/tag/jung

16 quotes tagged 'jung'

Jung loved to repeat a story about a Chinese rainmaker which his friend Richard Wilhelm, the translator of the I Ching and The Secret of the Golden Flower, told him was a personal experience. Wilhelm was visiting a village devastated by a drought at a time when they sent for a rainmaker. When the rainmaker - who, as was normal in China at the time, was a Buddhist priest - arrived, he was asked what he would require. He asked only for a small hut to live in at the edge of the village. He then retired to that hut. \r\nAt the end of three days, he came out of the hut and it began to rain. While the people of the village scampered in delight, Wilhelm asked the priest how he had brought the rain. The priest said that when he came to the village, he could feel that it was 'out of Tao'; that is, emotionally disturbed. That made him feel 'out of Tao' as well. So he withdrew to the hut until he was once more 'in Tao'. When he did so, the rain came. \r\nThe goal is to experience life simultaneously as both a personal experience and a symbolic act. This is hard to describe, but it can become normal to look at every action in the day, every person we come into contact with, every event we hear about in the world as symbolic. Outer events seem to speak to our inner needs. Personal experience seems to speak to outer events. Out lives seem synchronous with those around us, for better or worse.


As animals, we have natural urges...but we are taught that we can only satisfy those needs under conditions allowable by our parents (initially), then later by other authorities (teachers, ministers, scout leaders, coaches, etc.), still later by society itself in all its personified forms, and eventually only if those needs satisfy some abstract moral code that we carry inside us. \r\nThese psychic prohibitions create an inner conflict between the needs of society and the needs of our body. Because of that conflict, our body generates emotions that have no acceptable outlet. We conceal not only the initial urge - the lust, the hunger - but also the emotion generated within us by the conflict between the unfulfilled urge and the prohibition of morality: our anger, sadness, frustration. We turn those emotions inward upon ourselves. When the emotion needs to come out badly enough, we get mental illness as an attempt to resolve the impasse. \r\nIn a depth analysis, these conflicts emerge a little bit at a time, and hopefully are resolved. A patient discovers that his parents need no longer dominate his life; as an adult he can choose actions that satisfy his needs despite the fact that his parents punished him for those same actions as a child. He learns to develop a broadened morality that better fits his adult personality. \r\nBut there are many levels to the human psyche. After resolving the conflicts with parents and other external authority figures, much still remains; in fact, most still remains. Jung found that, stripped of the personal experiences which we all accumulate over the course of our development, there are deeper impersonal levels to the psyche. These levels are aspects of the collective unconscious.


The late Mircea Eliade, the 20th century's greatest religious historian, saw the world of myths and prophecies much as did Jung, but with a difference in emphasis. The great moments in the life of a person or a nation are all existential crises, times when no solution based solely on reason or tradition will do. These watersheds generate incredible energy because of our nearly total involvement in the issue, our inability to escape from the problem . At such times, this energy enables us to transcend our normal world and pass into the world of religion; we are forced by our desperate need to advance into a new relationship with divinity. Eliade argues that religion comes into existence at these 'limit-points' of human experience.


Publisher: Fine Communications (1998)

Jung sucked on 'his pipe thoughtfully— wondering, actually, how he could ever cure his associates of treating him like a guru— and answered finally, 'A fine mind strikes on an idea like the arrow hitting bull's-eye. The Americans have not yet produced such a mind, because they are too assertive, too outgoing. They land on an idea, even an important idea, like one of their fullbacks making a tackle. Hence, they always crumple or cripple it. Drake has such a mind. He has learned everything about power— more than Adler knows, for all his obsession on the subject— but he has not learned the important thing. That is, of course, how to avoid power. What he needs, and will probably never achieve, is religious humility. Impossible in his country, where even the introverts are extroverted most of the time.')


Author: Ernest Becker
Publisher: Free Press (1975)

We said at the end of Chapter Six that Freud couldn’t take the step from scientific to religious creatureliness. As Jung understood only too well, that would have meant Freud’s abandoning of his own peculiar passion as a genius. Jung must have understood it from within his own experience: he himself could never bring himself to visit Rome because—as he admitted—Rome raised questions “which were beyond my powers to handle. In my old age—in 1949—I wished to repair this omission, but was stricken with a faint while I was buying tickets. After that, the plans for a trip to Rome were once and for all laid aside.”58 What are we to make of all these giants fainting at the prospect of what to us seems simple tourism? Freud, too, had not been able to visit Rome until later in life and turned back each time he approached the city.


In Jung’s terms—that we noted previously—the work is the artist’s own transference projection, and he knows that consciously and critically. Whatever he does he is stuck with himself, can’t get securely outside and beyond himself.32 He is also stuck with the work of art itself. Like any material achievement it is visible, earthly, impermanent. No matter how great it is, it still pales in some ways next to the transcending majesty of nature; and so it is ambiguous, hardly a solid immortality symbol. In his greatest genius man is still mocked. No wonder that historically art and psychosis have had such an intimate relationship, that the road to creativity passes so close to the madhouse and often detours or ends there. The artist and the madman are trapped by their own fabrications; they wallow in their own anality, in their protest that they really are something special in creation.


transference is a form of fetishism, a form of narrow control that anchors our own problems. We take our helplessness, our guilt, our conflicts, and we fix them to a spot in the environment. We can create any locus at all for projecting our cares onto the world, even the locus of our own arms and legs. Our own cares are the thing; and if we look at the basic problems of human slavishness it is always them that we see. As Jung put it in some beautiful words: “… unless we prefer to be made fools of by our illusions, we shall, by carefully analysing every fascination, extract from it a portion of our own personality, like a quintessence, and slowly come to recognize that we meet ourselves time and again in a thousand disguises on the path of life.”37


This is how we understand the function of even the “negative” or “hate” transference: it helps us to fix ourselves in the world, to create a target for our own feelings even though those feelings are destructive. We can establish our basic organismic footing with hate as well as by submission. In fact, hate enlivens us more, which is why we see more intense hate in the weaker ego states. The only thing is that hate, too, blows the other person up larger than he deserves. As Jung put it, the “negative form of transference in the guise of resistance, dislike, or hate endows the other person with great importance from the start… .”35 We need a concrete object for our control, and we get one in whatever way we can. In the absence of persons for our dialogue of control we can even use our own body as a transference object, as Szasz has shown.36 The pains we feel, the illnesses that are real or imaginary give us something to relate to, keep us from slipping out of the world, from bogging down in the desperation of complete loneliness and emptiness. In a word, illness is an object.


For Erich Fromm transference reflects man’s alienation: In order to overcome his sense of inner emptiness and impotence, [man] … chooses an object onto whom he projects all his own human qualities: his love, intelligence, courage, etc. By submitting to this object, he feels in touch with his own qualities; he feels strong, wise, courageous, and secure. To lose the object means the danger of losing himself. This mechanism, idolatric worship of an object, based on the fact of the individual’s alienation, is the central dynamism of transference, that which gives transference its strength and intensity.32 Jung’s view was similar: fascination with someone is basically a matter of … always trying to deliver us into the power of a partner who seems compounded of all the qualities we have failed to realize in ourselves.33 And so was the Adlerian view: [transference] … is basically a maneuver or tactic by which the patient seeks to perpetuate his familiar mode of existence that depends on a continuing attempt to divest himself of power and place it in the hands of the “Other.”34


Perhaps Becker’s greatest achievement has been to create a science of evil. He has given us a new way to understand how we create surplus evil—warfare, ethnic cleansing, genocide. From the beginning of time, humans have dealt with what Carl Jung called their shadow side—feelings of inferiority, self-hate, guilt, hostility—by projecting it onto an enemy. It has remained for Becker to make crystal clear the way in which warfare is a social ritual for purification of the world in which the enemy is assigned the role of being dirty, dangerous, and atheistic. Dachau, Capetown and Mi Lai, Bosnia, Rwanda, give grim testimony to the universal need for a scapegoat—a Jew, a nigger, a dirty communist, a Muslim, a Tutsi. Warfare is a death potlatch in which we sacrifice our brave boys to destroy the cowardly enemies of righteousness. And, the more blood the better, because the bigger the body-count the greater the sacrifice for the sacred cause, the side of destiny, the divine plan.


Author: Erich Neumann
Publisher: Princeton University Press (1954)

The hero, as the vehicle of this effort at compensation, becomes alienated from the normal human situation and from the collective.  This decollectivization entails suffering, and he suffers at the same time because, in his struggle for freedom, he is also the victim and representative of the obsolete, old order and is forced to bear the burden of it in his own soul.\n\n '...Jung puts it that the danger to which the hero is exposed 'isolation in himself.'  The suffering entailed by the very fact of being an ego and an individual is implicit in the hero's situation of having to distinguish himself psychologically from his fellows.  He sees things they do not see, does not fall for the things they fall for - but that means that he is a different type of human being and therefore necessarily alone.  The loneliness of Prometheus on the rock or of Christ on the cross is the sacrifice they have to endure for having brought fire and redemption to mankind.


Fundamental to analytical psychology is the theory of complexes, which recognizes the complex nature of the unconscious and defines complexes as 'living units of the unconscious psyche.'  It also recognizes the complex nature of the ego, which, as the center of consciousness, forms the central complex in the psychic system.\r\n\r\nThis conception of the ego, substantiated by the psychological and psychopathological findings, is one of the distinctive features of analytical psychology:\r\n \r\n>The ego complex is a content of consciousness as well as a condition of consciousness, for a psychic element is conscious to me so far as it is related to the ego complex.  But so far as the ego is only the center of my field of consciousness, it is not identical with the whole of my psyche, being merely one complex among other complexes.\r\n\r\n>Jung, Psychological Types


Jung therefore defines the transpersonal - or the archetypes and instincts of the collective unconscious - as 'the deposit of ancestral experience.


Author: Alan Watts
Publisher: Vintage (1973)

The uninstructed adventurer with psychedelics, as with Zen or yoga or any other mystical discipline, is an easy victim of what Jung calls 'inflation,' of the messianic megalomania that comes from misunderstanding the experience of union with God.


I am therefore ill at ease with people who earnestly abstain from such things as smoking, drinking, and sex, to the point of making them squeamishnessly militant.  Obviously, there are forms and degrees in which these pleasures can be unhygienic, as also can be driving cars, climbing mountains, and nursing the sick.  There are points of view from which almost everything can be see as bad for one's health, and Jung once remarked in jest that life itself is a disease with a very bad prognosis: it lingers on for years and invariably ends with death.  And in this connection I might also quote Freud, writing to Dr. Fleisch: 'As to your injunction to give up smoking, I have decided not to comply.  Do you think it such a good thing to live a long and miserable life?


Author: Erich Fromm
Publisher: Continuum Impacts (2005)

The difference between being and having is not essentially that between East and West. The difference is rather between a society centered around persons and one centered around things...It is not that Western man cannoth fully understand Eastern systems, such as Zen Buddhism (as Jung thought), but that modern Man cannot understand the spirit of a society that is not centered in property and greed.'