Extispicy, as divining from the exta of sacrificed animals is called, becomes the most important type of induced analog augury during the first millennium B.C. The idea of sacrifice itself, of course, originated in the feeding of the hallucinogenic idols as we saw in II.2. With the breakdown of the bicameral mind, the idols lost their hallucinogenic properties and became mere statues, but the feeding ceremonies now addressed to absent gods remained in the various ceremonies as sacrifices. It is thus not surprising that animals rather than oil, wax, smoke, etc., became the more important media of communication with the gods. Extispicy differs from other methods in that the metaphrand is explicitly not the speech or actions of gods, but their writing. The baru first addressed the gods Shamash and Adad with requests that they 'write' their message upon the entrails of the animal,22 or occasionally whispered this request into its ears before it was killed. He then investigated in traditional sequence the animal's organs — windpipe, lungs, liver, gall bladder, how the coils of the intestines were arranged — looking for deviations from the normal state, shape, and coloring. Any atrophy, hypertrophy, displacement, special markings, or other abnormalities, particularly of the liver, was a divine message metaphorically related to divine action. The corpus of texts dealing with extispicy outnum-bers all other kinds of augury texts and deserves much more careful study. From its earliest and very cursory mention in the second millennium, to the extensive collections of the Seleucid period around 250 B.C., the history and local development of extispicy as a means of exopsychic thought is an area where the tablets are simply awaiting the ordering of proper research. Of particular interest is that in the late period the markings and 22 See J. Nougayrol 'Presages medicaux de Tharuspicine babylonierine,' Semittca, 1956, 6, 5-14. 244 The Witness of History discolorations are described in an arcane technical terminology similar to what occurred among medieval alchemists.23 Parts of the exta of the sacrificed animal are referred to as 'door of the palace,' 'path,' 'yoke,' and 'embankment' and symbolize these locations and objects, creating a metaphor world from which to read out what to do.

• animals
• sacrifice
• thought
• communication
• metaphor
• speech
• writing
• metaphrand
• analog
• bicameral mind
• history
• media
• shape
• gods
• other