/tag/character

44 quotes tagged 'character'

Publisher: Inner Traditions International (2003)

109-110

Originally persona signified 'mask': the mask that ancient actors wore in playing a given part, in incarnating a given personage. Thereby the mask possessed something typical, nonindividual, especially in the case of divine masks and even more clearly when used in many archaic rites. At this point I can resume and apply the ideas of the preceding chapter about the dual structure of the being: the 'person' is that which the man presents concretely and sensibly in the world, in the position he occupies, but always signifying a form of expression and manifestation of a higher principle in which the true center of being is to be recognized, and on which falls, or should fall, the accent of the Self. \nA 'mask' is something very precise, delineated, and structured. So man as person (= mask) is already differentiated thereby from the mere individual; he has a form, is himself, and belongs to himself. Consequently, whenever a civilization has had a traditional character, the values of the 'person' have made of it a world of quality, diversity, and types. And the natural consequence has been a system of organic, differentiated, and hierarchical relationships: something that cannot be said of mass regimes, but also not of regimes of individualism, of 'values of the personality,' or of real or pretended democracy. \nLike the individual, the person itself is in a certain sense closed to the external world, and in relation to it, all the existential situations whose legitimacy we have already recognized can be of value in the present age. Unlike the individual, the person is not closed to the above. The personal being is not himself, but has himself (like the relation between the actor and his part): it is presence to that which he is, not coalescence with that which he is. Moreover, a kind of antinomy is brought to light: in order to be truly such, the person needs a reference to something more than personal. When this reference is absent, the person transforms itself into an 'individual,' and individualism and subjectivism come into play.\n

The Pauline and Faustian lament, 'two souls, alas, live in my breast,' is already an optimistic assumption; all too many have to admit, like a typical character in Hesse, that they have a multitude of souls! Nietzsche himself admitted this state of affairs when he wrote: 'One should not assume that many men are 'persons.' There are also men composed of several persons, but the majority possess none at all.' And again: 'Become yourself: an injunction addressed only to a few, and which to an even smaller number appears redundant.' One can see now how problematic is the very point that has hitherto seemed fixed: fidelity to oneself, the absolute, autonomous law based on one's own 'being,' when it is formulated in general and abstract terms. Everything is subject to debate - a situation accurately exemplified by characters in Dostoyevsky, like Rasholnikov or Stavrogin. At the moment when they are thrown back on their own naked will, trying to prove it to themselves with an absolute action, they collapse; they collapse precisely because they are divided beings, because they are deluded concerning their true nature and their true strength. Their freedom is turned against them and destroys them; they fail at the very point at which they should have reaffirmed themselves - in their depths they find nothing to sustain them and carry them forward. We recall the words of Stavrogin's testament: 'I have tested my strength everywhere, as you advised me to do in order to know myself...What I have never seen, and still do not see, is what I should apply my strength to. My desires lack the energy; they cannot drive me. One can cross a river on a log, but not on a splinter.

The Book: On the Taboo Against Knowing Who You Are

Author: Alan Watts

Publisher: kindle import (0)

If a description of the human body must include the description of what it, and all its 'parts,' are doing—that is, of its behavior—this behavior will be one thing in the open air but quite another in a vacuum, in a furnace, or under water. Blood in a test-tube is not the same thing as blood in the veins because it is not behaving in the same way. Its behaviour has changed because its environment or context has changed, just as the meaning of one and the same word may change according to the kind of sentence in which it is used. There is a vast difference between the bark of a tree and the bark of a dog. It is not enough, therefore, to describe, define, and try to understand things or events by analysis alone, by taking them to pieces to find out 'how they are made.' This tells us much, but probably rather less than half the story. Today, scientists are more and more aware that what things are, and what they are doing, depends on where and when they are doing it. If, then, the definition of a thing or event must include definition of its environment, we realize that any given thing goes with a given environment so intimately and inseparably that it is more and more difficult to draw a clear boundary between the thing and its surroundings. This was the grain of truth in the primitive and unreliable science of astrology—as there were also grains of truth in alchemy, herbal medicine, and other primitive sciences. For when the astrologer draws a picture of a person's, character or soul, he draws a horoscope—that is, a very rough and incomplete picture of the whole universe as it stood at the moment of that person's birth. But this is at the same time a vivid way of saying that your soul, or rather your essential Self, is the whole cosmos as it is centered around the particular time, place, and activity called John Doe. Thus the soul is not in the body, but the body in the soul, and the soul is the entire network of relationships and processes which make up your environment, and apart from which you are nothing. A scientific astrology, if it could ever be worked out, would have to be a thorough description of the individual's total environment—social, biological, botanical, meteorological, and astronomical—throughout every moment of his life.

But the underlying problem of cybernetics, which makes it an endless success/failure, is to control the process of control itself. Power is not necessarily wisdom. I may have virtual omnipotence in the government of my body and my physical environment, but how am I to control myself so as to avoid folly and error in its use? Geneticists and neurologists may come to the point of being able to produce any type of human character to order, but how will they be able to know what types of character will be needed? The situation of a pioneer culture calls for tough and aggressive individualists, whereas urban-industrial culture requires sociable and cooperative team-workers. As social change increases in speed, how are geneticists to foresee the adaptations of taste, temperament, and motivation that will be necessary twenty or thirty years ahead? Furthermore, every act of interference with the course of nature changes it in unpredictable ways. A human organism which has absorbed antibiotics is not quite the same kind of organism that it was before, because the behavior of its microorganisms has been significantly altered. The more one interferes, the more one must analyze an ever-growing volume of detailed information about the results of interference on a world whose infinite details are inextricably interwoven.

The Society of the Spectacle

Author: Guy Debord

Publisher: kindle import (0)

The sociologists who have begun to raise questions about the living conditions created by modern social developments (first of all in the United States) have gathered a great deal of empirical data, but they have failed to grasp the true nature of their object of study because they fail to recognize the critique that is inherent in that object. As a result, those among them who sincerely wish to reform these conditions can only appeal to ethical standards, common sense, moderation, and other measures that are equally inadequate for dealing with the problems in question. Because this method of criticism is unaware of the negativity at the heart of its world, it focuses on describing and deploring an excessive sort of negativity that seems to blight the surface of that world like some irrational parasitic infestation. This outraged good will, which even within its own moralizing framework ends up blaming only the external consequences of the system, can see itself as critical only by ignoring the essentially apologetic character of its assumptions and methods.

In all previous periods architectural innovations were designed exclusively for the ruling classes. Now for the first time a new architecture has been specifically designed for the poor. The aesthetic poverty and vast proliferation of this new experience in habitation stem from its mass character, which character in turn stems both from its function and from the modern conditions of construction. The obvious core of these conditions is the authoritarian decisionmaking which abstractly converts the environment into an environment of abstraction. The same architecture appears everywhere as soon as industrialization has begun, even in the countries that are furthest behind in this regard, as an essential foundation for implanting the new type of social existence. The contradiction between the growth of society’s material powers and the continued lack of progress toward any conscious control of those powers is revealed as glaringly by the developments of urbanism as by the issues of thermonuclear weapons or of birth control (where the possibility of manipulating heredity is already on the horizon).

The Denial of Death

Author: Ernest Becker

Publisher: Free Press (1975)

232

...this blurring of Rank and Kierkegaard is not a weak surrender to ideology but an actual scientific working-through of the problem of human character. Both men reached the same conclusion after the most exhaustive psychological quest: that at the very furthest reaches of scientific description, psychology has to give way to “theology”—that is, to a world-view that absorbs the individual’s conflicts and guilt and offers him the possibility for some kind of heroic apotheosis. Man cannot endure his own littleness unless he can translate it into meaningfulness on the largest possible level. Here Rank and Kierkegaard meet in one of those astonishing historical mergers of thought: that sin and neurosis are two ways of talking about the same thing—the complete isolation of the individual, his disharmony with the rest of nature, his hyperindividualism, his attempt to create his own world from within himself. Both sin and neurosis represent the individual blowing himself up to larger than his true size, his refusal to recognize his cosmic dependence. Neurosis, like sin, is an attempt to force nature, to pretend that the causa-sui project really suffices. In sin and neurosis man fetishizes himself on something narrow at hand and pretends that the whole meaning and miraculousness of creation is limited to that, that he can get his beatification from that.38

116

Man breaks through the bounds of merely cultural heroism; he destroys the character lie that had him perform as a hero in the everyday social scheme of things; and by doing so he opens himself up to infinity, to the possibility of cosmic heroism, to the very service of God. His life thereby acquires ultimate value in place of merely social and cultural, historical value. He links his secret inner self, his authentic talent, his deepest feelings of uniqueness, his inner yearning for absolute significance, to the very ground of creation. Out of the ruins of the broken cultural self there remains the mystery of the private, invisible, inner self which yearned for ultimate significance, for cosmic heroism. This invisible mystery at the heart of every creature now attains cosmic significance by affirming its connection with the invisible mystery at the heart of creation. This is the meaning of faith. At the same time it is the meaning of the merger of psychology and religion in Kierkegaard’s thought.

115

Once the person begins to look to his relationship to the Ultimate Power, to infinitude, and to refashion his links from those around him to that Ultimate Power, he opens up to himself the horizon of unlimited possibility, of real freedom. This is Kierkegaard’s message, the culmination of his whole argument about the dead-ends of character, the ideal of health, the school of anxiety, the nature of real possibility and freedom. One goes through it all to arrive at faith, the faith that one’s very creatureliness has some meaning to a Creator; that despite one’s true insignificance, weakness, death, one’s existence has meaning in some ultimate sense because it exists within an eternal and infinite scheme of things brought about and maintained to some kind of design by some creative force. Again and again throughout his writings Kierkegaard repeats the basic formula of faith: one is a creature who can do nothing, but one exists over against a living God for whom “everything is possible.”

111

Kierkegaard’s torment was the direct result of seeing the world as it really is in relation to his situation as a creature. The prison of one’s character is painstakingly built to deny one thing and one thing alone: one’s creatureliness. The creatureliness is the terror. Once admit that you are a defecating creature and you invite the primeval ocean of creature anxiety to flood over you. But it is more than creature anxiety, it is also man’s anxiety, the anxiety that results from the human paradox that man is an animal who is conscious of his animal limitation. Anxiety is the result of the perception of the truth of one’s condition. What does it mean to be a self-conscious animal? The idea is ludicrous, if it is not monstrous. It means to know that one is food for worms. This is the terror: to have emerged from nothing, to have a name, consciousness of self, deep inner feelings, an excruciating inner yearning for life and selfexpression—and with all this yet to die.

The tragedy of life that Searles is referring to is the one we have been discussing: man’s finitude, his dread of death and of the overwhelmingness of life. The schizophrenic feels these more than anyone else because he has not been able to build the confident defenses that a person normally uses to deny them. The schizophrenic’s misfortune is that he has been burdened with extra anxieties, extra guilt, extra helplessness, an even more unpredictable and unsupportive environment. He is not surely seated in his body, has no secure base from which to negotiate a defiance of and a denial of the real nature of the world. The parents have made him massively inept as an organism. He has to contrive extra-ingenious and extra-desperate ways of living in the world that will keep him from being torn apart by experience, since he is already almost apart. We see again confirmed the point of view that a person’s character is a defense against despair, an attempt to avoid insanity because of the real nature of the world. Searles looks at schizophrenia precisely as the result of the inability to shut out terror, as a desperate style of living with terror. Frankly I don’t know anything more cogent that needs to be said about this syndrome: it is a failure in humanization, which means a failure to confidently deny man’s real situation on this planet. Schizophrenia is the limiting test case for the theory of character and reality that we have been expounding here: the failure to build dependable character defenses allows the true nature of reality to appear to man. It is scientifically apodictic. The creativity of people on the schizophrenic end of the human continuum is a creativity that springs from the inability to accept the standardized cultural denials of the real nature of experience. And the price of this kind of almost “ extra human” creativity is to live on the brink of madness, as men have long known. The schizophrenic is supremely creative in an almost extra-human sense because he is furthest from the animal: he lacks the secure instinctive programming of lower organisms; and he lacks the secure cultural programming of average men. No wonder he appears to average men as “crazy”: he is not in anything’s world.

It can’t be overstressed, one final time, that to see the world as it really is is devastating and terrifying. It achieves the very result that the child has painfully built his character over the years in order to avoid: it makes routine, automatic, secure, self-confident activity impossible. It makes thoughtless living in the world of men an impossibility. It places a trembling animal at the mercy of the entire cosmos and the problem of the meaning of it.

I like the way Perls conceived the neurotic structure as a thick edifice built up of four layers. The first two layers are the everyday layers, the tactics that the child learns to get along in society by the facile use of words to win ready approval and to placate others and move them along with him: these are the glib, empty talk, “cliché,” and role-playing layers. Many people live out their lives never getting underneath them. The third layer is a stiff one to penetrate: it is the “impasse” that covers our feeling of being empty and lost, the very feeling that we try to banish in building up our character defenses. Underneath this layer is the fourth and most baffling one: the “death” or fear-of-death layer; and this, as we have seen, is the layer of our true and basic animal anxieties, the terror that we carry around in our secret heart. Only when we explode this fourth layer, says Perls, do we get to the layer of what we might call our “authentic self”: what we really are without sham, without disguise, without defenses against fear.12 From this sketch of the complex rings of defense that compose our character, our neurotic shield that protects our pulsating vitality from the dread of truth, we can get some idea of the difficult and excruciatingly painful, all-or-nothing process that psychological rebirth is. And when it is through psychologically, it only begins humanly: the worst is not the death, but the rebirth itself—there’s the rub. What does it mean “to be born again” for man? It means for the first time to be subjected to the terrifying paradox of the human condition, since one must be born not as a god, but as a man, or as a god-worm, or a god who shits. Only this time without the neurotic shield that hides the full ambiguity of one’s life.

We called one’s life style a vital lie, and now we can understand better why we said it was vital: it is a necessary and basic dishonesty about oneself and one’s whole situation. This revelation is what the Freudian revolution in thought really ends up in and is the basic reason that we still strain against Freud. We don’t want to admit that we are fundamentally dishonest about reality, that we do not really control our own lives. We don’t want to admit that we do not stand alone, that we always rely on something that transcends us, some system of ideas and powers in which we are embedded and which support us. This power is not always obvious. It need not be overtly a god or openly a stronger person, but it can be the power of an all-absorbing activity, a passion, a dedication to a game, a way of life, that like a comfortable web keeps a person buoyed up and ignorant of himself, of the fact that he does not rest on his own center. All of us are driven to be supported in a self-forgetful way, ignorant of what energies we really draw on, of the kind of lie we have fashioned in order to live securely and serenely. Augustine was a master analyst of this, as were Kierkegaard, Scheler, and Tillich in our day. They saw that man could strut and boast all he wanted, but that he really drew his “courage to be” from a god, a string of sexual conquests, a Big Brother, a flag, the proletariat, and the fetish of money and the size of a bank balance. The defenses that form a person’s character support a grand illusion, and when we grasp this we can understand the full drivenness of man. He is driven away from himself, from self-knowledge, self-reflection. He is driven toward things that support the lie of his character, his automatic equanimity. But he is also drawn precisely toward those things that make him anxious, as a way of skirting them masterfully, testing himself against them, controlling them by defying them. As Kierkegaard taught us, anxiety lures us on, becomes the spur to much of our energetic activity: we flirt with our own growth, but also dishonestly. This explains much of the friction in our lives. We enter symbiotic relationships in order to get the security we need, in order to get relief from our anxieties, our aloneness and helplessness; but these relationships also bind us, they enslave us even further because they support the lie we have fashioned. So we strain against them in order to be more free. The irony is that we do this straining uncritically, in a struggle within our own armor, as it were; and so we increase our drivenness, the second-hand quality of our struggle for freedom. Even in our flirtations with anxiety we are unconscious of our motives. We seek stress, we push our own limits, but we do it with our screen against despair and not with despair itself. We do it with the stock market, with sports cars, with atomic missiles, with the success ladder in the corporation or the competition in the university. We do it in the prison of a dialogue with our own little family, by marrying against their wishes or choosing a way of life because they frown on it, and so on. Hence the complicated and second-hand quality of our entire drivenness. Even in our passions we are nursery children playing with toys that represent the real world. Even when these toys crash and cost us our lives or our sanity, we are cheated of the consolation that we were in the real world instead of the playpen of our fantasies. We still did not meet our doom on our own manly terms, in contest with objective reality. It is fateful and ironic how the lie we need in order to live dooms us to a life that is never really ours.

The historic value of Freud’s work is that it came to grips with the peculiar animal that man was, the animal that was not programmed by instincts to close off perception and assure automatic equanimity and forceful action. Man had to invent and create out of himself the limitations of perception and the equanimity to live on this planet. And so the core of psychodynamics, the formation of the human character, is a study in human self-limitation and in the terrifying costs of that limitation. The hostility to psychoanalysis in the past, today, and in the future, will always be a hostility against admitting that man lives by lying to himself about himself and about his world, and that character, to follow Ferenczi and Brown, is a vital lie.

At each stage in the unfolding discovery of his world and the problems that it poses, the child is intent on shaping that world to his own aggrandizement. He has to keep the feeling that he has absolute power and control, and in order to do that he has to cultivate independence of some kind, the conviction that he is shaping his own life. That is why Brown, like Rank, could say that the Oedipal project is “inevitably self-generated in the child and is directed against the parents, irrespective of how the parents behave.” To put it paradoxically, “children toilet train themselves.”12 The profound meaning of this is that there is no “perfect” way to bring up a child, since he “brings himself up” by trying to shape himself into an absolute controller of his own destiny. As this aim is impossible, each character is, deeply and in some way, fantastically unreal, fundamentally imperfect.

Kierkegaard understood that the lie of character is built up because the child needs to adjust to the world, to the parents, and to his own existential dilemmas. It is built up before the child has a chance to learn about himself in an open or free way, and thus character defenses are automatic and unconscious. The problem is that the child becomes dependent on them and comes to be encased in his own character armor, unable to see freely beyond his own prison or into himself, into the defenses he is using, the things that are determining his unfreedom.17

Myths to live by

Author: Joseph Campbell

Publisher: Joseph Campbell Foundation (2011)

103

let me recount now a really marvelous Hindu legend to this point, from the infinitely rich mythology of the god Shiva and his glorious world-goddess Parvati. The occasion was of a time when there came before this great divinity an audacious demon who had just overthrown the ruling gods of the world and now came to confront the highest of all with a non-negotiable demand, namely, that the god should hand over his goddess to the demon. Well, what Shiva did in reply was simply to open that mystic third eye in the middle of his forehead, and paff! a lightning bolt hit the earth, and there was suddenly there a second demon, even larger than the first. He was a great lean thing with a lionlike head, hair waving to the quarters of the world, and his nature was sheer hunger. He had been brought into being to eat up the first, and was clearly fit to do so. The first thought: 'So what do I do now?' and with a very fortunate decision threw himself upon Shiva's mercy. Now it is a well-known theological rule that when you throw yourself on a god's mercy the god cannot refuse to protect you; and so Shiva had now to guard and protect the first demon from the second. Which left the second, however, without meat to quell his hunger and in anguish he asked Shiva, 'Whom, then, do I eat?' to which the god replied, 'Well, let's see: why not eat yourself?' And with that, no sooner said than begun. Commencing with his feet, teeth chopping away, that grim phenomenon came right on up the line, through his own belly, on up through his chest and neck, until all that remained was a face. And the god, thereupon, was enchanted. For here at last was a perfect image of the monstrous thing that is life, which lives on itself. And to that sunlike mask, which was now all that was left of that lionlike vision of hunger, Shiva said, exulting, 'I shall call you 'Face of Glory,' Kirttimukha, and you shall shine above the doors to all my temples. No one who refuses to honor and worship you will come ever to knowledge of me.'10 The obvious lesson of all of which is that the first step to the knowledge of the highest divine symbol of the wonder and mystery of life is in the recognition of the monstrous nature of life and its glory in that character: the realization that this is just how it is and that it cannot and will not be changed. Those who think -- and their name is legion -- that they know how the universe could have been better than it is, how it would have been had they created it, without pain, without sorrow, without time, without life, are unfit for illumination. Or those who think -- as do many -- 'Let me first correct society, then get around to myself' are barred from even the outer gate of the mansion of God's peace. All societies are evil, sorrowful, inequitable; and so they will always be. So if you really want to help this world, what you will have to teach is how to live in it. And that no one can do who has not himself learned how to live in it in the joyful sorrow and sorrowful joy of the knowledge of life as it is.

The Magic Mountain

Author: Thomas Mann

Publisher: Vintage (1996)

The Fourth Way

Author: P.D. Ouspensky

Publisher: Vintage (1971)

275

If we take school-work as an ascending octave, we know that in each octave there are two intervals or gaps, between mi and fa and between si and do. In order to pass through these gaps without changing the character or the line of the work it is necessary to know how to fill them. So if I want to guarantee the direction of the work in a straight line, I must work on three lines simultaneously. If I work only on one line, or on two lines, the direction will change. If I work on three lines, or three octaves, one line will help another to pass the interval by giving the necessary shock. It is very important to understand this. School-work uses many cosmic ideas, and three lines of work is a special arrangement to safeguard the right direction of the work and to make it successful. The first line is work on oneself: self-study, study of the system and trying to change at least the most mechanical manifestations. This is the most important line. The second line is work with other people. One cannot work by oneself; a certain friction, inconvenience and difficulty of working with other people creates the necessary shocks. The third line is work for the school, for the organization. This last line takes on different aspects for different people.

It is very easy to distinguish these three parts when we begin to observe ourselves. Mechanical parts do not need attention. Emotional parts need strong interest or identification, attention without effort or intention, for attention is drawn and kept by the attraction of the object itself. And in the intellectual parts you have to control your attention. When you get accustomed to control attention, you will see at once what I mean. First the character of the action will show you which centre you are in, and then observation of attention will show you the part of centre. It is particularly important to observe the emotional parts and to study the things that attract and keep the attention, because they produce imagination Study of attention is a very important part of self-study, and if you begin to observe this division of centres into parts, in addition to the division of centres themselves, it will give you the possibility of coming to smaller details and will help you to study attention.

It is very easy to distinguish these three parts when we begin to observe ourselves. Mechanical parts do not need attention. Emotional parts need strong interest or identification, attention without effort or intention, for attention is drawn and kept by the attraction of the object itself. And in the intellectual parts you have to control your attention. When you get accustomed to control attention, you will see at once what I mean. First the character of the action will show you which centre you are in, and then observation of attention will show you the part of centre. It is particularly important to observe the emotional parts and to study the things that attract and keep the attention, because they produce imagination. Study of attention is a very important part of self-study, and if you begin to observe this division of centres into parts, in addition to the division of centres themselves, it will give you the possibility of coming to smaller details and will help you to study attention.

The Symposium

Author: Plato

Publisher: Penguin Classics (2003)

The Origins and History of Consciousness

Author: Erich Neumann

Publisher: Princeton University Press (1954)

402

The child's fear and feeling of being threatened does not derive from the traumatic character of the world, for no trauma exists under normal human conditions or even under primitive ones; it comes rather from the 'night space,' or, to be more precise, it arises when the ego steps forth from this night space. The germinal ego consciousness then experiences the overwhelming impact of the world-and-body stimulus, either directly or in projection. The importance of family relationships lies precisely in the fact that the personal figures of the environment who are the first form of society must be able, as soon as the ego emerges from the primary security of the uroboric state, to offer it the secondary security of the human world.

391

When the individual falls away from the cultural fabric like this, he finds himself completely isolated in an egotistically infalted private world. The restlessness, the discontents, the excesses, the formlessness and meaninglessness of a purely egocentric life - as compared with the symbolic life - are the unhappy results of this psychological apostasy.\n\n 'Following the collapse of the archeytpal canon, single archetypes then take possession of men and consume them like malenolent demons. Typical and symptomatic of this transitional phenomenon is the state of affairs in America, through the same holds good for practically the whole Western hemisphere. Every conceivable sort of dominant rules the personality, which is a personality only in name. The grotesque fact that murderers, brigands, gangsters, thieves, forgers, tyrants, and swindelers, in a guise that deceives nobody, have seized control of collective life is characteristic of our time. Their unscrupulousness and double-dealing are recognized - and admired. Their ruthless energy they obtain at best from some stray achetypal content that has got them in its power. The dynamism of a possessed personality is accordingly very great, because, in its one-track primitivity, it suffers from none of the differentiations that make men human. Worship of the 'beast' is by no means confined to Germany; it prevails whereever one-sidedness, push, and moral blindness are appluaded, i.e., whereever the aggravating complexities of civilized behaior are swept away in favor of bestial rapactiy. One has only to look at the educative ideals now current in the West.\n\n 'The possessed character of our financial and industrial magnates, for instance, is psychologically evident from the very fact that they are at the mercy of a suprapersonal factor - 'work,' 'power,' 'money,' or whatever they like to call it - which, in the telling phrase, 'consumes' them and leaves them little or no room as private persons. Coupled with a nihilistic attitude towards civilization and humanity there goes a puffing up of the egosphere which expresses itself with brutish egotism in a total disregard for the common good and in the attempt to lead an egocentric existence, where personal power, money, and 'experiences' - unbelievably trivial, but plentiful - occupy every hour of the day.\n\n '...Not only power, money, and lust, but religion, art, and politics are exclusive determinants in the form of parties, nations, sects, movements, and 'isms' of every description take possession of the masses and destroy the individual. Far be it from us to compare the predatory industrial man and power politician with the man who is dedicated to an idea; for the latter is possessed by the archetypes that shape the future of mankind, and to this driving daemon he sacrifices his life. Nevertheless, it is the task of a cultural psychology based on depth psychology to set forth a new ethos which shall take the collective effect of these daemonic possessions into account, and this means also accepting responsibility for them.

267

We know that trees, idols, holy places, and human beings are recognizable objects of the external world, into which early man projected his inner psychic contents. By recognizing them, we withdraw such 'primitive projections,' we diagnose them as autosuggestions or something of the sort, and thus the fusion effected by participation between man and the objects of the external world is nullified. But when it comes to experiencing God's intervention in world history, or the sanctity of the Fatherland symbolized by flag or king, or the devilish intentions of nations beyond the latest Iron Curtain, or even the bad character of those we dislike or the good character of those we love; when it comes to experiencing these as a projection, then our psychological powers of discernment incontinently fail us, not to mention the fact that we cannot lay our finger on the most blatant examples of all for the simple reason they they are entirely unconscious and belong to the preconceptions which we accept without question.

171

On the other hand, besides the archetypal image of the father, the personal father image also has a significance, though it is conditioned less by his individual person than by the character of the culture and the changing cultural values which he represents. There is a broad resemblance between the mother figures of primitive, classical, medieval, and modern times; they remain embedded in nature. But the father figure changes with the culture he represents.

146

The spiritual collective as we find it in all initiations and all secret societies, sects, mysteries, and religions is essentially masculine and, despite its communal character, essentially individual in the sense that each man is initiated as an individual and undergoes a unique experience that stamps his individuality. This individual accent and the elect character of the group stand in marked contrast to the matriarchal group, where the archetype of the Great Mother and the corresponding stage of consciousness are dominant. The opposed group of male societies and secret organizations is dominated by the archetype of the hero and by the dragon-fight mythology, which represents the next stage of conscious development. The male collective is the source of all the taboos, laws, and institutions that are destined to break the dominance of the uroboros and Great Mother. Heaven, the father, and the spirit go hand in hand with masculinity and represent the victory of the patriarchate over the matriarchate. This is not to say that the matriarchate knows no law; but the law by which it is informed is the law of instinct, of unconscious, natural functioning, and this law subserves the propagation, preservation, and evolution of the species rather than the development of the single individual.

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The activity of instinct lies behind actions which the ego coordinates with its sphere of decision and volition, and to an even higher degree instincts and archetypes are at the back of our conscious attitudes and orientations. But, whereas in modern man there is at any rate the possibility of decision and conscious orientation, the psychology of archaic man and of the child is marked by a mingling of these spheres. Volitions, moods, emotions, instincts, and somatic reactions are still for all practical purposes fused together. The same applies to the original ambivalence of affects, which are later resoved into antithetical positions. Love and hate, joy and sorrow, pleasure and pain, attraction and repulsion, yes and no, are at first juxtaposed and interfused, and do not possess the antithetical character they subsequently appear to have.\n\n Depth psychology has made the discovery that even today the opposites lie closer together and are more intimately connected than their actual degree of separation would lead one to suppose. Not only in the neurotic, but in the normal person too, the poles are hard side by side; pleasure turns to pain, hate to love, sorrow to joy, far more readily than we would expect. This can be seen most clearly in children. Laughing and crying, starting a thing and then stopping it, liking and disliking follow fast on one another's heels. No position is fixed, and none is a flat contradiction of its opposite, but both exist peaceably side by side and are realized in closest succession. Influences stream in and out from all sides; environment, ego, and interior world, objective tendencies, consciousness, and bodily tendencies operate simultaneously, and all the while no ego worth mentioning, or only a very diminutive ego, arranges, centers, accepts and rejects.

The youth struggling for self-consciousness now begins, in so far as he is an individual, to have a personal fate, and for him the Great Mother becomes the deadly and unfaithful mother. She selects one young man after another to love and destroy. In this way she becomes 'the harlot.' The sacred prostitute - which is what the Great Mother really is, as the vessel of fertility - takes on the negative character of the fickle jade and destroyer. With this, the great revaluation of the feminine begins its conversion into the negative, thereafter carried to extremes in the patriarchal religions of the West. The growth of self-consciouness and the strengthening of masculinity thrust the image of the Great Mother into the background; the patriarchal society splits it up, and while only the picture of the good Mother is retained in consciousness, her terrible aspect is relegated to the unconscious*.\n\n *Author's footnote: The splitting of the Great Mother into a conscious 'good' mother and unconscious 'evil' one is a basic phenomenon in the psychology of neurosis. The situation then is that consciously the neurotic has a 'good relation' to the mother, but in the gingerbread house of this love there is hidden the witch, who gobbles up little children and grants them, as a reward, a passive, irresponsible existence without an ego. Analysis then uncovers the companion picture of the Terrible Mother, an awe-inspiring figure who with threats and intimidations puts a ban on sexuality. The results are masturbation, real or symbolic impotence, self-castration, suicide, etc. It makes no difference whether the picture of the Terrible Mother remains unconscious or is projected; in either case the very idea of coitus, of any connection with the female, will activate the fear of castration.'

In the beginning is perfection, wholeness. This original perfection can only be 'circumscribed,' or described symbolically; its nature defies any description other than a mythical one, because that which describes, the ego, and that which is described, the beginning, which is prior to any ego, prove to be incommensurable quantities as soon as the ego tries to grasp its object conceptually, as a content of consciousness.\n\n For this reason a symbol always stands at the beginning, the most striking feature of which is its multiplicity of meanings, its indeterminate and indeterminable character.

This Is It

Author: Alan Watts

Publisher: Vintage (1973)

To Have or to Be?

Author: Erich Fromm

Publisher: Continuum Impacts (2005)

Modern man is actually close to the picture Huxley describes in his Brave New World: well fed, well clad, satisfied sexually, yet without self, without any except the most superficial contact with his fellow men, guided by the slogans which Huxley formulated so succinctly, such as: 'When the individual feels, the community reels'; or 'Never put off till tomorrow the fun you can have today,' or, as the crowning statement: 'Everybody is happy nowadays.' Man's happiness today consists in 'having fun.' Having fun lies in the satisfaction of consuming and 'taking in' commodities, sights, food, drinks, cigarettes, people, lectures, books, movies - all are consumed, swallowed. The world is one great object for our appetite, a big apple, a big bottle, a big breast; we are the suckers, the eternally expectant ones, the hopeful ones - and the eternally disappointed ones. Our character is geared to exchange and to receive, to barter and to consume; everything, spiritual as well as material objects, becomes an object of exchange and of consumption.

In all theistic religions, whether they are polytheistic or monotheistic, God stands for the highest value, the most desirable good. Hence the specific meaning of God depends on what is the most desirable good for a person. The understanding of the concept of God must, therefore, start with an analysis of the character structure of the person who worships God.'

Love is not primarily a relationship to a specific person; it is an attitude, an orientation of character which determines the relatedness of a person to the world as a whole, not toward one 'object' of love. If a person loves only one other person and is indifferent to the rest of his fellow men, his love is not love but a symbiotic attachment, or an enlarged egotism. Yet, most people believe that love is constituted by the object, not by the faculty. In fact, they even believe that it is a proof of the intensity of their love when they do not love anybody except the 'loved' person. This is the same fallacy which we have already mentioned above. Because one does not see that love is an activity, a power of the soul, one believes that all that is necessary to find is the right object - and that everything goes by itself afterward. This attitude can be compared to that of a man who wants to paint but who, instead of learning the art, claims that he has just to wait for the right object, and that he will paint beautifully when he finds it. If I truly love one person I love all persons, I love the world, I love life. If I can say to somebody else, 'I love you,' I must be able to say, 'I love in you everybody, I love through you the world, I love in you also myself.

Beyond the element of giving, the active character of love becomes evident in the fact that it always implies certain basic elements, common to all forms of love. These are care, responsibility, respect and knowledge.

For the productive character, giving has an entirely different meaning. Giving is the highest expression of potency. In the very act of giving, I experience my strength, my wealth, my power. This experience of heightened vitality and potency fills me with joy. I experience myself as overflowing, spending, alive, hence as joyous. Giving is more joyous than receiving not because it is a deprivation, but because in the act of giving lies the expression of my vitality.'

This miracle of sudden intimacy is often facilitated if it is combined with, or initiated by, sexual attraction and consummation. However, this type of love is by it's very nature not lasting. The two persons become well acquainted, their intimacy loses more and more its miraculous character, until their antagonism, their disappointments, their mutual boredom kill whatever is left of the initial excitement. Yet, in the beginning they do not know all this: in fact, they take the intensity of the infatuation, this being 'crazy' about each other, for proof of the intensity of their love, while it may only prove the degree of their preceding loneliness.

Marx wrote (in the Economic and Philosophical Manuscripts) that 'free conscious activity' (i.e., human activity) is 'the species character of man.' Labor, for him, represents human activity, and human activity is life. Capital, on the other hand, represents for Marx the amassed, the past, and in the last analysis, the dead (Grundrisse). One cannot fully understand the affective charge which the struggle between capital and labor had for Marx unless one considers that for him it was the fight between aliveness and deadness, the present versus the past, people versus things, being versus having. For Marx the question was: Who should rule whom - should life rule the dead, or the dead rule life? Socialism, for him, represented a society in which life had won over the dead.\r\n \r\nMarx's whole critique of capitalism and his vision of socialism are rooted in the concept that human self-activity is paralyzed in the capitalist system and that the goal is to restore full humanity by restoring activity in all spheres of life.

Having refers to things and things are fixed and describable. Being refers to experience, and human experience is in principle not describable. What is fully describable is our persona - the mask we each wear, the ego we present - for this persona is in itself a thing. In contrast, the living human being is not a dead image and cannot be described like a thing. In fact, the living human being cannot be described at all. Indeed, much can be said about me, about my character, about my total orientation to life. This insightful knowledge can go very far in understanding and describing my own or another's psychical structure. But the total me, my whole individuality, my suchness that is as unique as my fingerprints are, can never be fully understood, not even by empathy, for no two human beings are entirely alike.

Perhaps the most striking example of today's consumer-buying phenomenon is the private automobile. Our age deserves to be dubbed 'the age of the automobile,' four whole economy has been built around automobile production, and our whole life is greatly determined by the rise and fall of the consumer market for cars.\n\n 'To those who have one, their car seems like a vital necessity; to those who do not yet own one, especially people in the so-called socialist states, a car is a symbol of joy. Apparently, however, affection for one's car is not deep and abiding, but a love affair of somewhat short duration, for owners change their cars frequently; after two years, even after just one, an auto owner tires of the 'old car' and starts shopping around for a 'good deal' on a new vehicle. From shopping around to purchase, the whole transaction seems to be a game in which even trickery is sometimes a prime element, and the 'good deal' is enjoyed as much as, if not more than, the ultimate prize: that brand-new model in the driveway.\n\n 'Several factors must be taken into account in order to solve the puzzle of the seemingly flagrant contradiction between the owners' property relationship to their automobiles and their so-short-lived interest in them. First, there is the element of depersonalization in the owner's relationship to the car; the car is not a concrete object that its owner is fond of, but a status symbol, an extension of power - an ego builder; having acquired a car, the owner has actually acquired a new piece of ego. A second factor is that buying a new car every two years instead of, say, every six increases the buyer's thril of acquisition; the act of making the new car one's own is a kind of defloration - it enhances one's sense of control, and the more often it happens, the more thrilled one is. The third factor is that frequent car buying means frequent opportunities to 'make a deal' - to make a profit by the exchange - a satisfaction deeply rooted in men and women today. The fourth factor is one of great importance: the need to experience new stimuli, because the old stimuli are flat and exhausted after but a short while. In an earlier discussion of stimuli, I differentiated between 'activating' and 'passivating' stimuli and suggested the following formulation: 'the more 'passivating' a stimulus is, the more frequently it must be changed in tensity and/or in kind; the more 'activating' it is, the longer it retains its stimulating quality and the less necessary is change in intensity and content.' The fifth and most important factor lies in the change in social character that has occurred during the past century and a half, i.e., from the 'hoarding' to the 'marketing' character. While the change does not do away with the having orientation, it does modify it considerably.

The need for profound human change emerges not only as an ethical or religious demand, not only as a psychological demand arising from the pathogenic nature of our present social character, but also as a condition for the sheer survival of the human race. Right living is no longer only the fulfillment of an ethical or religious demand. For the first time in history the physical survival of the human race depends on a radical change of the human heart. However, a change of the human heart is possible only to the extent that drastic economic and social changes occur that give the human heart the chance for change and the courage and the vision to achieve it.