/tag/expression

35 quotes tagged 'expression'

Publisher: Inner Traditions International (2003)

109-110

Originally persona signified 'mask': the mask that ancient actors wore in playing a given part, in incarnating a given personage. Thereby the mask possessed something typical, nonindividual, especially in the case of divine masks and even more clearly when used in many archaic rites. At this point I can resume and apply the ideas of the preceding chapter about the dual structure of the being: the 'person' is that which the man presents concretely and sensibly in the world, in the position he occupies, but always signifying a form of expression and manifestation of a higher principle in which the true center of being is to be recognized, and on which falls, or should fall, the accent of the Self. \nA 'mask' is something very precise, delineated, and structured. So man as person (= mask) is already differentiated thereby from the mere individual; he has a form, is himself, and belongs to himself. Consequently, whenever a civilization has had a traditional character, the values of the 'person' have made of it a world of quality, diversity, and types. And the natural consequence has been a system of organic, differentiated, and hierarchical relationships: something that cannot be said of mass regimes, but also not of regimes of individualism, of 'values of the personality,' or of real or pretended democracy. \nLike the individual, the person itself is in a certain sense closed to the external world, and in relation to it, all the existential situations whose legitimacy we have already recognized can be of value in the present age. Unlike the individual, the person is not closed to the above. The personal being is not himself, but has himself (like the relation between the actor and his part): it is presence to that which he is, not coalescence with that which he is. Moreover, a kind of antinomy is brought to light: in order to be truly such, the person needs a reference to something more than personal. When this reference is absent, the person transforms itself into an 'individual,' and individualism and subjectivism come into play.\n

The Bakhtin Reader

Author: Bakhtin, Medvedev, Voloshinov, Pam Morris (Editor)

Publisher: Arnold (2001)

An essential (constitutive) marker of the utterance is its quality of being directed to someone, its addressivity. As distinct from the signifying units of a language - words and sentences - that are impersonal, belonging to nobody and addressed to nobody, the utterance has both an author (and consequently, expression, which we have already discussed) and an addressee. This addressee can be an immediate participant-interlocutor in an everyday dialogue, a differentiated collective of specialists in some particular area of cultural communications, a more or less differentiated public, ethnic group, contemporaries, like-minded people, opponents and enemies, a subordinate, a superior, someone who is lower, higher, familiar, foreign, and so forth. And it can also be an indefinite, unconcretized other (with various kinds of monological utterances of an emotional type). All these varieties and conceptions of the addressee are determined by that area of human activity and everyday life to which the given utterance is related. Both the composition and, particularly, the style of the utterance depend on those to whom the utterance is addressed, how the speaker (or writer) senses and imagines his addresses, and the force of their effect on the utterance. Each speech genre in each area of speech communication has its own typical conception of the addressee, and this defines it as a genre.

...language, for the individual consciousness, lies on the borderline between oneself and the other. The word in language is half someone else's. It becomes 'one's own' only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own. And not all words for just anyone submit equally easily to this appropriation, to this seizure and transformation into private property: many words stubbornly resist, others remain alien, sound foreign in the mouth of the one who appropriated them and who now speaks them; they cannot be assimilated into his context and fall out of it; it is as if they put themselves in quotation marks against the will of the speaker. Language is not a neutral medium that passes freely and easily into the private property of the speaker's intentions; it is populated - overpopulated - with the intentions of others. Expropriating it, forcing it to submit to one's own intentions and accents, is a difficult and complicated process...

What sort of reality pertains to the subjective psyche? The reality of the inner psyche is the same reality as that of the sign. Outside the material of signs, there is no psyche; there are physiological processes, processes in the nervous system, but no subjective psyche as a special existential quality fundamentally distinct from both the physiological processes occurring within the organism and the reality encompassing the organism from outside, to which the psyche reacts and which one way or another it reflects. By its very existential nature, the subjective psyche is to be localized somewhere between the organism and the outside world, on the borderline separating these two spheres of reality. It is here that an encounter between the organism and the outside world takes place, but the encounter is not a physical one: the organism and the outside world meet here in the sign. Psychic experience is the semiotic expression of the contact between the organism and the outside environment. That is why the inner psyche is not analyzable as a thing but can only be understood and interpreted as a sign.

Social psychology is first and foremost an atmosphere made up of multifarious speech performances that engulf and wash over all persistent forms and kinds of ideological creativity: unofficial discussions, exchanges of opinion at the theater or a concert or at various types of social gatherings, purely chance exchanges of words, one's manner of verbal reaction to happenings in one's life and daily existence, one's inner-word manner of identifying oneself and identifying one's position in society, and so on. Social psychology exists primarily in a wide variety of forms of the 'utterance', of little speech genres of internal and external kinds - things left completely unstudied to the present day. All these speech performances, are, of course, joined with other types of semiotic manifestation and interchange - with miming, gesturing, acting out, and the like. \nAll these forms of speech interchange operate in extremely close connection with the conditions of the social situation in which they occur and exhibit an extraordinary sensitivity to all fluctuations in the social atmosphere.

40-41

Freud's theory is a 'projection' of certain objective relations of the external world into the world of psyche. What finds expression there is, in the very first instance, the extremely complex social interrelationship between doctor and patient. \nIn what does this interrelationship consist? \nA patient wishes to hide from the doctor certain of his experiences and certain events of his life. He wants to foist on the doctor his own point of view on the reasons for his illness and the nature of his experiences. The doctor, for his part, aims at enforcing his authority as a doctor, endeavors to wrest confessions from the patient and to compel him to take the 'correct' point of view on his illness and its symptoms. Intertwining with all this are other factors: Between doctor and patient there may be differences in sex, in age, in social standing, and moreover, there is the difference of their professions. All these factors complicate their relationship and the struggle between them. \nAnd it is in the midst of this complex and very special social atmosphere that the verbal utterances are made - the patient's narratives and his statements in conversation with the doctor - utterances that Freud places squarely at the basis of his theory. Can we acknowledge these utterances as the expression of the patient's individual psyche? \nNot a single instance of verbal utterance can be reckoned exclusively to its utterer's account. Every utterance is the product of the interaction between speakers and the product of the broader context of the whole complex social situation in which the utterance emerges. Elsewhere we have attempted to show that any product of the activity of human discourse - from the simplest utterance in everyday life to elaborate works of literary art - derives shape and meaning in all its most essential aspects not from the subjective experiences of the speaker but from the social situation in which the utterance appears. Language and its forms are the products of prolonged social intercourse among members of a given speech community. An utterance finds language basically already prepared for use. It is the material for the utterance and it sets constraints on the utterance's possibilities. What is characteristic for a given utterance specifically - its selection of particular words, its particular kind of sentence structure, its particular kind of intonation - all this is the expression of the interrelationship between the speakers and of the whole complex set of social circumstances under which the exchange of words takes place. Those 'psychical experiences' of the speaker, the expression of which we are inclined to see in his utterance, are, however, only in fact a one-sided, simplified, and scientifically unverifiable interpretation of a more complex social phenomenon. What we have here is a special kind of 'projection', a means whereby we project into the 'individual soul' a complex set of social interrelationships. Discourse is like a 'scenario' of the immediate act of communication in the process of which it is engendered, and this act of communication is, in turn, a factor of the wider field of communication of the community to which the speaker belongs. In order to understand this 'scenario', it is essential to reconstruct all those complex social interrelations of which the given utterance is the ideological refraction.

46-47

The content and composition of the unofficial levels of behavioral ideology (in Freudian terms, the content and composition of the unconscious) are conditioned by historical time and class to the same degree as are its levels 'under censorship' and its systems of formulated ideology (morality, law, world outlook). For example, the homosexual inclinations of an ancient Hellene of the ruling class produced absolutely no conflicts in his behavioral ideology; they freely emerged into outward speech and even found formulated ideological expression (e.g., Plato's Symposium). \nAll those conflicts with which psychoanalysis deals are characteristic in the highest degree for the European petite bourgeoisie of modern times. Freud's 'censorship' very distinctly reflects the behavioral-ideological point of view of a petit bourgeois, and for that reason a somewhat comical effect is produced when Freudians transfer that point of view the psyche of an ancient Greek or a medieval peasant. The monstrous overestimation of Freudianism's part of the sexual factor is also exceedingly revealing against the background of the present disintegration of the bourgeois family. \nThe wider and deeper the breach between the official and unofficial conscious, the more difficult it becomes for motives of inner speech to turn into outward speech (oral or written or printed, in a circumscribed or broad social milieu) wherein they might acquire formulation, clarity, and rigor. Motives under these conditions begin to fail, to lose their verbal countenance, and little by little really do turn into a 'foreign body' in the psyche. Whole sets of organic manifestations come, in this way, to be excluded from the zone of verbalized behavior and may become asocial. Thereby the sphere of the 'animalian' in man enlarges. \nOf course, not every area of human behavior is subject to so complete a divorce from verbal ideological formulation. After all, neither is it true that every motive in contradiction with the official ideology must degenerate into indistinct inner speech and then die out - it might well engage in a struggle with that official ideology. If such a motive is founded on the economic being of the whole group, if it is not merely the motive of a déclassé loner, then it has a chance for a future and perhaps even a victorious future. There is no reason why such a motive should become asocial and lose contact with communication. Only, at first a motive of this sort will develop within a small social milieu and will depart into the underground - not the psychological underground of repressed complexes, but the salutary political underground. That is exactly how a revolutionary ideology in all spheres of culture comes about.

The Society of the Spectacle

Author: Guy Debord

Publisher: kindle import (0)

Leninism was the highest voluntaristic expression of revolutionary ideology—a coherence of the separate governing a reality that resisted it. With the advent of Stalinism, revolutionary ideology returned to its fundamental incoherence. At that point, ideology was no longer a weapon, it had become an end in itself. But a lie that can no longer be challenged becomes insane. The totalitarian ideological pronouncement obliterates reality as well as purpose; nothing exists but what it says exists. Although this crude form of the spectacle has been confined to certain underdeveloped regions, it has nevertheless played an essential role in the spectacle’s global development. This particular materialization of ideology did not transform the world economically, as did advanced capitalism; it simply used police-state methods to transform people’s perception of the world. \n\nThe ruling totalitarian-ideological class is the ruler of a world turned upside down. The more powerful the class, the more it claims not to exist, and its power is employed above all to enforce this claim. It is modest only on this one point, however, because this officially nonexistent bureaucracy simultaneously attributes the crowning achievements of history to its own infallible leadership. Though its existence is everywhere in evidence, the bureaucracy must be invisible as a class. As a result, all social life becomes insane. The social organization of total falsehood stems from this fundamental contradiction. \n\nStalinism was also a reign of terror within the bureaucratic class. The terrorism on which this class’s power was based inevitably came to strike the class itself, because this class has no juridical legitimacy, no legally recognized status as an owning class which could be extended to each of its members. Its ownership has to be masked because it is based on false consciousness. This false consciousness can maintain its total power only by means of a total reign of terror in which all real motives are ultimately obscured. The members of the ruling bureaucratic class have the right of ownership over society only collectively, as participants in a fundamental lie: they have to play the role of the proletariat governing a socialist society; they have to be actors faithful to a script of ideological betrayal. Yet they cannot actually participate in this counterfeit entity unless their legitimacy is validated. No bureaucrat can individually assert his right to power, because to prove himself a socialist proletarian he would have to demonstrate that he was the opposite of a bureaucrat, while to prove himself a bureaucrat is impossible because the bureaucracy’s official line is that there is no bureaucracy. Each bureaucrat is thus totally dependent on the central seal of legitimacy provided by the ruling ideology, which validates the collective participation in its “socialist regime” of all the bureaucrats it does not liquidate. Although the bureaucrats are collectively empowered to make all social decisions, the cohesion of their own class can be ensured only by the concentration of their terrorist power in a single person. In this person resides the only practical truth of the ruling lie: the power to determine an unchallengeable boundary line which is nevertheless constantly being adjusted. Stalin decides without appeal who is and who is not a member of the ruling bureaucracy—who should be considered a “proletarian in power” and who branded “a traitor in the pay of Wall Street and the Mikado.” The atomized bureaucrats can find their collective legitimacy only in the person of Stalin—the lord of the world who thus comes to see himself as the absolute person, for whom no superior spirit exists. “The lord of the world recognizes his own nature—omnipresent power—through the destructive violence he exerts against the contrastingly powerless selfhood of his subjects.” He is the power that defines the terrain of domination, and he is also “the power that ravages that terrain.”

102

The spectacle is the acme of ideology because it fully exposes and manifests the essence of all ideological systems: the impoverishment, enslavement and negation of real life. The spectacle is the material “expression of the separation and estrangement between man and man.” The “new power of deception” concentrated in it is based on the production system in which “as the mass of objects increases, so do the alien powers to which man is subjected.” This is the supreme stage of an expansion that has turned need against life. “The need for money is thus the real need created by the modern economic system, and the only need it creates” (Economic and Philosophical Manuscripts). Hegel’s characterization of money as “the self-moving life of what is dead” (Jenenser Realphilosophie) has now been extended by the spectacle to all social life.

The chronicle is the expression of the irreversible time of power. It also serves to inspire the continued progression of that time by recording the past out of which it has developed, since this orientation of time tends to collapse with the fall of each particular power and would otherwise sink back into the indifferent oblivion of cyclical time (the only time known to the peasant masses who, during the rise and fall of all the empires and their chronologies, never change). The owners of history have given time a direction, a direction which is also a meaning. But this history develops and perishes separately, leaving the underlying society unchanged, because it remains separated from the common reality. This is why we tend to reduce the history of Oriental empires to a history of religions: the chronologies that have fallen to ruins have left nothing but the seemingly independent history of the illusions that veiled them. The masters who used the protection of myth to make history their private property did so first of all in the realm of illusion. In China and Egypt, for example, they long held a monopoly on the immortality of the soul; and their earliest officially recognized dynasties were nothing but imaginary reconstructions of the past. But this illusory ownership by the masters was the only ownership then possible, both of the common history and of their own history. As their real historical power expanded, this illusory-mythical ownership became increasingly vulgarized. All these consequences flowed from the simple fact that as the masters played the role of mythically guaranteeing the permanence of cyclical time (as in the seasonal rites performed by the Chinese emperors), they themselves achieved a relative liberation from cyclical time.

The spectacular consumption that preserves past culture in congealed form, including coopted rehashes of its negative manifestations, gives overt expression in its cultural sector to what it implicitly is in its totality: the communication of the incommunicable. The most extreme destruction of language can be officially welcomed as a positive development because it amounts to yet one more way of flaunting one’s acceptance of a status quo where all communication has been smugly declared absent. The critical truth of this destruction—the real life of modern poetry and art—is obviously concealed, since the spectacle, whose function is to use culture to bury all historical memory, applies its own essential strategy in its promotion of modernistic pseudoinnovations. Thus a school of neoliterature that baldly admits that it does nothing but contemplate the written word for its own sake can pass itself off as something new. Meanwhile, alongside the simple claim that the death of communication has a sufficient beauty of its own, the most modern tendency of spectacular culture—which is also the one most closely linked to the repressive practice of the general organization of society—seeks by means of “collective projects” to construct complex neoartistic environments out of decomposed elements, as can be seen in urbanism’s attempts to incorporate scraps of art or hybrid aesthetico-technical forms. This is an expression, in the domain of spectacular pseudoculture, of advanced capitalism’s general project of remolding the fragmented worker into a “socially integrated personality,” a tendency that has been described by recent American sociologists (Riesman, Whyte, etc.). In all these areas the goal remains the same: to restructure society without community.

Tools for Conviviality

Author: Ivan Illich

Publisher: Marion Boyars Publishers Ltd (2009)

The Sacred Mushroom and the Cross

Author: John M. Allegro

Publisher: Paperjacks (1971)

How Our Lives Become Stories: Making Selves

Author: Paul John Eakin

Publisher: Cornell University Press (1999)

161-163

Jeffery H. Reiman argues that privacy is 'a precondition of personhood,' 'a social ritual by means of which an individual's moral title to his existence is conferred' (310). Moreover, theorists of privacy seem to agree that space or social distance is a precondition of privacy. If we accept this hypotheses, ethical problems will arise in life writing when space is transgressed, when privacy is abridged, with the result that the integrity of the person is breached or violated. I investigate this link between privacy and personhood first in the philosophical and juridical literature and then in various kinds of life writing. \r\n\r\nThe American press seized upon the death of the late Jacqueline Kennedy Onassis in 1994 to mourn the passing of an ideal of privacy that this beloved public figure had, paradoxically, come to represent. No one needs reminding that we live in an age of intrusiveness, where each innovation in communications technology seems to create some new threat to the possibility of being left alone: we read daily about eavesdropping on the eaveless virtual space of cellular phones, about call screening, caller identification, and scrambling devices. It is surely a sign on the times that access is newly empowered as a transitive verb. The hunger of the public for the private lives of the rich and famous has spawned a breed of professional privacy-busters - gossip columnists and paparazzi - and Onassis became the chosen prey of self-styled paparazzo Ronald E. Galella. Photographer Galella's single-minded pursuit of Onassis resulted in more than a decade of litigation, culminating in a Federal Superior Court judgement in 1982 that upheld Onassis's 'constitutional right of privacy' (Galella 1106)... \r\n\r\n The legal history of the right to privacy invoked in this case dates from the publication in 1890 of a celebrated article by Samuel D. Warren and Louis D. Brandeis titled, precisely, 'The Right to Privacy.' The article was occasioned by Warren's exasperation with intrusive coverage of his family's social life by the popular press of the period; revolutions in printing technology and photography exposed anyone deemed to be a celebrity - the Warrens were socially prominent Bostonians - to the gaze of a mass-circulation audience. Brandeis and Warren argued for 'a general right to privacy for thoughts, emotions and sensations...whether expressed in writing, or in conduct, in conversation, in attitudes, or in facial expression' (82), a right so comprehensive and fundamental, in fact, that we might call it the right to personhood. Their own formulation, however, as we shall see, has proved peculiarly memorable, 'the right to an inviolate personality' (85). \r\n\r\nThe subsequent legal history of privacy is rich and complex, turning especially on challenges to Brandeis and Warren's positing of a single, all-embracing right. William Prosser, for example, reviewing seventy years of cases in 1960, found that 'the law of privacy comprises four distinct kinds of invasion of four different interests of the plaintiff.' I quote his description of these four torts to suggest something of the complex of issues with which the right to privacy has been associated in the law: \r\n\r\n1. Intrusion upon the plaintiff's seclusion or solitude, or into his private affairs. \r\n2. Public disclosure of embarrassing private facts about the plaintiff. \r\n3. Publicity which places the plaintiff in a false light in the public eye. \r\n4. Appropriation, for the defendant's advantage, of the plaintiff's name or likeness. (107) \r\n\r\nCountering the apparent reductiveness of Prosser's four-part analysis, however, is Edward J. Bloustein's 'Privacy as an Aspect of Human Dignity: An Answer to Dean Prosser' (1964), a defense of the distinctiveness of the right to privacy claimed by Brandeis and Warren. Bloustein discerns in all of the manifold transgressions against the right to privacy 'an interference with individuality, an interference with the right of the individual to do what he will.' His portrait of the person deprived of privacy, moreover, is chilling: 'Such a being, although sentient, is fungible; he is not an individual' (188). \r\n\r\n*Galella*: Galella v. Onassis. 533 F.Supp.1076 (1982)

Food of the Gods

Author: Terence McKenna

Publisher: Bantam Books (1993)

141

The ecstatic and orgiastic, visionary and boundary‑dissolving experiences, the central mysteries of the mushroom religion, were the very factors in the human situation acting to keep our ancestors human. The commonality of feeling generated by the mushroom held the community together. The divine, inspiring power of the mushroom spoke through the bards and singers. The indwelling spirit of the mushroom moved the hand that carved bone and painted stone. Such things were a commonplace of the Edenic world of the Goddess. Life was lived not as we have chosen to imagine it, on the edge of mute bestiality, but rather, close to a dimension of spontaneous magical and linguistic expression that now shines only briefly in each of us at the pinnacle of experimental intoxication but that then was the empowered and enveloping reality: the presence of the Great Goddess. History is the story of our unfocused agony over the loss of this perfect human world, and then of our forgetting it altogether, denying it and in so doing, denying a part of ourselves. It is a story of relationships, quasi‑symbiotic compacts, with plants that were made and broken. The consequence of not seeing ourselves as a part of the green engine of vegetable nature is the alienation and despair that surrounds us and threatens to make the future unbearable.

Common sense assumes that, though languages are always evolving, the raw stuff of what language expresses is relatively constant and common to all humans. Yet we also know that the Hopi language has no past or future tenses or concepts. How, then, can the Hopi world be like ours? And the Inuit have no first‑person pronoun. How, then, can their world be like ours? The grammars of languages ‑ their internal rules ‑ have been carefully studied. Yet too little attention has been devoted to examining how language creates and defines the limits of reality. Perhaps language is more properly understood when thought of as magic, for it is the implicit position of magic that the world is made of language.

The Denial of Death

Author: Ernest Becker

Publisher: Free Press (1975)

215

It is as though one were to take the whole world and fuse it into a single object or a single fear. We immediately recognize this as the same creative dynamic that the person uses in transference, when he fuses all the terror and majesty of creation in the transference-object. This is what Rank meant when he said that neurosis represents creative power gone astray and confused. The person doesn’t really know what the problem is, but he hits on an ingenious way to keep moving past it. Let us note, too, that Freud himself used the expression “transference-neurosis” as a collective term for hysterical fears and compulsion neuroses.8

207

we can now see the real problem that genius has: how to develop a creative work with the full force of one’s passion, a work that saves one’s soul, and at the same time to renounce that very work because it cannot by itself give salvation. In the creative genius we see the need to combine the most intensive Eros of self-expression with the most complete Agape of self-surrender. It is almost too much to ask of men that they contrive to experience fully both these intensities of ontological striving.

161

Freud could also show why groups did not fear danger. The members do not feel that they are alone with their own smallness and helplessness, as they have the powers of the hero-leader with whom they are identified. Natural narcissism—the feeling that the person next to you will die, but not you—is reinforced by trusting dependence on the leader’s power. No wonder that hundreds of thousands of men marched up from trenches in the face of blistering gunfire in World War I. They were partially self-hypnotised, so to speak. No wonder men imagine victories against impossible odds: don’t they have the omnipotent powers of the parental figure? Why are groups so blind and stupid?—men have always asked. Because they demand illusions, answered Freud, they “constantly give what is unreal precedence over what is real.”17 And we know why. The real world is simply too terrible to admit; it tells man that he is a small, trembling animal who will decay and die. Illusion changes all this, makes man seem important, vital to the universe, immortal in some way. Who transmits this illusion, if not the parents by imparting the macro-lie of the cultural causa sui? The masses look to the leaders to give them just the untruth that they need; the leader continues the illusions that triumph over the castration complex and magnifies them into a truly heroic victory. Furthermore, he makes possible a new experience, the expression of forbidden impulses, secret wishes, and fantasies. In group behavior anything goes because the leader okays it.18

The Great book of Amber

Author: Roger Zelazny

Publisher: Harper Voyager (2010)

Myths to live by

Author: Joseph Campbell

Publisher: Joseph Campbell Foundation (2011)

The Fourth Way

Author: P.D. Ouspensky

Publisher: Vintage (1971)

372

Q. I could see myself losing my temper the other day when I was talking to somebody, but I could not stop it. How can I control temper? A This is an example of mechanicalness. You cannot control your temper when it has already begun to appear—it is then too late Struggle must begin in your mind, you must find your way to think rightly about a definite difficulty. Suppose you have to meet a certain man who irritates you. Your temper shows itself, you do not like it. How can you stop it? You must begin with the study of your thinking. What do you think about this man—not what you feel when you are irritated, but what do you think about him at quiet moments? You may find that in your mind you argue with him, you prove to him that he is wrong, you tell him all his mistakes, you find that, generally, he behaves wrongly towards you. This is where you are wrong You must learn to think rightly Then, if you do, it will happen like this although emotion is much quicker than thought, emotion is a temporary thing, but thought can be made continuous, so whenever the emotion jumps out, it hits against this continuous thought and cannot go on and manifest itself So you can struggle with the expression of negative emotions, as in this example, only by creating continuous right thinking. To explain what right thinking is in a few words is impossible, it is necessary to study it. If you remember what I said about parts of centres you will come to that, because in most cases and most conditions in ordinary life people think only with the mechanical part of the intellectual centre, which is the formatory apparatus This is not sufficient It is necessary to use the intellectual part of the intellectual centre Identifying is the chief reason why we do not use it Trying to self-remember and trying not to identify is the best means of passing into higher parts of centres. But we always forget about identification and about self remembering

367

Negative emotions must be divided into three categories; first, the more usual, more ordinary everyday emotions. You must observe them and must already have a certain control over their expression. When you have acquired a certain control of non-expression of these negative emotions, the question comes as to how to deal with the emotions themselves. You must start dealing with them by trying not to identify as often and as much as you can, for they are always connected with identification, and if you conquer identification, they disappear. The second category of emotions do not appear every day. They are the more difficult, more complex emotions depending on some mental process, such as suspicion, hurt feelings and many things like that. They are harder to conquer. You can deal with them by creating a right mental attitude, by thinking—not at the time, but in-between, when you are quiet. Try to find the right attitude, the right point of view, and make it permanent. If you create right thinking, that will take all power from these negative emotions. Then there is the third category, much more intense, much more difficult and rare. Against them you can do nothing. These two methods —struggle with identification and creating right attitudes—do not help. When such emotions come, you can do only one thing: you must try to remember yourself—remember yourself with the help of the emotion. If you learn to use them for self-remembering, they may diminish and disappear after some time. But for this you have to be prepared. At present, since you do not know which emotion belongs to which category, you must try to use all three methods for all of them. But later you will see that they are divided into these categories and in one case one thing helps, in another case another thing. In all cases you must be prepared. As I said in the beginning, it will be difficult to struggle with them or conquer them, but you will learn through time. Only, never mix emotions with the expression of negative emotions. That always comes first. As long as you cannot stop the expression, it means that you can do nothing about the emotions themselves. So before you can do anything else you must learn to control the manifestation of negative emotions. If you learn to control the expression, then you can start

271

There is an expression in the system, 'to create moon in oneself. Let us talk about what it may mean. It is a symbolical expression, and symbols in the form of diagrams or symbolical expressions are used for very definite purposes. A symbol expresses many ideas at once. If it meant only one idea, the answer would be simple; but a symbol is used to avoid long descriptions and to put many ideas into one sentence. How to decipher a diagram or symbolical expression? In order to decipher a symbol, it is necessary to know the order of ideas included in it. \r\n\r\nNow, if we ask what it may mean to create moon in oneself, we must first ask ourselves, what is the moon's function in relation to organic life? The moon balances organic life—all external movements are balanced by the moon. What will happen if this function of the moon disappears? Will it be beneficial to an individual man or the opposite? We must realize that all this refers to being. What are the features of our being? The chief feature of our being is that we are many. If we want to work on our being, make it correspond more to our aim, we must try to become one. But this is a very far aim. \r\n\r\nWhat does it mean to become one? The first step, which is still very far, is to create a permanent centre of gravity. This is what creating moon in oneself means. The moon is a permanent centre of gravity which balances our physical life, but in ourselves we do not have such a balance, so, when we create this balance or centre of gravity in ourselves we do not need the moon. But first we must decide what the absence of permanent 'I' means. We have been told about many features of this, but they must be established definitely by observation, and in order to come nearer to the idea of creating moon in oneself we must distinguish what is important and what is unimportant. Then we must begin to struggle against the features which prevent us becoming one. We must struggle with imagination, negative emotions and self-will. Before this struggle can be successful, we must realize that the worst possible kind of imagination, from the point of view of obtaining a centre of gravity, is the belief that one can do anything by oneself. After that, we must find the negative emotions which prevent us doing what is suggested in connection with the system. For it is necessary to realize that self-will can only be broken by doing what one is told. It cannot be broken by what one decides oneself, for then it will still be self-will. \r\n\r\nLet me repeat. Work on being is always struggle—against what you like doing or dislike doing. Say you like roller-skating and you are told to remember yourself. Then you must struggle against your desire to go roller-skating. What is there more innocent than roller-skating? But you must struggle against it all the same. Every day and every hour there are things we cannot do, but there are also things we can do. So we must look at a day and see what we can do but do not do. There can be no rule 'You must remember yourself'. If you are told to do or not to do something, and you do not try, it means you do not want anything, you do not want to work. You have sufficient knowledge. Now it is necessary to push work on being. We always try to escape from doing what is suggested.

261

It is very simple. One part of us — magnetic centre or one's personality— wants to awake. But the larger part of us wants to sleep. You must decide on whose side you are, and then help that side. In order to study how to begin work on will, how to transform will, one has to give up one's will. This is a very dangerous expression if it is misunderstood. It is important to understand rightly what 'to give up one's will' means. We have no will, so how are we to give up what we do not have? First, you must realize you never agree that you have no will, you only agree in words. Secondly, you must understand that we do not always have will but only at times. Will in our state means a strong desire. If there is no strong desire, there is no will and so there is nothing to give up. At another moment we have a strong desire that is against work, and if we stop it, it means we give up will. It is not at every moment that we can give up will but only at special moments. And what does 'against work' mean? It means against rules and principles of the work or against something you are personally told to do or not to do. There are certain general rules and principles, and there may be personal conditions for different people

The Illuminatus! Trilogy

Author: Robert Shea and Robert Anton Wilson

Publisher: Fine Communications (1998)

791

APPENDIX LAMED: THE TACTICS OF MAGICK \r\n \r\n>The human brain evidently operates on some variation of the famous principle enunciated in The Hunting of the Snark: 'What I tell you three times is true.' \r\n>—NORBERT WEINER, Cybernetics \r\n \r\nThe most important idea in the Book of Sacred Magic of Abra-Melin the Mage is the simple-looking formula 'Invoke often.' \r\n\r\nThe most successful form of treatment for so-called mental disorders, the Behavior Therapy of Pavlov, Skinner, Wolpe, et al., could well be summarized in two similar words: 'Reinforce often.' ('Reinforcement,' for all practical purposes, means the same as the layman's term 'reward.' The essence of Behavior Therapy is rewarding desired behavior; the behavior 'as if by magic' begins to occur more and more often as the rewards continue.) Advertising, as everybody knows, is based on the axiom 'Repeat often.' Those who think they are 'materialists' and think that 'materialism' requires them to deny all facts which do not square with their definition of 'matter' are loath to admit the well-documented and extensive list of individuals who have been cured of serious maladies by that very vulgar and absurd form of magick known as Christian Science. Nonetheless, the reader who wants to understand this classic work of immortal literature will have to analyze its deepest meanings, guided by an awareness that there is no essential difference between magick, Behavior Therapy, advertising, and Christian Science. All of them can be condensed into Abra-Melin's simple 'Invoke often.' Reality, as Simon Moon says, is thermoplastic, not thermosetting. It is not quite Silly-Putty, as Mr. Paul Krassner once claimed, but is much closer to Silly-Putty than we generally realize. \r\n\r\nIf you are told often enough that 'Budweiser is the king of beers,' Budweiser will eventually taste somewhat better— perhaps a great deal better— than it tasted before this magick spell was cast. If a behavior therapist in the pay of the communists rewards you every time you repeat a communist slogan, you will repeat it more often, and begin to slide imperceptibly toward the same kind of belief that Christian Scientists have for their mantras. And if a Christian Scientist tells himself every day that his ulcer is going away, the ulcer will disappear more rapidly than it would have had he not subjected himself to this homemade advertising campaign. Finally, if a magician invokes the Great God Pan often enough, the Great God Pan will appear just as certainly as heterosexual behavior appears in homosexuals who are being handled (or manhandled) by Behavior Therapy. The opposite and reciprocal of 'Invoke often' is 'Banish often.' The magician wishing for a manifestation of Pan will not only invoke Pan directly and verbally, create Panlike conditions in his temple, reinforce Pan associations in every gesture and every article of furniture, use the colors and perfumes associated with Pan, etc.; he will also banish other gods verbally, banish them by removing their associated furnitures and colors and perfumes, and banish them in every other way. The Behavior Therapist calls this 'negative reinforcement,' and in treating a patient who is afraid of elevators he will not only reinforce (reward) every instance in which the patient rides an elevator without terror, but will also negatively reinforce (punish) each indication of terror shown by the patient. The Christian Scientist, of course, uses a mantra or spell which both reinforces health and negatively reinforces (banishes) illness.* Similarly, a commercial not only motivates the listener toward the sponsor's product but discourages interest in all 'false gods'- by subsuming them under the rubric of the despised and contemptible Brand X. * The basic Christian Science mantra, known as 'The Scientific Statement of Being,' no less, is as follows: 'There is no life, truth, intelligence nor substance in matter. All is infinite mind and its infinite manifestation, for God is all in all, Spirit is immortal truth: matter is mortal error. Spirit is the real and eternal; matter is the unreal and temporal. Spirit is God and man is His image and likeness. Therefore man is not material, he is spiritual.' The fact that these statements are, in terms of the scientific criteria, 'meaningless,' 'non-operational,' and 'footless' is actually totally irrelevant. They work. Try them and see. As Aleister Crowley, no friend of Mrs. Eddy's, wrote, 'Enough of Because! May he be damned for a dog!' Hypnotism, debate, and countless other games have the same mechanism: Invoke often and Banish often. \r\n\r\nThe reader who seeks a deeper understanding of this argument can obtain it by putting these principles to the test. If you are afraid that you might, in this Christian environment, fall into taking the Christian Science mantra too seriously, try instead the following simple experiment. For forty days and forty nights, begin each day by invoking and praising the world in itself as an expression of the Egyptian deities. Recite at dawn: I bless Ra, the fierce sun burning bright, I bless Isis-Luna in the night, I bless the air, the Horus-hawk, I bless the earth on which I walk. Repeat at moonrise. Continue for the full forty days and forty nights. We say without any reservations that, at a minimum, you will feel happier and more at home in this part of the galaxy (and will also understand better Uncle John Feather's attitude toward our planet); at maximum, you may find rewards beyond your expectations, and will be converted to using this mantra for the rest of your life. (If the results are exceptionally good, you just might start believing in ancient Egyptian gods.) \r\n\r\nA selection of magick techniques which will offend the reason of no materialist can be found in Laura Archera Huxley's You Are Not the Target (a powerful mantra, the title!), in Gestalt Therapy, by Peris, Heferline, and Goodman, and in Mind Games, by Masters and Houston. All this, of course, is programming your own trip by manipulating appropriate clusters of word, sound, image, and emotional (prajna) energy. The aspect of magick which puzzles, perplexes, and provokes the modern mentality is that in which the operator programs somebody else's trip, acting at a distance. It is incredible and insulting, to this type of person, if one asserts that our Mr. Nkrumah Fubar could program a headache for the President of the United States. He might grant that such manipulating of energy is possible if the President was told about Mr. Fubar's spells, but he will not accept that it works just as well when the subject has no conscious knowledge of the curse. The magical theory that 5 = 6 has no conviction for such a skeptic, and magicians have not yet proposed a better theory. The materialist then asserts that all cases where magic did appear to work under this handicap are illusions, delusions, hallucinations, 'coincidences,'* misapprehensions, 'luck,' accident, or downright hoax. * Look up the etymology of that word some time and see if it means anything. He does not seem to realize that asserting this is equivalent to asserting that reality is, after all, thermoplastic— for he is admitting that many people live in a different reality than his own. Rather than leave him to grapple as best he can with this self-contradiction, we suggest that he consult Psychic Discoveries Behind the Iron Curtain, by Ostrander and Schroder—especially Chapter 11, 'From Animals to Cybernetics: The Search for a Theory of Psi.' He might realize that when 'matter' is fully understood, there is nothing a materialist need reject in magick action at a distance, which has been well explored by scientists committed to the rigid Marxist form of dialectical materialism. \r\n\r\nThose who have kept alive the ancient traditions of magick, such as the Ordo Templi Orientalis, will realize that the essential secret is sexual (as Saul tries to explain in the Sixth Trip) and that more light can be found in the writings of Wilhelm Reich, M. D., than in the current Soviet research. But Dr. Reich was jailed as a quack by the U.S. Government, and we would not ask our readers to consider the possibility that the U.S. Government could ever be Wrong about anything. Any psychoanalyst will guess at once the most probable symbolic meanings of the Rose and the Cross; but no psychologist engaged in psi research has applied this key to the deciphering of traditional magic texts. The earliest reference to freemasonry in English occurs in Andersen's 'Muses Threnody,' 1638: \r\n\r\n>For we be brethren of the Rosey Cross \r\n>We have the Mason Word and second sight \r\n\r\nbut no parapsychologist has followed up the obvious clue contained in this conjunction of the vaginal rose, the phallic cross, the word of invocation, and the phenomenon of thought projection. That the taboos against sexuality are still latent in our culture explains part of this blindness; fear of opening the door to the most insidious and subtle forms of paranoia is another part. (If the magick can work at a distance, the repressed thought goes, which of its is safe?) A close and objective study of the anti-LSD hysteria in America will shed further light on the mechanisms of avoidance here discussed. Of course, there are further offenses and affronts to the rationalist in the deeper study of magick. We all know, for instance, that words are only arbitrary conventions with no intrinsic connection to the things they symbolize, yet magick involves the use of words in a manner that seems to imply that some such connection, or even identity, actually exists. The reader might analyze some powerful bits of language not generally considered magical, and he will find something of the key. For instance, the 2 + 3 pattern in 'Hail Eris'/'All hail Discordia' is not unlike the 2 + 3 in 'Holy Mary, Mother of God,' or that in the 'L.S./M.F.T.' which once sold many cartons of cigarettes to our parents; and the 2 + 3 in Crowley's 'Io Pan! Io Pan Pan!' is a relative of these. Thus, when a magician says that you must shout 'Abrahadabra,' and no other word, at the most intensely emotional moment in an invocation, he exaggerates; you may substitute other words; but you will abort the result if you depart too far from the five-beat pattern of 'Abrahadabra.' A glance at the end of Appendix Beth will save the reader from misunderstanding the true tenor of these remarks. \r\n\r\nBut this brings us to the magical theory of reality. Mahatma Guru Sri Paramahansa Shivaji (Aleister Crowley again, under another pen-name) writes in Yoga for Yahoos: \r\n\r\n>Let us consider a piece of cheese. We say that this has certain qualities, shape, structure, color, solidity, weight, taste, smell, consistency and the rest; but investigation has shown that this is all illusory. Where are these qualities? Not in the cheese, for different observers give quite different accounts of it. Not in ourselves, for we do not perceive them in the absence of the cheese . . . What then are these qualities of which we are so sure? They would not exist without our brains; they would not exist without the cheese. They are the results of the union, that is of the Yoga, of the seer and seen, of subject and object... \r\n\r\nThere is nothing here with which a modern physicist could quarrel; and this is the magical theory of the universe. The magician assumes that sensed reality - the panorama of impressions monitored by the senses and collated by the brain— is radically different from so-called objective reality.¹ About the latter 'reality' we can only form speculations or theories which, if we are very careful and subtle, will not contradict either logic or the reports of the senses. This lack of contradiction is rare; some conflicts between theory and logic, or between theory and sense-data, are not discovered for centuries (for example, the wandering of Mercury away from the Newtonian calculation of its orbit). And even when achieved, lack of contradiction is proof only that the theory is not totally false. It is never, in any case, proof that the theory is totally true— for an indefinite number of such theories can be constructed from the known data at any time. For instance, the geometries of Euclid, of Gauss and Reimann, of Lobachevski, and of Fuller all work well enough on the surface of the earth, and it not yet clear whether the Gauss-Reimann or the Fuller system works better in interstellar space. \r\n\r\nIf we have this much freedom in choosing our theories about 'objective reality,' we have even more liberty in deciphering the 'given' or transactional sensed reality. The ordinary person senses as he or she has been taught to sense —that is, as they have been programmed by their society. The magician is a self-programmer. Using invocation and evocation— which are functionally identical with self-conditioning, auto-suggestion, and hypnosis, as shown above— he or she edits or orchestrates sensed reality like an artist.^{2\r\n\r\nThis} book, being part of the only serious conspiracy it describes— that is, part of Operation Mindfuck— has programmed the reader in ways that he or she will not understand for a period of months (or perhaps years). When that understanding is achieved, the real import of this appendix (and of the equation 5 = 6) will be clearer. Officials at Harvard thought Dr. Timothy Leary was joking when he warned that students should not be allowed to indiscriminately remove dangerous, habit-forming books from the library unless each student proves a definite need for each volume. (For instance, you have lost track of Joe Malik's mysterious dogs by now.) It is strange that one can make the clearest possible statements and yet be understood by many to have said the opposite. \r\n\r\nThe Rite of Shiva, as performed by Joe Malik during the SSS Black Mass, contains the central secret of all magick, very explicitly, yet most people can reread that section a dozen, or a hundred times, and never understand what the secret is. For instance, Miss Portinari was a typical Catholic girl in every way— except for an unusual tendency to take Catholicism seriously— until she began menstruating and performing spiritual meditations every day.³ One morning, during her meditation period, she visualized the Sacred Heart of Jesus with unusual clarity; immediately another image, distinctly shocking to her, came to mind with equal vividness. She recounted this experience to her confessor the next Saturday, and he warned her, gravely, that meditation was not healthy for a young girl, unless she intended to take the oath of seclusion and enter a convent. She had no intention of doing that, but rebelliously (and guiltily) continued her meditations anyway. The disturbing second image persisted whenever she thought of the Sacred Heart; she began to suspect that this was sent by the Devil to distract her from meditation. \r\n\r\nOne weekend, when she was home from convent school on vacation, her parents decided she was the right age to be introduced to Roman society. (Actually, they, like most well-off Italian families, had already chosen which daughter would be given to the church— and it wasn't her. Hence, this early introduction to la dolce vita.) One of the outstanding ornaments of Rome at that time was the 'eccentric international businessman' Mr. Hagbard Celine, and he was at the party to which Miss Portinari was taken that evening. It was around eleven, and she had consumed perhaps a little too much Piper Heidseck, when she happened to find herself standing near a small group who were listening rapt-ly to a story the strange Celine was telling. Miss Portinari wondered what this creature might be saying—he was reputedly even more cynical and materialistic than other international money-grubbers, and Miss Portinari was, at that time, the kind of conservative Catholic idealist who finds capitalists even more dreadful than socialists. She idly tuned in on his words; he was talking English, but she understood that language adequately. \r\n' 'Son, son,' Hagbbard recited, ' 'with two beautiful women throwing themselves at you, why are you sitting alone in your room jacking off?' Miss Portinari blushed furiously and drank some more champagne to conceal it. She hated the man already, knowing that she would surrender her virginity to him at the earliest opportunity; of such complexities are intellectual Catholic adolescents capable. \r\n'And the boy replied,' Hagbard went on, ' 'I guess you just answered your own question, Ma.' ' There was a shocked silence. \r\n'The case is quite typical,' Hagbard added blandly, obviously finished. 'Professor Freud recounts even more startling family dramas.' \r\n'I don't see ...' a celebrated French auto racer began, frowning. Then he smiled. 'Oh,' he said, 'was the boy an American?' \r\nMiss Portinari left the group perhaps a bit too hurriedly (she felt a few eyes following her) and quickly refilled her champagne glass. A half-hour later she was standing on the veranda, trying to clear her head in the night air, when a shadow moved near her and Celine appeared amid a cloud of cigar smoke. \r\n'The moon has a fat jaw tonight,' he said in Italian. 'Looks like somebody punched her in the mouth.' \r\n'Are you a poet in addition to your other accomplishments?' she asked coolly. 'That sounds as if it might be American verse.' \r\nHe laughed— a clear peal, like a stallion whinnying. 'Quite so,' he said. 'I just came from Rapallo, where I was talking to America's major poet of this century. How old are you?' he asked suddenly. \r\n'Almost sixteen,' she said fumbling the words. \r\n'Almost fifteen,' he corrected ungallantly. \r\n'If it's any affair of yours—' \r\n'It might be,' he replied easily. 'I need a girl your age for something I have in mind.' \r\n'I can imagine. Something foul.' He stepped further out of the shadows and closer. \r\n'Child,' he said, 'are you religious?' \r\n'I suppose you regard that as old-fashioned,' she replied, imagining his mouth on her breast and thinking of paintings of Mary nursing the Infant. \r\n'At this point in history,' he said simply, 'it's the only thing that isn't old-fashioned. What was your birthdate? Never mind— you must be a Virgo.' \r\n'I am,' she said. (His teeth would bite her nipple, but very gently. He would know enough to do that.) 'But that is superstition, not religion.' \r\n'I wish I could draw a precise line between religion, superstition, and science.' He smiled. 'I find that they keep running together. You are Catholic, of course?' His persistence was maddening. \r\n'I am too proud to believe an absurdity, and therefore I am not a Protestant,' she replied— immediately fearing that he would recognize the plagiarism. \r\n'What symbol means the most to you?' he asked, with the blandness of a prosecuting attorney setting a trap. \r\n'The cross,' she said quickly. She didn't want him to know the truth. \r\n'No.' He again corrected her ungallantly. 'The Sacred Heart.' \r\nThen she knew he was of Satan's party. \r\n'I must go,' she said. \r\n'Meditate further on the Sacred Heart,' he said, his eyes blazing like a hypnotist's (a cornball gimmick, he was thinking privately, but it might work). 'Meditate on it deeply, child. You will find in it the essential of Catholicism — and the essential of all other religion.' \r\n'I think you are mad,' she responded, leaving the veranda with undignified haste. But two weeks later, during her morning meditation, she suddenly understood the Sacred Heart. At lunchtime she disappeared—leaving behind a note to the Mother Superior of the convent school and another note for her parents— and went in search of Hagbard. She had even more potential than he realized, and (as elsewhere recorded) within two years he abdicated in her favor. They never became lovers.⁴ \r\n\r\nThe importance of symbols— images— as the link between word and primordial energy demonstrates the unity between magick and yoga. Both magick and yoga— we reiterate—are methods of self-programming employing synchronistically connected chains of word, image, and bio-energy. Thus, rationalists, who are all puritans, have never considered the fact that disbelief in magick is found only in puritanical societies. The reason for this is simple: Puritans are incapable of guessing what magick is essentially all about. It can even be surely ventured that only those who have experienced true love, in the classic Albigensian or troubadour sense of that expression, are equipped to understand even the most clear-cut exposition of the mysteries.⁵ \r\n\r\nThe eye in the triangle; for instance, is not primarily a symbol of the Christian Trinity, as the gullible assume— except insofar as the Christian Trinity is itself a visual (or verbal) elaboration on a much older meaning. Nor is this symbol representative of the Eye of Osiris or even of the Eye of Horus, as some have ventured; it is venerated, for instance, among the Cao Dai sect in Vietnam, who never heard of Osiris or Horus. The eye's meaning can be found quite simply by meditating on Tarot Trump XV, the Devil, which corresponds, on the Tree of Life, to the Hebrew letter ayin, the eye. The reader who realizes that 'The Devil' is only a late rendering of the Great God Pan has already solved the mystery of the eye, and the triangle has its usual meaning. The two together are the union of Yod, the father, with He, the Mother, as in Yod-He-Vau-He, the holy unspeakable name of God. Vau, the Holy Ghost, is the result of their union, and final He is the divine ecstasy which follows. One might even venture that one who contemplates this key to the identities of Pan, the Devil, the Great Father, and the Great Mother will eventually come to a new, more complete understanding of the Christian Trinity itself, and especially of its most mysterious member, Vau, the elusive Holy Ghost. \r\n\r\nThe pentagram comes in two forms but always represents the fullest extension of the human psyche— the male human psyche in particular. The pentagram with one horn exalted is, quite naturally, associated with the right-hand path; and the two-horned pentagram with the left-hand path. (The Knights Templar, very appropriately, inscribed the head of Baphomet, the goat-headed deity who was their equivalent of Pan or the Devil, within the left-handed pentagram in such wise that each 'horn' contained one of Baphomet's horns.) It is to be observed that the traditionally sinister⁷ left-hand pentagram contains an internal pentagon with one point upward, whereas the right-hand pentagram contains an internal pentagon with one point downward; this nicely illustrates the Law of Opposites.⁸ The pentagon in the Sacred Chao is tilted from the perpendicular so that it cannot be said to have any points directly upward or directly downward—or perhaps can be said to have 1 ½ points up and 1 ½ points down⁹ — thereby illustrating the Reconciliation of Opposites. All that can be said against the method of the left-hand pentagram, without prejudice, is that this form of the sacrament is always destructive of the Holy Spirit, in a certain sense. It should be remembered that the right-hand pentagram method is also destructive in most cases, especially by those practitioners so roundly condemned in Chapter 14 of Joyce's Ulysses— and this group is certainly the majority these days. In view of the ecological crisis, it might even be wise to encourage the left-hand method and discourage the right-hand method at this time, to balance the Sacred Numbers. \r\n\r\nVery few readers of the Golden Bough have pierced Sir Prof. Dr. Frazer's veil of euphemism and surmised the exact method used by Isis in restoring life to Osiris, although this is shown quite clearly in extant Egyptian frescoes. Those who are acquainted with this simple technique of resurrecting the dead (which is at least partially successful in all cases and totally successful in most) will have no trouble in skrying the esoteric connotations of the Sacred Chao— or of the Taoist yin-yang or the astrological sign of cancer. The method almost completely reverses that of the pentagrams, right or left, and it can even be said that in a certain sense it was not Osiris himself but his brother, Set, symbolically understood, who was the object of Isis's magical workings. In every case, without exception, a magical or mystical symbol always refers to one of the very few¹⁰ variations of the same, very special variety of human sacrifice: the 'one eye opening' or the 'one hand clapping'; and this sacrifice cannot be partial— it must culminate in death if it is to be efficacious. The literal-mindedness of the Saures, in the novel, caused them to become a menace to life on earth; the reader should bear this in mind. The sacrifice is not simple. It is a species of cowardice, epidemic in Anglo-Saxon nations for more than three centuries, which causes most who seek success in this field to stop short before the death of the victim. Anything less than death—that is, complete oblivion—simply will not work.¹¹ (One will find more clarity on this crucial point in the poetry of John Donne than in most treatises alleging to explain the secrets of magick.) \r\n\r\nThe symbolism of the swastika is quite adequately explained in Wilhelm Reich's Mass Psychology of Fascism. Ouroboros, the serpent eating its own tail, is chiefly emblematic of the Mass of the Holy Ghost.¹² The Roman Catholic symbolism of the Sacred Heart is strikingly overt, especially to readers of Frazer and Payne-Knight. In essence, it is the same notion conveyed by the cartoonist's conventional rendering of Cupid shooting his arrow into a red pulsating heart. This is the basic meaning of the Dying God and the Resurrection. The identification of Christ with the pelican who stabs its own heart with its beak (to feed its young) is an analogous rendering of the same motif. We repeat that it was only because the Saure family so misread these simple symbols that they became cruel and sadistic. In essence, then, the basic symbols, of magic, mythology, and religion—whether Eastern or Western, ancient or modern, 'right-hand' or 'left-hand'—are so simple that only the pernicious habit of looking for alleged 'profundities' and 'mysteries' prevents people from automatically understanding them almost without thinking. The meaning of the hexagram— the female equivalent of the male pentagram— was explicated by Freud himself, but most students, convinced that the answer could not be so elementary and down-to-earth, continue to look into the clouds. \r\n\r\n¹ See the anthology Perception, edited by Robert Blake, Ph.D., and especially the chapter by psychologist Carl Rogers, which demonstrates that people's perceptions change while they are in psychotherapy. As William Blake noted, 'The fool sees not the same tree that the wise man sees.' \r\n² Everybody, of course, does this unconsciously; see the paragraph about the cheese. The magician, doing it consciously, controls it. \r\n³ These two signs of growth often appear at the same time, being DNA-triggered openings of the fourth neural circuit. \r\n⁴ They were quite good friends, though, and he did fuck her occasionally. \r\n⁵ This book has stated it as clearly as possible in a number of places, but some readers are still wondering what we are holding back. \r\n⁶ This being has more in common with the ordinary nocturnal visitor, sometimes called a 'ghost,' than is immediately evident to the uninitiated. Cf. the well-documented association of poltergeist disturbances with adolescents. \r\n⁷ This association, attributing diabolism to the left-hand path, is oversimplified, prejudiced, and superstitious. In general, it can be said that the left-hand pentagram is suitable for both invocations and evocations, whereas the right-hand pentagram is suitable only for evocations, and mat is the only important difference. (It is assumed that the reader understands the pentagram as an exclusively male symbol.) \r\n⁸ Cf. the Tarot trumps II and III—the Magus, holding one arm upward and one downward, and the High Priestess, sitting between the pillars of Day and Night. (The Priestess is also associated with the Hebrew letter gimmel, the camel, and part of the meaning of this symbolism is contained in the shapes of the camel's back and the Hebrew letter.) \r\n⁹ This makes it quite useless for summoning werewolves. The Sacred Chao, however, is intended to teach a philosophical lesson, not to attract individuals with dubious pastimes. \r\n¹⁰ Fewer than seventy, according to a classical enumeration. \r\n¹¹ The magician must always identify fully with the victim, and share every agonized contortion to the utmost. Any attitude of standing aside and watching, as in a theatrical performance, or any intellectualization during the moments when the sword is doing its brutal but necessary work, or any squeamishness or guilt or revulsion, creates the two-mindedness against which Hagbard so vehemently warns in Never Whistle While You're Pissing. In a sense, only the mind dies. \r\n¹² See Israel Regardie, The Tree of Life.\r\n

The Origins and History of Consciousness

Author: Erich Neumann

Publisher: Princeton University Press (1954)

What the Buddha Taught

Author: Walpola Rahula

Publisher: Grove Press (1974)

What Do You Say After You Say Hello?

Author: Eric Berne

Publisher: Grove Press (1972)

Death is not an act, nor even an event, for the one who dies. It is both for those who survive. What it can be, and should be, is a transaction. The physical horror of the Nazi death camps was compounded by the psychological horror, the prevention of dignity, self-assertion, or self-expression in the gas chamber. There was no brave blindfold and cigarette, no defiance, no famous last words: in sum, no death transaction. There were transactional stimuli from the dying, but no response from the killers. Thus, force majeure takes from the script its most poignant moment, the deathbed scene, and in one sense the whole human purpose of life is to set up that scene. \n \n In script analysis, this is brought out by the question: 'Who will be there at your deathbed, and what will your last words be?' An added question is: 'What will their last words be?' The answer to the first query is usually some version of 'I showed them' - 'them' being the parents, especially mother in the case of a man and father in the case of a woman. Thscript its most poignant moment, the deathbed scene, and in one sense the whole human purpose of life is to set up that scene. \n \n In script analysis, this is brought out by the question: 'Who will be there at your deathbed, and what will your last words be?' An added question is: 'What wille implication is either 'I showed them I did what they wanted me to,' or 'I showed them I didn't have to do what they wanted me to.' \n \n The answer to this question is, in effect, a summary of Jeder's life goal, and can be used by the therapist as a powerful instrument in breaking up the games and getting Jeder out of his script: \n \n >So your whole life boils down to showing them you were right to feel hurt, frightened, angry, inadequate, or guilty. Very well. Then that will be your greatest accomplishment - if you want to keep it that way. But maybe you would like to find a more worthwhile purpose in living.

To Have or to Be?

Author: Erich Fromm

Publisher: Continuum Impacts (2005)

In the dominant Western religious system, the love of God is essentially the same as the belief in God, in God's existence, God's justice, God's love. The love of God is essentially a thought experience. In the Eastern religions and in mysticism, the love of God is an intense feeling experience of oneness, inseparably linked with the expression of this love in every act of living.

For the productive character, giving has an entirely different meaning. Giving is the highest expression of potency. In the very act of giving, I experience my strength, my wealth, my power. This experience of heightened vitality and potency fills me with joy. I experience myself as overflowing, spending, alive, hence as joyous. Giving is more joyous than receiving not because it is a deprivation, but because in the act of giving lies the expression of my vitality.'

Most people are not even aware of their need to conform. They live under the illusion that they follow their own ideas and inclinations, that they are individuals, that they have arrived at their opinions as the result of their own thinking - and that it just happens that their ideas are the same as those of the majority. The consensus of all serves as a proof for the correctness of 'their' ideas. Since there is still a need to feel some individuality, such need is satisfied with regard to minor differences: the initials on the handbag or the sweater, the name plate of the bank teller, the belonging to the Democratic as against the Republican party, to the Elks instead of to the Shriners become the expression of individual differences. The advertising slogan of 'it is different' shows up this pathetic need for difference, when in reality there is hardly any left.

What is restricted is the free, spontaneous expression of the infant's, the child's, the adolescent's, and eventually the adult's will, their thirst for knowledge and truth, their wish for affection. The growing person is forced to give up most of his or her autonomous, genuine desires and feelings that are not autonomous but superimposed by the social patterns of thought and feeling. Society, and the family as its psychosocial agent, has to solve a difficult problem: How to break a person's will without his being aware of it? Yet by a complicated process of indoctrination, rewards, punishments, and fitting ideology, it solves this task by and large so well that most people believe they are following their own will and are unaware that their will itself is conditioned and manipulated.

The Brothers Karamazov

Author: Fyodor Dostoyevsky

Publisher: Penguin Classics (2003)