist for my children to see.\n\n Did you have to worry about these little things when you were my age?\n\n All this is happening before our eyes and yet we act as if we have all the time we want and all the solutions. I'm only a child and I don't have all the solutions, but I want you to realise, neither do you!\n \n You don't know how to fix the holes in our ozone layer.\n You don't know how to bring salmon back up a dead stream.\n You don't know how to bring back an animal now extinct.\n And you can't bring back forests that once grew where there is now desert.\n \n If you don't know how to fix it, please stop breaking it!\n\n Here, you may be delegates of your governments, business people, organisers, reporters or poiticians - but really you are mothers and fathers, brothers and sister, aunts and uncles - and all of you are somebody's child.\n\n I'm only a child yet I know we are all part of a family, five billion strong, in fact, 30 million species strong and we all share the same air, water and soil -- borders and governments will never change that.\n\n I'm only a child yet I know we are all in this together and should act as one single world towards one single goal.\n\n In my anger, I am not blind, and in my fear, I am not afraid to tell the world how I feel.\n\n In my country, we make so much waste, we buy and throw away, buy and throw away, and yet northern countries will not share with the needy. Even when we have more than enough, we are afraid to lose some of our wealth, afraid to share.\n\n In Canada, we live the privileged life, with plenty of food, water and shelter -- we have watches, bicycles, computers and television sets.\n\n Two days ago here in Brazil, we were shocked when we spent some time with some children living on the streets. And this is what one child told us: 'I wish I was rich and if I were, I would give all the street children food, clothes, medicine, shelter and love and affection.'\n\n If a child on the street who has nothing, is willing to share, why are we who have everyting still so greedy?\n\n I can't stop thinking that these children are my age, that it makes a tremendous difference where you are born, that I could be one of those children living in the Favellas of Rio; I could be a child starving in Somalia; a victim of war in the Middle East or a beggar in India.\n\n I'm only a child yet I know if all the money spent on war was spent on ending poverty and finding environmental answers, what a wonderful place this earth would be!\n\n At school, even in kindergarten, you teach us to behave in the world. You teach us:\n \n not to fight with others,\n to work things out,\n to respect others,\n to clean up our mess,\n not to hurt other creatures\n to share - not be greedy.\n \n Then why do you go out and do the things you tell us not to do?\n\n Do not forget why you're attending these conferences, who you're doing this for -- we are your own children. You are deciding what kind of world we will grow up in. Parents should be able to comfort their children by saying 'everyting's going to be alright' , 'we're doing the best we can' and 'it's not the end of the world'.\n\n But I don't think you can say that to us anymore. Are we even on your list of priorities? My father always says 'You are what you do, not what you say.'\n\n Well, what you do makes me cry at night. You grown ups say you love us. I challenge you, please make your actions reflect your words. Thank you for listening


'How can we afford to transform our whole economy in order to prevent climate change, when climate change could turn out to be a hoax or a fad and we could misallocate all that capital?,'  my answer is always the same: If climate change is a hoax, it is the most wonderful hoax ever perpetrated on the United States of America.  Because transforming our economy to clean power and energy efficiency to mitigate global warming and the other challenges of the Energy-Climate Era is the equivalent of training for the Olympic triathlon: If you make it to the Olympics, you have a much better chance of winning, because you've developed every muscle.  If you don't make it to the Olympics, you're still healthier, stronger, fitter, and more likely to live longer and win every other race in life.  And as with the triathlon, you don't just improve one muscle or skill, but many, which become mutually reinforcing and improve the health of your whole system.


At some point we also need to get beyond these economic and even practical arguments and get back in touch with the deepest truth of all: Green is a value that needs to be preserved in and of itself, not because it is going to make your bank account richer but because it makes life richer and always has.  At the end of the day, that is what an 'ethic of conservation' is also about.  An ethic of conservation declares that maintaining our natural world is a value that is impossible to quantify but also impossible to ignore, because of the sheer beauty, wonder, joy, and magic that nature brings to being alive.


The core argument is very simple: America has a problem and the world has a problem.  America's problem is that it has lost its way in recent years - partly because of 9/11 and partly because of the bad habits that we have let build up over the last three decades, bad habits that have weakened our society's ability and willingness to take on big challenges.\n\n 'The world also has a problem: it is getting hot, flat, and crowded. That is, global warming, the stunning rise of middle classes all over the world, and rapid population growth have converged in a way that could make our planet dangerously unstable.  In particular, the convergence of hot, flat, and crowded is tightening energy supplies, intensifying the extinction of plants and animals, deepening energy poverty, strengthening petrodictatorship, and accelerating climate change.  How we address these interwoven global trends will determine a lot about the quality of life on earth in the twenty-first century.


Publisher: Picador (2002)

Although in general Gary applauded the modern trend toward individual self-management of retirement funds and long-distance calling plans and private-schooling options, he was less than thrilled to be given responsibility for his own personal brain chemistry, especially when certain people in his life, notably his father, refused to take any such responsibility. But Gary was nothing if not conscientious. As he entered the darkroom, he estimated that his levels of Neurofactor 3 (i. e., serotonin: a very, very important factor) were posting seven-day or even thirty-day highs, that his Factor 2 and Factor 7 levels were likewise outperforming expectations, and that his Factor 1 had rebounded from an early-morning slump related to the glass of Armagnac he’d drunk at bedtime. He had a spring in his step, an agreeable awareness of his above-average height and his late-summer suntan. His resentment of his wife, Caroline, was moderate and well contained. Declines led advances in key indices of paranoia (e. g., his persistent suspicion that Caroline and his two older sons were mocking him), and his seasonally adjusted assessment of life’s futility and brevity was consistent with the overall robustness of his mental economy. He was not the least bit clinically depressed.


Author: Anonymous
Publisher: Penguin Classics (2008)

In killing my brothers, Krishna, I cannot see anything noble - I do not want this victory, this glory, this happiness.  What is glory to us, Krishna, what are pleasures and life, if those who from us deserve glory, pleasure, and life, are ready to fight us, having given up the world's delights - our uncles, our sons and our grandfathers, our eldest kinsmen, acharyas, our fathers-in-law and our grandsons.\n\n I would not kill them, not for the three worlds, let alone the earth.  I had rather they killed me, Krishna.


The discipline that organizes the mind, the life-breath, and the senses is sattvika.\n\n The discipline that leads to wealth, success, and honor is rajasika.\n\n And that which breeds sloth, fear, grief, worry, and conceit is tamasika.


Publisher: Dover Publications (2006)

There is no doubt that many a man owes his good fortune in life solely to the circumstance that he has a pleasant way of smiling, and so wins the heart in his favor.  However, the heart would do better to be careful, and to remember what Hamlet put down in his tablets - that one may smile and smile and be a villain.


It will be generally found that, as soon as the terrors of life reach the point at which they outweigh the terrors of death, a man will put an end to his life - but the terrors of death offer considerable resistance.'  


They tell us that suicide is the greatest piece of cowardice, that only a madman could be guilty of it and other insipidities of the same kind, or else they make the nonsensical remark that suicide is wrong when it is quite obvious that there is nothing in the world to which every man has a more unassailable title than to his own life and person.


Human life must be some kind of mistake.  The truth of this will be sufficiently obvious if we only remember that man is a compound of needs and necessities hard to satisfy; and that even when they are satisfied, all he obtains is a state of painlessness, where nothing remains to him but abandonment to boredom.  This is direct proof that existence has no real value in itself; for what is boredom but the feeling of the emptiness of life?  If life - the craving for which is the very essence of our being - were possessed of any positive intrinsic value, there would be no such thing as boredom at all: mere existence would satisfy us in itself, and we should want for nothing.' 


The conviction that the world and man is something that had better not have been, is of a kind to fill us with indulgence towards one another. Nay, from this point of view, we might well consider the proper form of address to be, not Monsieur, Sir, mein Herr, but my fellow-sufferer, Soĉi malorum, compagnon de miséres! This may perhaps sound strange, but it is in keeping with the facts; it puts others in a right light; and it reminds us of that which is after all the most necessary thing in life - the tolerance, patience, regard, and love of neighbor, of which everyone stands in need, and which, therefore, every man owes to his fellow.


If you accustom yourself to this view of life you will regulate your expectations accordingly, and cease to look upon all its disagreeable incidents, great and small, its sufferings, its worries, its misery, as anything unusual or irregular; nay, you will find that everything is as it should be, in a world where each of us pays the penalty of existence in his own peculiar way.  Amongst the evils of a penal colony is the society of those who form it; and if the reader is worthy of better company, he will need no words from me to remind him of what he has to put up with at present .  If he has a soul above the common, or if he is a man of genius, he will occasionally feel like some noble prisoner of state, condemned to work in the gallery with common criminals; and he will follow his example and try to isolate himself.'  


The crowd of miserable wretches whose one aim in life is to fill their purses but never to put anything into their head, offers a singular instance of this torment of boredom.  Their wealth becomes a punishment by delivering them up to the misery of having nothing to do; for, to escape it, they will rush about in all directions, traveling here, there, and everywhere.  No sooner do they arrive in a place then they are anxious to know what amusements it affords; just as though they were beggars asking where they could receive a dole!  Of a truth, need and boredom are the two poles of human life.


Author: Aldous Huxley
Publisher: Sterling (2004)

At this very moment, the most frightful horrors are taking place in every corner of the world. People are being crushed, slashed, disembowelled, mangled; their dead bodies rot and their eyes decay with the rest. Screams of pain and fear go pulsing through the air at the rate of eleven hundred feet per second. After travelling for three seconds they are perfectly inaudible. These are distressing facts; but do we enjoy life any the less because of them? Most certainly we do not. We feel sympathy, no doubt; we represent to ourselves imaginatively the sufferings of nations and individuals and we deplore them. But, after all, what are sympathy and imagination? Precious little, unless the person for whom we feel sympathy happens to be closely involved in our affections; and even then they don't go very far. And a good thing too; for if one had an imagination vivid enough and a sympathy sufficiently sensitive really to comprehend and to feel the sufferings of other people, one would never have a moment's peace of mind. A really sympathetic race would not so much as know the meaning of happiness. But luckily, as I've already said, we aren't a sympathetic race. At the beginning of the war I used to think I really suffered, through imagination and sympathy, with those who physically suffered. But after a month or two I had to admit that, honestly, I didn't. And yet I think I have a more vivid imagination than most. One is always alone in suffering; the fact is depressing when one happens to be the sufferer, but it makes pleasure possible for the rest of the world.


Author: C.S. Lewis
Publisher: HarperOne (2001)

When a man who has been perverted from his youth and taught that cruelty is the right thing, does some tiny little kindness, or refrains from some cruelty he might have committed, and thereby, perhaps, risks being sneered at by his companions, he may, in God's eyes, be doing more than you and I would do if we gave up life itself for a friend. It is as well to put this the other way round. Some of us who seem quite nice people may, in fact, have made so little use of a good heredity and a good upbringing that we are really worse than those whom we regard as fiends. Can we be quite certain how we should have behaved if we had been saddled with the psychological outfit, and then with the bad upbringing, and then with the power, say, of Himmler?


It is easy to think that the Church has a lot of different objects - education, building, missions, holding services. Just as it is easy to think the State has a lot of different objects - military, political, ecnomic, and what not. But in a way things are much simpler than that. The State exists simply to promote and to protect the ordinary happiness of human beings in this life. A husband and wife chatting over a fire, a couple of friends having a game of darts in a pub, a man reading a book in his own room or digging in his own garden - that is what the state is there for. And unless they are helping to increase and prolong and protect such moments, all the laws, parliaments, armies, courts, police, economics, etc., are simply a waste of time. In the same way the Church exists for nothing else but to draw men into Christ, to make them little Christs. If they are not doing that, all the cathedrals, clergy, missions, sermons, even the Bible itself, are simply a waste of time.'


Author: Erich Neumann
Publisher: Princeton University Press (1954)

The absence in our culture of rites and institutions designed, like the rites of puberty, to smooth the adolescent's passage into the world is one reason for the incidence of neuroses in youth, common to all of which is the difficulty of facing up to the demands of life and of adapting to the collective and to one's partner.  The absence of rites at the climacteric works in the same way.  Common to the climacteric neuroses of the second half of life is the difficulty of freeing oneself from worldly attachments, as is necessary for a mellow old age and its tasks.  The causes of these neuroses are therefore quite different from, indeed the opposite of, those occurring in the first half of life.


Development in the first half of life is marked by two decisive crises, each of which corresponds to a fight with the dragon.  The first crisis is characterized by the encounter with the problem of the First Parents and by the formation of the ego.  It is enacted between the ages of three and five, and psychoanalysis has made us familiar with certain aspects and forms of this parental encounter, under the guise of the Oedipus complex.  The second crisis is puberty, when the dragon fight has to be fought out again on a new level.  Here the form of the ego is finally fixed with the support of what we have called 'heaven.'  That is to say, new archetypal constellations emerge, and with them a new relation of the ego to the self.


When the individual falls away from the cultural fabric like this, he finds himself completely isolated in an egotistically infalted private world.  The restlessness, the discontents, the excesses, the formlessness and meaninglessness of a purely egocentric life - as compared with the symbolic life - are the unhappy results of this psychological apostasy.\n\n 'Following the collapse of the archeytpal canon, single archetypes then take possession of men and consume them like malenolent demons.  Typical and symptomatic of this transitional phenomenon is the state of affairs in America, through the same holds good for practically the whole Western hemisphere.  Every conceivable sort of dominant rules the personality, which is a personality only in name.  The grotesque fact that murderers, brigands, gangsters, thieves, forgers, tyrants, and swindelers, in a guise that deceives nobody, have seized control of collective life is characteristic of our time.  Their unscrupulousness and double-dealing are recognized - and admired.  Their ruthless energy they obtain at best from some stray achetypal content that has got them in its power.  The dynamism of a possessed personality is accordingly very great, because, in its one-track primitivity, it suffers from none of the differentiations that make men human.  Worship of the 'beast' is by no means confined to Germany; it prevails whereever one-sidedness, push, and moral blindness are appluaded, i.e., whereever the aggravating complexities of civilized behaior are swept away in favor of bestial rapactiy.  One has only to look at the educative ideals now current in the West.\n\n 'The possessed character of our financial and industrial magnates, for instance, is psychologically evident from the very fact that they are at the mercy of a suprapersonal factor - 'work,' 'power,' 'money,' or whatever they like to call it - which, in the telling phrase, 'consumes' them and leaves them little or no room as private persons.  Coupled with a nihilistic attitude towards civilization and humanity there goes a puffing up of the egosphere which expresses itself with brutish egotism in a total disregard for the common good and in the attempt to lead an egocentric existence, where personal power, money, and 'experiences' - unbelievably trivial, but plentiful - occupy every hour of the day.\n\n '...Not only power, money, and lust, but religion, art, and politics are exclusive determinants in the form of parties, nations, sects, movements, and 'isms' of every description take possession of the masses and destroy the individual.  Far be it from us to compare the predatory industrial man and power politician with the man who is dedicated to an idea; for the latter is possessed by the archetypes that shape the future of mankind, and to this driving daemon he sacrifices his life.  Nevertheless, it is the task of a cultural psychology based on depth psychology to set forth a new ethos which shall take the collective effect of these daemonic possessions into account, and this means also accepting responsibility for them.


The line runs, as we saw, from the archetype as an effective transpersonal figure to the idea, and then to the 'concept' which one 'forms.'  A good example of this is the concept of God, which now derives wholly from the sphere of consciousness - or purports to derive from it, as the ego is deluded enough to pretend.  There is no longer anything transpersonal, but only personal; there are no more archetypes, but only concepts; no more symbols, only signs.\n\n 'This splitting off of the unconscious leads on the one hand to an ego life emptied of meaning, and on the other hand to an activation of the deeper-lying layers which, now grown destructive, devastate the autocratic world of the ego with transpersonal invasions, collective epidemics, and mass psychoses.  For an upsetting of the compensatory relationship between conscious and unconscious is not a phenomenon to be taken lightly.  Even when it is not so acute as to bring on a psychic sickness, the loss of instinct and the overaccentuation of the ego have consequences which, multiplied a millionfold, constellate the crisis of civilization.


The 'sanctification' of unaccustomed activity is still the best method of getting a man out of the rut of everyday habit and conditioning him for the required state of work.  To take an example: the transformation of a petty office clerk into the responsible leader of a death-dealing bomber squadron is probably one of the most radical psychic transformations that can be demanded of modern man.  This metamorphosis of the normal peace-loving citizen into a fighter is, even today, only possible with the help of symbols.  Such a transformation of personality is achieved by invoking the symbols of God, King, Fatherland, Freedom, the 'most sacred good of the nation,' and by dedicatory acts steeped in symbolism, with the added assistance of all the elements in religion and art best calculated to stir the individual.  Only in this way is it psychologically possible to divert psychic energy from the 'natural channel' of peaceable private life into the 'unaccustomed activity' of slaughter.


Although consciousness is a product of the unconscious, it is a product of a very special sort.  All unconscious contents have, as complexes, a specific tendency, a striving to assert themselves.  Like living organisms, they devour other complexes and enrich themselves with their libido.  We can see in pathological cases, in fixed or compulsive ideas, manias, and states of possession, and again in every creative process where 'the work' absorbs and drains dry all extraneous contents, how an unconscious content attracts all others to itself, consumes them, subordinates and co-ordinates them, and forms with them a system of relationships dominated by itself.  We find the same process in normal life, too, when an idea - love, work, patriotism, or whatever else - comes to the top and asserts itself at the cost of others.  One-sidedness, fixation, exclusiveness, etc., are the consequences of this tendency of all complexes to make themselves the center.\r\n \r\nThe peculiarity of the ego complex, however, is twofold; unlike all other complexes it tends to aggregate as the center of consciousness and to group the other conscious contents about itself; and secondly, it is oriented towards wholeness far more than any other complex.


Even in its waking state our ego consciousness, which in any case forms only a segment of the total psyche, exhibits varying degrees of animation, ranging from reverie, partial attention, and a diffuse wakefulness to partial concentration upon something, intense concentration, and finally moments of general and extreme alertness.  The conscious system even of a healthy person is charged with libido only during certain periods of his life; in sleep it is practically or completely emptied of libido, and the degree of animation varies with age.  The margin of conscious alertness in modern man is relatively narrow, the intensity of his active performance is limited, and illness, strain, old age, and all psychic disturbances take their toll of this alertness.  It seems that the organ of consciousness is still at an early stage of development and relatively unstable.


Common descent from the same tribe, the sharing of a common life, and, above all, common experiences create emotional bonds even today, as we well know.  Social, religious, aesthetic, and other collective experiences of whatever coloring - from the tribal head-hunt to the modern mass meeting - activate the unconscious emotional foundations of the group psyche.  The individual has not yet broken loose from the emotional undercurrent, and any excitation of one part of the group can affect the whole, as a fever seizes upon all parts of the organism.  The emotional fusion then sweeps away the still feebly developed differences of conscious structure in the individuals concerned and continually restores the original group unity.


The essential fate of man, at least of the mature modern man, is enacted on three fronts which, although interconnected, are nonetheless clearly marked off from one another.  The world as the outside world of extrahuman events, the community as the sphere of interhuman relationships, the psyche as the world of interior human experience - these are the three basic factors which govern human life, and man's creative encounter with each of them is decisive for the development of the individual.


The mythological goal of the dragon fight is almost always the virgin, the captive, or, more generally, the 'treasure hard to attain.'  It is to be noted that a purely material pile of gold, such as the hoard of the Nibelungs, is a late and degenerate form of the original motif.  In the earliest mythologies, in ritual, in religion, and in mystical literature as well as in fairy tales, legend, and poetry, gold and precious stones, but particularly diamonds and pearls, were originally symbolic carriers of immaterial values.  Likewise the water of life, the healing herb, the elixir of immortality, the philosophers' stone, miracle rings and wishing rings, magic hoods and winged cloaks, are all symbols of the treasure.


In relation to the ego, the mother image has both a productive and a destructive aspect, but over and above that, it preserves a certain immutability and eternality.  Although it is two-faced and can assume many shapes, for the ego and consciousness it always remains the world of the origin, the world of the unconscious.  In general, therefore, the mother represents the instinctual side of life, which, compared with the changing positions of the ego and consciousness, proves to be constant and relatively unalterable, whether it be good or bad, helpful and productive, or hurtful and terrible.


Ego consciousness not only brings a sense of loneliness; it also introduces suffering, toil, trouble, evil, sickness, and death into man's life as soon as these are perceived by an ego.  By discovering itself, the lonely ego simultaneously perceives the negative and relates to it, so that it at once establishes a connection between these two facts, taking its own genesis as guilt, and suffering, sickness, and death as condign punishment.  The whole life feeling of primitive man is haunted by the negative influences all around him, and at the same time by the consciousness that he is to blame for everything negative that befalls.


Through the heroic act of world creation and division of opposites, the ego steps forth from the creative magic circle of the uroboros and finds itself in a state of loneliness and discord.  With the emergence of the fully fledged ego, the paradisal situation is abolished; the infantile condition, in which life was regulated by something ampler and more embracing, is at an end, and with it the natural dependence on that ample embrace.  We may think of this paradisal situation in terms of religion, and say that everything was controlled by God; or we may formulate it ethically, and say that everything was still good and that evil had not yet come into the world.  Other myths dwell on the 'effortlessness' of the Golden Age, when nature was bountiful, and toil, suffering, and pain did not exist; others stress the 'everlastingness,' the deathlessness, of such an existence.


The uroboros of the maternal world is life and psyche in one; it gives nourishment and pleasure, protects and warms, comforts and forgives.  It is the refuge for all suffering, the goal of all desire.  For always this mother is she who fulfills, the bestower and helper.  This living image of the Great and Good Mother has at all times of distress been the refuge of humanity and ever shall be; for the state of being contained in the whole, without responsibility or effort, with no doubts and no division of the world into two, is paradisal, and can never again be realized in its pristine happy-go-luckiness in adult life.


The time of the beginning, before the coming of the opposites, must be understood as the self-description of that great epoch when there was still no consciousness.  It is the wu chi of Chinese philosophy, whose symbol is the empty circle.  Everything is still in the 'now and for ever' of eternal being; sun, moon, and stars, these symbols of time and therefore of mortality, have not yet been created; and day and night, yesterday and tomorrow, genesis and decay, the flux of life and birth and death, have not yet entered into the world.  This prehistoric state of being is not time, but eternity, just as the time before the coming of man and before birth and begetting is eternity.  And just as there is no time before the birth of man and ego, only eternity, so there is no space, only infinity.


Author: Alan Watts
Publisher: Vintage (1973)

Every human being is a metaphysician just as every philosopher has appetites and emotions - and by this I mean that we all have certain basic assumptions about the good life and the nature of reality.  Even the typical businessman who asserts that he is a practical fellow unconcerned with higher things declares thereby that he is a pragmatist or a positivist, and not a very thoughtful one at that.


As in music, the point of life is its pattern at every stage of its development, and in a world where there is neither self nor other, the only identity is just This - which is all, which is energy, which is God by no name.


The industrial system offers few jobs that any self-respecting person wants to do, and the intelligent young are sick to death of a way of life that wastes and squanders material for the production of baubles and bombs.


I am therefore ill at ease with people who earnestly abstain from such things as smoking, drinking, and sex, to the point of making them squeamishnessly militant.  Obviously, there are forms and degrees in which these pleasures can be unhygienic, as also can be driving cars, climbing mountains, and nursing the sick.  There are points of view from which almost everything can be see as bad for one's health, and Jung once remarked in jest that life itself is a disease with a very bad prognosis: it lingers on for years and invariably ends with death.  And in this connection I might also quote Freud, writing to Dr. Fleisch: 'As to your injunction to give up smoking, I have decided not to comply.  Do you think it such a good thing to live a long and miserable life?


There must be some connection between the commercialization of life and the separation of religion from mysticism and magic.


Zen is to realize that life is simply nonsense, without meaning other than itself or future purpose beyond itself.  The trick is to dig the nonsense, for - as Tibetans say - you can tell the true yogi by his laugh.


Why - and again why - do you want to know whether there is a God, whether there is a life after death, or what method you should follow to become enlightened, liberated, or realized?  Could it be that you identify yourself with a merely abstract ego based on nothing but memories?  That therefore you are not alive and aware in the eternal present, and thus worry interminably about your future?  Furthermore, don't you realized that when you accept someone as a spiritual teacher, you do so by your own authority and choice?  You yourself license the Bible, the Koran, or the Gita as infallible.  Wake up!...and, without putting it into words, watch what is, now.  You thus realize that there is no 'feeler' apart from feelings, and no granular, billiard-ball 'self' confronting the universe.


The man of deep spiritual wisdom is irrelevant to this society.  This has not just recently come to be so; it has been so for centuries, because - for centuries - society has consisted precisely of those human beings who are so deluded by the conventions of words and ideas as to believe that there is a real choice between the opposites of life - between pleasure and pain, good and evil, God and Lucifer, spirit and nature.  But what is separable in terms, in words, is not separable in reality, in the solid relationship between the terms.  Whoever sees that there is no ultimate choice between these opposites is irrelevant because he cannot really participate in the politician's and the ad-man's illusion that there can be better and better without worse and worse, and that matter can yield indefinitely to the desires of mind without becoming utterly undesirable.


The 'beat' mentality is a younger generation's non-participation in 'the American Way of Life,' a revolt which does not seek to change the existing order but simply turns away from it to find the significance of life in subjective experience rather than objective achievement.


The Hebrew-Christian universe is one in which moral urgency, the anxiety to be right, embraces and penetrates everything.  God, the Absolute itself, is good as against bad, and thus to be immoral or in the wrong is to feel oneself an outcast not merely from human society but also from existence itself, from the root and ground of life.  To be in the wrong therefore arouses a metaphysical anxiety and sense of guilt - a state of eternal damnation - utterly disproportionate to the crime.


At the roots of Chinese life there is a trust in the good-and-evil of one's own nature which is peculiarly foreign to those brought up with the chronic uneasy conscience of the Hebrew-Christian cultures.  Yet it was always obvious to the Chinese that a man who mistrusts himself cannot even trust his mistrust, and must therefore be hopelessly confused.


There are two obvious escapes from this dilemma (the struggle of choosing good vs evil).  One is to stop being too keenly intelligent and too acutely conscious of the facts of one's inner life, and to fall back upon an inflexibly formal, traditional, and authoritarian pattern of thought and action - as if to say, 'Just do the  right thing, and don't be sophisticatedly psychological about your motives.  Just obey, and don't ask questions.'  This is called sacrificing the pride of the intellect.  But here we find ourselves in another dilemma, for the religion of simple obedience soon totters toward empty formalism and moral legalism with no heart in it, the very Pharisaism against which Christ railed.  The other escape is into a romanticism of the instincts, a glorification of mere impulse ignoring the equally natural gift of will and reason.  This is actually a modern form of the old practice of selling one's soul to the Devil - always a possible release from anxiety and conflict because damnation could at least be certain.


The gains of action by intelligence are bought at a price which at times seems so heavy that we might ask whether they are worth it.  For the price of intelligence as we now know it is chronic anxiety, anxiety which appears to increase - oddly enough - to the very degree that human life is subjected to intelligent organization.


The point is simply that, if there is to be any life and movement at all, the attitude of faith must be basic - the final and fundamental attitude - and the attitude of doubt secondary and subordinate.  This is another way of saying that toward the vast and all-encompassing background of human life, with which the philosopher as artist is concerned, there must be total affirmation and acceptance.  Otherwise there is no basis at all for caution and control with respect to details in the foreground.  But it is all too easy to become so absorbed in these details that all sense of proportion is lost, and for man to make himself mad by trying to bring everything under his control.  We become insane, unsound, and without foundation when we lose consciousness of and faith in the uncontrolled and ungraspable background world which is ultimately what we ourselves are.  And there is a very slight distinction, if any, between complete, conscious faith and love.


Author: Alan Watts
Publisher: New World Library (2007)

Making money just for the sake of making money is a game, like bridge, in which people can find extreme pleasure and which can occupy almost all their waking hours.  But one of the rules of the game is that you must pretend not to enjoy it.  It must most definitely be classified as work; as that which you have to do as a duty to your family and community, and which therefore affords many businessmen the best possible excuse for staying away from home and from their wives.  The nemesis of this attitude is that it flows over into the so-called leisure or nonwork areas of life in such a way that playing with children, giving attention to one's wife, exercising on the golf course, and purchasing certain luxuries (which are largely symbolic) also become duties.  Survival itself becomes a duty and a even a drag, for the pretense of not enjoying the game gets under the skin and tightens the muscles which repress joyous and sensuous emotion.


It is not so much the girl herself as what goes with her, and you must always be careful to discover a person's religion.  For everyone has a religion, whether admitted or not, because it is impossible to be human without having some basic assumptions (or intuitions) about existence and the good life.


Author: Walker Percy
Publisher: Farrar Straus & Giroux (1983)

The only cure for depression is suicide.



This is not meant as a bad joke, but as the serious proposal of suicide as a valid option. Unless the option is entertained seriously, its therapeutic value is lost. No threat is credible unless the threatener means it.



This treatment of depression requires a reversal of the usual therapeutic rationale. The therapeutic rationale, which has never been questioned, is that depression is a symptom. A symptom implies an illness; there is something wrong with you. An illness should be treated.



Suppose you are depressed. You may be mildly or seriously depressed, clinically depressed, or suicidal. What do you usually do? Do nothing or something. If something, what is done is always based on the premise that something is wrong with you and therefore it should be remedied. You are treated. You apply to friend, counselor, physician, minister, group. You take a trip, take anti-depressant drugs, change jobs, change wife or husband or 'sexual partner.'



Now, call into question the unspoken assumption: something is wrong with you. Like Copernicus and Einstein, turn the universe upside down and begin with a new assumption.



Assume that you are quite right. You are depressed because you have every reason to be depressed. No member of the other two million species which inhabit the earth - and who are luckily exempt from depression - would fail to be depressed if it lived the life you lead. You live in a deranged age - more deranged than usual, because despite great scientific and technological advances, man has not the faintest idea of who he is or what he is doing.



Begin with the reverse hypothesis, like Copernicus and Einstein. You are depressed because you should be. You are entitled to your depression. In fact, you'd be deranged if you were not depressed. Consider the only adults who are never depressed: chuckleheads, California surfers, and fundamentalist Christians who believe they have had a personal encounter with Jesus and are saved for once and all. Would you trade your depression to become any of these?



Now consider, not the usual therapeutic approach, but a more ancient and honorable alternative, the Roman option. I do not care for life in this deranged world, it is not an honorable way to live; therefore, like Cato, I take my leave. Or, as Ivan said to God in The Brothers Karamazov: If you exist, I respectfully return my ticket. Now notice that as soon as suicide is taken as a serious alternative, a curious thing happens. To be or not to be becomes a true choice, where before you were stuck with to be. Your only choice was how to be least painfully, either by counseling, narcotizing, boozing, groupizing, womanizing, man-hopping, or changing your sexual preference.



If you are serious about the choice, certain consequences follow. Consider the alternatives. Suppose you elect suicide. Very well. You exit. Then what? What happens after you exit? Nothing much. Very little, indeed. After a ripple or two, the water closes over your head as if you had never existed. You are not indispensable, after all. You are not even a black hole in the Cosmos. All that stress and anxiety was for nothing. Your fellow townsmen will have something to talk about for a few days. Your neighbors will profess shock and enjoy it. One or two might miss you, perhaps your family, who will also resent the disgrace. Your creditors will resent the inconvenience. Your lawyers will be pleased. Your psychiatrist will be displeased. The priest or minister or rabbi will say a few words over you and down you will go on the green tapes and that's the end of you. In a surprisingly short time, everyone is back in the rut of his own self as if you had never existed.



Now, in the light of this alternative, consider the other alternative. You can elect suicide, but you decide not to. What happens? All at once, you are dispensed. Why not live, instead of dying? You are free to do so. You are like a prisoner released from the cell of his life. You notice that the door to the cell is ajar and that the sun is shining outside. Why not take a walk down the street? Where you might have been dead, you are alive. The sun is shining.



Suddenly you feel like a castaway on an island. You can't believe your good fortune. You feel for broken bones. You are in one piece, sole survivor of a foundered ship who captain and crew had worried themselves into a fatal funk. And here you are, cast up on a beach and taken in by islanders who, it turns out, are themselves worried sick - over what? Over status, saving face, self-esteem, national rivalries, boredom, anxiety, depression from which they seek relief mainly in wars and the natural catastrophes which regularly overtake their neighbors.



And you, an ex-suicide, lying on the beach? In what way have you been freed by the serious entertainment of your hypothetical suicide? Are you not free for the first time in your life to consider the folly of man, the most absurd of all the species, and to contemplate the comic mystery of your own existence? And even to consider which is the more absurd state of affairs, the manifest absurdity of your predicament: lost in the Cosmos and no news of how you got into such a fix or how to get out - or the even more preposterous eventuality that news did come from the God of the Cosmos, who took pity on your ridiculous plight and entered the space and time of your insignificant planet to tell you something.



The difference between a non-suicide and an ex-suicide leaving the house for work, at eight o'clock on an ordinary morning: The non-suicide is a little traveling suck of care, sucking care with him from the past and being sucked toward care in the future. His breath is high in his chest. The ex-suicide opens his front door, sits down on the steps and laughs. Since he has the option of being dead, he has nothing to lose by being alive. It is good to be alive. He goes to work because he doesn't have to.


Social life is disappointing.  The very franticness of attempts to reestablish community and festival, by partying, by group, by club, by touristy Mardi Gras, is the best evidence of the loss of true community and festival and of the loneliness of self, stranded as it is as an unspeakable consciousness in a world from which it perceives itself as somehow estranged, stranded even within its own body, with which it sees no clear connection.'  


The churches are disappointing, even for most believers.  If Christ brings us new life, it is all the more remarkable that the church, the bearer of this good news, should be among the most dispirited institutions of the age.  The alternatives to the institutional churches are even more grossly disappointing, from TV evangelists with their blown-dry hairdos to California cults led by prosperous gurus ignored in India but embraced in La Jolla.


Marriage and family life are disappointing.  Even among defenders of traditional family values, e.g., Christians and Jews, a certain dreariness must be inferred, if only from the average time of TV viewing.  Dreary as TV is, it is evidently not as dreary as Mom talking to Dad or the kids talking to either.


Author: Eric Berne
Publisher: Grove Press (1972)

Script analysis is then the answer to the problem of human destiny, and tells us (alas!) that our fates are predetermined for the most part, and that free will in this respect is for most people an illusion. For example, R. Allendy points out that for each individual who faces it, the decision to commit suicide is a lonely and agonizing and apparently autonomous one. Yet whatever vicissitudes it goes through in each individual case, the 'rate' of suicide remains relatively constant from year to year. \r\n \r\nWhat, then, is the responsibility of the parents?  Script programming is not their 'fault,' any more than an inherited defect is, such as diabetes or clubfoot, or an inherited talent for music or mathematics.  They are merely passing on the dominants and recessives they got from their parents and grandparents.  The script directives are being continually reshuffled, just as the genes are, by the fact that the child requires two parents. \r\n \r\nOn the other hand, the script apparatus is much more flexible than the genetic apparatus and is continually being modified by outside influences, such as life experience and the injunctions inserted by other people.  It is only rarely possible to predict when or how an outsider will say or do something that alters a person's script.  It may be a casual remark accidentally overheard at a carnival or in a corridor, or it may be the result of a formal relationship such as marriage, school, or psychotherapy.


Imprinting has been mainly studied in birds, who will mistake for their mothers whatever objects are shown to them during the early days of their existence outside the egg.  Thus ducks can be 'imprinted' or turned on by a piece of colored cardboard, and will follow it around a track as though it were their mother.  Sexual fetishes, which also develop very early in life, exert a similar influence on men, while women may become devoted to counter fetishes which they discover are sexually exciting to the men around them.\r\n \r\nFascinations and fetishes are very deep-seated, and may seriously disturb the smooth course of living in those who are afflicted with them, very much as drug addiction does.  In spite of all attempts at rational Adult control, the Child is almost irresistibly repulsed or attracted to the specific object, and as a result may make sacrifices all out of proportion to the situation in order to avoid or attain it.\r\n \r\nThe remedy for fascinations is to become aware of them, to talk them over, and to decide whether they can be lived with.  After that, the Parent can be allowed its say.  If the person decides in his head that he can live comfortably with a negative fascination, well and good.  He cannot realize, without considerable analysis of his thoughts and feelings, how much such a single item may be affecting his reactions, usually as a result of his own early experiences.  On the other hand, a positive fascination may enslave him beyond the bounds of reason, and should be just as carefully considered.


Richard Schechner has made a careful and scholarly analysis of time patterns in the theater which also applies to the dramaturgy of real-life scripts.  The two most important types he calls 'set time' and 'event time.'  Set time runs by a clock or calendar.  The action begins and ends at a certain moment, or a certain time is given for its performance, as with a football game.  For script analysis, we can call this clock time (CT).  In event time, the activity is to be completed, like a baseball game, no matter how long or short a time it takes by the clock.  We will call this goal time (GT).  There are also combinations of these.  A boxing match can terminate either when all the rounds are completed, which takes a set time or clock time, or when there is a knockout, which is event time or goal time.\r\n \r\nSchechner's ideas are useful to the script analyst, particularly in dealing with 'Can' and 'Can't' scripts.  A child doing homework can be given five different instructions.  \r\n \r\n*Clock Time Can* \r\n* 'You need plenty of sleep, so you can stop at nine o'clock.'  \r\n\r\n*Clock Time Can't* \r\n* 'You need plenty of sleep, so you can't work after nine o'clock.'  \r\n \r\n*Goal Time Can\r\n 'Your homework is important, so you can stay up and finish it.'  \r\n \r\n*Goal Time Can't\r\n Your homework is important, so you can't go to bed until you finish it.'  \r\n \r\nThe two Cans may relieve him, and the two Cant's may irritate him, but none of them box him in.  \r\n \r\n 'You have to finish your homework by nine o'clock so you can get to sleep.'  \r\n \r\nHere Clock Time and Goal Time are combined, which is called a 'Hurryup.'  It is evident that each of these instructions can have a different effect on his homework and on his sleep, and when he grows up, on his working habits and his sleeping habits.


In general, the consequences of killing oneself are no more predictable than the consequences of killing someone else.  Except for soldiers and gangsters, death, either suicide or homicide, is a poor way to try to solve life's problems.


Death is not an act, nor even an event, for the one who dies.  It is both for those who survive.  What it can be, and should be, is a transaction.  The physical horror of the Nazi death camps was compounded by the psychological horror, the prevention of dignity, self-assertion, or self-expression in the gas chamber.  There was no brave blindfold and cigarette, no defiance, no famous last words: in sum, no death transaction.  There were transactional stimuli from the dying, but no response from the killers.  Thus, force majeure takes from the script its most poignant moment, the deathbed scene, and in one sense the whole human purpose of life is to set up that scene. \n \n In script analysis, this is brought out by the question: 'Who will be there at your deathbed, and what will your last words be?'  An added question is: 'What will their last words be?'  The answer to the first query is usually some version of 'I showed them' - 'them' being the parents, especially mother in the case of a man and father in the case of a woman.  Thscript its most poignant moment, the deathbed scene, and in one sense the whole human purpose of life is to set up that scene. \n \n In script analysis, this is brought out by the question: 'Who will be there at your deathbed, and what will your last words be?'  An added question is: 'What wille implication is either 'I showed them I did what they wanted me to,' or 'I showed them I didn't have to do what they wanted me to.' \n \n The answer to this question is, in effect, a summary of Jeder's life goal, and can be used by the therapist as a powerful instrument in breaking up the games and getting Jeder out of his script: \n \n >So your whole life boils down to showing them you were right to feel hurt, frightened, angry, inadequate, or guilty.  Very well.  Then that will be your greatest accomplishment - if you want to keep it that way.  But maybe you would like to find a more worthwhile purpose in living.


In order for the patient to get better, his illusion, upon which his whole life is based, must be undermined so that he can live in the world which is here today, rather than in his 'If Only' or 'Some Day.'  This is the most painful task which the script analyst has to perform: to tell his patients finally that there is no Santa Claus.


It is just as hard for a patient to give up a lifelong collection of hard-earned psychological trading stamps as it would be for a housewife to burn her commercial ones.  This is one factor hindering recover, since, in order to be cured, the patient must not only stop playing games compulsively, but must also forgo the 'pleasures' of using the stamps he has collected previously.  'Forgiveness' of previous wrongs is not enough: they have to become truly irrelevant for the future course of his life if he truly gives up his script.


In most cases the controls (or life script) come from the parent of the opposite sex, and the pattern (or life skills) from the parent of the same.


It is already (after two years of a child's life) fairly predictable who the winners and the losers will be.  'Isn't He Amazing?' (during breast-feeding) reinforced two years later with 'That's a Good Boy' (during toilet-training) will usually do better than 'What's He Fussing About?' reinforced one year later by 'Enema Tube;' similarly, 'Lullaby,' first at nursing and later in the bathroom, will probably prevail over 'While Mother Smokes.


The typical human being, whom we will call 'Jeder,' represents nearly every member of the human race in every soil and clime.  He carries out his script because it is planted in his head at an early age by his parents, and stays there for the rest of his life, even after their vocal 'flesh' has gone forevermore.  It acts like a computer tape or a player piano roll, which brings out the responses in the planned order long after the person who punched the holes has departed the scene.  Jeder meanwhile sits before the piano, moving his fingers along the keyboard under the illusion that it is he who brings the folksy ballad or the stately concerto to its forgone conclusion.


In both the theater and in real life, the cues have to be memorized and spoken just right so that the other people will respond in a way that justifies and advances the action.  If the hero changes his lines and his ego state, the other people respond differently.  This throws the whole script off, and that is the aim of therapeutic script analysis.  If Hamlet begins to use lines from Abie's Irish Rose, Ophelia has to change her lines, too, in order to make sense of it, and the whole performance will proceed differently.  The two of them might then take off together instead of skulking around the castle - a bad play, but probably a better life.


The destiny of every human being is decided by what goes on inside his skull when he is confronted with what goes on outside his skull.  Each person designs his own life.


Author: Erich Fromm
Publisher: Continuum Impacts (2005)

To stick to one's judgment about a person even if public opinion or some unforeseen facts seem to invalidate it, to stick to one's convictions even though they are unpopular - all this requires faith and courage.  To take the difficulties, setbacks and sorrows of life as a challenge which to overcome makes us stronger, rather than as unjust punishment which should not happen to us, requires faith and courage.


Love is not primarily a relationship to a specific person; it is an attitude, an orientation of character which determines the relatedness of a person to the world as a whole, not toward one 'object' of love.  If a person loves only one other person and is indifferent to the rest of his fellow men, his love is not love but a symbiotic attachment, or an enlarged egotism.  Yet, most people believe that love is constituted by the object, not by the faculty.  In fact, they even believe that it is a proof of the intensity of their love when they do not love anybody except the 'loved' person.  This is the same fallacy which we have already mentioned above.  Because one does not see that love is an activity, a power of the soul, one believes that all that is necessary to find is the right object - and that everything goes by itself afterward.  This attitude can be compared to that of a man who wants to paint but who, instead of learning the art, claims that he has just to wait for the right object, and that he will paint beautifully when he finds it.  If I truly love one person I love all persons, I love the world, I love life.  If I can say to somebody else, 'I love you,' I must be able to say, 'I love in you everybody, I love through you the world, I love in you also myself.


Eventually, the mature person has come to the point where he is his own mother and his own father.  He has, as it were, a motherly and a fatherly conscience.  Motherly conscience says: 'There is no misdeed, no crime which could deprive you of my love, of my wish for your life and happiness.'  Fatherly conscience says: 'You did wrong, you cannot avoid accepting certain consequences of your wrongdoing, and most of all your must change your ways if I am to like you.'  The mature person has become free from the outside mother and father figures, and has built them up inside.'  


Love is the active concern for the life and the growth of that which we love.  Where this active concern is lacking, there is no love.'  


In addition to conformity as a way to relieve the anxiety springing from separateness, another factor of contemporary life must be considered: the role of the work routine and of the pleasure routine.  Man becomes a 'nine to fiver,' he is part of the labor force, or the bureaucratic force of clerks and managers.  He has little initiative, his tasks are prescribed by the organization of the work; there is even little difference between those high up on the ladder and those on the bottom.  They all perform tasks prescribed by the whole structure of the organization, at a prescribed speed, and in a prescribed manner.  Even the feelings are prescribed: cheerfulness, tolerance, reliability, ambition, and an ability to get along with everybody without friction.  Fun is routinized in similar, although not quite as drastic ways.  Books are selected by the book clubs, movies by the film and theater owners and the advertising slogans paid for by them; the rest is also uniform: the Sunday ride in the car, the television session, the card game, the social parties.  From birth to death, from Monday to Monday, from morning to evening - all activities are routinized, and prefabricated.  How should a man caught in this net of routine not forget that he is a man, a unique individual, one who is given only this one chance of living, with hopes and disappointments, with sorrow and fear, with the longing for love and the dread of the nothing and of separateness?


Marx wrote (in the Economic and Philosophical Manuscripts) that 'free conscious activity' (i.e., human activity) is 'the species character of man.' Labor, for him, represents human activity, and human activity is life. Capital, on the other hand, represents for Marx the amassed, the past, and in the last analysis, the dead (Grundrisse). One cannot fully understand the affective charge which the struggle between capital and labor had for Marx unless one considers that for him it was the fight between aliveness and deadness, the present versus the past, people versus things, being versus having. For Marx the question was: Who should rule whom - should life rule the dead, or the dead rule life? Socialism, for him, represented a society in which life had won over the dead.\r\n \r\nMarx's whole critique of capitalism and his vision of socialism are rooted in the concept that human self-activity is paralyzed in the capitalist system and that the goal is to restore full humanity by restoring activity in all spheres of life.


Having refers to things and things are fixed and describable. Being refers to experience, and human experience is in principle not describable. What is fully describable is our persona - the mask we each wear, the ego we present - for this persona is in itself a thing. In contrast, the living human being is not a dead image and cannot be described like a thing. In fact, the living human being cannot be described at all. Indeed, much can be said about me, about my character, about my total orientation to life. This insightful knowledge can go very far in understanding and describing my own or another's psychical structure. But the total me, my whole individuality, my suchness that is as unique as my fingerprints are, can never be fully understood, not even by empathy, for no two human beings are entirely alike.


Human beings have a specific structure - like any other species - and can grow only in terms of this structure. Freedom does not mean freedom from all guiding principles. It means the freedom to grow according to the laws of the structure of human existence (autonomous restrictions). It means obedience to the laws that govern optimal human development. Any authority that furthers this goal is 'rational authority' when this furtherance is achieved by way of helping to mobilize the child's activity, critical thinking, and faith in life. It is 'irrational authority' when it imposes on the child heteronomous norms that serve the purposes of the authority, but not the purposes of the child's specific structure.


Perhaps the most striking example of today's consumer-buying phenomenon is the private automobile. Our age deserves to be dubbed 'the age of the automobile,' four whole economy has been built around automobile production, and our whole life is greatly determined by the rise and fall of the consumer market for cars.\n\n 'To those who have one, their car seems like a vital necessity; to those who do not yet own one, especially people in the so-called socialist states, a car is a symbol of joy. Apparently, however, affection for one's car is not deep and abiding, but a love affair of somewhat short duration, for owners change their cars frequently; after two years, even after just one, an auto owner tires of the 'old car' and starts shopping around for a 'good deal' on a new vehicle. From shopping around to purchase, the whole transaction seems to be a game in which even trickery is sometimes a prime element, and the 'good deal' is enjoyed as much as, if not more than, the ultimate prize: that brand-new model in the driveway.\n\n 'Several factors must be taken into account in order to solve the puzzle of the seemingly flagrant contradiction between the owners' property relationship to their automobiles and their so-short-lived interest in them. First, there is the element of depersonalization in the owner's relationship to the car; the car is not a concrete object that its owner is fond of, but a status symbol, an extension of power - an ego builder; having acquired a car, the owner has actually acquired a new piece of ego. A second factor is that buying a new car every two years instead of, say, every six increases the buyer's thril of acquisition; the act of making the new car one's own is a kind of defloration - it enhances one's sense of control, and the more often it happens, the more thrilled one is. The third factor is that frequent car buying means frequent opportunities to 'make a deal' - to make a profit by the exchange - a satisfaction deeply rooted in men and women today. The fourth factor is one of great importance: the need to experience new stimuli, because the old stimuli are flat and exhausted after but a short while. In an earlier discussion of stimuli, I differentiated between 'activating' and 'passivating' stimuli and suggested the following formulation: 'the more 'passivating' a stimulus is, the more frequently it must be changed in tensity and/or in kind; the more 'activating' it is, the longer it retains its stimulating quality and the less necessary is change in intensity and content.' The fifth and most important factor lies in the change in social character that has occurred during the past century and a half, i.e., from the 'hoarding' to the 'marketing' character. While the change does not do away with the having orientation, it does modify it considerably.


God, originally a symbol for the highest value that we can experience within us, becomes, in the having mode, an idol. In the prophetic concept, an idol is a thing that we ourselves make and project our own powers into, thus impoverishing ourselves. We then submit to our creation and by our submission are in touch with ourselves in an alienated form. While I can have the idol because it is a thing, by my submission to it, it, simultaneously, has me. Once He has become an idol, God's alleged qualities have as little to do with my personal experience as alienated political doctrines do. The idol may be praised as Lord of Mercy, yet any cruelty may be committed in its name, just as the alienated faith in human solidarity may not even raise doubts about committing the most inhuman acts. Faith, in the having mode, is a crutch for those who want to be certain, those who want an answer to life without daring to search for it themselves.'


The attitude inherent in consumerism is that of swallowing the whole world. The consumer is eternal suckling crying for the bottle. This is obvious in pathological phenomena, such as alcoholism and drug addiction. We apparently sing out both these addictions because their effects interfere with the addicted person's social obligations. Compulsive smoking is not thus censured because, while not less of an addiction, it does not interfere with the smokers' social functions, but possibly 'only' with their life spans.


Another explanation for the deadening of our survival instinct is that the changes in living that would be required are so drastic that people prefer the future catastrophe to the sacrifice they would have to make now. Arthur Koestler's description of an experience he had during the Spanish Civil War is a telling example of this widespread attitude: Koestler sat in the comfortable villa of a friend while the advance of Franco's troops was reported; there was no doubt that they would arrive during the night, and very likely he would be shot; he could save his life by fleeing, but the night was cold and rainy, the house, warm and cozy; so he stayed, was taken prisoner, and only by almost a miracle was his life saved many weeks later by the efforts of friendly journalists. This is also the kind of behavior that occurs in people who will risk dying rather than undergo an examination that could lead to the diagnosis of a grave illness requiring major surgery.'


While in our private life nobody except a mad person would remain passive in view of a threat to our total existence, those who are in charge of public affairs do practically nothing, and those who have entrusted their fate to them let them continue to do nothing. How is it possible that the stronger all instincts, that for survival, seems to have ceased to motivate us?


Author: Primo Levi
Publisher: Vintage (1989)

In The Brothers Karamazov Grushenka tells the fable of the little onion*.  A vicious old woman dies and goes to hell, but her guardian angel, straining his memory, recalls that she once, only once, gave a beggar the gift of a little onion she had dug up from her garden.  He holds the little onion out to her, and the old woman grasps it and is lifted out of the flames of hell.  This fable has always struck me as revolting: what human monster did not throughout his life make the gift of a little onion, if not to others, to his children, his wife, his dog?  That single, immediately erased instant of pity is certainly not enough to absolve Muhsfeldt**.  It is enough, however, to place him too, although at its extreme boundary, within the gray band, that zone of [moral] ambiguity.'\n\n *http://quotesfromtheunderground.wordpress.com/2008/04/23/brothers-karamazov/\n\n **http://en.wikipedia.org/wiki/Eric_Muhsfeldt


Publisher: Portable Library (1977)

The very word 'Christianity' is a misunderstanding: in truth, there was only one Christian, and he died on the cross. The 'evangel' died on the cross. What has been called 'evangel' from that moment was actually the opposite of that which he had lived: 'ill tidings,' a dysangel. It is false to the point of nonsense to find the mark of the Christian in a 'faith,' for instance, in the faith in redemption through Christ: only Christian practice, a life such as he lived who died on the cross, is Christian. \r\n \r\nSuch a life is still possible today, for certain people even necessary: genuine, original Christianity will be possible at all times. \r\n \r\nNot a faith, but a doing; above all, a not doing of many things, another state of being. States of consciousness, any faith, considering something true, for example - every psychologist knows this - are fifth-rank matters of complete indifference compared to the value of the instincts: speaking more strictly, the whole concept of spiritual causality is false. To reduce being a Christian, Christianism, to a matter of considering something true, to a mere phenomenon of consciousness, is to negate Christianism.


The 'kingdom of heaven' is a state of the heart - not something that is to come 'above the earth' or 'after death.' The whole concept of natural death is lacking in the evangel: death is no bridge, no transition; it is lacking because it belongs to a wholly different, merely apparent world, useful only insofar as it furnishes signs. The 'hour of death' is no Christian concept - an 'hour,' time, physical life and its crises do not even exist for the teacher of the 'glad tidings.' The 'kingdom of God' is nothing that one expects; it has no yesterday and no day after tomorrow, it will not come in 'a thousand years' - it is an experience of the heart; it is everywhere, it is nowhere.


'Was that life?' I want to say to death. 'Well then! Once more!


True, we love life, not because we are used to living but because we are used to loving. There is always some madness in love. But there is always some reason in madness.


Author: Ursula Tidd
Publisher: Routledge Critical Thinkers (2004)

Indicating the human wastage incurred by capitalism, Beauvoir argues that 'society cares about the individual only insofar as he is profitable.' This is a moral indictment of society - 'old age exposes the failure of our entire civilization' - and she advocates a radical transformation of the conditions of life to remedy the alienation experienced by young and old alike.


Author: Viktor Frankl
Publisher: Pocket Books (1997)

We must never forget that we may also find meaning in life even when confronted with a hopeless situation, when facing a fate that cannot be changed.  For what then matters is to bear witness to the uniquely human potential at its best, which is to transform a personal tragedy into a triumph, to turn one's predicament into a human achievement.  When we are no longer able to change a situation - just think of an incurable disease such as inoperable cancer - we are challenged to change ourselves.


By declaring that man is responsible and must actualize the potential meaning of his life, I wish to stress that the true meaning of life is to be discovered in the world rather than within man or his own psyche, as though it were a closed system. I have termed this constitutive characteristic 'the self-transcendence of human existence.' It denotes the fact that being human always points, and is directed, to something, or someone, other than oneself - be it a meaning to fulfill or another human being to encounter. The more one forgets himself - by giving himself to a cause to serve or another person to love - the more human he is and the more he actualizes himself. What is called self-actualization is not an attainable aim at all, for the simple reason that more one would strive for it, the more he would miss it. In other words, self-actualization is possible only as a side-effect of self-transcendence.


This uniqueness and singleness which distinguishes each individual and gives a meaning to his existence has a bearing on creative work as much as it does on human love.  When the impossibility of replacing a person is realized, it allows the responsibility which a man has for his existence and its continuance to appear in all its magnitude.  A man who becomes conscious of the responsibility he bears toward a human being who affectionately waits for him, or to an unfinished work, will never be able to throw away his life.


Author: Marcus Aurelius
Publisher: Penguin Great Ideas (2005)

Again, it is a sin to pursue pleasure as a good and to avoid pain as an evil. It is bound to result in complaints that Nature is unfair in her rewarding of vice and virtue; since it is the bad who are so often in enjoyment of pleasures and the means to obtain them, while pains and events that occasion pains descend upon the heads of the good. Besides, if a man is afraid of pain, he is afraid of something happening which will be part of the appointed order of things, and this is itself a sin; if he is bent on the pursuit of pleasure, he will not stop at acts of injustice, which again is manifestly sinful. No; when Nature herself makes no distinction - and if she did, she would not have brought pains and pleasures into existence side by side - it behooves those who would follow in her footsteps to be like-minded and exhibit the same indifference. He therefore who does not view with equal unconcern pain or pleasure, death or life, fame or dishonour - all of them employed by Nature without any partiality - clearly commits a sin.


Thus, with every man, imagine his counterpart; and then go on to the reflection, 'Where are they all now?' Nowhere - or anywhere. In this way , you will grow accustomed to looking on all that is mortal as vapour and nothingness; and the more so, if you will also remember that things once changed are for ever past recall. Then why struggle and strain, instead of being content to live out your little span in seemly fashion? Think what materials and possibilities for good you are rejecting; since what are all your tribulations but exercises for the training of your reason, once it has learnt to see the truths of life in a proper philosophic light? Be patient, then, until you have made them familiar and natural to yourself, in the same way as a strong stomach can assimilate every kind of diet, or a bright fire turn anything that is cast upon it into heat and flame.


Remind yourself constantly of all the physicians, now dead, who used to knit their brows over their ailing patients; of all the astrologers who so solemnly predicted their clients' doom; the philosophers who expatiated so endlessly on death or immortality; the great commanders who slew their thousands; the despots who wielded powers of life and death with such terrible arrogance, as if themselves were gods who could never die; the whole cities which have perished completely, Helice, Pompeii, Herculaneum, and others without number.  After that, recall one by one each of your own acquaintances; how one buried another, only to be laid low himself and buried in turn by a third, and all in so brief a space of time.  Observe, in short, how transient and trivial is all mortal life; yesterday a drop of semen, tomorrow a handful of spice or ashes.  Spend, therefore, these fleeting moments on earth as Nature would have you spend them, and then go to your rest with a good grace, as an olive falls in its season, with a blessing for the earth that bore it and a thanksgiving to the tree that gave it life.


Take it that you have died today, and your life's story is ended; and henceforward regard what further time may be given you as an uncovenanted surplus, and live it out in harmony with nature.


Above all, never struggle or strain; but be master of yourself, and view life as a man, as a human being, as a citizen, and as a mortal.  Among the truths you will do well to contemplate most frequently are these two: first, that things can never touch the soul, but stand inert outside it, so that disquiet can arise only from fancies within; and secondly, that all visible objects change in a moment, and will be no more.  Think of the countless changes in which you yourself have had a part.  The whole universe is change, and life itself is but what you deem it.


Enough of this miserable way of life, these everlasting grumbles, these monkey antics!  Why must you agitate yourself so?  Nothing unprecedented is happening; so what is it that disturbs you?  The form of it?  Take a good look at it.  The matter of it?  Look well at that, too.  Beyond form and matter, there is nothing more.  Even at this late hour, set yourself to become a simpler and better man in the sight of the gods.  For the mastering of that lesson, three years are as good as a hundred.


Publisher: Penguin Classics (2003)

Know then that there is nothing more lofty, nor more powerful, not more healthy nor more useful later in life than some good memory, and particularly one that has been borne from childhood, from one's parents' home. Much is said to you about your education, but a beautiful, sacred memory like that, one preserved from childhood, is possibly the very best education of all.


Oh, we are spontaneous, we are good and evil in an astonishing blend, we are lovers of enlightenment and Schiller and at the same time we go rampaging around the inns and tearing out the beards of the drunken sots, our boon companions. Oh, we too are good and beautiful, but only when we ourselves feel good and beautiful. Indeed, we are positively tempested - yes, tempested - by the most noble ideals, but only upon condition that they be attained of themselves, fall down upon our tables from the sky, and above all that they be gratis, gratis, so that nothing must be paid for them. Paying is something we dislike horribly, while on the other hand we love to receive, and this in everything. Oh, give us, give us every possible blessing of life (it must be every possible one, for more cheaply we will not be reconciled) and in particular do not hinder our disposition in any way, and then we too shall demonstrate that we are able to be good and beautiful.


In my view it is not necessary to destroy anything, all that need be destroyed in mankind is the idea of God, that is what one must proceed from! It is with that, with that one must begin - O, blind ones, who understand nothing! Once mankind, each and individually, has repudiated God (and I believe that that period, in a fashion parallel to the geological periods, will arrive), then of its own accord, and without the need of anthropophagy, the whole of the former world-outlook and, above all, the whole of the former morality, will collapse, and all will begin anew. People will unite together in order to take from life all that it is able to give, but only for the sake of happiness and joy in this world. Man will exalt himself with a spirit of divine, titanic pride, and the man-god will appear. Vanquishing nature hour by hour, already without limits, by his will and science, man will thereby experience, hour by hour, a pleasure so elevated that it will replace all his former hopes of celestial pleasure. Every man will discover that he is wholly mortal, without the possibility of resurrection, and will accept death proudly and calmly, like a god. Out of pride he will grasp that there is no point in him complaining that life is a moment, and he will come to love his brother without any need of recompense. The love will only be sufficient for the moment of life, but the very consciousness of life's momentariness will intensify its fire just as much as it formerly ran to fat in hopes of an infinite love beyond the grave.


In any case, what is suffering? I am not afraid of it, even though it be numberless. Now I am not afraid, though before I was. You know, I may not even answer at my trial...And it seems to me that there is so much of this strength in me now that I shall vanquish everything, all of the suffering, only so that I may keep saying to myself constantly: 'I am!' I may endure a thousand torments - yet I am, I may writhe under torture - but I am! I may sit in a tower, but I exist, I can see the sun, but even if I cannot see the sun, I know that it exists. And to know that the sun is there - that is already the whole of life.'


Gentlemen, we are all of us cruel, we are all of us monsters of cruelty, we all of us drive men, mothers and babes at the breast to tears, but of us all - so let it be decided now - of us all I am the most villainous reptile! So be it! Each day of my life, beating my breast, I have promised to mend my ways and each day of it I have committed the same loathsome deeds. I understand now that what a man such as I requires is a blow, a blow of fate, that will seize him as in a lasso and bind him by external force. Never, never would I have picked myself up of my own accord! But the thunder has spoken. I accept the torment of the charge and of my disgrace before the nation, I wish to suffer and to purify myself through suffering.'


Each now strives to isolate his person as much as possible from the others, wishing to experience within himself life's completeness, yet from all his efforts there results not life's completeness but a complete suicide, for instead of discovering the true nature of their being they lapse into total solitariness. For in our era all are isolated into individuals, each retires solitary within his burrow, each withdraws from the other, conceals himself and that which he possesses and ends by being rejected of men and by rejecting them. He amasses wealth in solitariness, thinking: how strong I am now and how secure, yet he does not know, the witless one, that the more he amasses, the further he will sink into suicidal impotence. For he has become accustomed to relying upon himself alone and has isolated himself from the whole as an individual, has trained his soul not to trust in help from others, in human beings and mankind, and is fearful only of losing his money and privileges he has acquired. In every place today the human mind is mockingly starting to lose its awareness of the fact that a person's true security consists not in his own personal, solitary effort, but in the common integrity of human kind.


'Let me tell you something, mother,' the Elder said. 'Once upon a time, a great saint of antiquity saw in the temple one such as you, a mother who was also weeping for her infant, her only child, whom the Lord also had summoned. 'Do you not know,' the saint said to her, 'how daring such infants are before the throne of God? There are none more daring than they in all the Kingdom of Heaven: 'You gave us life, O Lord,' they say to God, 'yet no sooner had we beheld it than You took it away from us again.' And with such daring do they ask and demand that the Lord immediately accords them the rank of angels. And therefore,' said the holy man, 'do you too rejoice, O woman, and weep not, for your infant is now with the Lord in the assembly of His angels.


It is better to be led by the nose on occasion than to find oneself quite without a nose at all, as a certain ailing marquis pronounced quite recently during confession to his holy Jesuit father.  I was there, it was simply charming.  'Return to me my nose!' he said.  'My son,' the pater prevaricated, 'all is accomplished according to the unknowable destinies of Providence and an apparent disaster sometimes brings in its wake an exceptional, though invisible advantage.  If stern fortune has deprived you of your nose, then your advantage is that all the rest of your life no one will ever dare to tell you that you have been led by the nose.'  'Holy father, that is no consolation!' the despairing marquis exclaimed, 'on the contrary, I would be only too delighted to be led by the nose every day for the rest of my life, if only it were in its proper place!'  'My son,' the pater sighed, 'it is wrong to demand all blessings at once, and this is already a complaint against Providence, which even now has not forgotten you; for if you cry, as you cried just now, that you would be ready to be led by the nose all the rest of your life, then even now your desire has been fulfilled, though obliquely: for, having lost your nose, you are by that very fact being led by it...


Author: Milan Kundera
Publisher: Harper Perennial Modern Classics (2009)

It is wrong, then to chide the novel for being fascinated by mysterious coincidences (like the meeting of Anna, Vronsky, the railway station, and death), but it is right to chide man for being blind to such coincidences in his daily life.  For he thereby deprives his life of a dimension of beauty.