The power of capitalist realism derives in part from the way that capitalism subsumes and consumes all of previous history: one effect of its 'system of equivalence' which can assign all cultural objects, whether they are religious iconography, pornography or Das Kapital, a monetary value. Walk around the British Museum, where you see objects torn from their lifeworlds and assembled as if on the deck of some Predator spacecraft, and you have a powerful image of this process at work. In the conversion of practices and rituals into merely aesthetic objects, the beliefs of previous cultures are objectively ironized, transformed into artifacts.

• capitalism
• history
• culture
• capitalist realism
• system of equivalence
• objectification
• colonization

The inversion carried out by Marx in order to “salvage” the thought of the bourgeois revolutions by transferring it to a different context does not trivially consist of putting the materialist development of productive forces in place of the journey of the Hegelian Spirit toward its eventual encounter with itself—the Spirit whose objectification is identical to its alienation and whose historical wounds leave no scars. For once history becomes real, it no longer has an end. Marx demolished Hegel’s position of detachment from events, as well as passive contemplation by any supreme external agent whatsoever. Henceforth, theory’s concern is simply to know what it itself is doing. In contrast, present-day society’s passive contemplation of the movement of the economy is an untranscended holdover from the undialectical aspect of Hegel’s attempt to create a circular system; it is an approval that is no longer on the conceptual level and that no longer needs a Hegelianism to justify itself, because the movement it now praises is a sector of a world where thought no longer has any place, a sector whose mechanical development effectively dominates everything. Marx’s project is a project of conscious history, in which the quantitativeness that arises out of the blind development of merely economic productive forces must be transformed into a qualitative appropriation of history. The critique of political economy is the first act of this end of prehistory: “Of all the instruments of production, the greatest productive power is the revolutionary class itself.”

• society
• power
• thought
• spirit
• history
• theory
• alienation
• objectification
• hegel

How can a human being be a god-like “everything” to another? No human relationship can bear the burden of godhood, and the attempt has to take its toll in some way on both parties. The reasons are not far to seek. The thing that makes God the perfect spiritual object is precisely that he is abstract—as Hegel saw. He is not a concrete individuality, and so He does not limit our development by His own personal will and needs. When we look for the “perfect” human object we are looking for someone who allows us to express our will completely, without any frustration or false notes. We want an object that reflects a truly ideal image of ourselves. But no human object can do this; humans have wills and counterwills of their own, in a thousand ways they can move against us, their very appetites offend us. God’s greatness and power is something that we can nourish ourselves in, without its being compromised in any way by the happenings of this world. No human partner can offer this assurance because the partner is real. However much we may idealize and idolize him, he inevitably reflects earthly decay and imperfection. And as he is our ideal measure of value, this imperfection falls back upon us. If your partner is your “All” then any shortcoming in him becomes a major threat to you.

• relationships
• transference
• objectification
• hegel
• will
• god
• mortality
• meaning
• ideal
• power
• relationship