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Showing 37 similar quotes for quote #374 from The Origins and History of Consciousness by Erich Neumann

Author: Erich Neumann
Publisher: Princeton University Press (1954)

The picture we have drawn of our age is not intended as an indictment, much less as a glorification of the 'good old days'; for the phenomena we see around us are symptoms of an upheaval which, taken by and large, is necessary.  The collapse of the old civilization, and its reconstruction on a lower level to begin with, will justify themselves because the new basis will have been immensely broadened.  The civilization that is about to be born will be a human civilization in a far higher sense than any has ever been before, as it will have overcome important social, national, and racial limitations.  These are not fantastic pipe dreams, but hard facts, and their birth pangs will bring infinite suffering upon infinite numbers of men.  Spiritually, politically, and economically our world is an indivisible whole.  By this standard, the Napoleonic wars were minor coups d'état and the world view of that age, in which anything outside Europe had hardly begun to appear, is almost inconceivable to us in its narrowness.



The collapse of the archetypal canon in our culture, which has produced such an extraordinary activation of the collective unconscious - or is perhaps its symptom, manifesting itself in mass movements that have a profound effect upon our personal destinies - is, however, only a passing phenomenon.  Already, at a time when the internecine wars of the old canon are still being waged, we can discern, in single individuals, where the synthetic possibilities of the future lie, and almost how it will look.  The turning of the mind from the conscious to the unconscious, the responsible rapprochement of human consciousness with the powers of the collective psyche, that is the task of the future. No outward tinkerings with the world and no social ameliorations can give the quietus to the daemon, to the gods and devils of the human soul, or prevent them from tearing down again and again what consciousness has built. Unless they are assigned their place in consciousness and culture they will never leave mankind in peace. But the preparation for this rapprochement lies, as always, with the hero, the individual; he and his transformation are the great human prototypes; he is the testing ground of the collective, just as consciousness is the testing ground of the unconscious.


Compensation is the first requisite for a productive relationship between the ego and the unconscious.  This means that the princess, the soul, is lost to the ego just as much in the patriarchal as in the matriarchal form of castration.\r\n \r\nBut, as we have made clear in Part I of this book, behind both forms there looms the original uroboric castration, where the tendencies to differentiation cancel out.  To put it in psychological language: just as mania and melancholia are merely two forms of madness, of the devouring uroboric state which destroys all ego consciousness, so regression to the unconscious, i.e., being devoured by the Great Mother, and the flight to 'nothing but' consciousness, i.e., being devoured by the spiritual father, are two forms in which any truly compensated consciousness, and the striving for wholeness, are lost.  Deflation as well as inflation destroys the efficacy of consciousness, and both of them are defeats for the ego.\r\n \r\nSpiritual inflation, a perfect example of which is the frenziedness of Nietzsche's Zarathustra, is a typical Western development carried to extremes.  Behind the overaccentuation of consciousness, ego, and reason - sensible enough in themselves as the guiding aims of psychic development - there stands the overwhelming might of 'heaven' as the danger which goes beyond the heroic struggle with the earthly side of the dragon and culminates in a spirituality that has lost touch with reality and the instincts.


One of the most important attainments of consciousness is its ability to dispose at will of the libido supplied to its system, and to use it more or less independently of the source from which it came.  Just as the animation occasioned in the reader by a 'stimulating' book can be applied to a poem, a walk, a bridge party, or a flirtation, without there necessarily being any connection between the book and the ego's reaction, so the ego can apply as it pleases a portion of the libido accruing to it from the conscious realization of an unconscious content.  This relative freedom of the ego, no matter how much it is abused, is one of its most precious accomplishments.


This progressive assimilation of unconscious contents gradually builds up the personality, thus creating an enlarged psychic system which forms the basis of man's inner spiritual history as this makes itself increasingly independent of the collective history going on all around him.  This process, initiated in the first instance by philosophy, has today reached what is chronologically its latest stage in psychology, still of course only in its infancy.  Hand in hand with this there goes a 'psychization' of the world.  Gods, demons, heaven and hell are, as psychic forces, withdrawn from the objective world and incorporated in the human sphere, which thereupon undergoes a very considerable expansion.  When we give the name of 'sexuality' to what was once experienced as a chthonic divinity, or speaking of 'hallucination' instead of revelation, and when the gods of heaven and the underworld are recognized as dominants of man's unconscious, it means that an immense tract of external world has dropped into the human psyche.  Introjection and psychization are on the other side of the process by which a world of physical objects becomes visible, and this world can no longer be modified by projections to the degree that it could before.


Pure existence in the unconscious, which primitive man shares with the animal, is indeed nonhuman and prehuman.  The fact that the dawn of consciousness and the creation of the world are parallel processes which throw up the same symbolism indicates that the world actually 'exists' only to the degree that it is cognized by an ego.  A differentiated world is the reflection of a self-differentiating consciousness.  The multiple archetypes and symbol groups split off from a primordial archetype are identical with the ego's greater range of experience, knowledge, and insight.  Under the total impact of experience in the dawn period no particularized forms could be recognized, for the tremendous force of it extinguished the ego in a sort of numinous convulsion.  But a more informed human consciousness can experience, in the multiplicity of religions and philosophies, theologies and psychologies, the innumerable facets and meanings of the numinous, now anatomized into image and symbol, attribute and revelation.  That is to say, although the primal unity can only be experienced fragmentarily, it has at least come within range of conscious experience, whereas for the undeveloped ego it was utterly overwhelming.


The more complex a content is, the less it can be grasped and measured by consciousness, whose structure is so one-sided that it can attain to clarity only over a limited area.  In this respect consciousness is built analogously to the eye.  There is one spot where vision is sharpest, and larger areas can be perceived clearly only by continuous eye-movements.  In the same way, consciousness can only keep a small segment sharply in focus; consequently it has to break up a large content into partial aspects, experiencing them piecemeal, one after he other, and then learn to get a synoptic view of the whole terrain by comparison and abstraction.\n\n 'An advanced consciousness will therefore split the bivalent content into a dialectic of contrary qualities.  Before being so split, the content is not merely good and bad at once; it is beyond good and evil, attracting and repelling, and therefore irritating to consciousness.  But if there is a division into good and evil, consciousness can then take up an attitude.\n\n 'Rationalization, abstraction, and de-emotionalization are all expressions of the 'devouring' tendency of ego consciousness to assimilate the symbols piecemeal.  As the symbol is broken down into conscious contents, it loses its compulsive effect, its compelling significance, and becomes poorer in libido.  Thus the 'gods of Greece' are no longer for us, as they were for the Greeks, living forces and symbols of the unconscious requiring a ritualistic approach; they have been broken down into cultural contents, conscious principles, historical data, religious associations, and so on.  They exist as contents of consciousness and no longer - or only in special cases - as symbols of the unconscious.


The uroboric tendency of the unconscious to reabsorb all its products by destroying them so as to give them back in new, changed form is repeated on the higher plane of ego consciousness.  Here, too, the analytical process precedes the synthesis, and differentiation is the prime requisite for a later integration.\n\n 'In this sense all knowledge rests on an aggressive act of incorporation.  The psychic system, and to an even greater extent consciousness itself, is an organ for breaking up, digesting, and then rebuilding the objects of the world and the unconscious, in exactly the same way as our bodily digestive system decomposes matter physiochemically and uses it for the creation of new structures.


At first the ego is overpowered by the content newly emerging into consciousness - namely, the archetype of the antagonist - and goes under.  Only gradually, and to the degree that the ego recognizes this destructive tendency as being not just a hostile content of the unconscious, but as part of itself, does consciousness begin to incorporate it, to digest and assimilate it, in other words, to make it conscious.  The destruction is now separable from its old object, the ego, and has become and ego function.  The ego can now use at least a portion of this tendency in its own interests.  In fact, what has happened is that the ego, as we have said, 'turns the tables' upon the unconscious.


The instincts of the collective unconscious form the substrate of this assimilative system.  They are repositories of ancestral experience, of all the experience which man, as a species, has had of the world.  Their 'field' is Nature, the external world of objects, including the human collective and man himself as an assimilative-reactive, psychophysical unit.  That is to say, there is in the collective psyche of man, as in all animals, but modified according to species, a layer built up of man's specifically human, instinctive reactions to his natural environment.  A further layer contains group instincts, namely experiences of the specifically human environment, of the collective, race, tribe, group, etc.  This layer covers herd instincts, specific group reactions which distinguish a particular race or people from others, and all differentiated relationships to the nonego.  A final layer is formed by instinctive reactions to the psychophysical organism and its modifications.  For example hunger, hormone constellations, etc., are answered by instinctive reactions.  All these layers intercommunicate.  Their common factor is that the reactions are purely instinctive, the psychophysical unit reacting as a whole by means of meaningful acts which are not the outcome of individual experience, but of ancestral experience, and which are performed without the participation of consciousness.


Even in its waking state our ego consciousness, which in any case forms only a segment of the total psyche, exhibits varying degrees of animation, ranging from reverie, partial attention, and a diffuse wakefulness to partial concentration upon something, intense concentration, and finally moments of general and extreme alertness.  The conscious system even of a healthy person is charged with libido only during certain periods of his life; in sleep it is practically or completely emptied of libido, and the degree of animation varies with age.  The margin of conscious alertness in modern man is relatively narrow, the intensity of his active performance is limited, and illness, strain, old age, and all psychic disturbances take their toll of this alertness.  It seems that the organ of consciousness is still at an early stage of development and relatively unstable.


The unconscious state is the primary and natural one, and the conscious state the product of an effort that uses up libido.  There is in the psyche a force of inertia, a kind of psychic gravitation which tends to fall back into the original unconscious condition.


Fundamental to analytical psychology is the theory of complexes, which recognizes the complex nature of the unconscious and defines complexes as 'living units of the unconscious psyche.'  It also recognizes the complex nature of the ego, which, as the center of consciousness, forms the central complex in the psychic system.\r\n\r\nThis conception of the ego, substantiated by the psychological and psychopathological findings, is one of the distinctive features of analytical psychology:\r\n \r\n>The ego complex is a content of consciousness as well as a condition of consciousness, for a psychic element is conscious to me so far as it is related to the ego complex.  But so far as the ego is only the center of my field of consciousness, it is not identical with the whole of my psyche, being merely one complex among other complexes.\r\n\r\n>Jung, Psychological Types


As though a Copernican revolution has taken place within the psyche, consciousness faces inward and becomes aware of the self, about which the ego revolves in a perpetual paradox of identity and nonidentity.  The psychological process of assimilating the unconscious into our present-day consciousness begins at this point, and the consequent shifting of the center of gravity from the ego to the self signalizes the latest stage in the evolution of human consciousness.


The spiritual collective as we find it in all initiations and all secret societies, sects, mysteries, and religions is essentially masculine and, despite its communal character, essentially individual in the sense that each man is initiated as an individual and undergoes a unique experience that stamps his individuality.  This individual accent and the elect character of the group stand in marked contrast to the matriarchal group, where the archetype of the Great Mother and the corresponding stage of consciousness are dominant.  The opposed group of male societies and secret organizations is dominated by the archetype of the hero and by the dragon-fight mythology, which represents the next stage of conscious development.  The male collective is the source of all the taboos, laws, and institutions that are destined to break the dominance of the uroboros and Great Mother.  Heaven, the father, and the spirit go hand in hand with masculinity and represent the victory of the patriarchate over the matriarchate.  This is not to say that the matriarchate knows no law; but the law by which it is informed is the law of instinct, of unconscious, natural functioning, and this law subserves the propagation, preservation, and evolution of the species rather than the development of the single individual.


The masculine trend, however, is towards greater co-ordination of spirit, ego, consciousness, and will.  Because man discovers his true self in consciousness, and is a stranger to himself in the unconscious, which he must inevitably experience as feminine, the development of masculine culture means development of consciousness.


The youth struggling for self-consciousness now begins, in so far as he is an individual, to have a personal fate, and for him the Great Mother becomes the deadly and unfaithful mother.  She selects one young man after another to love and destroy.  In this way she becomes 'the harlot.'  The sacred prostitute - which is what the Great Mother really is, as the vessel of fertility - takes on the negative character of the fickle jade and destroyer.  With this, the great revaluation of the feminine begins its conversion into the negative, thereafter carried to extremes in the patriarchal religions of the West.  The growth of self-consciouness and the strengthening of masculinity thrust the image of the Great Mother into the background; the patriarchal society splits it up, and while only the picture of the good Mother is retained in consciousness, her terrible aspect is relegated to the unconscious*.\n\n *Author's footnote: The splitting of the Great Mother into a conscious 'good' mother and unconscious 'evil' one is a basic phenomenon in the psychology of neurosis.  The situation then is that consciously the neurotic has a 'good relation' to the mother, but in the gingerbread house of this love there is hidden the witch, who gobbles up little children and grants them, as a reward, a passive, irresponsible existence without an ego.  Analysis then uncovers the companion picture of the Terrible Mother, an awe-inspiring figure who with threats and intimidations puts a ban on sexuality.  The results are masturbation, real or symbolic impotence, self-castration, suicide, etc.  It makes no difference whether the picture of the Terrible Mother remains unconscious or is projected; in either case the very idea of coitus, of any connection with the female, will activate the fear of castration.'


One's state of mind is the more dependent upon whether one is satisfied or not, or thirsty or not, the less one's consciousness and one's ego are developed.


Even today we can see from primitives that the law of gravity, the inertia of the psyche, the desire to remain unconscious, is a fundamental human trait.  Yet even this is a false formulation, since it starts from consciousness as though that were the natural and self-evident thing.  But fixation in unconsciousness, the downward drag of its specific gravity, cannot be called a desire to remain unconscious; on the contrary, that is the natural thing.  There is, as a counteracting force, the desire to become conscious, a veritable instinct impelling man in this direction.  One has no need to desire to remain unconscious; one is primarily unconscious and can at most conquer the original situation in which man drowses in the world, drowses in the unconscious, contained in the infinite like a fish in the environing sea.  The ascent toward consciousness is the 'unnatural' thing in nature; it is specific of the species Man, who on that account has justly styled himself Homo sapiens.  The struggle between the specifically human and the universally natural constitutes the history of man's conscious development.


Perseus defeats the unconscious (symbolized by the Gorgon) through the typical act of conscious realization.  He would not be strong enough to gaze directly upon the petrifying face of the uroboros, so he raises its image to consciousness and kills it 'by reflection.


Author: Julius Evola
Publisher: Inner Traditions International (2003)

In general, drugs can be divided into four categories: stimulants, depressants, hallucinogens, and narcotics. The first two categories do not concern us; for example, the use of tobacco and alcohol is irrelevant unless it becomes a vice, that is, if it leads to addiction. \nThe third category includes drugs that bring on states in which one experiences various visions and seemingly other worlds of the senses and spirit. On account of these effects, they have also been called 'psychedelics,' under the assumption that the visions project and reveal the hidden contents of the depths of one's own psyche, but are not recognized as such. As a result, physicians have even tried to use drugs like mescaline for a psychic exploration analogous to psychoanalysis. However, when all is reduced to the projection of a psychic substratum, not even experiences of this kind can interest the differentiated man. Leaving aside the perilous contents of the sensations and their artificial paradise, these illusory phantasmagoria do not take one beyond, even if one cannot exclude the possibility that what is acting may not be merely the contents of one's own subconscious, but dark influences that, finding the door open, manifest themselves in these visions. We might even say that those influences, and not the simple substratum repressed by the individual psyche, are responsible for certain impulses that can burst out in these states, even driving some compulsively to commit criminal acts. \nAn effective use of these drugs would presuppose a preliminary 'catharsis,' that is, the proper neutralization of the individual unconscious substratum that is activated; then the images and senses could refer to a spiritual reality of a higher order, rather than being reduced to a subjective, visionary orgy. One should emphasize that the instances of this higher use of drugs were preceded not only by periods of preparation and purification of the subject, but also that the process was properly guided through the contemplation of certain symbols. Sometimes 'consecrations' were also prescribed for protective purposes. There are accounts of certain indigenous communities in Central and South America whose members, only while under the influence of peyote, hear the sculpted figures on ancient temple ruins 'speak,' revealing their meaning in terms of spiritual enlightenment. The importance of the individual's attitude clearly appears from the completely different effects of mescaline on two contemporary writers who have experimented with drugs, Aldous Huxley and R. H. Zaehner. And it is a fact that in the case of hallucinogens like opium and, in part, hashish, this active assumption of the experience that is essential from our point of view is generally excluded. \nThere remains the category of narcotics and of substances that are also used for total anesthesia, whose normal effect is the complete suspension of consciousness. This corresponds to a detachment that would exclude all intermediate 'psychedelic' forms and the insidious, ecstatic, and sensual contents, leaving a void. However, if consciousness were maintained, with the pure I at the center, it could facilitate the opening to a higher reality. But the advantages would be outweighed by the extreme difficulty of any training capable of maintaining detached consciousness. \nIn general, one must keep in mind that drug use even for a spiritual end, that is, to catch glimpses of transcendence, has its price. How drugs produce certain psychic effects has not yet been determined by modern science. It is said that some, like LSD, destroy certain brain cells. One point is certain: Habitual use of drugs brings a certain psychic disorganization; one should substitute for them the power of attaining analogous states through one's own means. Therefore, when one has chosen a path based on the maximum unification of all one's psychic faculties, these drawbacks must be kept firmly in mind.


Freud's theory is a 'projection' of certain objective relations of the external world into the world of psyche. What finds expression there is, in the very first instance, the extremely complex social interrelationship between doctor and patient. \nIn what does this interrelationship consist? \nA patient wishes to hide from the doctor certain of his experiences and certain events of his life. He wants to foist on the doctor his own point of view on the reasons for his illness and the nature of his experiences. The doctor, for his part, aims at enforcing his authority as a doctor, endeavors to wrest confessions from the patient and to compel him to take the 'correct' point of view on his illness and its symptoms. Intertwining with all this are other factors: Between doctor and patient there may be differences in sex, in age, in social standing, and moreover, there is the difference of their professions. All these factors complicate their relationship and the struggle between them. \nAnd it is in the midst of this complex and very special social atmosphere that the verbal utterances are made - the patient's narratives and his statements in conversation with the doctor - utterances that Freud places squarely at the basis of his theory. Can we acknowledge these utterances as the expression of the patient's individual psyche? \nNot a single instance of verbal utterance can be reckoned exclusively to its utterer's account. Every utterance is the product of the interaction between speakers and the product of the broader context of the whole complex social situation in which the utterance emerges. Elsewhere we have attempted to show that any product of the activity of human discourse - from the simplest utterance in everyday life to elaborate works of literary art - derives shape and meaning in all its most essential aspects not from the subjective experiences of the speaker but from the social situation in which the utterance appears. Language and its forms are the products of prolonged social intercourse among members of a given speech community. An utterance finds language basically already prepared for use. It is the material for the utterance and it sets constraints on the utterance's possibilities. What is characteristic for a given utterance specifically - its selection of particular words, its particular kind of sentence structure, its particular kind of intonation - all this is the expression of the interrelationship between the speakers and of the whole complex set of social circumstances under which the exchange of words takes place. Those 'psychical experiences' of the speaker, the expression of which we are inclined to see in his utterance, are, however, only in fact a one-sided, simplified, and scientifically unverifiable interpretation of a more complex social phenomenon. What we have here is a special kind of 'projection', a means whereby we project into the 'individual soul' a complex set of social interrelationships. Discourse is like a 'scenario' of the immediate act of communication in the process of which it is engendered, and this act of communication is, in turn, a factor of the wider field of communication of the community to which the speaker belongs. In order to understand this 'scenario', it is essential to reconstruct all those complex social interrelations of which the given utterance is the ideological refraction.


Once upon a time, there was nothing but spirit, one with itself and unchanging. Then somehow (for this is perhaps the greatest mystery), it became aware of itself. It examined itself and noticed facets of itself. These facets thus attained a separate existence as well as remaining part of the whole. This is the stage where Ra created the other Gods. This is where the archetypes come into existence. They are fluid and amorphous - at their edges, one archetype flows into one another. Trying to pin any archetype down in definition ineluctably leads one to still other archetypes in an endless procession. \r\n\r\nWhen the spirit accepts more limitation, more definition, it forms matter. This is interesting to spirit because it is different than spirit, yet is part of spirit since it was created from spirit. But it is still unchanging. The world is static. Once spirit has examined all of itself, identified each of its attributes, once it has created something separate from itself, but unchanging also, there is no further place for development. \r\n\r\nOnly when spirit limits itself further, allows itself to be held within the confines of form, in an uneasy tension between the two, can continuous, evolutionary change take place. That is why mankind was created.


Mind-space I regard as the primary feature of consciousness. It is the space which you preoptively are ‘introspecting on’ or ‘seeing’ at this very moment. But who does the ‘seeing’? Who does the introspecting? Here we introduce analogy, which differs from metaphor in that the similarity is between relationships rather than between things or actions. As the body with its sense organs (referred to as I) is to physical seeing, so there develops automatically an analog ‘I’ to relate to this mental kind of ‘seeing’ in mind-space. The analog ‘I’ is the second most important feature of consciousness. It is not to be confused with the self, which is an object of consciousness in later development. The analog ‘I’ is contentless, related I think to Kant’s transcendental ego. As the bodily I can move about in its environment looking at this or that, so the analog ‘I’ learns to ‘move about’ in mind-space, ‘attending to’ or concentrating on one thing or another.


If the subject is not able to narrow his consciousness in this fashion, if he cannot forget the situation as a whole, if he remains in a state of consciousness of other considerations, such as the room and his relationship to the operator, if he is still narratizing with his analog ‘I’ or 'seeing' his metaphor 'me' being hypnotized, hypnosis will be unsuccessful*. But repeated attempts with such subjects often succeed, showing that the 'narrowing' of consciousness in hypnotic induction is partly a learned ability, learned, I should add, on the basis of the aptic structure I have called the general bicameral paradigm. \r\n \r\n\r\n*The best discussion of induction procedures is that of Perry London, 'The Induction of Hypnosis,' in J. E. Gordon, pp. 44-79. And for discussions of hypnosis in general that I have found helpful, see the papers of Ronald Shor, particularly his 'Hypnosis and the Concept of the Generalized Reality-Orientation,' American Journal of Psychotherapy, 1959, 13: 582-602, and 'Three Dimensions of Hypnotic Depth,' International Journal of Clinical and Experimental Hypnosis, 1962, 10: 23-38.


Consciousness is a much smaller part of our mental life than we are conscious of, because we cannot be conscious of what we are not conscious of. How simple that is to say; how difficult to appreciate! It is like asking a flashlight in a dark room to search around for something that does not have any light shining upon it. The flashlight, since there is light in whatever direction it turns, would have to conclude that there is light everywhere. And so consciousness can seem to pervade all mentality when actually it does not.\n\n The timing of consciousness is also an interesting question. When we are awake, are we conscious all the time? We think so. In fact, we are sure so! I shut my eyes and even if I try not to think, consciousness still streams on, a great river of contents in a succession of different conditions which I have been taught to call thoughts, images, memories, interior dialogues, regrets, wishes, resolves, all interweaving with the constantly changing pageant of exterior sensations of which I am selectively aware. Always the continuity. Certainly this is the feeling. And whatever we're doing, we feel that our very self, our deepest of deep identity is indeed this continuing flow that only ceases in sleep between remembered dreams. This is our experience. And many thinkers have taken this spirit of continuity to be the place to start from in philosophy, the very ground of certainty which no one can doubt. Cogito, ergo sum.\n\n It is much more probable that the seeming continuity of consciousness is really an illusion, just as most of the other metaphors about consciousness are. In our flashlight analogy, the flashlight would be conscious of being on only when it is on. Though huge gaps of time occurred, providing things were generally the same, it would seem to the flashlight itself that the light had been continuously on. We are thus conscious less of the time than we think, because we cannot be conscious of when we are not conscious.


Author: Ernest Becker
Publisher: Free Press (1975)

Rieff’s point is the classical one: that in order to have a truly human existence there must be limits; and what we call culture or the superego sets such limits. Culture is a compromise with life that makes human life possible. He quotes Marx’s defiant revolutionary phrase: “I am nothing and should be everything.” For Rieff this is the undiluted infantile unconscious speaking. Or, as I would prefer to say with Rank, the neurotic consciousness—the “all or nothing” of the person who cannot “partialize” his world. One bursts out in boundless megalomania, transcending all limits, or bogs down into wormhood like a truly worthless sinner. There is no secure ego balance to limit the intake of reality or to fashion the output of one’s own powers.


Kierkegaard’s torment was the direct result of seeing the world as it really is in relation to his situation as a creature. The prison of one’s character is painstakingly built to deny one thing and one thing alone: one’s creatureliness. The creatureliness is the terror. Once admit that you are a defecating creature and you invite the primeval ocean of creature anxiety to flood over you. But it is more than creature anxiety, it is also man’s anxiety, the anxiety that results from the human paradox that man is an animal who is conscious of his animal limitation. Anxiety is the result of the perception of the truth of one’s condition. What does it mean to be a self-conscious animal? The idea is ludicrous, if it is not monstrous. It means to know that one is food for worms. This is the terror: to have emerged from nothing, to have a name, consciousness of self, deep inner feelings, an excruciating inner yearning for life and selfexpression—and with all this yet to die.


But while one sort of despair plunges wildly into the infinite and loses itself, a second sort permits itself as it were to be defrauded by “the others.” By seeing the multitude of men about it, by getting engaged in all sorts of wordly affairs, by becoming wise about how things go in this world, such a man forgets himself … does not dare to believe in himself, finds it too venturesome a thing to be himself, far easier and safer to be like the others, to become an imitation, a number, a cipher in the crowd.29 This is a superb characterization of the “culturally normal” man, the one who dares not stand up for his own meanings because this means too much danger, too much exposure. Better not to be oneself, better to live tucked into others, embedded in a safe framework of social and cultural obligations and duties. Again, too, this kind of characterization must be understood as being on a continuum, at the extreme end of which we find depressive psychosis. The depressed person is so afraid of being himself, so fearful of exerting his own individuality, of insisting on what might be his own meanings, his own conditions for living, that he seems literally stupid. He cannot seem to understand the situation he is in, cannot see beyond his own fears, cannot grasp why he has bogged down. Kierkegaard phrases it beautifully: If one will compare the tendency to run wild in possibility with the efforts of a child to enunciate words, the lack of possibility is like being dumb … for without possibility a man cannot, as it were, draw breath.30 This is precisely the condition of depression, that one can hardly breathe or move. One of the unconscious tactics that the depressed person resorts to, to try to make sense out of his situation, is to see himself as immensely worthless and guilty. This is a marvelous “invention” really, because it allows him to move out of his condition of dumbness, and make some kind of conceptualization of his situation, some kind of sense out of it—even if he has to take full blame as the culprit who is causing so much needless misery to others.


Publisher: Bantam Books (1982)

The new way of thinking was supported by a crutch, one could cling to at least a pale version of the Lockean creed by imagining that these “unconscious” thoughts, desires, and schemes belonged to other selves within the psyche. Just as I can keep my schemes secret from you, my id can keep secrets from my ego. By splitting the subject into many subjects, one could preserve the axiom that every mental state must be someone’s conscious mental state and explain the inaccessibility of some of these states to their putative owners by postulating other interior owners for them. This move was usefully obscured in the mists of jargon so that the weird question of whether it was like anything to be a superego, for instance, could be kept at bay.


Author: P.D. Ouspensky
Publisher: Vintage (1971)

We can 'do' some inner actions, for we have a certain control. For instance, we have a certain control of our thoughts: we can think about one thing or another. This is the beginning of the possibility. If we continue to keep our interests directed in a certain line, our thinking process acquires a certain power and, after some time, it can create at least moments of self-awareness which, when it comes more often and stays longer, can begin to change other things. So there are ways out of this absolute mechanicalness. But if one is in conditions of ordinary life, without knowing that everything happens, one can do nothing. The real possibility of changing these conditions begins with control of thoughts and control as far as possible of consciousness, that is, with inner work on ourselves. By doing this inner work, by trying to acquire control of oneself, one learns how to 'do'. It does not mean one can 'do', for one cannot; but if one begins, then, little by little, one learns how to 'do


We take the human machine as a three-storied factory. The three stories represent the head, the middle part of the body and the lower part of the body with the spinal cord. Food enters the top story and passes to the bottom story as Oxygen 768. In the body it meets with a certain Carbon 192 and, mixing with this Carbon, becomes Nitrogen 384. Nitrogen 384 meets with another Carbon, 96, and with the help of this Carbon changes from Oxygen 384 to Nitrogen 192. It is an ascending octave, so these stages represent the notes do, re, mi. After mi there is an interval and the octave cannot develop any further by itself. It is very interesting that up to this point and one step further we can follow its development with the help of ordinary physiological knowledge. When food enters the mouth it meets with several different sorts of saliva and is mixed with them in the process of mastication; then it passes into the stomach and is worked on by gastric juices, which break down sugars, proteins and fats. From there it goes into the intestines and meets with bile, pancreatic and intestinal juices, which transform it into the smallest elements. These go through the wall of the bowel into venous blood, which is taken to the liver, where it meets with other carbons which change it chemically, and so to the heart, which pumps the venous blood to the lungs. Here it is oxygenated by the entry of air and returned to the heart as arterial blood. In this diagram all the various matters present in the body which the food meets with up to mi are divided into two categories: Carbon 192 and Carbon 96. Venous blood is mi 192 and arterial blood is fa 96. At the point when mi 192 cannot develop any further, another kind of food enters—air. It enters as Oxygen 192, meets with a certain Carbon 48 and with its help is transformed into re 96, and this production of re 96 gives a shock to mi 192 of the food octave enabling it to pass to fa 96. Beyond this, physiological knowledge cannot go. Re 96 of the air octave meets a corresponding Carbon and produces mi 48; and with the help of the same Carbon fa 96 of the food octave transforms into sol 48. Sol 48 can develop further, but mi 48 cannot, so the development of the air octave stops at this point. Sol 48 of the food octave passes into la 24 and la 24 into si 12, and stops there. Impressions enter as do 48, but cannot develop any further, because at their place of entry there is no Carbon 12 to help them. Nature has not provided it, or rather has not provided enough to produce any considerable effect, so do 48 does not transform and the three octaves stop at that. Think about this diagram and connect it with what has been said earlier, that nature brings man to a certain state and then leaves him to develop himself. Nature gives man possibilities, but does not develop these possibilities. It enables him to live, provides air, for otherwise the first octave could not go on, but the rest he must do himself. The machine is so arranged that air enters at the right moment and in the right consistency and gives a mechanical shock. It is important to understand that the Food Diagram or the Diagram of Nutrition consists of three stages. The first stage that I have just described shows how things happen in ordinary normal man: the food octave goes on all the way from do 768 to si 12; there are three notes of the air octave and one note of the impressions octave. If we want to develop further, we must increase the production of higher matters, and in order to do that we must understand and know how to do it, not only theoretically but in actual fact, because it needs a long time to learn how to use this knowledge and to make the right efforts. If we know how to bring Carbon 12 to the right place and if we make the necessary effort, the development of the air and impressions octaves goes further. The second stage shows what happens when the right shock has been given. Do 48 of the impressions octave is transformed into re 24 and mi 12. The air octave receives a shock from the impressions octave and mi 48 transforms into fa 24, sol 12 and even a small quantity of la 6. You must understand that the air is saturated with higher hydrogens which, in certain cases, can be retained by the organism in the process of breathing. But the amount of higher hydrogens that we can get from the air is very small. This stage represents the work of the human machine with one mechanical and one conscious shock. The third stage shows what happens when a second conscious shock is given at the right place. The first conscious shock is necessary at do 48. The second conscious shock is needed where mi 12 of the impressions octave and si 12 of the food octave have stopped in their development and cannot go on any further by themselves. Although there are carbons in the organism which would help them to be transformed, they are far away and cannot be reached, so another effort is necessary. If we know its nature and can produce this second conscious shock, mi 12 will develop into fa 6 and si 12 into do 6. The effort must begin from mi 12, so we must understand what mi 12 is psychologically. We can call it our ordinary emotions, that is to say, all strong emotions that we may have. When our emotions reach a certain degree of intensity, there is mi 12 in them. But in our present state only our unpleasant emotions actually reach mi 12; our ordinary pleasant emotions usually remain 24. It is not that our intense unpleasant emotions actually are mi 12, but they are based on it and need it in order to be produced. So the beginning of this second effort and preparation for it is work on negative emotions. This is the general outline of the work of the human organism and of how this work can be improved. It is important to understand where conscious shocks are necessary, because if you understand this it will help you to understand many other difficulties in the Food Diagram. You must understand, too, that these three octaves are not of equal force. If you take the force of the food octave, you will see that it gives certain results, certain effects that can be measured. Although the matter taken from air plays a very important part, the air octave represents a very small quantity of hydrogens, whereas the impressions octave is very powerful and may have an enormous meaning in relation to self remembering, states of consciousness, emotions and so on. So we can say that the relationship of the three octaves is not equal, because one has more substance, another less substance. This is our inner alchemy, the transmutation of base metals into precious metals. But all this alchemy is inside us, not outside


But first of all, as I said before, it is necessary to understand what self-remembering is, why it is better to self-remember, what effect it will produce, and so on. It needs thinking about. Besides, in trying to selfremember it is necessary to keep the connection with all the other ideas of the system. If one takes one thing and omits another thing—for instance, if one seriously works on self-remembering without knowing about the idea of the division of 'I's, so that one takes oneself as one (as a unity) from the beginning—then self-remembering will give wrong results and may even make development impossible. There are schools, for instance, or systems which, although they do not formulate it in this way, are actually based on false personality and on struggle against conscience. Such work must certainly produce wrong results. At first it will create a certain kind of strength, but it will make the development of higher consciousness an impossibility. False personality either destroys or distorts memory. Self-remembering is a thing that must be based on right function. At the same time as working on it you must work on the weakening of false personality. Several lines of work are suggested and explained from the beginning, and all must go together. You cannot just do one thing and not another. All are necessary for creating this right combination, but first must come the understanding of the struggle with false personality. Suppose one tries to remember oneself and does not wish to make efforts against false personality. Then all its features will come into play, saying, 'I dislike these people', 'I do not want this', 'I do not want that', and so on. Then it will not be work but quite the opposite. As I said, if one tries to work in this wrong way it may make one stronger than one was before, but in such a case the stronger one becomes, the less is the possibility of development. Fixing before development—that is the danger


Q. Can we easily do something wrong if we just act according to our upbringing, mechanically? Would it be better to act against it? A. To act against it would be equally mechanical, you will only oppose one mechanicalness to another mechanicalness. If you do something against what you are accustomed to, it will not necessarily be right. Besides, it does not mean that everything you are taught or accustomed to is wrong. That would be too simple. Take some examples of your actions and you will see that when things happen, when you let them happen, they may be right or they may be wrong. But if you were conscious you could choose; that would be quite a different situation


Q. Can we direct or mould the law of accident now, or must we wait till we have full consciousness? \r\n\r\nA. There is no question of waiting: if one waits, one never gets anything—at every moment one must do what one can. At the present moment we can to a certain extent mould the law of accident only by moulding ourselves. The more control we have of ourselves, the more the law of accident changes and, as I said, later accidents may even practically disappear, although theoretically the possibility will always remain.


it is a great sacrifice not to see the things we are accustomed to see. We are accustomed to think that we live in a more or less comfortable world. Certainly there are unpleasant things, such as wars and revolutions, but on the whole it is a comfortable and well-meaning world. It is most difficult to get rid of this idea of a well-meaning world. And then we must understand that we do not see things themselves at all. We see like in Plato's allegory of the cave only the reflections of things, so that what we see has lost all reality. We must realize how often we are governed and controlled not by the things themselves but by our ideas of things, our views of things, our picture of things. This is the most interesting thing. Try to think about it.


It is very important to understand what is a complete being and what is an incomplete being, because if this is not understood from the beginning it will be difficult to go further. Perhaps an example will help to illustrate what I mean. Let us compare a horse-carriage with an aeroplane. An aeroplane has many possibilities that an ordinary carriage does not have, but at the same time an aeroplane can be used as an ordinary carriage. It would be very clumsy and inconvenient and very expensive, but you can attach two horses to it and travel in an aeroplane by road. Suppose the man who has this aeroplane does not know that it has an engine and can move by itself and suppose he learns about the engine— then he can dispense with the horses and use it as a motor car. But it will still be too clumsy. Suppose that the man studies this machine and discovers that it can fly. Certainly it will have many advantages which he missed when he used the aeroplane as a carriage. This is what we are doing with ourselves; we use ourselves as a carriage, when we could fly. But examples are one thing and facts are another. There is no need of allegories and analogies, for we can speak about actual facts if we begin to study consciousness in the right way


Author: Eric Berne
Publisher: Grove Press (1972)

How is it that the members of the human race, with all their accumulated wisdom, self-awareness, and desire for truth and self, can permit themselves to remain in such a mechanical situation, with its pathos and self-deception? We are more aware of ourselves than apes are, but not really very much. Scripts are only possible because people don't know what they are doing to themselves and to others. In fact, to know what one is doing is the opposite of being scripted. There are certain aspects of bodily, mental, and social functioning which happen to man in spite of himself, which slip out, as it were, because they are programmed to do so. These heavily influence his destiny through the people around him, while he still retains the illusion of autonomy. But there are remedies which can be applied.