Ernest Becker
Author: Ernest Becker
Publisher: Free Press (1975)

How can one justify his own heroism? He would have to be as God. Now we see even further how guilt is inevitable for man: even as a creator he is a creature overwhelmed by the creative process itself.30 If you stick out of nature so much that you yourself have to create your own heroic justification, it is too much. This is how we understand something that seems illogical: that the more you develop as a distinctive free and critical human being, the more guilt you have. Your very work accuses you; it makes you feel inferior. What right do you have to play God? Especially if your work is great, absolutely new and different. You wonder where to get authority for introducing new meanings into the world, the strength to bear it.31 It all boils down to this: the work of art is the artist’s attempt to justify his heroism objectively, in the concrete creation. It is the testimonial to his absolute uniqueness and heroic transcendence. But the artist is still a creature and he can feel it more intensely than anyone else. In other words, he knows that the work is he, therefore “bad,” ephemeral, potentially meaningless—unless justified from outside himself and outside itself.