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31 quotes tagged 'flag'

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How Our Lives Become Stories: Making Selves

Publisher: Cornell University Press (1999)

132

Meaning for Melanie is narrative meaning: you know what will happen, she tells herself, 'because you know the genre.' 'In books,' she continues, 'events are meaningfully ordered, and people are suited to their fates' (112)\n\nMelanie Thernstrom. The Dead Girl: A True Story. 1990. New York: Pocket Books, 1991.

125-126

...there is no question that the self of the amnesiac is radically altered by the loss of explicit memory. Sacks registers the jolt such cases give to the sense of identity that we usually take for granted when, contemplating the ravages of Korsakov's syndrome on 'Mr. Thompson's' personality, he asks, 'has he been pithed, scooped-out, de-souled, by disease?' (Man 113). Would we be prepared, though, to follow Sacks in question whether 'There is a person remaining' (115) in 'Mr. Thompson'? That we do instinctively ask such a question reveals the importance we attach to our identity conventions and narrative practices. How often have we said, or heard it said, for example, after visiting a friend or relative slipping into senility, 'She was not herself today' - an arresting thing to say, on the face of it, yet we know what we mean when we say it.\r\n\r\n\r\n*Man*: Oliver Sacks, The Man Who Mistook His Wife for a Hat and Other Clinical Tales, Harper, 1985

108-109

Since it has been established that very young children do in fact have episodic memories¹ , it becomes reasonable to ask why they don't retain them. Rejecting any Freudian notion of repression, Nelson embraces instead an evolutionary perspective which prompts her to focus on the function of event-memories: 'As an adaptive system, the general function of memory is to predict and prepare for future encounters, actions, and experiences. That is, memory as such has no value in and of itself, but takes on value only as it contributes to the individual's ability to behave adaptively' ² . In early childhood, accordingly, memory work is dedicated to the generation of general event-memories or scripts that help to organize the child's knowledge of daily routines - bathing, eating, going to bed, and so forth. In this early developmental context, Nelson reasons, memory for novel experience (the one-time event that at a later stage will be valued and stored as autobiographical memory) 'does not have the same functional value, unless it is repeated' ³ , and so, if it is not incorporated into a general event-memory, it is not retained.\r\n\r\n\r\n¹ Katherine Nelson, Language in Cognitive Development: Emergence of the Mediated Mind, pg 162\r\n² Katherine Nelson, 'The Ontogeny of Memory for Real Events.' In Remembering Reconsidered: Ecological and Traditional Approaches to the Study of Memory, pg 265\r\n³ Katherine Nelson, Language in Cognitive Development: Emergence of the Mediated Mind, pg 158

[Mary Gordon] was the daughter of a doting father who treated her to lavish displays of affection. So central is the father's love to he child's sense of her own identity that his early death when she is seven creates a profound sense of lack, of want, that Gordon in her forties - successful novelist, happily married, with a child of her own - is still trying to fill. [Paul] Auster could be speaking for Gordon when he observes, wisely, 'You do not stop hungering for your father's love, even after you are grown up' (19)^1. Now, in midlife, however, when Gordon sets out to recover her father and his story, she discovers that she wasn't the central figure in his life. Archival research in Washington, in Providence, and in Lorain, Ohio, turns in a painful process of disconfirmation in which everything she thought she knew about her father turns out to have been a lie: reinventing himself (like Fitzgerald's Jay Gatsby), David Gordon had edited his siblings, his working-class childhood, and an earlier marriage out of his story, passing himself off as a Harvard graduate, who had converted later on to Catholicism. The records disclose an unattractive stranger, a disreputable man-on-the-make, an Eastern European Jew who wrote for pornographic magazines in which he indulged in anti-Semetic jokes. Struggling to reconcile the idealized image of childhood memory with the stubborn truth of the biographical record, Gordon even attempts briefly to assume her father's identity in order to understand it, conjuring up the immigrant Jewish child's oppressive sense of being burdened with the 'wrong' identity to succeed in the American culture of his day. \r\n \r\nThe turning point in her quest comes when she concludes that 'David Gordon is a man I cannot know.' Refusing to be merely an episode in his story, she appropriates him for her own: 'The man I know is a man I gave birth to. His name is not David. ...It is My Father' (194).² Her act of possession is as total as she can make it. Not only does she 'give birth to' her father in this narrative, but she literally revises his death as well: in the final section of The Shadow Man Gordon has her father's body exhumed from its place in her mother's family's plot and reburied in Calvary, a cemetery of her own choosing. This is certainly extravagant stuff, as Gordon is certainly aware. ...Gordon and Auster conclude that the story of the proximate other is ultimately unknowable. For Gordon, moreover, it proves to be a story she would prefer not to know, for it can't be integrated into her own identity narrative.\r\n \r\n \r\n¹ /publication/70 \r\n² /publication/71

53-54

Like Benjamin, Steedman conceives of identity as relational, and the autobiography she writes is also relational, for she believes that her mother's self and story provide the key to her own. 'Children are always episodes in someone else's narrative,' she affirms, 'not their own people, but rather brought into being for particular purposes' (122).¹ In this way the familiar and perfunctory beginning of so many autobiographies - 'I was born...' - acquires a new and signal importance, for Steedman argues that her dawning recognition of the circumstances of her conception - her realization that she was neither a wanted nor a legitimate child - determined the very structure of her personality. \r\n\r\n¹ /publication/67

Models of identity are centrally implicated in the way we live and write about our lives. As Paul Smith puts it, 'None of us lives without reference to an imaginative singularity which we call our self' (6).¹ ... In forming our sustaining sense of self, we draw on models of identity provided by the cultures we inhabit. Some of these models are life enhancing, some not. \r\n\r\n¹ /publication/66

Ecological experience, like the body image, belongs to the unreflexive realm of primary consciousness and is, accordingly, normally inaccessible to conscious examination and representation. [John M] Hull's blindness, however, like Sack's injury, seems to have created for him a window through which he was privileged to observe how his sense of self was shaped by the usually invisible sensory reception of data from the world. In both cases, a sensory deficit is experienced as a deficit of identity. Because Hull became blind only in midlife, in his forties, after a lifelong struggle with failing vision, his new condition sensitized him to probe the unexamined assumptions that the sighted take for granted in their conception of identity. \r\n\r\n*note*: would increased sensory experience lead to an increase of sense of identity?

In 1905, two French neurologists, G. Deny and P. Camus, reported the strange case of 'Madame I,' a young woman who lost 'body awareness' and lost herself in the process: \r\n\r\n> I'm no longer aware of myself as I used to be. I can no longer feel my arms, my legs, my head, and my hair. I have to touch myself constantly in order to know how I am...I cannot find myself.¹ \r\n\r\nMadame I's pathetic touching of her limbs stages a startling inversion of Descarte's thought experiment: 'I feel by body,' she seems to say, 'therefore I am.' Her troubled condition reminds us that it is possession of a body image that anchors and sustains our sense of identity.\r\n\r\n¹ /publication/62\r\n\r\n \r\n

Neural Darwinism has the potential to transform not only traditional conceptions of self but of memory as well, as the work or Israel Rosenfield, formerly Edelman's colleague and collaborator, suggests. Rosenfield believes, first of all, that memories are perceptions newly occurring in the present rather than images fixed and stored in the past and somehow mysteriously recalled to present consciousness. As perceptions, memories share the constructed nature of all brain events that TNGS posits: 'Recollection is a kind of perception...and every context will alter the nature of what is recalled' (Invention 89, emphasis added). Rosenfield's second point about memory, a corollary of his view of memory as embedded in present consciousness, is that all memories are self-referential: 'Every recollection refers not only to the remembered event or person or object but to the person who is remembering' (Strange 42). The bond between self and memory can be traced back to Locke, but Rosenfield puts a new spin on this linkage by factoring in the body as a necessary third term in the equation.

The Origins of Consciousness in the Breakdown of the Bicameral Mind

Author: Julian Jaynes

Publisher: University of Toronto Press (1978)

366

Hypnosis, like consciousness, begins at a particular point in history in the paraphrands of a few new metaphors. The first of these metaphors followed Sir Isaac Newton’s discovery of the laws of universal gravitation and his use of them to explain the ocean tides under the attraction of the moon. The mysterious attractions and influences and controls between people were then compared to Newtonian gravitational influences. And the comparison resulted in a new (and ridiculous) hypothesis, that there are tides of attraction between all bodies, living and material, that can be called animal gravitation, of which Newton’s gravitation is a special case^1. This is all very explicit in the romantic and turbid writings of a wanton admirer of Newton‘s called Anton Mesmer, who began it all. And then came another metaphor, or rather two. Gravitational attraction is similar to magnetic attraction. Therefore, since (in Mesmer‘s rhetorical thought) two things similar to a third thing are similar to each other, animal gravitation is like magnetic attraction, and so changes its name to animal magnetism. Now at last the theory was testable in a scientific way. To demonstrate the existence of these vibrant magnetic tides in and through living things similar to celestial gravitation, Mesmer applied magnets to various hysterical patients, even prefeeding the patients with medicines containing iron so that the magnetism might work better. And it did! The result could not be doubted with the knowledge of his day. Convulsive attacks were produced by the magnets, creating in Mesmer‘s words “an artificial ebb and flow” in the body and correcting with its magnetic attraction “the unequal distribution of the nervous fluids confused movement,” thus producing a “harmony of the nerves.” He had ‘proved’ that there are flows of forces between persons as mighty as those that hold the planets in their orbits. Of course he hadn‘t proved anything about any kind of magnetism whatever. He had discovered what Sir James Braid on the metaphier of sleep later called hypnosis. The cures were effective because he had explained his exotic theory to his patients with vigorous conviction. The violent seizures and peculiar twists of sensations at the application of magnets were all due to a cognitive imperative that these things would happen, which they did, constituting a kind of self-perpetuating escalating ‘proof’ that the magnets were working and could effect a cure.\r\n \r\n¹ A full history of hypnosis is yet to be written. But see F. A. Pattie, “Brief History of Hypnotism,” in J. E. Gordon, ed., Handbook of Clinical and Experimental Hypnosis (New York: Macmillan, 1967).

254

3 By inspiration here I mean from the beginning of taking a breath to the beginning of exhaling. The measure thus includes holding one's breath. These determinations collected from various sources. See Robert S. Woodworth, Exferimental Psychology (New York: Holt, 1938), p. 264.

249

temporal development of the preconscious hypostases can be roughly divided into four phases: Phase I: Objective: Occurred in the bicameral age when these terms referred to simple external observations. Phase I I : Internal: Occurred when these terms have come to mean things inside the body, particularly certain internal sensations. Phase I I I : Subjective: W h e n these terms refer to processes that we would call mental; they have moved from internal stimuli supposedly causing actions to internal spaces where metaphored actions may occur. Phase I V : Synthetic: W h e n the various hypostases unite into one conscious self capable of introspection. The reason I am setting these out, perhaps pretentiously, as four separate phases is to call your attention to the important psychological differences of transition between these phases. The transition from Phase I to Phase II occurred at the beginning of the breakdown period. It comes from the absence or the inappropriateness of gods and their hallucinated directions. The buildup of stress for want of adequate divine decisions increases the psychological concomitants of such stress until they are labeled with terms that previously applied to only external perception. The transition from Phase II to Phase III is a much more 2 Professor A. D. H. Adkins has made this drawing-together of the various mind-words into one the theme of his book From the Many to the One (Ithaca: Cornell University Press, 1970). I N T E L L E C T U A L C O N S C I O U S N E S S O F G R E E C E 261 complicated matter. And much more interesting. It is due to the paraphrand generator of metaphor described in 1.2. In that chapter, I outlined the four-part process of metaphor, how we begin with a less-known term called a metaphrand which is to be described, and then describe it by applying to it a better-known metaphier which is similar to it in some way. Usually there are simple associations of the metaphier which I have called paraphiers, which then project back as associates of the original metaphrand, these new associates being called paraphrands. Such paraphrands are generative in a sense that they are new in their association with the metaphrand. And this is how we are able to generate the kind of 'space' which we introspect upon and which is the necessary substrate of consciousness. This is really quite simple as we shall see shortly. And, finally, the synthesis of the separate hypostases into the unitary consciousness of Phase IV is a different process also. I suggest that as the subjective Phase III meanings of thumos, phrenes, et al. become established, their original anatomical bases in different internal sensations wither away, leaving them to become confused and to join together on the basis of their shared metaphiers, e.g., as 'containers' or 'persons.' But this synthetic unity of consciousness may also have been helped by what can be called the laicization of attention and its consequent recognition of individual differences in the seventh century B.C., a process which resulted in a new concept of self.

137

Now here is a very significant change in human affairs. Instead of a nomadic tribe of about twenty hunters living in the mouths of caves, we have a town with a population of at least 200 persons. It was the advent of agriculture, as attested by the abundance of sickle blades, pounders and pestles, querns and mortars, recessed in the floor of each house, for the reaping and preparation of cereals and legumes, that made such permanence and population possible. Agriculture at this time was exceedingly 17 See J. Perrot, 'Excavations at Eynan, 1959 season,' Israel Exploration Journal} 1961, 10: ij James Mellaart, Earliest Civilizations of the Near East (New York: McGraw-Hill, 1965), Ch. 2; Clark and Piggott, p. 15 off. 140 The Mind of Man primitive and only a supplement to the wide variety of animal fauna — wild goats, gazelles, boars, fox, hare, rodents, birds, fish, tortoises, crustaceans, mussels, and snails — which, as carbon-dated remains show, were the significant part of the diet. The Hallucinogenic King A town! Of course it is not impossible that one chief could dominate a few hundred people. But it would be a consuming task if such domination had to be through face-to-face encounters repeated every so often with each individual, as occurs in those primate groups that maintain strict hierarchies. I beg you to recall, as we try to picture the social life of Eynan, that these Natufians were not conscious. They could not narratize and had no analog selves to 'see' themselves in relation to others. They were what we could call signal-bound, that is, responding each minute to cues in a stimulus-response manner, and controlled by those cues. And what were the cues for a social organization this large? What signals were the social control over its two or three hundred inhabitants? I have suggested that auditory hallucinations may have evolved as a side effect of language and operated to keep individuals persisting at the longer tasks of tribal life. Such hallucinations began in the individual's hearing a command from himself or from his chief. There is thus a very simple continuity between such a condition and the more complex auditory hallucinations which I suggest were the cues of social control in Eynan and which originated in the commands and speech of the king.

The Denial of Death

Author: Ernest Becker

Publisher: Free Press (1975)

We called one’s life style a vital lie, and now we can understand better why we said it was vital: it is a necessary and basic dishonesty about oneself and one’s whole situation. This revelation is what the Freudian revolution in thought really ends up in and is the basic reason that we still strain against Freud. We don’t want to admit that we are fundamentally dishonest about reality, that we do not really control our own lives. We don’t want to admit that we do not stand alone, that we always rely on something that transcends us, some system of ideas and powers in which we are embedded and which support us. This power is not always obvious. It need not be overtly a god or openly a stronger person, but it can be the power of an all-absorbing activity, a passion, a dedication to a game, a way of life, that like a comfortable web keeps a person buoyed up and ignorant of himself, of the fact that he does not rest on his own center. All of us are driven to be supported in a self-forgetful way, ignorant of what energies we really draw on, of the kind of lie we have fashioned in order to live securely and serenely. Augustine was a master analyst of this, as were Kierkegaard, Scheler, and Tillich in our day. They saw that man could strut and boast all he wanted, but that he really drew his “courage to be” from a god, a string of sexual conquests, a Big Brother, a flag, the proletariat, and the fetish of money and the size of a bank balance. The defenses that form a person’s character support a grand illusion, and when we grasp this we can understand the full drivenness of man. He is driven away from himself, from self-knowledge, self-reflection. He is driven toward things that support the lie of his character, his automatic equanimity. But he is also drawn precisely toward those things that make him anxious, as a way of skirting them masterfully, testing himself against them, controlling them by defying them. As Kierkegaard taught us, anxiety lures us on, becomes the spur to much of our energetic activity: we flirt with our own growth, but also dishonestly. This explains much of the friction in our lives. We enter symbiotic relationships in order to get the security we need, in order to get relief from our anxieties, our aloneness and helplessness; but these relationships also bind us, they enslave us even further because they support the lie we have fashioned. So we strain against them in order to be more free. The irony is that we do this straining uncritically, in a struggle within our own armor, as it were; and so we increase our drivenness, the second-hand quality of our struggle for freedom. Even in our flirtations with anxiety we are unconscious of our motives. We seek stress, we push our own limits, but we do it with our screen against despair and not with despair itself. We do it with the stock market, with sports cars, with atomic missiles, with the success ladder in the corporation or the competition in the university. We do it in the prison of a dialogue with our own little family, by marrying against their wishes or choosing a way of life because they frown on it, and so on. Hence the complicated and second-hand quality of our entire drivenness. Even in our passions we are nursery children playing with toys that represent the real world. Even when these toys crash and cost us our lives or our sanity, we are cheated of the consolation that we were in the real world instead of the playpen of our fantasies. We still did not meet our doom on our own manly terms, in contest with objective reality. It is fateful and ironic how the lie we need in order to live dooms us to a life that is never really ours.

We might say that the child is a “natural” coward: he cannot have the strength to support the terror of creation. The world as it is, creation out of the void, things as they are, things as they are not, are too much for us to be able to stand. Or, better: they would be too much for us to bear without crumbling in a faint, trembling like a leaf, standing in a trance in response to the movement, colors, and odors of the world. I say “would be” because most of us—by the time we leave childhood—have repressed our vision of the primary miraculousness of creation. We have closed it off, changed it, and no longer perceive the world as it is to raw experience. Sometimes we may recapture this world by remembering some striking childhood perceptions, how suffused they were in emotion and wonder—how a favorite grandfather looked, or one’s first love in his early teens. We change these heavily emotional perceptions precisely because we need to move about in the world with some kind of equanimity, some kind of strength and directness; we can’t keep gaping with our heart in our mouth, greedily sucking up with our eyes everything great and powerful that strikes us. The great boon of repression is that it makes it possible to live decisively in an overwhelmingly miraculous and incomprehensible world, a world so full of beauty, majesty, and terror that if animals perceived it all they would be paralyzed to act.

I once wrote that I thought the reason man was so naturally cowardly was that he felt he had no authority; and the reason he had no authority was in the very nature of the way the human animal is shaped: all our meanings are built into us from the outside, from our dealings with others. This is what gives us a “self” and a superego. Our whole world of right and wrong, good and bad, our name, precisely who we are, is grafted into us; and we never feel we have authority to offer things on our own. How could we?—I argued—since we feel ourselves in many ways guilty and beholden to others, a lesser creation of theirs, indebted to them for our very birth.

What troubles neurotics—as it troubles most people—is their own powerlessness; they must find something to set themselves against. If the mother represents biological dependence, then the dependence can be fought against by focussing it on the fact of sexual differentiation.

The Role of Logo Design in Creating Brand Emotion

Author: Aslı Biricik

Publisher: İzmir Institute of Technology (2006)

Visually, attractive packaging using bright colours and clean designs mesmerises people, captivating them and enhancing their brand relationship. Unmistakable Absolut 14 Vodka, Apple iMac, and Gillette razors are brands that are focused on constantly introducing the fresh shapes and sensory experiences that consumers appreciate. 'Colour is a sensation and not a substance.' (Friedman 1947) And sensation runs within us, unlike products that run without. Products that transform into appealing sensations are the ones that win. Every emotional branding strategy must consider the effect (or the absence) colours will have on the brand. Colour is about conveying crucial information to consumers. “Colours trigger very specific responses in the central nervous system and celebral cortex. Once they affect the celebral cortex, colours can activate thoughts, memories, and particular modes of perception. This arousal prompts an increase in consumers’ ability to process information.” (Gobé 2001) Properly chosen colours obtain a more accurate understanding of the brand and provide consumers a better recall of the brand. The effect of colours arises both from cultural connections and physiology, and these influences are enforced by one another. Colours with long wavelengths are arousing. Red is the most stimulating colour that will attract the eye faster than any other. Colours with short wavelengths are soothing. Blue actually lowers blood pressure, pulse, and respiration rates. Yellow is in the middle of wavelengths detectable by the human eye. Therefore it is the brightest and easily attracts attention. This is the original reason for making the Yellow Pages yellow. Colour often sets the mood of a brand through logos and packaging. Generally, it is desirable to select a colour that is easily associated with the product. For example John Deere uses green for its tractors. Green implies nature. IBM has a solid blue that communicates stability and reliability. However as Al Ries and Jack Trout note in The 22 Immutable Laws of Branding, “it is more important to create a separate brand identity than it is to use the right symbolic colour. Hertz, the first car-rental brand, picked yellow. So Avis, the second brand, picked red. National went with green.” (Ries and Trout 1998) The role colour choice can play in brand identity is not to be underestimated. Colours can demand attention, provoke responses. An orange, translucent, curvaceous iMac screams, “fun” and “different”. Contrast that with a typical, gray, rectangular desktop that communicates a “utilitarian” and “standard” identity. Neither computer is necessarily functionally superior, but the iMac is distinguished. It is an emotional brand.

The Mind's I

Author: Douglas R. Hofstadter and Daniel C. Dennett

Publisher: Bantam Books (1982)

Myths to live by

Author: Joseph Campbell

Publisher: Joseph Campbell Foundation (2011)

264

Aldous Huxley's The Doors of Perception where he describes the sense that he experienced in his first mescalin adventure of his mind opening to ranges of wonder such as he had never before even imagined. \r\n\r\n\r\n>Reflecting on my experience [Huxley wrote], I find myself agreeing with the eminent Cambridge philosopher, Dr. C. D. Broad, 'that we should do well to consider much more seriously than we have hitherto been inclined to do the type of theory which Bergson put forward in connection with memory and sense perception. The suggestion is that the function of the brain and nervous system and sense organs is in the main eliminative and not productive. Each person is at each moment capable of remembering all that has ever happened to him and of perceiving everything that is happening everywhere in the universe. The function of the brain and nervous system is to protect us from being overwhelmed and confused by this mass of largely useless and irrelevant knowledge, by shutting out most of what we should otherwise perceive or remember at any moment, and leaving only that very small and special selection which is likely to be practically useful.' \r\n\r\n\r\nAccording to such a theory, each one of us is potentially Mind at Large. But in so far as we are animals, our business is at all costs to survive. To make biological survival possible, Mind at Large has to be funneled through the reducing valve of the brain and nervous system. What comes out at the other end is a measly trickle of the kind of consciousness which will help us to stay alive on the surface of this particular planet. . . Most people, most of the time, know only what comes through the reducing valve and is consecrated as genuinely real by the local language. Certain persons, however, seem to be born with a kind of by-pass that circumvents the reducing valve. In others temporary by-passes may be acquired either spontaneously, or as the result of deliberate 'spiritual exercises,' or through hypnosis, or by means of drugs. Through these permanent or temporary by-passes there flows, not indeed the perception 'of everything that is happening everywhere in the universe' (for the by-pass does not abolish the reducing valve, which still excludes the total content of Mind at Large), but something more than, and above all something different from, the carefully selected utilitarian material which our narrowed, individual minds regard as a complete, or at least sufficient, picture of

150

In the religious lore of India there is a formulation of five degrees of love through which a worshiper is increased in the service and knowledge of his God -- which is to say, in the Indian sense, in the realization of his own identity with that Being of all beings who in the beginning said 'I' and then realized, 'I am all this world!' The first degree of such love is of servant to master: 'O Lord, you are the Master; I am thy servant. Command, and I shall obey!' This, according to the Indian teaching, is the appropriate spiritual attitude for most worshipers of divinities, no matter where in the world. The second order of love, then, is that of friend to friend, which in the Christian tradition is typified in the relationship of Jesus and his apostles. They were friends. They could discuss and even argue questions. But such a love implies a deeper readiness of understanding, a higher spiritual development than the first. In the Hindu scriptures it is represented in the great conversation of the Bhagavad Gita between the Pandava prince Arjuna and his divine charioteer, the Lord Krishna. The next, or third, degree of love is that of parent for child, which in the Christian world is represented in the image of the Christmas Crib. One is here cultivating in one's heart the inward divine child of one's own awakened spiritual life -- in the sense of the mystic Meister Eckhart's words when he said to his congregation: 'It is more worth to God his being brought forth spiritually in the individual virgin or good soul than that he was born of Mary bodily.' And again: 'God's ultimate purpose is birth. He is not content until he brings his Son to birth in us.' In Hinduism, it is in the popular worship of the naughty little 'butter thief,' Krishna the infant among the cowherds by whom he was reared, that this theme is most charmingly illustrated. And in the modern period there is the instance of the troubled woman already mentioned, who came to the Indian saint and sage Ramakrishna, saying, 'O Master, I do not find that I love God.' And he asked, 'Is there nothing, then, that you love?' To which she answered, 'My little nephew.' And he said to her, 'There is your love and service to God, in your love and service to that child.' \r\n \r\nThe fourth degree of love is that of spouses for each other. The Catholic nun wears the wedding ring of her spiritual marriage to Christ. So too is every marriage in love spiritual. In the words attributed to Jesus, 'The two shall be one flesh.' For the 'precious thing' then is no longer oneself, one's individual life, but the duad of each as both and the living of life, self-transcended in that knowledge. In India the wife is to worship her husband as her lord; her service to him is the measure of her religion. (However, we do not hear there anything like as much of the duties of a husband to his wife.) \r\n \r\nAnd so now, finally, what is the fifth, the highest order of love, according to this Indian series? It is passionate, illicit love. In marriage, it is declared, one is still possessed of reason. One still enjoys the goods of this world and one's place in the world, wealth, social position, and the rest. Moreover, marriage in the Orient is a family-made arrangement, having nothing whatsoever to do with what in the West we now think of as love. The seizure of passionate love can be, in such a context, only illicit, breaking in upon the order of one's dutiful life in virtue as a devastating storm. And the aim of such a love can be only that of the moth in the image of Hallaj: to be annihilated in love's fire. In the legend of the Lord Krishna, the model is given of the passionate yearning of the young incarnate god for his mortal married mistress, Radha, and of her reciprocal yearning for him. To quote once again the mystic Ramakrishna, who in his devotion to the goddess Kali was himself, all his life, such a lover: when one has loved God in this way, sacrificing all for the vision of his face, 'O my Lord,' one can say, 'now reveal thyself!' and he will have to respond. \r\n \r\nThere is the figure also, in India, of the Lord Krishna playing his flute at night in the forest of Vrindavan, at the sound of whose irresistible strains young wives would slip from their husbands' beds and, stealing to the moonlit wood, dance the night through with their beautiful young god in transcendent bliss. \r\n \r\nThe underlying thought here is that in the rapture of love one is transported beyond temporal laws and relationships,

First the Indian myth, as preserved in a religious work, the Brihadaranyaka Upanishad, of about the eighth century B.C. This tells of a time before the beginning of time, when this universe was nothing but 'the Self' in the form of a man. And that Self, as we read, 'looked around and saw that there was nothing but itself, whereupon its first shout was, 'It is I!'; whence the concept 'I' arose.' And when that Self had thus become aware of itself as an 'I,' an ego, it was afraid. But it reasoned, thinking, 'Since there is no one here but myself, what is there to fear?' Whereupon the fear departed. However, that Self, as we next are told, 'still lacked delight and wished there were another.' It swelled and, splitting in two, became male and female. The male embraced the female, and from that the human race arose. But she thought, 'How can he unite with me, who am of his own substance? Let me hide!' She became a cow, he a bull and united with her, and from that cattle arose; she a mare, he a stallion . . . and so on, down to the ants. Then he realized, 'I, actually, am Creation; for I have poured forth all this.' Whence arose the concept 'creation' (Sanskrit srishtih, 'what is poured forth'). 'Anyone understanding this becomes, truly, himself a creator in this creation.

Science and Salvation

Author: Robert S. DeRopp

Publisher: St Martins Press (1972)

The Origins and History of Consciousness

Author: Erich Neumann

Publisher: Princeton University Press (1954)

329

Pure existence in the unconscious, which primitive man shares with the animal, is indeed nonhuman and prehuman. The fact that the dawn of consciousness and the creation of the world are parallel processes which throw up the same symbolism indicates that the world actually 'exists' only to the degree that it is cognized by an ego. A differentiated world is the reflection of a self-differentiating consciousness. The multiple archetypes and symbol groups split off from a primordial archetype are identical with the ego's greater range of experience, knowledge, and insight. Under the total impact of experience in the dawn period no particularized forms could be recognized, for the tremendous force of it extinguished the ego in a sort of numinous convulsion. But a more informed human consciousness can experience, in the multiplicity of religions and philosophies, theologies and psychologies, the innumerable facets and meanings of the numinous, now anatomized into image and symbol, attribute and revelation. That is to say, although the primal unity can only be experienced fragmentarily, it has at least come within range of conscious experience, whereas for the undeveloped ego it was utterly overwhelming.

267

We know that trees, idols, holy places, and human beings are recognizable objects of the external world, into which early man projected his inner psychic contents. By recognizing them, we withdraw such 'primitive projections,' we diagnose them as autosuggestions or something of the sort, and thus the fusion effected by participation between man and the objects of the external world is nullified. But when it comes to experiencing God's intervention in world history, or the sanctity of the Fatherland symbolized by flag or king, or the devilish intentions of nations beyond the latest Iron Curtain, or even the bad character of those we dislike or the good character of those we love; when it comes to experiencing these as a projection, then our psychological powers of discernment incontinently fail us, not to mention the fact that we cannot lay our finger on the most blatant examples of all for the simple reason they they are entirely unconscious and belong to the preconceptions which we accept without question.

Pop Magic

Author: Grant Morrison

Publisher: The Disinformation Company (2008)

This Is It

Author: Alan Watts

Publisher: Vintage (1973)

What Do You Say After You Say Hello?

Author: Eric Berne

Publisher: Grove Press (1972)

Death is not an act, nor even an event, for the one who dies. It is both for those who survive. What it can be, and should be, is a transaction. The physical horror of the Nazi death camps was compounded by the psychological horror, the prevention of dignity, self-assertion, or self-expression in the gas chamber. There was no brave blindfold and cigarette, no defiance, no famous last words: in sum, no death transaction. There were transactional stimuli from the dying, but no response from the killers. Thus, force majeure takes from the script its most poignant moment, the deathbed scene, and in one sense the whole human purpose of life is to set up that scene. \n \n In script analysis, this is brought out by the question: 'Who will be there at your deathbed, and what will your last words be?' An added question is: 'What will their last words be?' The answer to the first query is usually some version of 'I showed them' - 'them' being the parents, especially mother in the case of a man and father in the case of a woman. Thscript its most poignant moment, the deathbed scene, and in one sense the whole human purpose of life is to set up that scene. \n \n In script analysis, this is brought out by the question: 'Who will be there at your deathbed, and what will your last words be?' An added question is: 'What wille implication is either 'I showed them I did what they wanted me to,' or 'I showed them I didn't have to do what they wanted me to.' \n \n The answer to this question is, in effect, a summary of Jeder's life goal, and can be used by the therapist as a powerful instrument in breaking up the games and getting Jeder out of his script: \n \n >So your whole life boils down to showing them you were right to feel hurt, frightened, angry, inadequate, or guilty. Very well. Then that will be your greatest accomplishment - if you want to keep it that way. But maybe you would like to find a more worthwhile purpose in living.