/tag/magick

62 quotes tagged 'magick'

Ride the Tiger
Author: Julius Evola
Publisher: Inner Traditions International (2003)
168-170

In general, drugs can be divided into four categories: stimulants, depressants, hallucinogens, and narcotics. The first two categories do not concern us; for example, the use of tobacco and alcohol is irrelevant unless it becomes a vice, that is, if it leads to addiction. \nThe third category includes drugs that bring on states in which one experiences various visions and seemingly other worlds of the senses and spirit. On account of these effects, they have also been called 'psychedelics,' under the assumption that the visions project and reveal the hidden contents of the depths of one's own psyche, but are not recognized as such. As a result, physicians have even tried to use drugs like mescaline for a psychic exploration analogous to psychoanalysis. However, when all is reduced to the projection of a psychic substratum, not even experiences of this kind can interest the differentiated man. Leaving aside the perilous contents of the sensations and their artificial paradise, these illusory phantasmagoria do not take one beyond, even if one cannot exclude the possibility that what is acting may not be merely the contents of one's own subconscious, but dark influences that, finding the door open, manifest themselves in these visions. We might even say that those influences, and not the simple substratum repressed by the individual psyche, are responsible for certain impulses that can burst out in these states, even driving some compulsively to commit criminal acts. \nAn effective use of these drugs would presuppose a preliminary 'catharsis,' that is, the proper neutralization of the individual unconscious substratum that is activated; then the images and senses could refer to a spiritual reality of a higher order, rather than being reduced to a subjective, visionary orgy. One should emphasize that the instances of this higher use of drugs were preceded not only by periods of preparation and purification of the subject, but also that the process was properly guided through the contemplation of certain symbols. Sometimes 'consecrations' were also prescribed for protective purposes. There are accounts of certain indigenous communities in Central and South America whose members, only while under the influence of peyote, hear the sculpted figures on ancient temple ruins 'speak,' revealing their meaning in terms of spiritual enlightenment. The importance of the individual's attitude clearly appears from the completely different effects of mescaline on two contemporary writers who have experimented with drugs, Aldous Huxley and R. H. Zaehner. And it is a fact that in the case of hallucinogens like opium and, in part, hashish, this active assumption of the experience that is essential from our point of view is generally excluded. \nThere remains the category of narcotics and of substances that are also used for total anesthesia, whose normal effect is the complete suspension of consciousness. This corresponds to a detachment that would exclude all intermediate 'psychedelic' forms and the insidious, ecstatic, and sensual contents, leaving a void. However, if consciousness were maintained, with the pure I at the center, it could facilitate the opening to a higher reality. But the advantages would be outweighed by the extreme difficulty of any training capable of maintaining detached consciousness. \nIn general, one must keep in mind that drug use even for a spiritual end, that is, to catch glimpses of transcendence, has its price. How drugs produce certain psychic effects has not yet been determined by modern science. It is said that some, like LSD, destroy certain brain cells. One point is certain: Habitual use of drugs brings a certain psychic disorganization; one should substitute for them the power of attaining analogous states through one's own means. Therefore, when one has chosen a path based on the maximum unification of all one's psychic faculties, these drawbacks must be kept firmly in mind.


Collapse Now and Avoid the Rush
Author: John Michael Greer
Publisher: Founders House (2015)
75

Politicians and ordinary people alike have taken to insisting that the solution to joblessness is to send people to college to get job training, on the assumption that this will somehow make jobs appear for them. To call this magical thinking is an insult to honest sorcerers...


The Bakhtin Reader
Author: Bakhtin, Medvedev, Voloshinov, Pam Morris (Editor)
Publisher: Arnold (2001)
77

...language, for the individual consciousness, lies on the borderline between oneself and the other. The word in language is half someone else's. It becomes 'one's own' only when the speaker populates it with his own intention, his own accent, when he appropriates the word, adapting it to his own semantic and expressive intention. Prior to this moment of appropriation, the word does not exist in a neutral and impersonal language (it is not, after all, out of a dictionary that the speaker gets his words!), but rather it exists in other people's mouths, in other people's contexts, serving other people's intentions: it is from there that one must take the word, and make it one's own. And not all words for just anyone submit equally easily to this appropriation, to this seizure and transformation into private property: many words stubbornly resist, others remain alien, sound foreign in the mouth of the one who appropriated them and who now speaks them; they cannot be assimilated into his context and fall out of it; it is as if they put themselves in quotation marks against the will of the speaker. Language is not a neutral medium that passes freely and easily into the private property of the speaker's intentions; it is populated - overpopulated - with the intentions of others. Expropriating it, forcing it to submit to one's own intentions and accents, is a difficult and complicated process...


40-41

Freud's theory is a 'projection' of certain objective relations of the external world into the world of psyche. What finds expression there is, in the very first instance, the extremely complex social interrelationship between doctor and patient. \nIn what does this interrelationship consist? \nA patient wishes to hide from the doctor certain of his experiences and certain events of his life. He wants to foist on the doctor his own point of view on the reasons for his illness and the nature of his experiences. The doctor, for his part, aims at enforcing his authority as a doctor, endeavors to wrest confessions from the patient and to compel him to take the 'correct' point of view on his illness and its symptoms. Intertwining with all this are other factors: Between doctor and patient there may be differences in sex, in age, in social standing, and moreover, there is the difference of their professions. All these factors complicate their relationship and the struggle between them. \nAnd it is in the midst of this complex and very special social atmosphere that the verbal utterances are made - the patient's narratives and his statements in conversation with the doctor - utterances that Freud places squarely at the basis of his theory. Can we acknowledge these utterances as the expression of the patient's individual psyche? \nNot a single instance of verbal utterance can be reckoned exclusively to its utterer's account. Every utterance is the product of the interaction between speakers and the product of the broader context of the whole complex social situation in which the utterance emerges. Elsewhere we have attempted to show that any product of the activity of human discourse - from the simplest utterance in everyday life to elaborate works of literary art - derives shape and meaning in all its most essential aspects not from the subjective experiences of the speaker but from the social situation in which the utterance appears. Language and its forms are the products of prolonged social intercourse among members of a given speech community. An utterance finds language basically already prepared for use. It is the material for the utterance and it sets constraints on the utterance's possibilities. What is characteristic for a given utterance specifically - its selection of particular words, its particular kind of sentence structure, its particular kind of intonation - all this is the expression of the interrelationship between the speakers and of the whole complex set of social circumstances under which the exchange of words takes place. Those 'psychical experiences' of the speaker, the expression of which we are inclined to see in his utterance, are, however, only in fact a one-sided, simplified, and scientifically unverifiable interpretation of a more complex social phenomenon. What we have here is a special kind of 'projection', a means whereby we project into the 'individual soul' a complex set of social interrelationships. Discourse is like a 'scenario' of the immediate act of communication in the process of which it is engendered, and this act of communication is, in turn, a factor of the wider field of communication of the community to which the speaker belongs. In order to understand this 'scenario', it is essential to reconstruct all those complex social interrelations of which the given utterance is the ideological refraction.


51-52

Every ideological sign is not only a reflection, a shadow, of reality, but is also itself a material segment of that very reality. Every phenomenon functioning as an ideological sign has some kind of material embodiment, whether in sound, physical mass, color, movements of the body, or the like. In this sense, the reality of the sign is fully objective and lends itself to a unitary, monistic, objective method of study. A sign is a phenomenon of the external world. Both the sign itself and all the effects it produces (all those actions, reactions and new signs it elicits in the surrounding social milieu) occur in outer experience. \nThis is a point of extreme importance. Yet, elementary and self-evident as it may seem, the study of ideologies has still not drawn all the conclusions that follow from it. \nThe idealistic philosophy of culture and psychologistic cultural studies locate ideology in the consciousness. Ideology, they assert, is a fact of consciousness; the external body of the sign is merely a coating, merely a technical means for the realization of the inner effect, which is understanding. \nIdealism and psychologism alike overlook the fact that understanding itself can come about only within some kind of semiotic material (e.g., inner speech), that sign bears upon sign, that consciousness itself can arise and become a viable fact only in the material embodiment of signs. The understanding of a sign is, after all, an act of reference between the sign apprehended and other, already known signs; in other words, understanding is a response to a sign with signs. And this chain of ideological creativity and understanding, moving from sign to sign and then to a new sign, is perfectly consistent and continuous: from one link of a semiotic nature (hence, also of a material nature) we proceed uninterruptedly to another link of exactly the same nature. And nowhere is there a break in the chain, nowhere does the chain plunge into inner being, nonmaterial in nature and unembodied in signs. \nThis ideological chain stretches from individual consciousness to individual consciousness, connecting them together. Signs emerge, after all, only in the process of interaction between one individual consciousness and another. And the individual consciousness itself is filled with signs. Consciousness becomes consciousness only once it has been filled with ideological (semiotic) content, consequently, only in the process of social interaction... \nSigns can arise only on interindividual territory. It is territory that cannot be called 'natural' in the direct sense of the word: signs do not arise between two members of the species Homo sapiens. It is essential that the two individuals be organized socially, that they compose a group (a social unit); only then can the medium of signs take shape between them. The individual consciousness not only cannot be used to explain anything, but, on the contrary, is itself in need of explanation from the vantage point of the social, ideological medium. \n*The individual consciousness is a social-ideological fact*. Not until this point is recognized with due provision for all the consequences that follow from it will it be possible to construct either an objective psychology of an objective study of ideologies... \nNo cultural sign, once taken in and given meaning, remains in isolation: it becomes part of the unity of the verbally constituted consciousness. It is in the capacity of the consciousness to find verbal access to it. Thus, as it were, spreading ripples of verbal responses and resonances form around each and every ideological sign. Every ideological refraction of existence in process of generation, no matter what the nature of its significant material, is accompanied by ideological refraction in word as an obligatory concomitant phenomenon. \n


The Sacred Mushroom and the Cross
Author: John M. Allegro
Publisher: Paperjacks (1971)
172-173

In raising the sacred fungus, the participants of the Anthesteria festival were calling up the dead. It is expressly stated by the ancient writers that the Anthesteria was devoted to tending the souls of the departed, and that during the festival the dead were supposed to rise to the upper world. The cult of the sacred mushroom, then, was a manifestation of necromancy, 'divination by the dead.


160-161

The invocation of the 'Father' reminds us of the opening words of the Lord's Prayer, repeated millions of times a day all over the Christian world. In the mouth of Jesus, the opening words, 'My (our) father who art in heaven' is used frequently as a surrogate for God. The very fullness of the phrase has seemed curious where one might have expected a simple 'God' or 'Father' or the like. The explanation lies in the mushroom title AB-BA-TAB-BA-RI-GI, a rather fuller version of the one cited above and underlying 'Abba, father.' The cryptographers have teased out the Sumerian into an Aramaic 'abba' debareqi'a', 'O my (our) father who art in heaven!' \r\n \r\nHaving now penetrated the disguise and laid bare the original Sumerian and Aramaic phrase made from it, we can now recognize it as a phrase we have all known from our childhood story-books for a long time: 'abracadabra.' Originally it had a far more serious intent, and is first found in the writings of one Q. Serenus Sammonicus of the second-third century AD, a physician of the sect we know as Gnostics. This author left precise instructions for the use of this cabbalistic phrase, which was believed to invoke beneficent spirits against disease and misfortune. The magic word had to be stitched in the form of a cross and worn as an amulet in the bosom for nine days, and finally thrown backwards before sunrise into a stream running eastwards.


How Our Lives Become Stories: Making Selves
Author: Paul John Eakin
Publisher: Cornell University Press (1999)
89

[Mary Gordon] was the daughter of a doting father who treated her to lavish displays of affection. So central is the father's love to he child's sense of her own identity that his early death when she is seven creates a profound sense of lack, of want, that Gordon in her forties - successful novelist, happily married, with a child of her own - is still trying to fill. [Paul] Auster could be speaking for Gordon when he observes, wisely, 'You do not stop hungering for your father's love, even after you are grown up' (19)1. Now, in midlife, however, when Gordon sets out to recover her father and his story, she discovers that she wasn't the central figure in his life. Archival research in Washington, in Providence, and in Lorain, Ohio, turns in a painful process of disconfirmation in which everything she thought she knew about her father turns out to have been a lie: reinventing himself (like Fitzgerald's Jay Gatsby), David Gordon had edited his siblings, his working-class childhood, and an earlier marriage out of his story, passing himself off as a Harvard graduate, who had converted later on to Catholicism. The records disclose an unattractive stranger, a disreputable man-on-the-make, an Eastern European Jew who wrote for pornographic magazines in which he indulged in anti-Semetic jokes. Struggling to reconcile the idealized image of childhood memory with the stubborn truth of the biographical record, Gordon even attempts briefly to assume her father's identity in order to understand it, conjuring up the immigrant Jewish child's oppressive sense of being burdened with the 'wrong' identity to succeed in the American culture of his day. \r\n \r\nThe turning point in her quest comes when she concludes that 'David Gordon is a man I cannot know.' Refusing to be merely an episode in his story, she appropriates him for her own: 'The man I know is a man I gave birth to. His name is not David. ...It is My Father' (194).2 Her act of possession is as total as she can make it. Not only does she 'give birth to' her father in this narrative, but she literally revises his death as well: in the final section of The Shadow Man Gordon has her father's body exhumed from its place in her mother's family's plot and reburied in Calvary, a cemetery of her own choosing. This is certainly extravagant stuff, as Gordon is certainly aware. ...Gordon and Auster conclude that the story of the proximate other is ultimately unknowable. For Gordon, moreover, it proves to be a story she would prefer not to know, for it can't be integrated into her own identity narrative.\r\n \r\n \r\n1 /publication/70 \r\n2 /publication/71


21

In Narrative and the Self (1991) [Anthony Paul] Kerby stakes out a position on the self's ontology that is much like Edelman's no 'spirits' or 'ethereal beings.' Ruling out any notion of the self as some kind of transcendental (Cartesian or other) entity preexisting our lives as language speakers, Kerby defines the self as the product of 'signifying practices,' especially 'narrative constructions or stories' (1).


Landscape for a Good Woman: A Story of Two Lives
Author: Carolyn Kay Steedman
Publisher: Rutgers University Press (1987)
6

The stories that people tell themselves in order to explain how they got to the place they currently inhabit...are often in deep and ambiguous conflict with the official interpretive devices of a culture.


The Collected Works of C.G. Jung, Volume 10: Civilization in Transition
Author: Carl Gustav Jung, R.F.C. Hull (Translator)
Publisher: Princeton University Press (1970)
776

Now if we conceive numbers as having been discovered, and not merely invented as an instrument for counting, then on account of their mythological nature they belong to the realm of 'godlike' human and animal figures and are just as archetypal as they. Unlike these, however, they are 'real' in the sense that they are encountered in the realm of experience as quantities and thus form the bridge between the tangible, physical world and the imaginary. Though the latter is unreal, it is 'real' in so far as it works; i.e., has an effect on us.


Food of the Gods
Author: Terence McKenna
Publisher: Bantam Books (1993)
62

Ideologies can be thought of as meaning‑defined environments. They are invisible, yet they surround us and determine for us, though we may never realize it, what we should think about ourselves and reality. Indeed they define for us what we can think.


32

Eating a plant or an animal is a way of claiming its power, a way of assimilating its magic to one's self. In the minds of preliterate peo­ple, the lines between drugs, foods, and spices are rarely clearly drawn. The shaman who gorges himself on chili peppers to raise in­ner heat is hardly in a less altered state than the nitrous oxide en­thusiast after a long inhalation.


27

I feel that I am pressing my face into the hot sand of a tropical beach. I feel lucky to be alive. I am lucky to be alive! Or is it that I am alive to be lucky? I break up laughing. At this point the old woman begins to sing. Hers is no ordinary song, but an icaro, a magical curing song that in our intoxicated and ecstatic state seems more like a tropical reef fish or an animated silk scarf of many colors than a vocal performance. The song is a visible manifestation of power, enfolding us and making us secure.


23

Common sense assumes that, though languages are always evolving, the raw stuff of what language expresses is relatively constant and common to all humans. Yet we also know that the Hopi language has no past or future tenses or concepts. How, then, can the Hopi world be like ours? And the Inuit have no first‑person pronoun. How, then, can their world be like ours? The grammars of languages ‑ their internal rules ‑ have been carefully studied. Yet too little attention has been devoted to examining how language creates and defines the limits of reality. Perhaps language is more properly understood when thought of as magic, for it is the implicit position of magic that the world is made of language.


The Origins of Consciousness in the Breakdown of the Bicameral Mind
Author: Julian Jaynes
Publisher: University of Toronto Press (1978)
430

Of course these scientisms about man begin with something that is true. That nutrition can improve health both of mind and body is true. The class struggle as Marx studied it in the France of Louis Napoleon was a fact. The relief of hysterical symptoms in a few patients by analysis of sexual memories probably happened. And hungry animals or anxious men certainly will learn instrumental responses for food or approbation. These are true facts. But so is the shape of a liver of a sacrificed animal a true fact. And so the Ascendants and Midheavens of astrologers, or the shape of oil on water. Applied to the world as representative of all the world, facts become superstitions. A superstition is after all only a metaphier grown wild to serve a need to know. Like the entrails of animals or the flights of birds, such scientistic superstitions become the preserved ritualized places where we may read out the past and future of man, and hear the answers that can authorize our actions. Science then, for all its pomp of factness, is not unlike some of the more easily disparaged outbreaks of pseudoreligions. In this period of transition from its religious basis, science often shares with the celestial maps of astrology, or a hundred other irrational-isms, the same nostalgia for the Final Answer, the One Truth, the Single Cause. In the frustrations and sweat of laboratories, it feels the same temptations to swarm into sects, even as did the Khabiru refugees, and set out here and there through the dry Sinais of parched fact for some rich and brave significance flowing with truth and exaltation. And all of this, my metaphor and all, is a part of this transitional period after the breakdown of the bicameral mind.


409

Another way the dissolving of mind-space shows itself is in the disorientation in respect to time so common in the schizophrenic. We can only be conscious of time as we can arrange it into a spatial succession, and the diminishing of mind-space in schizophrenia makes this difficult or impossible. For example, patients may complain that “time has stopped,” or that everything seems to be “slowed down” or “suspended,” or more simply that they have “trouble with time.” As one former patient remembered it after he was well: \r\n\r\n>For a long time no days seemed to me like a day and no night seemed like a night. But this in particular has no shape in my memory. I used to tell time by my meals, but as I believed we were served sets of meals in each real day — about half a dozen sets of breakfast, lunch, tea, and dinner in each twelve hours — this was not much help. \r\n\r\nOn the face of it, this may seem inconsistent with the hypothesis that schizophrenia is a partial relapse to the bicameral mind. For bicameral man certainly knew the hours of the day and the seasons of the year. But this knowing was, I suggest, a very different knowing from the narratization in a spatially successive time which we who are conscious are constantly doing. Bicameral man had behavioral knowing, responding to the cues for rising and sleeping, for planting and harvesting, cues so important that they were worshiped, as at Stonehenge, and were probably hallucinogenic in themselves. For someone coming from a culture where attention to such cues has been superseded by a different sense of time, the loss of that spatial successiveness leaves the patient in a relatively timeless world. It is interesting in this connection that when it is suggested to normal hypnotic subjects that time does not exist, a schizophrenic form reaction results.


366

Hypnosis, like consciousness, begins at a particular point in history in the paraphrands of a few new metaphors. The first of these metaphors followed Sir Isaac Newton’s discovery of the laws of universal gravitation and his use of them to explain the ocean tides under the attraction of the moon. The mysterious attractions and influences and controls between people were then compared to Newtonian gravitational influences. And the comparison resulted in a new (and ridiculous) hypothesis, that there are tides of attraction between all bodies, living and material, that can be called animal gravitation, of which Newton’s gravitation is a special case1. This is all very explicit in the romantic and turbid writings of a wanton admirer of Newton‘s called Anton Mesmer, who began it all. And then came another metaphor, or rather two. Gravitational attraction is similar to magnetic attraction. Therefore, since (in Mesmer‘s rhetorical thought) two things similar to a third thing are similar to each other, animal gravitation is like magnetic attraction, and so changes its name to animal magnetism. Now at last the theory was testable in a scientific way. To demonstrate the existence of these vibrant magnetic tides in and through living things similar to celestial gravitation, Mesmer applied magnets to various hysterical patients, even prefeeding the patients with medicines containing iron so that the magnetism might work better. And it did! The result could not be doubted with the knowledge of his day. Convulsive attacks were produced by the magnets, creating in Mesmer‘s words “an artificial ebb and flow” in the body and correcting with its magnetic attraction “the unequal distribution of the nervous fluids confused movement,” thus producing a “harmony of the nerves.” He had ‘proved’ that there are flows of forces between persons as mighty as those that hold the planets in their orbits. Of course he hadn‘t proved anything about any kind of magnetism whatever. He had discovered what Sir James Braid on the metaphier of sleep later called hypnosis. The cures were effective because he had explained his exotic theory to his patients with vigorous conviction. The violent seizures and peculiar twists of sensations at the application of magnets were all due to a cognitive imperative that these things would happen, which they did, constituting a kind of self-perpetuating escalating ‘proof’ that the magnets were working and could effect a cure.\r\n \r\n1 A full history of hypnosis is yet to be written. But see F. A. Pattie, “Brief History of Hypnotism,” in J. E. Gordon, ed., Handbook of Clinical and Experimental Hypnosis (New York: Macmillan, 1967).


61

In consciousness, we are never 'seeing' anything in its entirety. This is because such 'seeing' is an analog of actual behavior; and in actual behavior we can only see or pay attention to a part of a thing at any one moment. And so in consciousness. We excerpt from the collection of possible attentions to a thing which comprises our knowledge of it. And this is all that it is possible to do since consciousness is a metaphor of our actual behavior.\n \nThus, if I ask you to think of a circus, for example, you will first have a fleeting moment of slight fuzziness, followed perhaps by a picturing of trapeze artists or possibly a clown in the center ring. Or, if you think of the city which you are now in, you will excerpt some feature, such as a particular building or tower or crossroads. Or if I ask you to think of yourself, you will make some kind of excerpts from your recent past, believing you are then thinking of yourself. In all these instances, we find no difficulty or particular paradox in the fact that these excerpts are not the things themselves, although we talk as if they were. Actually we are never conscious of things in their true nature, only of the excerpts we make of them.\n \nThe variables controlling excerption are deserving of much more thought and study. For on them the person's whole consciousness of the world and the persons with whom he is interacting depend. Your excerptions of someone you know well are heavily associated with your affect toward him. If you like him, the excerpts will be the pleasant things; if not, the unpleasant. The causation may be in either direction.\n \nHow we excerpt other people largely determines the kind of world we feel we are living in. Take for example one's relatives when one was a child. If we excerpt them as their failures, their hidden conflicts, their delusions, well, that is one thing. But if we excerpt them at their happiest, in their idiosyncratic delights, it is quite another world. Writers and artists are doing in a controlled way what happens 'in' consciousness more haphazardly.


The Illuminatus! Trilogy
Author: Robert Shea and Robert Anton Wilson
Publisher: Fine Communications (1998)
753

...the price they paid for their vision was the possession of that vision


791

APPENDIX LAMED: THE TACTICS OF MAGICK \r\n \r\n>The human brain evidently operates on some variation of the famous principle enunciated in The Hunting of the Snark: 'What I tell you three times is true.' \r\n>—NORBERT WEINER, Cybernetics \r\n \r\nThe most important idea in the Book of Sacred Magic of Abra-Melin the Mage is the simple-looking formula 'Invoke often.' \r\n\r\nThe most successful form of treatment for so-called mental disorders, the Behavior Therapy of Pavlov, Skinner, Wolpe, et al., could well be summarized in two similar words: 'Reinforce often.' ('Reinforcement,' for all practical purposes, means the same as the layman's term 'reward.' The essence of Behavior Therapy is rewarding desired behavior; the behavior 'as if by magic' begins to occur more and more often as the rewards continue.) Advertising, as everybody knows, is based on the axiom 'Repeat often.' Those who think they are 'materialists' and think that 'materialism' requires them to deny all facts which do not square with their definition of 'matter' are loath to admit the well-documented and extensive list of individuals who have been cured of serious maladies by that very vulgar and absurd form of magick known as Christian Science. Nonetheless, the reader who wants to understand this classic work of immortal literature will have to analyze its deepest meanings, guided by an awareness that there is no essential difference between magick, Behavior Therapy, advertising, and Christian Science. All of them can be condensed into Abra-Melin's simple 'Invoke often.' Reality, as Simon Moon says, is thermoplastic, not thermosetting. It is not quite Silly-Putty, as Mr. Paul Krassner once claimed, but is much closer to Silly-Putty than we generally realize. \r\n\r\nIf you are told often enough that 'Budweiser is the king of beers,' Budweiser will eventually taste somewhat better— perhaps a great deal better— than it tasted before this magick spell was cast. If a behavior therapist in the pay of the communists rewards you every time you repeat a communist slogan, you will repeat it more often, and begin to slide imperceptibly toward the same kind of belief that Christian Scientists have for their mantras. And if a Christian Scientist tells himself every day that his ulcer is going away, the ulcer will disappear more rapidly than it would have had he not subjected himself to this homemade advertising campaign. Finally, if a magician invokes the Great God Pan often enough, the Great God Pan will appear just as certainly as heterosexual behavior appears in homosexuals who are being handled (or manhandled) by Behavior Therapy. The opposite and reciprocal of 'Invoke often' is 'Banish often.' The magician wishing for a manifestation of Pan will not only invoke Pan directly and verbally, create Panlike conditions in his temple, reinforce Pan associations in every gesture and every article of furniture, use the colors and perfumes associated with Pan, etc.; he will also banish other gods verbally, banish them by removing their associated furnitures and colors and perfumes, and banish them in every other way. The Behavior Therapist calls this 'negative reinforcement,' and in treating a patient who is afraid of elevators he will not only reinforce (reward) every instance in which the patient rides an elevator without terror, but will also negatively reinforce (punish) each indication of terror shown by the patient. The Christian Scientist, of course, uses a mantra or spell which both reinforces health and negatively reinforces (banishes) illness.* Similarly, a commercial not only motivates the listener toward the sponsor's product but discourages interest in all 'false gods'- by subsuming them under the rubric of the despised and contemptible Brand X. * The basic Christian Science mantra, known as 'The Scientific Statement of Being,' no less, is as follows: 'There is no life, truth, intelligence nor substance in matter. All is infinite mind and its infinite manifestation, for God is all in all, Spirit is immortal truth: matter is mortal error. Spirit is the real and eternal; matter is the unreal and temporal. Spirit is God and man is His image and likeness. Therefore man is not material, he is spiritual.' The fact that these statements are, in terms of the scientific criteria, 'meaningless,' 'non-operational,' and 'footless' is actually totally irrelevant. They work. Try them and see. As Aleister Crowley, no friend of Mrs. Eddy's, wrote, 'Enough of Because! May he be damned for a dog!' Hypnotism, debate, and countless other games have the same mechanism: Invoke often and Banish often. \r\n\r\nThe reader who seeks a deeper understanding of this argument can obtain it by putting these principles to the test. If you are afraid that you might, in this Christian environment, fall into taking the Christian Science mantra too seriously, try instead the following simple experiment. For forty days and forty nights, begin each day by invoking and praising the world in itself as an expression of the Egyptian deities. Recite at dawn: I bless Ra, the fierce sun burning bright, I bless Isis-Luna in the night, I bless the air, the Horus-hawk, I bless the earth on which I walk. Repeat at moonrise. Continue for the full forty days and forty nights. We say without any reservations that, at a minimum, you will feel happier and more at home in this part of the galaxy (and will also understand better Uncle John Feather's attitude toward our planet); at maximum, you may find rewards beyond your expectations, and will be converted to using this mantra for the rest of your life. (If the results are exceptionally good, you just might start believing in ancient Egyptian gods.) \r\n\r\nA selection of magick techniques which will offend the reason of no materialist can be found in Laura Archera Huxley's You Are Not the Target (a powerful mantra, the title!), in Gestalt Therapy, by Peris, Heferline, and Goodman, and in Mind Games, by Masters and Houston. All this, of course, is programming your own trip by manipulating appropriate clusters of word, sound, image, and emotional (prajna) energy. The aspect of magick which puzzles, perplexes, and provokes the modern mentality is that in which the operator programs somebody else's trip, acting at a distance. It is incredible and insulting, to this type of person, if one asserts that our Mr. Nkrumah Fubar could program a headache for the President of the United States. He might grant that such manipulating of energy is possible if the President was told about Mr. Fubar's spells, but he will not accept that it works just as well when the subject has no conscious knowledge of the curse. The magical theory that 5 = 6 has no conviction for such a skeptic, and magicians have not yet proposed a better theory. The materialist then asserts that all cases where magic did appear to work under this handicap are illusions, delusions, hallucinations, 'coincidences,'* misapprehensions, 'luck,' accident, or downright hoax. * Look up the etymology of that word some time and see if it means anything. He does not seem to realize that asserting this is equivalent to asserting that reality is, after all, thermoplastic— for he is admitting that many people live in a different reality than his own. Rather than leave him to grapple as best he can with this self-contradiction, we suggest that he consult Psychic Discoveries Behind the Iron Curtain, by Ostrander and Schroder—especially Chapter 11, 'From Animals to Cybernetics: The Search for a Theory of Psi.' He might realize that when 'matter' is fully understood, there is nothing a materialist need reject in magick action at a distance, which has been well explored by scientists committed to the rigid Marxist form of dialectical materialism. \r\n\r\nThose who have kept alive the ancient traditions of magick, such as the Ordo Templi Orientalis, will realize that the essential secret is sexual (as Saul tries to explain in the Sixth Trip) and that more light can be found in the writings of Wilhelm Reich, M. D., than in the current Soviet research. But Dr. Reich was jailed as a quack by the U.S. Government, and we would not ask our readers to consider the possibility that the U.S. Government could ever be Wrong about anything. Any psychoanalyst will guess at once the most probable symbolic meanings of the Rose and the Cross; but no psychologist engaged in psi research has applied this key to the deciphering of traditional magic texts. The earliest reference to freemasonry in English occurs in Andersen's 'Muses Threnody,' 1638: \r\n\r\n>For we be brethren of the Rosey Cross \r\n>We have the Mason Word and second sight \r\n\r\nbut no parapsychologist has followed up the obvious clue contained in this conjunction of the vaginal rose, the phallic cross, the word of invocation, and the phenomenon of thought projection. That the taboos against sexuality are still latent in our culture explains part of this blindness; fear of opening the door to the most insidious and subtle forms of paranoia is another part. (If the magick can work at a distance, the repressed thought goes, which of its is safe?) A close and objective study of the anti-LSD hysteria in America will shed further light on the mechanisms of avoidance here discussed. Of course, there are further offenses and affronts to the rationalist in the deeper study of magick. We all know, for instance, that words are only arbitrary conventions with no intrinsic connection to the things they symbolize, yet magick involves the use of words in a manner that seems to imply that some such connection, or even identity, actually exists. The reader might analyze some powerful bits of language not generally considered magical, and he will find something of the key. For instance, the 2 + 3 pattern in 'Hail Eris'/'All hail Discordia' is not unlike the 2 + 3 in 'Holy Mary, Mother of God,' or that in the 'L.S./M.F.T.' which once sold many cartons of cigarettes to our parents; and the 2 + 3 in Crowley's 'Io Pan! Io Pan Pan!' is a relative of these. Thus, when a magician says that you must shout 'Abrahadabra,' and no other word, at the most intensely emotional moment in an invocation, he exaggerates; you may substitute other words; but you will abort the result if you depart too far from the five-beat pattern of 'Abrahadabra.' A glance at the end of Appendix Beth will save the reader from misunderstanding the true tenor of these remarks. \r\n\r\nBut this brings us to the magical theory of reality. Mahatma Guru Sri Paramahansa Shivaji (Aleister Crowley again, under another pen-name) writes in Yoga for Yahoos: \r\n\r\n>Let us consider a piece of cheese. We say that this has certain qualities, shape, structure, color, solidity, weight, taste, smell, consistency and the rest; but investigation has shown that this is all illusory. Where are these qualities? Not in the cheese, for different observers give quite different accounts of it. Not in ourselves, for we do not perceive them in the absence of the cheese . . . What then are these qualities of which we are so sure? They would not exist without our brains; they would not exist without the cheese. They are the results of the union, that is of the Yoga, of the seer and seen, of subject and object... \r\n\r\nThere is nothing here with which a modern physicist could quarrel; and this is the magical theory of the universe. The magician assumes that sensed reality - the panorama of impressions monitored by the senses and collated by the brain— is radically different from so-called objective reality.1 About the latter 'reality' we can only form speculations or theories which, if we are very careful and subtle, will not contradict either logic or the reports of the senses. This lack of contradiction is rare; some conflicts between theory and logic, or between theory and sense-data, are not discovered for centuries (for example, the wandering of Mercury away from the Newtonian calculation of its orbit). And even when achieved, lack of contradiction is proof only that the theory is not totally false. It is never, in any case, proof that the theory is totally true— for an indefinite number of such theories can be constructed from the known data at any time. For instance, the geometries of Euclid, of Gauss and Reimann, of Lobachevski, and of Fuller all work well enough on the surface of the earth, and it not yet clear whether the Gauss-Reimann or the Fuller system works better in interstellar space. \r\n\r\nIf we have this much freedom in choosing our theories about 'objective reality,' we have even more liberty in deciphering the 'given' or transactional sensed reality. The ordinary person senses as he or she has been taught to sense —that is, as they have been programmed by their society. The magician is a self-programmer. Using invocation and evocation— which are functionally identical with self-conditioning, auto-suggestion, and hypnosis, as shown above— he or she edits or orchestrates sensed reality like an artist.2\r\n\r\nThis book, being part of the only serious conspiracy it describes— that is, part of Operation Mindfuck— has programmed the reader in ways that he or she will not understand for a period of months (or perhaps years). When that understanding is achieved, the real import of this appendix (and of the equation 5 = 6) will be clearer. Officials at Harvard thought Dr. Timothy Leary was joking when he warned that students should not be allowed to indiscriminately remove dangerous, habit-forming books from the library unless each student proves a definite need for each volume. (For instance, you have lost track of Joe Malik's mysterious dogs by now.) It is strange that one can make the clearest possible statements and yet be understood by many to have said the opposite. \r\n\r\nThe Rite of Shiva, as performed by Joe Malik during the SSS Black Mass, contains the central secret of all magick, very explicitly, yet most people can reread that section a dozen, or a hundred times, and never understand what the secret is. For instance, Miss Portinari was a typical Catholic girl in every way— except for an unusual tendency to take Catholicism seriously— until she began menstruating and performing spiritual meditations every day.3 One morning, during her meditation period, she visualized the Sacred Heart of Jesus with unusual clarity; immediately another image, distinctly shocking to her, came to mind with equal vividness. She recounted this experience to her confessor the next Saturday, and he warned her, gravely, that meditation was not healthy for a young girl, unless she intended to take the oath of seclusion and enter a convent. She had no intention of doing that, but rebelliously (and guiltily) continued her meditations anyway. The disturbing second image persisted whenever she thought of the Sacred Heart; she began to suspect that this was sent by the Devil to distract her from meditation. \r\n\r\nOne weekend, when she was home from convent school on vacation, her parents decided she was the right age to be introduced to Roman society. (Actually, they, like most well-off Italian families, had already chosen which daughter would be given to the church— and it wasn't her. Hence, this early introduction to la dolce vita.) One of the outstanding ornaments of Rome at that time was the 'eccentric international businessman' Mr. Hagbard Celine, and he was at the party to which Miss Portinari was taken that evening. It was around eleven, and she had consumed perhaps a little too much Piper Heidseck, when she happened to find herself standing near a small group who were listening rapt-ly to a story the strange Celine was telling. Miss Portinari wondered what this creature might be saying—he was reputedly even more cynical and materialistic than other international money-grubbers, and Miss Portinari was, at that time, the kind of conservative Catholic idealist who finds capitalists even more dreadful than socialists. She idly tuned in on his words; he was talking English, but she understood that language adequately. \r\n' 'Son, son,' Hagbbard recited, ' 'with two beautiful women throwing themselves at you, why are you sitting alone in your room jacking off?' Miss Portinari blushed furiously and drank some more champagne to conceal it. She hated the man already, knowing that she would surrender her virginity to him at the earliest opportunity; of such complexities are intellectual Catholic adolescents capable. \r\n'And the boy replied,' Hagbard went on, ' 'I guess you just answered your own question, Ma.' ' There was a shocked silence. \r\n'The case is quite typical,' Hagbard added blandly, obviously finished. 'Professor Freud recounts even more startling family dramas.' \r\n'I don't see ...' a celebrated French auto racer began, frowning. Then he smiled. 'Oh,' he said, 'was the boy an American?' \r\nMiss Portinari left the group perhaps a bit too hurriedly (she felt a few eyes following her) and quickly refilled her champagne glass. A half-hour later she was standing on the veranda, trying to clear her head in the night air, when a shadow moved near her and Celine appeared amid a cloud of cigar smoke. \r\n'The moon has a fat jaw tonight,' he said in Italian. 'Looks like somebody punched her in the mouth.' \r\n'Are you a poet in addition to your other accomplishments?' she asked coolly. 'That sounds as if it might be American verse.' \r\nHe laughed— a clear peal, like a stallion whinnying. 'Quite so,' he said. 'I just came from Rapallo, where I was talking to America's major poet of this century. How old are you?' he asked suddenly. \r\n'Almost sixteen,' she said fumbling the words. \r\n'Almost fifteen,' he corrected ungallantly. \r\n'If it's any affair of yours—' \r\n'It might be,' he replied easily. 'I need a girl your age for something I have in mind.' \r\n'I can imagine. Something foul.' He stepped further out of the shadows and closer. \r\n'Child,' he said, 'are you religious?' \r\n'I suppose you regard that as old-fashioned,' she replied, imagining his mouth on her breast and thinking of paintings of Mary nursing the Infant. \r\n'At this point in history,' he said simply, 'it's the only thing that isn't old-fashioned. What was your birthdate? Never mind— you must be a Virgo.' \r\n'I am,' she said. (His teeth would bite her nipple, but very gently. He would know enough to do that.) 'But that is superstition, not religion.' \r\n'I wish I could draw a precise line between religion, superstition, and science.' He smiled. 'I find that they keep running together. You are Catholic, of course?' His persistence was maddening. \r\n'I am too proud to believe an absurdity, and therefore I am not a Protestant,' she replied— immediately fearing that he would recognize the plagiarism. \r\n'What symbol means the most to you?' he asked, with the blandness of a prosecuting attorney setting a trap. \r\n'The cross,' she said quickly. She didn't want him to know the truth. \r\n'No.' He again corrected her ungallantly. 'The Sacred Heart.' \r\nThen she knew he was of Satan's party. \r\n'I must go,' she said. \r\n'Meditate further on the Sacred Heart,' he said, his eyes blazing like a hypnotist's (a cornball gimmick, he was thinking privately, but it might work). 'Meditate on it deeply, child. You will find in it the essential of Catholicism — and the essential of all other religion.' \r\n'I think you are mad,' she responded, leaving the veranda with undignified haste. But two weeks later, during her morning meditation, she suddenly understood the Sacred Heart. At lunchtime she disappeared—leaving behind a note to the Mother Superior of the convent school and another note for her parents— and went in search of Hagbard. She had even more potential than he realized, and (as elsewhere recorded) within two years he abdicated in her favor. They never became lovers.4 \r\n\r\nThe importance of symbols— images— as the link between word and primordial energy demonstrates the unity between magick and yoga. Both magick and yoga— we reiterate—are methods of self-programming employing synchronistically connected chains of word, image, and bio-energy. Thus, rationalists, who are all puritans, have never considered the fact that disbelief in magick is found only in puritanical societies. The reason for this is simple: Puritans are incapable of guessing what magick is essentially all about. It can even be surely ventured that only those who have experienced true love, in the classic Albigensian or troubadour sense of that expression, are equipped to understand even the most clear-cut exposition of the mysteries.5 \r\n\r\nThe eye in the triangle; for instance, is not primarily a symbol of the Christian Trinity, as the gullible assume— except insofar as the Christian Trinity is itself a visual (or verbal) elaboration on a much older meaning. Nor is this symbol representative of the Eye of Osiris or even of the Eye of Horus, as some have ventured; it is venerated, for instance, among the Cao Dai sect in Vietnam, who never heard of Osiris or Horus. The eye's meaning can be found quite simply by meditating on Tarot Trump XV, the Devil, which corresponds, on the Tree of Life, to the Hebrew letter ayin, the eye. The reader who realizes that 'The Devil' is only a late rendering of the Great God Pan has already solved the mystery of the eye, and the triangle has its usual meaning. The two together are the union of Yod, the father, with He, the Mother, as in Yod-He-Vau-He, the holy unspeakable name of God. Vau, the Holy Ghost, is the result of their union, and final He is the divine ecstasy which follows. One might even venture that one who contemplates this key to the identities of Pan, the Devil, the Great Father, and the Great Mother will eventually come to a new, more complete understanding of the Christian Trinity itself, and especially of its most mysterious member, Vau, the elusive Holy Ghost. \r\n\r\nThe pentagram comes in two forms but always represents the fullest extension of the human psyche— the male human psyche in particular. The pentagram with one horn exalted is, quite naturally, associated with the right-hand path; and the two-horned pentagram with the left-hand path. (The Knights Templar, very appropriately, inscribed the head of Baphomet, the goat-headed deity who was their equivalent of Pan or the Devil, within the left-handed pentagram in such wise that each 'horn' contained one of Baphomet's horns.) It is to be observed that the traditionally sinister7 left-hand pentagram contains an internal pentagon with one point upward, whereas the right-hand pentagram contains an internal pentagon with one point downward; this nicely illustrates the Law of Opposites.8 The pentagon in the Sacred Chao is tilted from the perpendicular so that it cannot be said to have any points directly upward or directly downward—or perhaps can be said to have 1 ½ points up and 1 ½ points down9 — thereby illustrating the Reconciliation of Opposites. All that can be said against the method of the left-hand pentagram, without prejudice, is that this form of the sacrament is always destructive of the Holy Spirit, in a certain sense. It should be remembered that the right-hand pentagram method is also destructive in most cases, especially by those practitioners so roundly condemned in Chapter 14 of Joyce's Ulysses— and this group is certainly the majority these days. In view of the ecological crisis, it might even be wise to encourage the left-hand method and discourage the right-hand method at this time, to balance the Sacred Numbers. \r\n\r\nVery few readers of the Golden Bough have pierced Sir Prof. Dr. Frazer's veil of euphemism and surmised the exact method used by Isis in restoring life to Osiris, although this is shown quite clearly in extant Egyptian frescoes. Those who are acquainted with this simple technique of resurrecting the dead (which is at least partially successful in all cases and totally successful in most) will have no trouble in skrying the esoteric connotations of the Sacred Chao— or of the Taoist yin-yang or the astrological sign of cancer. The method almost completely reverses that of the pentagrams, right or left, and it can even be said that in a certain sense it was not Osiris himself but his brother, Set, symbolically understood, who was the object of Isis's magical workings. In every case, without exception, a magical or mystical symbol always refers to one of the very few10 variations of the same, very special variety of human sacrifice: the 'one eye opening' or the 'one hand clapping'; and this sacrifice cannot be partial— it must culminate in death if it is to be efficacious. The literal-mindedness of the Saures, in the novel, caused them to become a menace to life on earth; the reader should bear this in mind. The sacrifice is not simple. It is a species of cowardice, epidemic in Anglo-Saxon nations for more than three centuries, which causes most who seek success in this field to stop short before the death of the victim. Anything less than death—that is, complete oblivion—simply will not work.11 (One will find more clarity on this crucial point in the poetry of John Donne than in most treatises alleging to explain the secrets of magick.) \r\n\r\nThe symbolism of the swastika is quite adequately explained in Wilhelm Reich's Mass Psychology of Fascism. Ouroboros, the serpent eating its own tail, is chiefly emblematic of the Mass of the Holy Ghost.12 The Roman Catholic symbolism of the Sacred Heart is strikingly overt, especially to readers of Frazer and Payne-Knight. In essence, it is the same notion conveyed by the cartoonist's conventional rendering of Cupid shooting his arrow into a red pulsating heart. This is the basic meaning of the Dying God and the Resurrection. The identification of Christ with the pelican who stabs its own heart with its beak (to feed its young) is an analogous rendering of the same motif. We repeat that it was only because the Saure family so misread these simple symbols that they became cruel and sadistic. In essence, then, the basic symbols, of magic, mythology, and religion—whether Eastern or Western, ancient or modern, 'right-hand' or 'left-hand'—are so simple that only the pernicious habit of looking for alleged 'profundities' and 'mysteries' prevents people from automatically understanding them almost without thinking. The meaning of the hexagram— the female equivalent of the male pentagram— was explicated by Freud himself, but most students, convinced that the answer could not be so elementary and down-to-earth, continue to look into the clouds. \r\n\r\n1 See the anthology Perception, edited by Robert Blake, Ph.D., and especially the chapter by psychologist Carl Rogers, which demonstrates that people's perceptions change while they are in psychotherapy. As William Blake noted, 'The fool sees not the same tree that the wise man sees.' \r\n2 Everybody, of course, does this unconsciously; see the paragraph about the cheese. The magician, doing it consciously, controls it. \r\n3 These two signs of growth often appear at the same time, being DNA-triggered openings of the fourth neural circuit. \r\n4 They were quite good friends, though, and he did fuck her occasionally. \r\n5 This book has stated it as clearly as possible in a number of places, but some readers are still wondering what we are holding back. \r\n6 This being has more in common with the ordinary nocturnal visitor, sometimes called a 'ghost,' than is immediately evident to the uninitiated. Cf. the well-documented association of poltergeist disturbances with adolescents. \r\n7 This association, attributing diabolism to the left-hand path, is oversimplified, prejudiced, and superstitious. In general, it can be said that the left-hand pentagram is suitable for both invocations and evocations, whereas the right-hand pentagram is suitable only for evocations, and mat is the only important difference. (It is assumed that the reader understands the pentagram as an exclusively male symbol.) \r\n8 Cf. the Tarot trumps II and III—the Magus, holding one arm upward and one downward, and the High Priestess, sitting between the pillars of Day and Night. (The Priestess is also associated with the Hebrew letter gimmel, the camel, and part of the meaning of this symbolism is contained in the shapes of the camel's back and the Hebrew letter.) \r\n9 This makes it quite useless for summoning werewolves. The Sacred Chao, however, is intended to teach a philosophical lesson, not to attract individuals with dubious pastimes. \r\n10 Fewer than seventy, according to a classical enumeration. \r\n11 The magician must always identify fully with the victim, and share every agonized contortion to the utmost. Any attitude of standing aside and watching, as in a theatrical performance, or any intellectualization during the moments when the sword is doing its brutal but necessary work, or any squeamishness or guilt or revulsion, creates the two-mindedness against which Hagbard so vehemently warns in Never Whistle While You're Pissing. In a sense, only the mind dies. \r\n12 See Israel Regardie, The Tree of Life.\r\n


701

Listen,' Drake said with sudden emotion. 'We're both lying. It's not all this philosophical or cosmic. The simple fact is that I couldn't sleep nights, and nothing I tried in conventional 'cures' could help me, until I began to help myself by systematically rebelling against everything that seemed stronger than me.' \r\n\r\n\r\n'I know. I didn't know it was insomnia. It might have been nightmares or dizzy spells or sexual impotence. But there was some way that the scenes you saw in Chateau-Thierry lived on and goaded you to wake out of the dream of the sleepwalkers on the streets. You are waking: You stand on the abyss.' She pointed to the Fool and the dog who barks at his heels. 'And I am the noisy little bitch barking to warn you that you can still choose the right-hand path.


155

A is not A,' Hagbard explained with that tiresome patience of his. 'Once you accept A is A, you're hooked. Literally hooked, addicted to the System.' I caught the references to Aristotle, the old man of the tribe with his unfortunate epistemological paresis, and also to that feisty little lady I always imagine is really the lost Anastasia, but I still didn't grok. \r\n \r\n'What do you mean?' I asked, grabbing a wet handkerchief as some of the teargas started to drift to our end of the park. \r\n \r\n'Chairman Mao didn't say half of it,' Hagbard replied holding a handkerchief to his own face. His words came through muffled: 'It isn't only political power that grows out of the barrel of a gun. So does a whole definition of reality. A set. And the action that has to happen on that particular set and on none other.' \r\n \r\n'Don't be so bloody patronizing,' I objected, looking around a corner in time and realizing this was the night I would be Maced. 'That's just Marx: the ideology of the ruling class becomes the ideology of the whole society.' \r\n \r\n'Not the ideology. The Reality.' He lowered his handkerchief. 'This was a public park until they changed the definition. Now, the guns have changed the Reality. It isn't a public park. There's more than one kind of magic.' \r\n \r\n'Just like the Enclosure Acts,' I said hollowly. 'One day the land belonged to the people. The next day it belonged to the landlords.' \r\n \r\n'And like the Narcotics Acts,' he added. 'A hundred thousand harmless junkies became criminals overnight, by Act of Congress, in nineteen twenty-seven. Ten years later, in thirty-seven, all the potheads in the country became criminals overnight, by Act of Congress. And they really were criminals, when the papers were signed. The guns prove it. Walk away from those guns, waving a joint, and refuse to halt when they tell you. Their Imagination will become your Reality in a second.


0

Every fact of science was once Damned. Every invention was considered impossible. Every discovery was a nervous shock to some orthodoxy. Every artistic innovation was denounced as fraud and folly. The entire web of culture and 'progress,' everything on earth that is manmade and not given to us by nature, is the concrete manifestation of some man's refusal to bow to Authority. We would own no more, know no more, and be no more than the first apelike hominids if it were not for the rebellious, the recalcitrant, and the intransigent. As Oscar Wilde truly said, 'Disobedience was man's Original Virtue.' The human brain, which loves to read descriptions of itself as the universe's most marvelous organ of perception, is an even more marvelous organ of rejection. The naked facts of our economic game, are easily discoverable and undeniable once stated, but conservatives— who are usually individuals who profit every day of their lives from these facts— manage to remain oblivious to them, or to see them through a very rosy-tinted and distorting lens. (Similarly, the revolutionary ignores the total testimony of history about the natural course of revolution, through violence, to chaos, back to the starting point) We must remember that thought is abstraction. In Einstein's metaphor, the relationship between a physical fact and our mental reception of that fact is not like the relationship between beef and beef-broth, a simple matter of extraction and condensation; rather, as Einstein goes on, it is like the relationship between our overcoat and the ticket given us when we check our overcoat. In other words, human perception involves coding even more than crude sensing. \r\n \r\nThe mesh of language, or of mathematics, or of a school of art, or of any system of human abstracting, gives to our mental constructs the structure, not of the original fact, but of the symbol system into which it is coded, just as a map-maker colors a nation purple not because it is purple but because his code demands it. But every code excludes certain things, blurs other things, and overemphasizes still other things. Nijinski's celebrated leap through the window at the climax of Le Spectre d'une Rose is best coded in the ballet notation system used by choreographers; verbal language falters badly in attempting to convey it; painting or sculpture could capture totally the magic of one instant, but one instant only, of it; the physicist's equation, Force = Mass X Acceleration, highlights one aspect of it missed by all these other codes, but loses everything else about it. Every perception is influenced, formed, and structured by the habitual coding habits— mental game habits— of the perceiver. All authority is a function of coding, of game rules. Men have arisen again and again armed with pitchforks to fight armies with cannon; men have also submitted docilely to the weakest and most tottery oppressors. It all depends on the extent to which coding distorts perception and conditions the physical (and mental) reflexes. It seems at first glance that authority could not exist at all if all men were cowards or if no men were cowards, but flourishes as it does only because most men are cowards and some men are thieves. Actually, the inner dynamics of cowardice and submission on the one hand and of heroism and rebellion on the other are seldom consciously realized either by the ruling class or the servile class. Submission is identified not with cowardice but with virtue, rebellion not with heroism but with evil. To the Roman slave-owners, Spartacus was not a hero and the obedient slaves were not cowards; Spartacus was a villain and the obedient slaves were virtuous. The obedient slaves believed this also. The obedient always think of themselves as virtuous rather than cowardly.


0

There are no commandments, because there is no commander anywhere. All authority is a delusion, whether in theology or in sociology. Everything is radically, even sickeningly, free. The first law of magic is as neutral as Newton's first law of motion. It says that the equation balances, and that's all it says. You are still free to give evil and pain, if you decide you must. Once done, however, you never escape the consequences. It always comes back.


0

It isn't only political power that grows out of the barrel of a gun. So does a whole definition of reality. A set. And the action that has to happen on that particular set and on none other.'\r\n \r\n'Don't be so bloody patronizing,' I objected, looking around a corner in time and realizing this was the night I would be Maced. 'That's just Marx: the ideology of the ruling class becomes the ideology of the whole society.'\r\n \r\n'Not the ideology. The Reality.' He lowered his handkerchief. 'This was a public park until they changed the definition. Now, the guns have changed the Reality. It isn't a public park. There's more than one kind of magic.'\r\n \r\n'Just like the Enclosure Acts,' I said hollowly. 'One day the land belonged to the people. The next day it belonged to the landlords.'\r\n \r\n'And like the Narcotics Acts,' he added. 'A hundred thousand harmless junkies became criminals overnight, by Act of Congress, in nineteen twenty-seven. Ten years later, in thirty-seven, all the potheads in the country became criminals overnight, by Act of Congress. And they really were criminals, when the papers were signed. The guns prove it. Walk away from those guns, waving a joint, and refuse to halt when they tell you. Their Imagination will become your Reality in a second.


The Denial of Death
Author: Ernest Becker
Publisher: Free Press (1975)
329

Modern man is drinking and drugging himself out of awareness, or he spends his time shopping, which is the same thing. As awareness calls for types of heroic dedication that his culture no longer provides for him, society contrives to help him forget. Or, alternatively, he buries himself in psychology in the belief that awareness all by itself will be some kind of magical cure for his problems. But psychology was born with the breakdown of shared social heroisms; it can only be gone beyond with the creation of new heroisms that are basically matters of belief and will, dedication to a vision.


321

I think the whole question of what is possible for the inner life of man was nicely summed up by Suzanne Langer in the phrase “the myth of the inner life.”37 She used this term in reference to the experience of music, but it seems to apply to the whole metaphysic of the unconscious, of the emergence of new energies from the heart of nature. But let us quickly add that this use of the term “myth” is not meant to be disparaging or to reflect simple “illusion.” As Langer explained, some myths are vegetative, they generate real conceptual power, real apprehension of a dim truth, some kind of global adumbration of what we miss by sharp, analytic reason. Most of all, as William James and Tillich have argued, beliefs about reality affect people’s real actions: they help introduce the new into the world. Especially is this true for beliefs about man, about human nature, and about what man may yet become. If something influences our efforts to change the world, then to some extent it must change that world.


318

The fusion of psychology and religion is thus not only logical, it is necessary if the religion is to work. There is no way of standing on one’s own center without outside support, only now this support is made to seem to come from the inside. The person is conditioned to function under his own control, from his own center, from the spiritual powers that well up within him. Actually, of course, the support comes from the transference certification by the guru that what the disciple is doing is true and good. Even reconditioning body-therapies like that of the once-noted F. M. Alexander today liberally sprinkle their therapy with ideas from Zen and cite their affinity to people like Gurdjieff. There seems no way to get the body to reintegrate without giving it some kind of magical sustaining power; at least, there is no better way to win full discipleship to a religion than by making it frankly religious.


235

This is Rank’s devastating Kierkegaardian conclusion: if neurosis is sin, and not disease, then the only thing which can “cure” it is a world-view, some kind of affirmative collective ideology in which the person can perform the living drama of his acceptance as a creature. Only in this way can the neurotic come out of his isolation to become part of such a larger and higher wholeness as religion has always represented. In anthropology we called these the myth-ritual complexes of traditional society. Does the neurotic lack something outside him to absorb his need for perfection? Does he eat himself up with obsessions? The myth-ritual complex is a social form for the channelling of obsessions. We might say that it places creative obsession within the reach of everyman, which is precisely the function of ritual. This function is what Freud saw when he talked about the obsessive quality of primitive religion and compared it to neurotic obsession. But he didn’t see how natural this was, how all social life is the obsessive ritualization of control in one way or another. It automatically engineers safety and banishes despair by keeping people focussed on the noses in front of their faces.


226

And so, the question for the science of mental health must become an absolutely new and revolutionary one, yet one that reflects the essence of the human condition: On what level of illusion does one live? We will see the import of this at the close of this chapter, but right now we must remind ourselves that when we talk about the need for illusion we are not being cynical. True, there is a great deal of falseness and self-deception in the cultural causa-sui project, but there is also the necessity of this project. Man needs a “second” world, a world of humanly created meaning, a new reality that he can live, dramatize, nourish himself in. “Illusion” means creative play at its highest level. Cultural illusion is a necessary ideology of self-justification, a heroic dimension that is life itself to the symbolic animal.


213

In order to function normally, man has to achieve from the beginning a serious constriction of the world and of himself. We can say that the essence of normality is the refusal of reality. What we call neurosis enters precisely at this point: Some people have more trouble with their lies than others. The world is too much with them, and the techniques that they have developed for holding it at bay and cutting it down to size finally begin to choke the person himself. This is neurosis in a nutshell: the miscarriage of clumsy lies about reality. But we can also see at once that there is no line between normal and neurotic, as we all lie and are all bound in some ways by the lies. Neurosis is, then, something we all share; it is universal. Or, putting it another way, normality is neurosis, and vice versa. We call a man “neurotic” when his lie begins to show damaging effects on him or on people around him and he seeks clinical help for it or others seek it for him. Otherwise, we call the refusal of reality “normal” because it doesn’t occasion any visible problems.


161

It is not so much that man is a herd animal, said Freud, but that he is a horde animal led by a chief. It is this alone that can explain the “uncanny and coercive characteristics of group formations.” The chief is a “dangerous personality, toward whom only a passive-masochistic attitude is possible, to whom one’s will has to be surrendered,—while to be alone with him, ‘to look him in the face,’ appears a hazardous enterprise.” This alone, says Freud, explains the “paralysis” that exists in the link between a person with inferior power to one of superior power. Man has “an extreme passion for authority” and “wishes to be governed by unrestricted force.” It is this trait that the leader hypnotically embodies in his own masterful person. Or as Fenichel later put it, people have a “longing for being hypnotized” precisely because they want to get back to the magical protection, the participation in omnipotence, the “oceanic feeling” that they enjoyed when they were loved and protected by their parents.


70

We might say that the child is a “natural” coward: he cannot have the strength to support the terror of creation. The world as it is, creation out of the void, things as they are, things as they are not, are too much for us to be able to stand. Or, better: they would be too much for us to bear without crumbling in a faint, trembling like a leaf, standing in a trance in response to the movement, colors, and odors of the world. I say “would be” because most of us—by the time we leave childhood—have repressed our vision of the primary miraculousness of creation. We have closed it off, changed it, and no longer perceive the world as it is to raw experience. Sometimes we may recapture this world by remembering some striking childhood perceptions, how suffused they were in emotion and wonder—how a favorite grandfather looked, or one’s first love in his early teens. We change these heavily emotional perceptions precisely because we need to move about in the world with some kind of equanimity, some kind of strength and directness; we can’t keep gaping with our heart in our mouth, greedily sucking up with our eyes everything great and powerful that strikes us. The great boon of repression is that it makes it possible to live decisively in an overwhelmingly miraculous and incomprehensible world, a world so full of beauty, majesty, and terror that if animals perceived it all they would be paralyzed to act.


64

The body, then, is one’s animal fate that has to be struggled against in some ways. At the same time, it offers experiences and sensations, concrete pleasure that the inner symbolic world lacks. No wonder man is impaled on the horns of sexual problems, why Freud saw that sex was so prominent in human life—especially in the neurotic conflicts of his patients. Sex is an inevitable component of man’s confusion over the meaning of his life, a meaning split hopelessly into two realms—symbols (freedom) and body (fate). No wonder, too, that most of us never abandon entirely the early attempts of the child to use the body and its appendages as a fortress or a machine to magically coerce the world. We try to get metaphysical answers out of the body that the body—as a material thing—cannot possibly give. We try to answer the transcendent mystery of creation by experiences in one, partial, physical product of that creation. This is why the mystique of sex is so widely practiced—say, in traditional France—and at the same time is so disillusioning. It is comfortingly infantile in its indulgence and its pleasure, yet so self-defeating of real awareness and growth, if the person is using it to try to answer metaphysical questions. It then becomes a lie about reality, a screen against full consciousness.24 If the adult reduces the problem of life to the area of sexuality, he repeats the fetishization of the child who focusses the problem of the mother upon her genitals. Sex then becomes a screen for terror, a fetishization of full consciousness about the real problem of life.


The Great book of Amber
Author: Roger Zelazny
Publisher: Harper Voyager (2010)
742

Two lines from a story of Isak Dinesen’s returned to me, lines which had troubled me sufficiently to cause me to memorize them, despite the fact that I had been Carl Corey at the time: “. . . Few people can say of themselves that they are free of the belief that this world which they see around them is in reality the work of their own imagination. Are we pleased with it, proud of it, then?”


The Role of Logo Design in Creating Brand Emotion
Author: Aslı Biricik
Publisher: İzmir Institute of Technology (2006)
32

In the sequence of visual perception, the brain reads colour after it registers a shape and before it reads content.


29

Visually, attractive packaging using bright colours and clean designs mesmerises people, captivating them and enhancing their brand relationship. Unmistakable Absolut 14 Vodka, Apple iMac, and Gillette razors are brands that are focused on constantly introducing the fresh shapes and sensory experiences that consumers appreciate. 'Colour is a sensation and not a substance.' (Friedman 1947) And sensation runs within us, unlike products that run without. Products that transform into appealing sensations are the ones that win. Every emotional branding strategy must consider the effect (or the absence) colours will have on the brand. Colour is about conveying crucial information to consumers. “Colours trigger very specific responses in the central nervous system and celebral cortex. Once they affect the celebral cortex, colours can activate thoughts, memories, and particular modes of perception. This arousal prompts an increase in consumers’ ability to process information.” (Gobé 2001) Properly chosen colours obtain a more accurate understanding of the brand and provide consumers a better recall of the brand. The effect of colours arises both from cultural connections and physiology, and these influences are enforced by one another. Colours with long wavelengths are arousing. Red is the most stimulating colour that will attract the eye faster than any other. Colours with short wavelengths are soothing. Blue actually lowers blood pressure, pulse, and respiration rates. Yellow is in the middle of wavelengths detectable by the human eye. Therefore it is the brightest and easily attracts attention. This is the original reason for making the Yellow Pages yellow. Colour often sets the mood of a brand through logos and packaging. Generally, it is desirable to select a colour that is easily associated with the product. For example John Deere uses green for its tractors. Green implies nature. IBM has a solid blue that communicates stability and reliability. However as Al Ries and Jack Trout note in The 22 Immutable Laws of Branding, “it is more important to create a separate brand identity than it is to use the right symbolic colour. Hertz, the first car-rental brand, picked yellow. So Avis, the second brand, picked red. National went with green.” (Ries and Trout 1998) The role colour choice can play in brand identity is not to be underestimated. Colours can demand attention, provoke responses. An orange, translucent, curvaceous iMac screams, “fun” and “different”. Contrast that with a typical, gray, rectangular desktop that communicates a “utilitarian” and “standard” identity. Neither computer is necessarily functionally superior, but the iMac is distinguished. It is an emotional brand.


Pop Magic
Author: Grant Morrison
Publisher: The Disinformation Company (2008)
18

Most of us in the increasingly popular Western Consumerist traditions tend to wait until we die before even considering Choronzon. Since we can only assume that Egoic Selfsense is devoured whole in whatever blaze of guilt and fury or self-denial or peace perfect peace our last flood of endorphins allow in the 5 minutes before brain death, the moment of death seems to me to be a particularly vulnerable one in which to also have to face Existential terror for the first time. Better to go there early and scout out the scenery. To die before dying is one of the great Ordeals of the magical path.


19

The so-called 'Oath of the Abyss', is a corrosive encounter with Choronzonic forces inside the personality. It is not something to be undertaken lightly and I'd suggest many years of magical practice before attempting anything as stupid and as glamorous as destroying your carefully-established SELF. The rewards of a successful crossing of the Abyss are many but a failed attempt can leave the magician broken inside, consumed by doubt, fear, and insecurity and quite useless to his or her community...


7

Masturbation is only ONE of countless methods you can use to bring your mental chatter to a standstill for the split-second it takes to charge and launch a sigil. I suggest masturbation because I'm kind-hearted, because it's convenient and because it's fun for most of us. However...one does not change the universe simply by masturbating


Myths to live by
Author: Joseph Campbell
Publisher: Joseph Campbell Foundation (2011)
170

By and large, hunting people are warrior people; and not only that, but many are exhilarated by battle and turn warfare into exercises in bravura. The rites and mythologies of such tribesmen are based generally on the idea that there is actually no such thing as death. If the blood of an animal slain is returned to the soil, it will carry the life principle back to Mother Earth for rebirth, and the same beast will return next season to yield its temporal body again. The animals of the hunt are regarded in this way as willing victims who give their bodies to mankind with the understanding that adequate rites are to be performed to return the life principle to its source. Likewise, after episodes of battle special rituals are enacted to assuage and release to the land of spirits the ghosts of those that have been slain.\r\n\r\nSuch ceremonies may also include rites for toning down the war mania and battle heat of those who have done the killing. For this whole business of killing, whether killing beasts or killing men, is supposed to be fraught with danger. On one hand, there is the danger of revenge from the person or animal killed; and on the other hand, there is an equal danger of the killer himself becoming infected by a killing mania and running berserk. Along with the rites to honor and appease ghosts, accordingly, there may be also special rites enacted to reattune returning warriors to the manners of life at home.


78

First the Indian myth, as preserved in a religious work, the Brihadaranyaka Upanishad, of about the eighth century B.C.             This tells of a time before the beginning of time, when this universe was nothing but 'the Self' in the form of a man. And that Self, as we read, 'looked around and saw that there was nothing but itself, whereupon its first shout was, 'It is I!'; whence the concept 'I' arose.' And when that Self had thus become aware of itself as an 'I,' an ego, it was afraid. But it reasoned, thinking, 'Since there is no one here but myself, what is there to fear?' Whereupon the fear departed.             However, that Self, as we next are told, 'still lacked delight and wished there were another.' It swelled and, splitting in two, became male and female. The male embraced the female, and from that the human race arose. But she thought, 'How can he unite with me, who am of his own substance? Let me hide!' She became a cow, he a bull and united with her, and from that cattle arose; she a mare, he a stallion . . . and so on, down to the ants. Then he realized, 'I, actually, am Creation; for I have poured forth all this.' Whence arose the concept 'creation' (Sanskrit srishtih, 'what is poured forth'). 'Anyone understanding this becomes, truly, himself a creator in this creation.


The Magic Mountain
Author: Thomas Mann
Publisher: Vintage (1996)
137

“Bravo, Lieutenant! You are describing very well indeed an aspect of music which has indubitably a moral value: namely, that her peculiarly life-enhancing method of measuring time imparts a spiritual awareness and value to its passage. Music quickens time, she quickens us to the finest enjoyment of time; she quickens—and in so far she has moral value. Art has moral value, in so far as it quickens. But what if it does the opposite? What if it dulls us, sends us to sleep, works against action and progress? Music can do that too; she is an old hand at using opiates. But the opiate, my dear sirs, is a gift of the Devil; it makes for lethargy, inertia, slavish inaction, stagnation. There is something suspicious about music, gentlemen. I insist that she is, by her nature, equivocal. I shall not be going too far in saying at once that she is politically suspect.”


The Fourth Way
Author: P.D. Ouspensky
Publisher: Vintage (1971)
403

Our attitudes are like wires which connect us with events, and certain currents produced by the nature of these attitudes flow through these wires, and the nature of the current determines the kind of influence we receive from a given event. If a certain event produces an influence on us, this influence can be changed by our attitude. We must create a certain understanding of external things. This means we must judge them not by personal sympathies and antipathies but, as I said, from the point of view of their relation to possible evolution, that is, we must judge them from the point of view of a possible increase of the power of esotericism, because evolution of mankind means an increase of the power of esoteric circles over life. \r\n \r\nI said that at every moment one is surrounded by a great many big moving things which always affect one whether one is aware of it or not. They always affect one in one way or another. One may have very definite attitudes towards such things as wars, revolutions, events of social or political life and so on, or one may be indifferent, or negative, or positive towards them. In any case, being positive on one side means being negative on another, so it does not change anything. Right attitude includes understanding the quality of a thing from the point of view of evolution and of obstacles to evolution, meaning by 'evolution' conscious, voluntary and intentional development of an individual man on definite lines and in a definite direction during the period of his earthly life. Things that do not help are simply not considered, however big they may be externally—one does not 'see' them. And if one does not consider or see them, one can get rid of their influence. Only, again, it is necessary to understand that not considering wrong things does not mean indifference, because people who are indifferent do not consider things, but are affected by them all the same. \r\n \r\nI repeat again, it is necessary to think about things using the ordinary emotional and ordinary thinking faculty and to try to find in what relation they stand to what we call evolution, that is, increase of the influence of inner circles and growth of the possibility for the right kind of people to acquire the right kind of knowledge. We have to understand the weight of things. You remember, it was explained about words that they have different weight and it is necessary to feel their weight. It is the same with events. Just as in ourselves there are many imaginary, invented things, so there are also in life. Because people believe in them, they produce an effect. In this sense almost the whole of life is not real. People live in non-existent things and do not see the real things; they do not even bother to think about them, being completely satisfied with the imaginary.


0

It is very easy to distinguish these three parts when we begin to observe ourselves. Mechanical parts do not need attention. Emotional parts need strong interest or identification, attention without effort or intention, for attention is drawn and kept by the attraction of the object itself. And in the intellectual parts you have to control your attention. When you get accustomed to control attention, you will see at once what I mean. First the character of the action will show you which centre you are in, and then observation of attention will show you the part of centre. It is particularly important to observe the emotional parts and to study the things that attract and keep the attention, because they produce imagination. Study of attention is a very important part of self-study, and if you begin to observe this division of centres into parts, in addition to the division of centres themselves, it will give you the possibility of coming to smaller details and will help you to study attention.


0

At present we have no control over instinctive and emotional functions, and only a little over the moving function. External influences move them. We cannot be glad or angry without cause, and a cause means something external. Later work must be in the emotional centre because the chief energy is in it. Intellectual centre is only auxiliary, but at present it is all we have.


0

It is a great sacrifice not to see the things we are accustomed to see. We are accustomed to think that we live in a more or less comfortable world. Certainly there are unpleasant things, such as wars and revolutions, but on the whole it is a comfortable and well-meaning world. It is most difficult to get rid of this idea of a well-meaning world. And then we must understand that we do not see things themselves at all. We see like in Plato's allegory of the cave only the reflections of things, so that what we see has lost all reality. We must realize how often we are governed and controlled not by the things themselves but by our ideas of things, our views of things, our picture of things. This is the most interesting thing. Try to think about it.


0

To be mechanical means to depend on external circumstances.


Crome Yellow
Author: Aldous Huxley
Publisher: Sterling (2004)
106

...words have power. The technical, verbal part of literature is simply a development of magic. Words are man's first and most grandiose invention. With language he created a whole new universe; what wonder if he loved words and attributed power to them! With fitted, harmonious words the magicians summoned rabbits out of empty hats and spirits from the elements. Their descendants, the literary men, still go on with the process, morticing their verbal formulas together and, before the power of the finished spell, trembling with delight and awe. Rabbits out of empty hats? No, their spells are more subtly powerful, for they evoke emotions out of empty minds...The creation by word-power of something out of nothing - what is that but magic?


The Origins and History of Consciousness
Author: Erich Neumann
Publisher: Princeton University Press (1954)
385

Compensation is the first requisite for a productive relationship between the ego and the unconscious.  This means that the princess, the soul, is lost to the ego just as much in the patriarchal as in the matriarchal form of castration.\r\n \r\nBut, as we have made clear in Part I of this book, behind both forms there looms the original uroboric castration, where the tendencies to differentiation cancel out.  To put it in psychological language: just as mania and melancholia are merely two forms of madness, of the devouring uroboric state which destroys all ego consciousness, so regression to the unconscious, i.e., being devoured by the Great Mother, and the flight to 'nothing but' consciousness, i.e., being devoured by the spiritual father, are two forms in which any truly compensated consciousness, and the striving for wholeness, are lost.  Deflation as well as inflation destroys the efficacy of consciousness, and both of them are defeats for the ego.\r\n \r\nSpiritual inflation, a perfect example of which is the frenziedness of Nietzsche's Zarathustra, is a typical Western development carried to extremes.  Behind the overaccentuation of consciousness, ego, and reason - sensible enough in themselves as the guiding aims of psychic development - there stands the overwhelming might of 'heaven' as the danger which goes beyond the heroic struggle with the earthly side of the dragon and culminates in a spirituality that has lost touch with reality and the instincts.


344

One of the most important attainments of consciousness is its ability to dispose at will of the libido supplied to its system, and to use it more or less independently of the source from which it came.  Just as the animation occasioned in the reader by a 'stimulating' book can be applied to a poem, a walk, a bridge party, or a flirtation, without there necessarily being any connection between the book and the ego's reaction, so the ego can apply as it pleases a portion of the libido accruing to it from the conscious realization of an unconscious content.  This relative freedom of the ego, no matter how much it is abused, is one of its most precious accomplishments.


329

Pure existence in the unconscious, which primitive man shares with the animal, is indeed nonhuman and prehuman.  The fact that the dawn of consciousness and the creation of the world are parallel processes which throw up the same symbolism indicates that the world actually 'exists' only to the degree that it is cognized by an ego.  A differentiated world is the reflection of a self-differentiating consciousness.  The multiple archetypes and symbol groups split off from a primordial archetype are identical with the ego's greater range of experience, knowledge, and insight.  Under the total impact of experience in the dawn period no particularized forms could be recognized, for the tremendous force of it extinguished the ego in a sort of numinous convulsion.  But a more informed human consciousness can experience, in the multiplicity of religions and philosophies, theologies and psychologies, the innumerable facets and meanings of the numinous, now anatomized into image and symbol, attribute and revelation.  That is to say, although the primal unity can only be experienced fragmentarily, it has at least come within range of conscious experience, whereas for the undeveloped ego it was utterly overwhelming.


209

The magical effect of the rite is factual enough, and in no sense illusory.  Moreover it actually works out, just as primitive man supposes, in his hunting successes; only the effect does not proceed via the object but via the subject.  The magical rite, like all magic and indeed every higher intention, including those of religion, acts upon the subject who practices the magic or the religion, by altering and enhancing his own ability to act.  In this sense the outcome of the action, whether it be hunting, war, or whatever else, is in the highest degree objectively dependent upon the effect of the magic ritual.  It was left for modern man to make the psychological discovery that the operative factor in magic is the 'reality of the soul' and not the reality of the world.  Originally the reality of the soul was projected outwards upon an external reality.  Even today prayers for victory are commonly regarded not as an inner alteration of the psyche but as an effort to influence God.  In exactly the same way, hunting magic was experienced as an effort to influence the quarry, and not as an influencing of the hunter himself.  In both cases our enlightened rationalism misunderstands the magic and prayer as illusory, in its scientific pride at having established that the object cannot be influenced.  In both cases it is wrong.  An effect that proceeds from an alteration in the subject is objective and real.


126

The meaning of ritual, irrespective of the useful effects which primitive man expects from it, lies precisely in strengthening the conscious system.  The magical forms by means of which archaic man comes to terms with his surroundings are, all other considerations apart, anthropocentric systems of world domination.  In his rituals he makes himself the responsible center of the cosmos; on him depends the rising of the sun, the fertility of crops, and all the doings of the gods.


110

The ego and consciousness experience their own reality by distinguishing themselves from the body.  This is one of the fundamental facts of the human mind and its discovery of itself as something distinct from nature.  Early man is in the same case as the infant and the small child: his body and his 'inside' are part of an alien world.  The acquisition of voluntary muscular movement, i.e., the fact that the ego discovers, in its own 'person,' that its conscious will can control the body, may well be the basic experience at the root of all magic.  The ego, having its seat, as it were, in the head, in the cerebral cortex, and experiencing the nether regions of the body as something strange to it, an alien reality, gradually begins to recognize that essential portions of this nether corporeal world are subject to its will and volition.  It discovers that the 'sovereign power of thought' is a real and actual fact: the hand in front of my face, and the foot lower down, do what I will.  The obviousness of these facts should not blind us to the enormous impression which this very early discovery must make, and unquestionably has made, on every infantile ego nucleus.


What Do You Say After You Say Hello?
Author: Eric Berne
Publisher: Grove Press (1972)
0

There are two requirements for the transmission of the script.  Jeder must be able, ready, and willing or even eager to accept it, and his parents must want to pass it on. \r\n \r\nOn Jeder's side, he is able because his nervous system is constructed for the purpose of being programmed, to receive sensory and social stimuli and organize them into patterns which will regulate his behavior.  As his body and his mind mature, he becomes readier and readier for more and more complex types of programming.  And he is willing to accept it because he needs ways to structure his time and organize his activities.  In fact he is not only willing, he is eager, because he is more than a passive computer.  Like most animals, he has a craving for 'closure,' the need to finish what he begins; and beyond that, he has the great human aspiration for purpose. \r\n \r\nStarting off with random movements, he ends up knowing what to say after he says Hello.  At first he is content with instrumental responses, and they become goals in themselves: incorporation, elimination, intrusion, and locomotion, to use Erikson's terms.  Here we find the beginnings of Adult craftsmanship, his pleasure in the act and its successful completion: getting the food safely off the spoon and into his mouth, walking on his own across the floor.  Initially his goal is to walk, then it is to walk to something.  Once he walks to people, he has to know what to do after he gets there.  At first they smile and hug him, and all he has to do is be, or at most, cuddle.  They expect nothing from him beyond getting there.  Later they do expect something, so he learns to say Hello.  After a while, that is not enough either, and they expect more.  So he learns to offer them various stimuli in order to get their responses in return.  Thus he is eternally grateful (believe it or not) to his parents for giving him a pattern: how to approach people in such a way as to get the desired responses.  This is structure hunger, pattern hunger, and in the long run, script hunger.  So the script is accepted because Jeder is script hungry. \r\n \r\nOn the parents' side, they are able, ready, and willing because of what has been built into them through eons of evolution: a desire to nurture, protect, and teach their offspring, a desire which can only be suppressed by the most powerful inner and outer forces.  But beyond that, if they themselves have been properly 'scripted,' they are not only willing, but eager, and derive great enjoyment from child-rearing.


0

Two other slogans common among therapists are also common among the general population: 'You can't tell people what to do,' and 'I can't help you, you have to help yourself.'  Both of these are outright falsehoods.  \r\n\r\nYou can tell people what to do, and many of them will do it and do it well.  And you can help people, and they don't have to help themselves.  They merely have to get up, after you have helped them, and go about their business.  But with slogans such as those, society (and I mean all societies) encourages people to stay in their scripts and carry them through to their often tragic endings.  A script merely means that someone told the person what to do a long time ago and he decided to do it.  This demonstrates that you can tell people what to do, and are in fact telling them all the time, especially if you have children.  So if you tell people to do something other than what their parents told them, they may decide to follow your advice or instructions.  And it is well known that you can help people get drunk, or kill themselves, or kill someone else; therefore, you can also help them stop drinking, or stop killing themselves, or stop killing other people.  It is certainly possible to give people permission to do certain things, or to stop doing certain things which they were ordered in childhood to keep doing.  Instead of encouraging people to live bravely in an old unhappy world, it is possible to have them live happily in a brave new world.


0

It is already (after two years of a child's life) fairly predictable who the winners and the losers will be.  'Isn't He Amazing?' (during breast-feeding) reinforced two years later with 'That's a Good Boy' (during toilet-training) will usually do better than 'What's He Fussing About?' reinforced one year later by 'Enema Tube;' similarly, 'Lullaby,' first at nursing and later in the bathroom, will probably prevail over 'While Mother Smokes.


0

The destiny of every human being is decided by what goes on inside his skull when he is confronted with what goes on outside his skull.  Each person designs his own life.


The Portable Nietzsche
Author: Friedrich Nietzsche
Publisher: Portable Library (1977)
530

Whatever we have words for, that we have already got beyond.


Meditations
Author: Marcus Aurelius
Publisher: Penguin Great Ideas (2005)
0

Put from you the belief that 'I have been wronged', and with it will go the feeling.  Reject your sense of injury, and the injury itself disappears.