/tag/socialization

10 quotes tagged 'socialization'

Social psychology is first and foremost an atmosphere made up of multifarious speech performances that engulf and wash over all persistent forms and kinds of ideological creativity: unofficial discussions, exchanges of opinion at the theater or a concert or at various types of social gatherings, purely chance exchanges of words, one's manner of verbal reaction to happenings in one's life and daily existence, one's inner-word manner of identifying oneself and identifying one's position in society, and so on. Social psychology exists primarily in a wide variety of forms of the 'utterance', of little speech genres of internal and external kinds - things left completely unstudied to the present day. All these speech performances, are, of course, joined with other types of semiotic manifestation and interchange - with miming, gesturing, acting out, and the like. \nAll these forms of speech interchange operate in extremely close connection with the conditions of the social situation in which they occur and exhibit an extraordinary sensitivity to all fluctuations in the social atmosphere.


Any motivation of one's behavior, any instance of self-awareness (fore self-awareness is always verbal, always a matter of finding some specifically suitable verbal complex) is an act of gauging oneself and one's behavior. In becoming aware of myself, I attempt to look at myself, as it were, through the eyes of another person, another representative of my social group, my class. Thus, self-consciousness, in the final analysis, always leads us to class consciousness, the reflection and specification of which it is in all its fundamental and essential respects. Here we have the objective roots of even the most personal and intimate reactions.


The social environment is what has given a person words and what has joined words with specific meanings and value judgments; the same environment continues ceaselessly to determine and control a person's verbal reactions throughout his entire life. \nTherefore, nothing verbal in human behavior (inner and outward speech equally) can under any circumstances be reckoned to the account of the individual subject in isolation; the verbal is not his property but the property of his social group (his social milieu).


Freud's theory is a 'projection' of certain objective relations of the external world into the world of psyche. What finds expression there is, in the very first instance, the extremely complex social interrelationship between doctor and patient. \nIn what does this interrelationship consist? \nA patient wishes to hide from the doctor certain of his experiences and certain events of his life. He wants to foist on the doctor his own point of view on the reasons for his illness and the nature of his experiences. The doctor, for his part, aims at enforcing his authority as a doctor, endeavors to wrest confessions from the patient and to compel him to take the 'correct' point of view on his illness and its symptoms. Intertwining with all this are other factors: Between doctor and patient there may be differences in sex, in age, in social standing, and moreover, there is the difference of their professions. All these factors complicate their relationship and the struggle between them. \nAnd it is in the midst of this complex and very special social atmosphere that the verbal utterances are made - the patient's narratives and his statements in conversation with the doctor - utterances that Freud places squarely at the basis of his theory. Can we acknowledge these utterances as the expression of the patient's individual psyche? \nNot a single instance of verbal utterance can be reckoned exclusively to its utterer's account. Every utterance is the product of the interaction between speakers and the product of the broader context of the whole complex social situation in which the utterance emerges. Elsewhere we have attempted to show that any product of the activity of human discourse - from the simplest utterance in everyday life to elaborate works of literary art - derives shape and meaning in all its most essential aspects not from the subjective experiences of the speaker but from the social situation in which the utterance appears. Language and its forms are the products of prolonged social intercourse among members of a given speech community. An utterance finds language basically already prepared for use. It is the material for the utterance and it sets constraints on the utterance's possibilities. What is characteristic for a given utterance specifically - its selection of particular words, its particular kind of sentence structure, its particular kind of intonation - all this is the expression of the interrelationship between the speakers and of the whole complex set of social circumstances under which the exchange of words takes place. Those 'psychical experiences' of the speaker, the expression of which we are inclined to see in his utterance, are, however, only in fact a one-sided, simplified, and scientifically unverifiable interpretation of a more complex social phenomenon. What we have here is a special kind of 'projection', a means whereby we project into the 'individual soul' a complex set of social interrelationships. Discourse is like a 'scenario' of the immediate act of communication in the process of which it is engendered, and this act of communication is, in turn, a factor of the wider field of communication of the community to which the speaker belongs. In order to understand this 'scenario', it is essential to reconstruct all those complex social interrelations of which the given utterance is the ideological refraction.


Author: Paul John Eakin
Publisher: Cornell University Press (1999)

It may well be the case that the narrative model of identity that forms the bedrock of interpersonal relations in human communities is more like a piece of necessary cultural equipment than an ultimate psychological reality, something we need in order to get on with the business of living as we have been socialized to understand it. That is, there might be a sense in which the subjectivity of the ordinary individual, stripped of the cultural overlay of linguistic and narrative socialization, might not be so different from that of the autistic, but such a possibility is difficult to imagine precisely because it lies beyond the ground of our linguistically, narratively constituted knowing.


The premise of Shotter's concept of social accountability is that 'one ontologically learns how to be this or that kind of person' in conversation with others (138). Identity formation, then is socially and (more specifically) discursively transacted: thus 'the capacity to be addressed as a 'you' by others is a preliminary to the ultimate capacity of being able to say 'I' of oneself' (143). \r\n... \r\nIf Shotter's theory of social accountability is correct, and I think it is, the longevity of the myth of autonomy is hardly surprising: in this view, we are conditioned precisely not to recognize the relational dimension of selfhood; possessive individualism, functioning as the dominant social 'text' to which we are held 'accountable,' masks the contribution of the 'practical social processes going on 'between' people' (137) toward making us what we are: 'we fail to register the fact of our involvement with others' (142).


The psychologist John Shotter has worked out a much more searching answer to the enduring vitality of the myth of autonomy. In order to correct psychology's - and his own - one-sided preoccupation with inner states, Shotter proposes 'to repudiate the traditional 'Cartesian' starting-point for psychological research located in the 'I' of the individual, ...and to replace it by taking as basic not the inner subjectivity of the individual, but the practical social processes going on 'between' people' (137). \r\n \r\n'In my earlier views,' Shotter writes, 'I was clearly still in the thrall of classic 'text' of identity, possessive individualism' (147). Possessive individualism is C. B. Macpherson's term for the proto-capitalist model of identity proposed by Hobbes and Locke, which posits the individual as 'essentially the proprietor of his own person or capacities, owing nothing to society for them' (quoted in Shotter 136). Stepping back, Shotter asks why he - why we all - continue to account 'for our experience of ourselves...in such an individualistic way [as Macpherson describes]: as if we all existed from birth as separate, isolated individuals already containing 'minds' or 'mentalities' wholly within ourselves, set over against a material world itself devoid of any mental processes' (136). We talk in this way, he answers, because we are disciplined to do so by 'social accountability': 'what we talk of as our experience of our reality is constituted for us very largely by the already established ways in which we must talk in our attempts to account for ourselves - and for it - to the others around us...And only certain ways of talking are deemed legitimate.' So pervasive is this discursive discipline that not only our talking but 'our understanding, and apparently our experience of ourselves, will be constrained also' (141).


According to Benjamin, 'most theories of [infant] development have emphasized the goal of autonomy more than relatedness to others.' They accept Margaret Mahler's 'unilinear trajectory that leads from oneness [with the mother] to separateness,' 'leaving unexplored the territory in which subjects meet' (25). As a corrective to Mahler's model, Benjamin stresses accordingly the 'intersubjective dimension' (49) of individuation and its central paradox: 'at the very moment of realizing our own independence, we are dependent upon another to recognize it' (33). Thus, because the assertion of autonomy is dependent on this dynamic of recognition, identity is necessarily relational.


Author: P.D. Ouspensky
Publisher: Vintage (1971)

how can one separate what is real and what is false personality? A. Start by realizing that it is all false personality, and then try to find out what is not. You cannot do the second before the first. First you must understand that all is false personality, and when you become convinced of that, you may find what is 'yourself'. Go on observing. Work begins from the moment one realizes that one is not. When it enters into everything, when it becomes a realization, then it is productive work. But when one thinks of oneself as 'I' (the whole), then it is not productive work. You must understand that false personality is a very elusive thing. It is one, it does not consist of different personalities; but at the same time it contains contradictory and incompatible features, features that cannot manifest themselves at the same time. So it does not mean that you can see the whole of your false personality at one moment. Sometimes you can see more of it, at other times certain features of it manifest themselves separately. Also it must be remembered that false personality is often rather attractive or amusing, particularly for other people who live in their false personalities. So when you begin to lose your false personality, when you begin to struggle with it, people will not like you. They will tell you that you have become dull


Publisher: Fine Communications (1998)

On November 23, 1970, the body of Stanislaus Oedipuski, forty-six, of West living Park Road, was found floating in the Chicago river. Death, according to the police laboratory, did not result from drowning but from beating about the head and shoulders with a square-ended object. The first inquiries by homicide detectives revealed that Oedipuski had been a member of God's Lightning and the theory was formed that a conflict between the dead man and his former colleagues might have resulted in his being snuffed with their Wooden crosses. Further investigation revealed that Oedipuski had been a construction worker and until very recently well liked on his job, behaving in a normal, down -to-earth manner, bitching about the government, cursing the lazy bums on Welfare, hating niggers, shouting obscene remarks at good-looking dolls who passed construction sites and— when the odds were safely above the 8-to-l level— joining other middle-aged workers in attacking and beating young men with long hair, peace buttons, or other un-American stigmata. Then, about a month before, all that had changed. He began bitching about the bosses as well as the government— almost sounding like a communist at times; when somebody else cussed the crumb-bums on Welfare, Stan remarked thoughtfully, 'Well, you know, our union keeps them from getting jobs, fellows, so what else can they do but go on Welfare? Steal?' He even said once, when some of the guys were good-humoredly giving the finger and making other gallant noises and signals toward a passing eighteen-year-old girl, 'Hey, you know, that might really be embarrassing and scaring her . . . !' Worse yet, his own hair begun to grow surprisingly long in the back, and his wife told friends that he didn't look at TV much anymore but instead sat in a chair most evenings reading books. The police found that was indeed true, and his small library— gathered in less than a month— was remarkable indeed, featuring works on astronomy, sociology, Oriental mysticism, Darwin's Origin of the Species, detective novels by Raymond Chandler, Alice in Wonderland, and a college-level text on number theory with the section on primes heavily marked with notes in the margin; the gallant, and now pathetic, tracks of a mind that was beginning to grow after four decades of stagnation, and then had been abruptly stomped. Most mysterious of all was the card found in the dead man's pocket, which although waterlogged, could still be read. One side said THERE IS NO ENEMY ANYWHERE